My CONvergence 2014 Schedule

So the #Gargoyles20 U.S. Tour continues. Stop #3 is CONvergence in Minneapolis, Minnesota. (Well, actually in Bloomington, Minnesota, but close enough.) http://www.convergence-con.org

This is a big one for us. It includes a number of events that we used to do at the old Gathering of the Gargoyles Conventions, which ran from 1997-2009. And I know a bunch of Gargoyles fans will be attending, so it'll also be a reunion of sorts.

My schedule for the long weekend is quite packed - which is just how I like it!

THURSDAY, JULY 3, 2014
2:00pm - 3:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.

3:30pm - 4:30pm BUFFYVERSE TEN YEAR ANNIVERSARY
Okay, so Gargoyles ISN'T the only show celebrating an anniversary. The Buffy/Angel universe has been off the air for ten years. Let's reminisce and talk about the impact these shows have had on TV fantasy since their cancellation. Panelists: Myself, Tim Lieder, Cetius d'Raven, Madeleine Rowe, Mark Goldberg. EDINA.

7:00pm - 8:00pm OPENING CEREMONY
If it's not exactly a magical invocation, it is nonetheless our official kick-off for the convention! Join CONvergence mascot Connie as we welcome our Guests of Honor, give out some awards (including the Mark Time and Ogle winners), and get this party started. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Frank Paur, Matthew Ebel, Dawn Krosnowski, Greg Guler, Rob Callahan, Windy Bowlsby, Michael Lee. MAIN STAGE.

9:00pm - 10:00pm GREG WEISMAN'S FANCY BASTARD PIE COMPETITION
Geek Partnership Society is excited to host the Greg Weisman Fancy Bastard Pie Competition at CONvergence 2014! It is open to all CONvergence members who wish to participate. The goal is to make a pie that Greg Weisman, herein to be known as "Fancy Bastard", likes best. The winner will be told super-secret Young Justice spoilers. Find out [some of] what would have happened in Season 3! (But winner must swear to secrecy to claim prize.) See below for some helpful hints.* CABANA 110.

FRIDAY, JULY 4th, 2014
11:00am - 12:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Last chance to audition! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.

12:30pm - 1:30pm FROM TV TO COMICS
We'll discuss the TV shows that expanded into the comicverse, such as Buffy, Smallville, Young Justice and Gargoyles. Did they succeed? Were any of the comics improvements on the shows? How did canon change during the transition? Panelists: Myself (Gargoyles, Young Justice), Shawn van Briesen, Jonathan Palmer, Greg Guler (Gargoyles), Karine Charlebois (Gargoyles, Bad Guys), Christopher Jones (Batman Strikes, Young Justice, Bad Guys). PLAZA 2.

2:00pm - 3:00pm SIGNING
Myself, Christopher Jones (Young Justice, The Batman Strikes, Parallel Man) and Greg Guler (Gargoyles, Phineas and Ferb) will be holding a signing session. Both Chris and Greg always have an array of stuff (books, prints, etc.) to sell and sign. But this time I'm pretty darn prepared as well. First off, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, The Batman, Batman: The Brave and the Bold, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. ;) CONVERGENCE CENTRAL.

3:30pm - 4:30pm CREATING GARGOYLES
This is what we used to call (at the Gathering) the Rocky Horror Gargoyles Show. The creators of Gargoyles show clips and tell stories of how the show came to be. Lots of visual aids. Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Frank Paur ( (Supervising Producer/Director), Greg Guler (Lead Character Designer). ATRIUM 6.

7:00pm - 8:00pm TIME TRAVEL THEORY
Let's assume for a moment that Time Travel is possible. This panel will explore the theories behind such technology. We'll explore quantum realities, temporal anomalies and all other challenges our theoretical time travelers will be face! [Now, I suggested this panel, but then they went and put some actual scientists on the damn thing. So I may quickly be embarrassed into silence.] ;) Panelists: Myself, Nicole Gugliucci, Jim Kakalios, G. David Nordley, Amy Berg. ATRIUM 4.

8:30pm - 9:30pm GARGOYLES Q&A
Join the cast and creators of the "Gargoyles" series and SLG companion comic books to ask and talk about the property. And, as always, Cosplayers are welcome! Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Christopher Jones (Bad Guys guest artist), Marina Sirtis (voice of Demona and Margot Yale), Frank Paur (Supervising Producer/Director), Karine Charlebois (Gargoyles Guest Artist, Bad Guys Artist), Greg Guler (Lead Character Designer, Gargoyles Guest Artist). MAIN STAGE.

SATURDAY, JULY 5th, 2014
9:30am - 10:30am GARGOYLES SIGNING
Myself, Marina Sirtis (voice of Demona and Margot Yale) and Frank Paur (Supervising Producer/Director) will be holding a signing session. Again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., The Batman, Batman: The Brave and the Bold, Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.

11:00am - 12:25pm GARGOYLES RADIO PLAY REHEARSAL
This is a closed session - for those who were cast in the Radio Play - led by Myself, Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice) & Marina Sirtis (voice of Demona, Margot Yale and Queen Bee). ATRIUM 6.

12:30pm - 1:30pm GARGOYLES RADIO PLAY PERFORMANCE
Fans and professionals - including Myself (voice of Donald Menken and Lucas "Snapper" Carr), Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice), and of course, Marina Sirtis (Deanna Troi from Star Trek TNG and the voice of Demona, Margot Yale and Queen Bee) - perform a LIVE, ORIGINAL Gargoyles radio play! ATRIUM 6.

2:00pm - 3:00pm GARGOYLES BIOLOGY AND CULTURE
A "what if" panel about the biology and culture of the Gargoyles universe. Creators and performers speculate about anything and everything going on outside the frames of the TV series. Panelists: Craig A. Finseth moderates Myself (Creator, Producer) and Greg Guler (Lead Character Designer). ATRIUM 7.

3:30pm - 4:30pm RAIN OF THE GHOSTS
I'll be reading from and talking about the world and characters of my novel "Rain of the Ghosts" and its sequel, "Spirits of Ash and Foam," which comes out July 8th, 2014, one week after the convention! ATRIUM 3.

7:00pm - 8:00pm ONE ON ONE WITH GREG WEISMAN
Hal Bichel will moderate a one-on-one panel with Myself. PLAZA 2.

8:30pm - 9:30pm SIGNING
Once again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Batman, Batman: The Brave and the Bold, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.

10:00pm - 11:00pm BLUE MUG
Ever wonder about the sexual habits of Gargoyles? Ever wonder who was sleeping with whom among the Young Justice Team or the cast of Spectacular Spider-Man? Join us for for a late night peek at your favorite animated series. This panel will get blue! (So attendees will be carded!) Panelists: Myself, Christopher Jones, Mara Cordova (Last Tengu in Paris Artist). It is also rumored that Edmund Tsabard (an unfancy bastard and Last Tengu in Paris Writer) may make an appearance. EDINA.

SUNDAY, JULY 6th, 2014
11:00am - 12:00pm PROTOFEMINISTS IN SHAKESPEARE
Shakespeare portrayed several intelligent, independent, and self-aware women--Juliet, Lady Macbeth, Katharine, Beatrice, Viola, Rosalind. We'll discuss the problematic and the remarkably (for the era) fleshed-out aspects of their representation. Panelists: Myself, Elizabeth Bear, Ashley F. Miller, Joseph Erickson, Alexandra Howes. EDINA.

12:30pm - 1:30pm GARGOYLES FAN PANEL
It's the 20th Anniversary of Gargoyles. Come share your favorite moments from the show. As always, Cosplayers are welcome! Panelists: Daniel Mohr moderates Myself, Ryan Alexander, Robert Wagner, Maggie Schultz, Jennifer Anderson, Karine Charlebois. ATRIUM 6.

2:00pm - 3:00pm SIGNING
Myself and Greg Guler (Gargoyles, Phineas and Ferb) will be holding one last signing session. Greg G. always has an array of stuff (books, prints, etc.) to sell and sign. And I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, The Batman, Batman: The Brave and the Bold, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. CONVERGENCE CENTRAL.

3:30pm - 4:30pm YOUNG JUSTICE
Creative minds behind the Young Justice TV and comic book series will talk about this fan favorite. We're planning some special surprises as well. And, as always, Cosplayers are welcome! Panelists: Myself, Marina Sirtis (voice of Queen Bee), Christopher Jones (Artist YJ Comic). MAIN STAGE.

5:00pm - 6:00pm CLOSING CEREMONY
It's not over 'til the gynoid sings - or something like that. Join CONvergence mascot Connie and our Guests of Honor as we say farewell to another convention. Shenanigans may ensue. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Matthew Ebel, Frank Paur, Dawn Krosnowski, Greg Guler, Windy Bowlsby, Rob Callahan, Michael Lee. MAIN STAGE

SEE?!! I told you there was a lot. And that's only the stuff that I'm doing. CONvergence is jam-packed with all sorts of pop culture nutritional goodness. So stop by and say hello!!

*In the interest of Full Disclosure, Fancy Bastard would like all to know that he especially likes the following pies:
APPLE
BERRY (pretty much any kind of berry or a mix of same)
PEACH
APRICOT
PUMPKIN
BANANA CREAM (herein to be known as the funniest pie)
Combinations of some of the fruit pies can be great. Contestants are welcome to try other pies at their own risk.

Fancy Bastard does NOT especially like the following pies:
PECAN
Anything with Chocolate or Lemon or Meringue
Raisins in Apple Pie
Almost never Cherry, though he has tasted the rare exception...

San Diego Comic-Con 2011

San Diego Comic-Con 2011

Well, I'm here!

I've so much work backed up from Oregon, ConVergence and being sick that I may spend an unfortunate amount of time holed up in my hotel room, nose to grindstone (grindstone = laptop), but if YOU are here, there are a few places you can find me:

Thursday, Friday and Saturday from 11:30am - 12:30pm, I'll be signing Gargoyles TPBs at the SLG Booth (#1815 - across from the DC Comics booth). Stop by and say hello!

Sunday at 10 am, Brandon Vietti, character designer Phil Bourassa, Danica McKellar (the voice of Miss Martian) and myself will be appearing at a panel for YOUNG JUSTICE in Room 7AB. We'll be screening an episode, followed by a Q&A.

After that, from 11:15am until noon, the four of us will be signing some VERY cool and unique (and even spoilerish) YJ giveaways at the Warner Bros. Booth (#4545). So again, stop by and say hey!

SO WHERE HAVE I BEEN? Updates & Debunks

Hello everyone,

Haven't posted here in a while, and since I did a bit of message board lurking this morning, it seems to have led people to believe all sorts of odd things, so...

Where have I been?

Well, in early June, my family and I went to the Oregon Shakespeare Festival in Ashland, Oregon.
We saw seven plays in four days. Six of them (Henry IV, Part Two, The Language Archive, To Kill a Mockingbird, Julius Caesar, Love's Labours Lost and Measure for Measure) were just stellar productions. Everyone was great, but I'd like to particularly single out Susannah Flood in both Language Archive and Mockingbird, Dee Maaske in Mockingbird and Michael Winters as Falstaff in 2HenryIV.

Coming back from that, I was understandably swamped and didn't have time to post.

Next, I went to Minneapolis for the always great ConVergence convention. I did about thirteen panels. Some of which, like Gargoyles and Spider-Man and Young Justice, I felt qualified to be on. And some, like Dexter and Galaxy Quest, my only qualification was being a fan of whatever we were talking about. This was my third ConVergence, and it continues to be the best run convention I've ever attended. And now that the Gathering of the Gargoyles is no more, it has become my FAVORITE convention to attend.

Returning from ConVergence, I then got quite ill. In fact, I'm still home sick today. (Home sick as opposed to homesick, clear?)

So THOSE are the reasons I haven't posted. Nothing nefarious.

Next topic: YOUNG JUSTICE UPDATE.

We have aired episodes 101-109 (i.e. Season One, episodes 1-9).

(Yes, episode 110 accidentally was posted on Cartoon Network's website, but I'm going to pretend that never happened.)

Episodes 110-115 are in the can, i.e. they are completed and ready to air.

Episode 116 awaits only the final on-line, i.e. the final review of the episode. This has been delayed ONLY because I've been out sick this week.

Episode 117 will have it's sound mix on Friday. (I hope to be back at work by then.)

Episode 118 has been edited and work progresses on scoring and sound effects.

Episode 119 is ready to begin post-production.

Episodes 120-123 are being animated in Korea.

Episodes 124-126 are in layout in Korea, while we finish the final color models here in the States.

Episodes 201-202 (i.e. Season Two, Episodes one and two) - Are fully recorded and are in storyboard. (201 was written by me. 202 by Nicole Dubuc.)

Episode 203, written by Kevin Hopps, is almost fully recorded. We have one actor left to pick up, who has been out of town. It is also in storyboard.

Episode 204, written by me, will record this week. It is also in storyboard.

Episode 205 - Brandon Vietti, has turned in his draft of the script. I have to read and edit it.

Episode 206 - The outline, written by Peter David and edited by me, went out Monday for notes, which are due tomorrow.

Episode 207 - Kevin Hopps turned in his outline, which I need to read and edit.

Episode 208 - I'm writing this one. I'll start the outline, after I've edited the outline to 207.

Episode 209 - Jon Weisman turned in his outline, which I need to read and edit.

Episode 210 - Kevin Hopps is working on his outline.

We do NOT yet have a pick-up beyond episode 210, but our bosses have told us to start blocking out episodes 211-220 in anticipation of one.

Episode 211 - We've broken this story. I still need to find time to write up the Beat Outline, though I have it all on index cards.

Episode 212 - We've got the basics of this one down, but we (i.e. myself, Brandon and Kevin) still need to finish breaking the story.

Episodes 213-220 - We've got a very clear sense of the arc and what things need to happen, but we haven't started on these yet.

NEXT TOPIC: DEBUNKING YJ RUMORS

False Rumor #1: YJ IS A GREG WEISMAN PRODUCTION
Everywhere on the Internet, all I see is that YJ is Greg Weisman's show. That's just blatantly false. This is a VIETTI/WEISMAN production. Just as Spectacular Spider-Man was a COOK/WEISMAN production and Gargoyles was a PAUR/WEISMAN production. I am not, nor have I ever been, a one-man show on ANY project I've EVER worked on. EVER. And in particular, on YJ, it's extremely unfair to Brandon to leave him out of consideration. Brandon is heavily involved in every aspect of production, INCLUDING SERIES DEVELOPMENT AND STORY. He's been right there with myself and Kevin Hopps breaking every single episode. It's been a team effort from day one. Many of the series' best ideas came/come from Brandon. And this is aside from the fact, that of course, Brandon can write - but I cannot draw, which arguably makes him MORE important to the production than I. I am exceedingly proud of this series and my own work on it - though certain very vocal fans seem to think I shouldn't be - but that doesn't change the fact that Brandon and I are a team.

False Rumor #2: YJ WAS RUSHED INTO PRODUCTION
Another blatant misconception. Look, Brandon and I are both perfectionists. Neither of us would deny that we'd LOVE to have more time on each and every episode. But that's not the same as being rushed. Let's make a comparison: on Spectacular Spider-Man, I basically had one week to develop both the series and the entire first season. Then Vic Cook came aboard, and we raced to get into production in less than two months. Brandon and I had seven months to develop the series, break the first season (which granted had twice as many episodes as the first season of Spidey) and head into production. The show isn't and never has been rushed. That's not to say the schedule isn't tight. But we haven't aired a single episode that wasn't ready to air. And we won't.

False Rumor #3: YJ ISN'T AIRING NOW BECAUSE WE'RE REWORKING EPISODES BASED ON INTERNET CRITICISM
This is my favorite. I love it the most because the first person I saw who posted this rumor also said that I'd deny it. So here I am denying it, which of course serves to PROVE that he or she was correct, see? Let's be clear: for better or worse, this series is COMPLETELY unaffected by internet criticism BECAUSE of schedule. Everything of any significance was set and DONE before even the pilot movie aired last November, so we couldn't address fan concerns even if we wanted to. And, honestly, we don't want to. We don't in part because there is way less consensus than some people seem to think. For example, for every post I see expressing hatred for "Hello, Megan!", I see a post that likes it. And personally, I like it. Brandon likes it. So why would we change it, even if we could? In fact, even Season Two is moving forward more or less disregarding "fan" criticism. Brandon and I always had very clear ideas for what we wanted to do in Season Two (and even Season Three, should we get one) and those ideas haven't changed. As with every series I've co-helmed, all we can ever do is write and produce to OUR OWN passions - and then just cross our fingers and hope enough people share our passions to make it a success. Anything else is doomed to failure, because if we're not passionate about it, it'll show in the work, and then no one will like it. And just to make it clear: WE LIKE OUR SHOW!! Doesn't mean you have to - but don't try to tell me I don't.

So why aren't we airing new episodes now? That's a fair question that I don't have an answer for. After all, we have six unaired episodes in the can, with four more on the verge of completion. It's a Cartoon Network decision. Some fans have argued that they shouldn't have started airing ANY episodes until ALL episodes were in the can. But that too is a decision above my pay grade.

My best guess - and that's all it is - is that CN will air new episodes - starting with 110 ("Targets") - in September. The good news is that the later they wait, the more weeks they can go uninterrupted by reruns. I do know that Season Two (i.e. "Young Justice: Invasion") will begin airing as part of DC NATION in March of 2012. And by then ALL of Season One will have aired. So do the math.

People have asked me if I'm bummed about losing momentum by this delay. But the thing is we've ALREADY lost all momentum. So as long as they PROMOTE us whenever they finally do start airing us again, then pragmatically I'm good. Yes, I'll admit to a certain level of frustration in that I want our stuff to get out there, but if CN has a plan to make the most of the episodes, then more power to them.

Anyway, I think that's it for now. I'll get back to answering questions on ASK GREG as soon as I can find the time. (But keep in mind that San Diego Comic-Con is fast approaching. Note: Young Justice has a panel scheduled for Sunday, July 24th at 10am, with a signing to follow. I'll also be signing Gargoyles comics (and whatever else anyone might want) at the SLG Booth from 11:30am to 12:30pm on Thursday, Friday and Saturday (July 21, 22, 23).

ALL CAUGHT UP

Hey gang,

I'm finally all caught up on the ASK GREG queue. Gonna take a short break, but we'll open the queue again on September 27th, 2010 in preparation for the release of Superman/Batman: Apocalypse which also contains the DC Showcase Green Arrow short that I wrote.

As always, I urge you guys NOT to flood ASK GREG with questions. Check the archives. Check the FAQs. Ask questions of the loyal fans in the Station 8 comment room.

AND, please, THINK BEFORE YOU POST. I am NOT, for example, going to SPOIL "Young Justice" before it airs. I'm not going to SPOIL "Gargoyles" either since I still have hopes of bringing that back. I'm not even going to "SPOIL" Spectacular Spider-Man, because I don't see any real point in revealing future plans and ideas independent of their execution.

Happy to talk process. Happy to talk about what's ALREADY aired or been published. Happy to talk about Mecha-Nation and many other things. But. NOT. GONNA. SPOIL.

Thanks,

gdw

SAN DIEGO COMIC-CON 2010 and ASK GREG

Hey gang,

Well, I've finally caught up with the backlog here at ASK GREG. I'm going to take a short Ask Greg vacation, and then we'll be reopening the site soon... i.e. on the Monday (July 26th) AFTER San Diego Comic-Con 2010.

As always, I ask that before you post a question you do your best to make sure it's not a question that's been answered in the archives already AND that it's not a question that someone posted just before you. You can also try asking your question first in the Station 8 Comment Room, as the fans know a LOT of answers already.

We're just trying to avoid flooding the site with so many questions, that I'm immediately backlogged again.

Meanwhile, I will be at Comic-Con next week. Subject to change, here's my current schedule:

THURSDAY, JULY 22, 2010
10 - 11:30am - Mecha-Nation signing at the Kizoic Booth. (We'll be premiering the first issue.)

FRIDAY, JULY 23, 2010
10:30-11:30 am - Brave and the Bold/Young Justice Panel. (We'll be premiering our first Young Justice footage in a mini-panel jam-packed with revelations!)

2 - 4 pm -Mecha-Nation signing at the Kizoic Booth.

SATURDAY, JULY 24, 2010
11:30am - 1pm - Gargoyles signing at the SLG Booth.

3 - 4 pm - DC Showcase panel. (We'll be previewing some footage from the Green Arrow DVD short that I wrote.)

5:30 - 6:30pm - DC Showcase signing. (Location TBD).

SUNDAY, JULY 25, 2010
10-11am - Mecha-Nation signing at the Kizoic Booth.

11am - 12:30pm - Gargoyles signing at the SLG Booth.

Please stop by and say hello!

ACCESSIBILITY

So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.

And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.

I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.

And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.

Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.

Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.

Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.

Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.

Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.

You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.

Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.

Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.

Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.

My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.

A few thoughts...

Got easily a hundred calls, texts, e-mails yesterday about the big Marvel/Disney news and a few about the Sony/Marvel/Spidey news, so here are a few random thoughts to go with what I posted yesterday...

1. SPEC SPIDEY: The main thing that's changed about the Spec Spidey situation is that Sony is now out of the loop/decision making process about whether or not there's a third season. Before Sony was waiting to see if Disney picked up the series. Then they'd decide on its economic feasibility for Sony. Now Sony isn't part of that equation, leaving the whole thing in Marvel and Disney's hands. Of course, now that Marvel and Disney are kinda one hand, so-to-speak, I don't know what that means for us. Other than the obvious, which is that I'm sure we're not exactly Disney/Marvel's highest priority at the moment. How and when this decision gets made is really up in the air, but a former negative does feel good -- now -- that our last six episodes won't start airing on Disney XD until late October. That means our last episode won't air until early December, which may be a better time for Disney/Marvel to focus on the show. (Or not.) Of course even a positive decision in December or (more likely) January means a HUGE gap between Seasons Two and Three, but I'd take that over no new episodes.

2. FLASHBACKS:I can't help but be reminded of events in the mid-nineties, when Michael Eisner (then CEO of Disney) wanted to buy Marvel, so that he'd have super-heroes to compete with Warner Bros' DC Universe heroes (including Superman and Batman). Back then, however, Marvel was, or so I was told, a corporate mess. And it wasn't just that -- as now -- various studios already had the rights to individual characters, but that the rights had been double sold all over the place, and that every character pretty much represented a lawsuit in the making if not already in the works. Eisner was advised NOT to buy Marvel, and of course he didn't. But he REALLY wanted to be competing in the boys action/super-hero market. That was when the Gargoyles Universe was raised as a possible alternative. We pointed out that the Marvel Universe began with the Fantastic Four, and that we could use Gargoyles as a springboard to more properties and to an entire Universe. We were encouraged by Michael to create spin-off properties, backdoor pilots, etc. And that was THE major impetus for us to work on things like New Olympians, Bad Guys, Pendragon and Dark Ages. (Gargoyles Future Tense -- which became Gargoyles 2198 and TimeDancer came later.) It was also a reason to be expansive with the World Tour and introduce more and more new characters, etc. Of course, by the time all this stuff was actually made, the world had changed again. Frank Wells died. Michael and Jeffry Katzenberg went to war, with Jeffry eventually leaving to found DreamWorks, and taking two of my immediate superiors, Gary Krisel and Bruce Cranston, with him. Rich Frank (another of my bosses up the chain) also left. Dean Valentine was placed in charge of Walt Disney Television Animation and he had no affinity for Gargoyles or its spin-offs. And Michael, who had initiated the whole thing, had way bigger concerns on his plate. I was more or less forced out. But for one bright, shining moment...

3. GARGOYLES: I'm sure a lot of people are wondering what this means for our favorite winged warriors, but in the short term, I'm sure the answer is "Not much." Gargoyles is pretty much under Disney's radar right now, and really doesn't exist on Marvel's radar at all, as far as I can tell. We'll be an extremely low priority. Our best bet is still SLG, which HOPEFULLY will be motivated by the sales of the Trades to want to make more content with me. Having read Dan "Mr. SLG" Vado's recent reaction to the Disney/Marvel merger, I'm hoping he isn't too discouraged by being in bed with his competition. But I have no doubt that the best way to get Dan fully on board is to make it worth his while by having those trades sell VERY well. So again, buy the trades and/or SPREAD THE WORD!!!!

SUCH BIG NEWS

Okay, in the period of just a few days, I have been rocked by two incredible pieces of news.

1. Last Thursday (8/27/09), Vic Cook and I were informed that in exchange for some concession vis-a-vis the live action Spider-Man features, Sony returned the television rights (including the animated television rights) for Spider-Man to Marvel. This took place the day before ComicCon, I'm told. But I was only informed of it this past week.

2. Today (8/31/09) comes the news that Disney has purchased Marvel outright.

NOW, before you ask -- before you post a thousand duplicate and/or overlapping questions to ASK GREG -- let me be clear: I have NO IDEA what this means for either Gargoyles or The Spectacular Spider-Man. Neither of these developments are by definition good news or bad news. Shocking news, sure. But how it will play out for either or both properties is a complete mystery to me. As soon as I have ANY information on either property, I will post it here at ASK GREG. Until then, don't ask. Seriously. Just don't. There's just no point in bogging down the queue with questions I have no answer to. Thank you for your cooperation.

GATHERING 2009 - Monday, August 24th

GATHERING 2009 - Monday, August 24th

Midnight - The goodbyes begin for folks who are leaving first thing Monday morning or right now. Said goodbye to Marina, Zehra, Sarah, Michael McAdam and probably quite a few others...

1:30am - The party downstairs finally breaks up and I head up to my room.

4am - Went to bed. But I just couldn't sleep at all.

8am - Finally gave up and got up.

9am - Brought my luggage to my car and then went to the staff breakfast: crepe, ham, potatoes, OJ.

10am - Comic book panel with Karine Charlebois and Greg Guler. I'll just repeat the main message I gave. I have no info on the future of Gargoyles comics beyond this: SLG's Dan Vado is sincerely interested in doing more. His ability to make an offer for the license to Disney will depend on the sales of the three trade paperbacks. Beyond that, we had some really interesting discussions about the books.

11:30am - Gargoyles Biology and Culture panel with Jade Griffin and Matt Parker. I love this panel. Always full of interesting discussions, that influence how I handle things in the Gargoyles Universe.

1pm - Closing Ceremonies. Okay, I admit it. I pretty much lost it more than once. It was VERY emotional. A number of us told stories of past Gatherings and how they changed our lives. It was warm and all too fuzzy, but wonderful. I love all you guys. Thank you.

2:30pm - We finally closed the Closing Ceremonies. I helped Patrick and a bunch of other volunteers carry things down to Patrick's rented van. Then we headed up to the Constaff Suite for a dead dog party. Christopher bought pizza for everyone, which was very generous. I had a coke and a virgin jello shot. And we just hung out.

5:45pm - Time to go, to return to real life. I hugged EVERYONE. Jennifer Anderson walked me to the elevator. I was pretty wrecked. It felt a bit like it felt to end a long job. You walk away. What else can you do? You take your memories with you, but you also know you're leaving a piece behind.

But it's been a FANTASTIC THIRTEEN YEARS. Thanks to everyone who ever attended a Gathering. You really changed my life!

TRADE PAPERBACKS!

Hey gang,

I know -- and share -- the frustrations over the vague release dates of the two remaining trades. Both are DONE. So it's just an issue of getting them from the printers, through customs, out to Diamond and then into stores, etc.

BUT, Dan Vado has ASSURED me that all three trades (GARGOYLES, CLAN-BUILDING, VOLUME ONE; GARGOYLES, CLAN-BUILDING, VOLUME TWO; GARGOYLES: BAD GUYS, REDEMPTION) will be available for purchase at the Gathering. Hopefully, they'll be available everywhere sooner or at least shortly thereafter, but at the very least -- if you come to the con, you can get the books!

CLARIFICATION

CLARIFICATION

Hey gang,

There seems to be some confusion about where things stand with the comic books, so I'm going to try again to clear things up. The SLG license expired on 8-31-08. That means there will be no more individual comic book issues on either Gargoyles or Bad Guys.

However, SLG does still have the right to put all existing material out in the Trade Paperback format. They are also allowed to include Bonus Material in these trades.

Gargoyles: Clan-Building, Volume One will remain available, and as soon as possible, we will be putting out Gargoyles: Clan-Building, Volume Two and Gargoyles: Bad Guys: Redemption out in trade.

Gargoyles: Clan-Building, Volume Two will include (obviously) Gargoyles issues #7-8, but it will ALSO include what would have been issues #9-12, including the covers, as QUOTE-UNQUOTE Bonus Material. You WILL get to see the end of the Clan-Building arc. Currently, issue #9 is done except for a few minor lettering corrections. Issue #10 is being pencilled as we speak. Issue #11 has been scripted, and we are looking for the right artist to pencil it. Issue #12 is being scripted now. The trade will come out when ALL this material is complete and approved.

The Gargoyles: Bad Guys: Redemption trade will include (obviously) Bad Guys issues #1-4, but it will ALSO include what would have been issues #5-6, including the covers, as QUOTE-UNQUOTE Bonus Material. You will get to see the end of the Redemption limited series. Currently, issue #5 is done except for a few minor art corrections and the lettering. Issue #6 is scripted, and Karine will begin roughing it out shortly. The trade will come out when ALL this material is complete and approved.

Hope that clears things up.

Greg

THE BIG BAD NEWS (and a little bit of good news).

THE BIG BAD NEWS (and a little bit of good news).

As many of you have probably heard, we found out Saturday (7/26/08) at San Diego ComicCon that the GARGOYLES (including BAD GUYS) license will not be renewed after it expires on 8-31-08.

Just to be very, very clear... this is NOT the result of poor sales. GARGOYLES is still one of the best selling book SLG publishes (if not THE best). BAD GUYS doesn't do too badly either by SLG standards. Of course, delays didn't help sales... and there are probably other factors that reduced the upside -- including the writing -- but none of that is the point.

According to SLG's President, Publisher and Owner Dan Vado, the Disney execs told him that the money they were taking in did not justify their administrative costs. So they raised the license renewal fee to a rate that put it beyond SLG's reach. (Dan had hoped to renew both Gargoyles and Haunted Mansion -- though not Tron or Wonderland -- but neither book will now be picked up.)

I don't know what effect recent announcements about Kingdom Comics and Boom! Comics had on this decision. Dan was told one thing had nothing to do with the other. No one at either company has approached me about doing Gargoyles, and I don't know that there will be any interest now that the license is coming to an end.

That's the bad news. But there is a bit of a silver lining.

There will be NO STORY INTERRUPTUS!!

We will finish both GARGOYLES: Clan-Building and BAD GUYS: Redemption. That's the equivalent of seven more issues of material.

BAD GUYS #4 should be out next week. The book is done and has been done for some time. It's been sent to the printers.

GARGOYLES #9 will hopefully be out next month. David is done with the art. All that remains is for Robby to color it and David to letter it -- tasks that both these gentlemen have proven able to do with great speed.

Whether or not the remaining issues (BAD GUYS #5-6 and GARGOYLES #10-12) are published as individual issues is a bit up in the air. BAD GUYS #5 and GARGOYLES #10 have decent (if long) shots at getting out in time. But whatever doesn't get out as individual issues will still be scripted, drawn, colored or toned, lettered and published as "BONUS MATERIAL" in individual trade paperbacks that will collect GARGOYLES: Clan-Building Volume II and BAD GUYS: Redemption. And these compilations WILL come out! There's still a lot of work to be done. (Personally, I still need to script Gargoyles #11-12.) So I WON'T take this moment to thank everyone and say au revoir. That'll come later. For now, we're still a going concern.

In addition, Dan hasn 't given up on us. He wants to put out these two new trades and keep all three trades available for sale (and btw we sold a bunch of the trades at ComicCon -- when I left Sunday at 1pm, hours before close of con, we only had a handful of Clan-Building Volume I left to sell). After a year, he hopes to go back to Disney with a different, perhaps more modest offer to do Gargoyles Graphic Novels. Might work out. Might not. But he's still game and just in case it isn't 100% clear...

GREG WEISMAN HAS NOT GIVEN UP!!!!!!!!!!

I'm as determined as ever -- if not moreso -- to continue bringing you canon Gargoyles stories. The eighteen issues we've done/are doing have only whetted my appetite! I'm still going to be out here swinging... for more comics or graphic novels, for the DVD releases, for a live action film, etc. But I can't do it alone! So please don't you guys give up on Gargoyles either!

Remember, a few years ago, we didn't even have this. In that time, we will have brought you two big arcs, six big stories, eighteen "episodes" and numerous sub-plots, plot-twists, new characters and old familiar favorites. Would we have Shari, Quincy, Coco, Amp, etc. if the fans haven't kept the faith?! No. Would we grok the Illuminati number system?! No. Would we have seen Goliath and Elisa declare their love?! NOPE!!! (Oh, and for those of you who wish Demona could have figured more prominently in the comic... well, guys do you really think I'd do a twelve issue re-introductory story arc in Gargoyles without prominently including the crazy red head? Please.)

So what can YOU do? Well, nothing's changed on that front, really. We still need people to buy comics, trades, DVDs, HOT TOPIC T-Shirts. We still need people to attend the GATHERING. (Check out www.gatheringofthegargoyles.com ) And whether or not you've spent all the disposable income you have to spend on the property, then help us SPREAD THE WORD!!!! Make sure every gargoyle fan knows about what's out there. Show friends the first 39 episodes on DVD. Lend them the comics or trades. Create converts.

And mostly... just keep the faith.

Where things stand...

Uh... they don't. Not for me. They run at break-neck speed, these days. Here's what I'm up to.

GARGOYLES
Issue #8 is complete. Late last week it was sent to Disney AND the printer, so that the moment the former approves it, the latter can send it to press.
Issue #9 is written. David Hedgecock is doing roughs and original designs now. The cover, already pencilled and inked by Greg Guler,is being colored by Robby Bevard.
Issue #10 needs to get written. I'll get to that as soon as I'm done writing Red Tornado #1 (see below). Dave will be pencilling that cover off his rough.

GARGOYLES: BAD GUYS
Issue #2 is currently being lettered. The art is complete: pencils and inks by Karine Charlebois, finishes by Karine and Robby. The cover, a Guler/Bevard job featuring Yama, is done.
Issue #3 is currently being roughed out by guest artist Christopher A. Jones. Chris is the regular penciller on The Batman Strikes, and he and I worked together on the Captain Atom/Gargoyles/Justice League Europe parody from a few years back. The cover, a Guler/Bevard job featuring Hunter, is done.
Issue #4 is currently being roughed by Karine. The cover, a Guler/Bevard job featuring Fang, is done.
Issue #5 will get scripted as soon as I'm done scripting Red Tornado #1, Gargoyles #10 and Red Tornado #2. Guler is currently working on the cover, which features Dingo.

RED TORNADO
DC Comics has hired me to write a six issue limited series featuring one of my favorite characters, i.e. Red Tornado. (Duh.) I'm currently scripting issue #1. I'm hoping that any attention I get on this book will help us over on the Gargoyles books.

THE SPECTACULAR SPIDER-MAN
And, oh yeah... there's my actual job... and the main reason why I'm completely exhausted these days.
Episode #1 - This week we have a music and fx preview. The episode will preview at WonderCon on 2/23 and premiere on KidsWB on 3/8.
Episode #2 - We had a music and fx spottting session last week. This episode will ALSO premiere on KidsWB on 3/8. Or so I've been told.
Episode #3 - I've seen the Teaser and Act One. Hopefully, I'll see the missing acts this week, so that we can do our first pass edit and call retakes. We also have a music spotting session late this week.
Episode #4 - We should get it back from Korea this week to edit and call retakes.
Episodes #5-12 - We're waiting to get these back from Korea.
Episode #13 - Reviewing final color models.
Episodes #14-15 - Seeing design work daily and waiting to see storyboards.
Episodes #16-17 - Seeing design work daily. We'll be recording some pick-ups this week with a couple of actors who missed the main recording sessions earlier this month.
Episode #18 - We're recording this one on Thursday of this week.
Episode #19 - I need to finish editing the script for this one tonight.
Episode #20 - I'll start editing this script tonight or tomorrow.
Episode #21 - The writer should deliver this script late this week.
Episode #22 - The writer's working on this script now.
Episode #23 - The writer's working on this outline now.
Episode #24 - The writer will start this outline when she finishes writing the script to #21.
Episode #25 - I have to write this outline... you know, on my free time.
Episode #26 - The writer will write this outline when he's done writing the script for #22.

And I think that's it. Whew!

Latest Update

Okay, here's what I know as of right now.

First off, the reprint of Gargoyles #6 should be in stores tomorrow (11/14/07). You SHOULD be able to exchange first printing copies for the reprint if you'd like. Notice the emphasis on SHOULD. Let me quote a recent e-mail from SLG publisher Dan Vado in answer to my question as to whether local stores know about this:

"The store issue is a tough one. They have been as informed as they possibly can be, that is we paid to have notices sent to them, there will be an item on their invoice and there was a mention in the weekly newsletter from Diamond Comics as well as from me personally in my retailer newsletter and on a retailer message board. That being said, I was on a conference call with two retailers yesterday, two who buy direct form me regualrly and are among those stores I would count as hard core supporters, and they had no clue they were getting new copies this week or about the replacement issue. So, as I have been mentioning to fans, the best thing to do if the retailer looks at them like they were crazy is to not bother them or get angry with them, just tear off the cover [of their old printing copy] and send it to us [at SLG] and we will replace the book directly. This is why we have not sent copies to Amazon yet and why it has not been on our website yet."

So, not a perfect world, but I really do think it's as good as it gets given the situation.

Next up, Bad Guys #1. This SHOULD be out by the end of this month. Unfortunately, because of Thanksgiving, that's not a lock. But if it's not out the last week of November, it will be out the first week of December. (In any case, it's ALL finished -- and approved.)

After that, expect Gargoyles #7 approximately three weeks after Bad Guys #1 hits the stores -- which SHOULD still put it in December -- unless Christmas messes that up, in which case it should be out the first week in January. The book is also ALL finished, but has not yet been approved.

After that, the Gargoyles Clan-Building Volume #1 Trade Paperback. Galleys are being reviewed now, but it should be out in late December or early January. We may delay it a week or two so that it isn't coming out the EXACT same week as BG1 or G7. Then again we may not.

After that, um, I guess Bad Guys #2, which is currently being finished by Karine.

After that Gargoyles #8, which is being pencilled by David.

After that Bad Guys #3, which is being scripted now by me.

After that Gargoyles #9, which has ALREADY been scripted by me. Uh... how did that happen?

Anyway, that's all I know at this time.

gdw

COMIC BOOK UPDATE

Comic Book Update...

(Although as a few of you have probably guessed, I'm not getting my info much in advance of all of you.)

Anyway, I've just gotten word that Gargoyles #6 ("Clan-Building, Chapter Six: Reunion") is going to be a couple weeks late, hitting stores on October 10th, 2007. I apologize for the delay, of course. All I can do is tell you that the work was done some time ago. The delay was not caused by the creative staff, which includes myself as writer, Gordon Purcell as penciller, Dustin Evans as colorist, David Hedgecock as letterer, Greg Guler as cover artist and Stephanie Lostimolo as cover colorist. We got the work done but their were unfortunate approval delays. Personally, I blame Hyena.

Gargoyles #7 has been written and pencilled and is being colored now.

Gargoyles #8 has been written and roughed and is being pencilled now.

Gargoyles #9 is being scripted now.

Bad Guys #1 has been written and roughed and is being pencilled and finished now. (Keep in mind, it's a black and white book.)

Bad Guys #2 has been scripted.

Despite the glitch the basic plan hasn't changed. We still hope to bring you -- between the TWO books -- monthly Gargoyles product. We were hoping to go monthly starting in September, but it's obviously going to be October now. Again, for that I apologize and ask for your patience.

San Diego Comic-Con

Hey intrepid-ones! I will be attending Comic-Con in San Diego. I'll be in town from Wednesday July 25 - Sunday July 29, 2007...

What follows is my schedule. Please stop by. Say hello. Introduce yourself or reintroduce yourself. Come here me pontificate endlessly (until time runs out). Etc.

THURSDAY, JULY 26, 2007
*1:30pm - 2:30pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books at the SLG Booth and get them signed by myself and artist David Hedgecock!

FRIDAY, JULY 27, 2007
*12:45pm - 1:45pm - The Spectacular Spider-Man Panel
Rooms 6CDEF - Come hear all we're willing to tell and see the first footage from the new Spider-Man television series coming in early 2008 to the KidsWB.
Also on the panel, Supervising Director/Producer Vic Cook, Character Designer Sean "Cheeks" Galloway, Voice of Spider-Man/Peter Parker Josh Keaton, Marvel Exec VP Craig Kyle, Sony Exec Michael Vogel

*2:15pm - 2:55pm - Spider-Man Signing
Marvel Booth - Get free Spider-Man posters and get them signed by myself, Vic, Cheeks and Josh!

*5:30pm - 6:30pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books at the SLG Booth and get them signed by myself and artist David Hedgecock!

SATURDAY, JULY 28, 2007
*12:00pm - 1:30pm - Spider-Man Signing
Sony Booth - Get free Spider-Man posters and get them signed by myself, Vic, Cheeks and Josh!

*1:30pm - 3:00pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books (including the new issue #5) at the SLG Booth and get them signed by myself and artist David Hedgecock!

*5:00pm - 6:00pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books at the SLG Booth and get them signed by myself and artist David Hedgecock!

*6:30pm - 7:30pm - The Animation Production Process Panel
Rm 3 - What goes into bringing an animated script to screen? Producers Stephanie Graziano (X-Men: The Animated Series), Tad Stones (Hellboy Animated: Sword of Storms), and Greg Weisman (Spectacular Spider- Man) take you behind the scenes and into the trenches. Moderated by Shannon Muir (Invader Zim), author of Gardner's Guide to Writing and Producing Animation from GGC, and currently project management coordinator at Animation World Network.

SUNDAY, JULY 29, 2007
*1:30pm - 3:00pm - Gargoyles Signing
SLG Booth - Come purchase Gargoyles Comic Books at the SLG Booth and get them signed by myself and artist David Hedgecock!

THE BIG BAD GOOD NEWS...

Hey gang,

JUST got back from WONDERCON. Made a few announcements there, that I want to repeat here...

GARGOYLES: BAD GUYS

SLG will be releasing a new spin-off of Gargoyles. GARGOYLES: BAD GUYS. This will be a six issue bi-monthly limited series in black and white. I'm writing the title, with art by Karine Charlebois and tones by Stephanie Lostimolo. Covers (as always) by Greg Guler, colored (yes, colored) by Stephanie.

Gargoyles will remain a bi-monthly book (in color). (More on this in a second.) And Bad Guys will come out bi-monthly on the main title's dark months, so for a year you'll have SOME Garg Universe product coming out every month.

Now, I'm sure you have questions... So I'm going to TRY to preempt some of them here:

1. HOW CAN YOU START A SPIN-OFF WHEN YOU'RE BEHIND SCHEDULE ON THE REGULAR BOOK?

Fair question. But I personally am NOT behind schedule on the regular book. In fact, I'm way ahead of schedule. Here's where things stand.

Issue #3 is done and has been for weeks. We're simply waiting on Disney to "approve" the issue. There's no mystery or conspiracy here. There's just, I'm guessing, a guy in an office who is swamped with things to approve and isn't making the SLG properties (Gargoyles, Tron, Wonderland, Haunted Mansion) a priority.

Issue #4 is being colored and lettered and should be done within a couple of weeks. Since it doesn't need to go out for two months, that should give Disney plenty of time to approve it.

Issue #5 is being inked.

Issues #6 and #7 have both been scripted and pencilling has started on each.

Issue #1 of Bad Guys has also been scripted.

I will start on issue #8 of Gargoyles next, then #2 of Bad Guys, #9 of Gargoyles and etc.

I'll stay ahead, and hopefully so will everyone else and what that means generally is that barring something totally unforseen, we should be on schedule from here on out.

And, yes, David Hedgecock had delivery issues Gargoyles #2. But this was due to him having to split his time between a day job to pay the bills and his gig on the book. David has now taken the EXTRAORDINARY step of quitting his day job to dedicate his time to Gargoyles. Since we also have fill-in artists on issues #4-6, David is getting right to work on issue #7 and he will no longer be the cause of any delays.

On top of this, Dan Vado has stated that he has every intention of picking up the Gargoyles' license when it comes up for renewal.

I don't want to get complacent, but really this is all good news. It looks like we should be around for a while.

And I actually think that Bad Guys will help us out. We will in essence become a monthly title (at least sort of), which will get readers in the habit of picking up something Gargesque every month. That HABIT should help. At least that's the theory.

2. WHY BAD GUYS? I WANTED TIMEDANCER*! (*Feel free to substitute NEW OLYMPIANS, DARK AGES, PENDRAGON, 2198.)

The main answer is chronology. I have this timeline. And the Bad Guys story I'll be telling in this six issue mini-series is happening in late '96, early '97. This is the story that NEEDS to be told now. I hope you like it. AND I hope you'll support it. Because if this limited series does well, then GARGOYLES: PENDRAGON is next in line. And after that GARGOYLES: TIMEDANCER. (That's as far out as I've allowed myself to think up to this point.) If the limited series doesn't do well, then it'll be the last one... and I'll eventually incorporate events from Pendragon, etc. into the main Gargoyles book. But I'm hopeful that that won't be necessary. And I hope that those of you who've seen the Gargoyles reel at a Gathering can tell those who have never attended one of our great (www.gatheringofthegargoyles.com) conventions just how cool Bad Guys really is.

3. WHEN WILL GARGOYLES: BAD GUYS PREMIERE?

Karine is inking Gargoyles #5 now -- which shows what a trooper she is, since she JUST gave birth a few days ago! As soon as she's done with G#5, she'll start on BG#1. Our hope is that Bad Guys #1 can come out in the dark month between either Gargoyles #6 & #7 or -- at the latest -- between #7 and #8. We certainly plan to tease and pimp Bad Guys at the 2007 Gathering in Pigeon Forge!

So, if all goes well...

Gargoyles #3 - March
Gargoyles #4 - May
Gargoyles #5 - July
Gargoyles #6 - September
Bad Guys #1 - October
Gargoyles #7 - November
Bad Guys #2 - December
Gargoyles #8 - January, 2008
Bad Guys #3 - February, 2008
Gargoyles #9 - March, 2008
Bad Guys #4 - April, 2008
Gargoyles #10 - May, 2008
Bad Guys #5 - June, 2008
Gargoyles #11 - July, 2008
Bad Guys #6 - August, 2008
Gargoyles #12 - September, 2008
Pendragon #1 - October, 2008
etc.

Is there an element of wishful thinking here? Well... duh. But it's not unrealistic either. This is the plan. I mean to do everything in my power to stick to it, and everyone else involved feels the same way. Can't make ABSOLUTE guarantees of course. But I can promise you that I'm passionate about this project, about making it the best it can be both creatively and financially.

4. WHY BLACK AND WHITE?

This is largely an economic decision. Printing in multi-color costs WAY more than printing in B&W, and that reduces greatly SLG's profit margin and ability to put out the titles without over-extending their resources.

Creatively, however, I was completely behind the decision. Though I feel strongly that the main GARGOYLES title should be in color, I think the subject matter of Bad Guys can work terrifically in b&w. Again, if you've seen the Bad Guys reel at the Gathering, you'll have some idea of what this book can be -- even without full color. Plus we will have color covers, so you will get a sense of what our characters look like in color.

5. UH... I CAN'T THINK OF A #5 AT THE MOMENT.

BUT I'M SURE YOU GUYS WILL. The good news is that I'm getting through the ASK GREG back log at a pretty steady pace. I'm hoping to have the site open for questions shortly. And we'll definitely open it up (at least briefly) when issue #3 hits the stores.

NEXT TOPIC...

THE AMAZING SPIDER-MAN

The following press release came out late last week...

KIDS' WB! ON THE CW NETS NEW SPIDER-MAN
ANIMATED SERIES FOR EARLY 2008 PREMIERE

Culver Entertainment Widens Renowned Marvel Hero's Web from Blockbuster Films
to No. 1 Rated Saturday Morning Broadcast Kids Network

BURBANK, CA (MARCH 1, 2007) - Spider-Man swings back into television action in early 2008 as an animated series from Culver Entertainment to air on Kids' WB! on The CW, it was announced today by Kids' WB! Senior Vice President and General Manager Betsy McGowen and Sony Pictures Television Co-President Zack Van Amburg.

Tentatively titled "The Amazing Spider-Man," the new series is being produced by Culver Entertainment. Greg Weisman ("Gargoyles", "The Batman") is supervising producer, Victor Cook ("Hellboy: Blood and Iron" and "Buzz Lightyear of Star Command") is producer/supervising director. The series will premiere on Kids' WB! on The CW, the No.1 rated Saturday morning kids broadcast slate.

"The addition of 'Spider-Man' bolsters a lineup that has proved to be the Saturday morning destination for kids seeking action and adventure in the most amped-up ways," McGowen said. "We're ecstatic to welcome 'Spider-Man' to our popular cavalcade of super heroes."

"Spider-Man is such an important brand for Sony Pictures and we're thrilled to keep the momentum going by taking it back to television with an animated series on Kids' WB!," Van Amburg said. "It's also an excellent way to launch Culver Entertainment, our newest television company."

Riding the crest of Sony's anticipated summer blockbuster "Spider-Man 3," the new animated series picks up the original web-slinger's mythology at the beginning of his hero's journey - as a not-so-typical 16-year-old entering his junior year of high school. Having spent the summer engaging common criminals with his new-found powers, Peter Parker must conceal his secret identity while engaging a new level of terror - the multi-leveled pressures of teenage life at home and school while combating bigger, badder super-villains in the real world.

"Our goal is to reinterpret these great characters and concepts for our millennium," Weisman said. "We'll have plenty of resonant material for the Spider-Man fan, while engaging the Spider-Man novice with the same thrills we experienced when we were first exposed to the character. Our stories will appeal on multiple levels with plenty of eye-candy, action, humor and colorful characters for the youngest demographic balanced with extensive character development for 'tweens, teens and adults."

Culver Entertainment is a Sony Pictures Television company. Sony Pictures Television is one of the television industry's leading content providers. It produces and distributes programming in every genre, including series, telefilms, theatrical releases and family entertainment for network and cable television, as well as first-run and off-network series for syndication. With more than 25 programs on the air, SPT boasts a program slate that includes the top-rated daytime dramas and game shows, landmark off-network series, original animated series and critically acclaimed primetime dramas, comedies and telefilms. SPT (www.sonypicturestelevision.com) is a Sony Pictures Entertainment company.

A leader in children's programming, Kids' WB! continues to be a unique destination for kids. Kids' WB!, now airing on The CW Network, has been the broadcast home for such cornerstone hits as the blockbusters "Pokémon" and "Yu-Gi-Oh!," Emmy® Award-winners "Xiaolin Showdown" and "The Batman," culturally diverse series "Jackie Chan Adventures" and "¡Mucha Lucha! Gigante," and breakout hits "Shaggy & Scooby-Doo Get A Clue!" and "Legion of Super Heroes," among other favorites. Kids and their parents can find more information about Kids' WB! programming online at www.KidsWB.com.

We're still in very early days on Spidey, but I'm tremendously excited about the project. I hope you're looking forward to it, as much as I am.

That's it for now,

gdw

GARGOYLES COMIC UPDATE

Hey gang,

In an attempt to get back on a bi-monthly schedule, we've invited a few talented fill-in artists to take on a few issues of the comic.

Clan-Building #3 "Invitation Only" is being penciled by regular series penciler David Hedgecock, with colors by our new regular colorist Dustin Evans.

Clan-Building #4 "Masque" is being penciled by guest artist Nir Paniry. Colorist hasn't been decided yet.

Clan-Building #5 "Bash" is being penciled by fan favorite Karine Charlebois and colored by fan favorite Stephanie Lostimolo.

Clan-Building #6 "Reunion" is being penciled by Gordon Purcell. Colorist hasn't been decided yet.

Clan-Building #7 "The Rock" will be pencilled by David and colored by Dustin. I just finished scripting it, and I'm about to start work on #8.

ALL COVERS are by Greg Guler with colors by Steph.

Clan-Building is currently scheduled to last 12 issues total.

It's all very exciting. I've seen pencils and colors from #3 and pencils and inks of #4 and rough pages of #5. All looking very sweet.

GOOD NEWS!

As many of you already know, the first issue of the new GARGOYLES comic book sold out its print run. There WILL be a second printing... and all the fans who bought copies and/or SPREAD THE WORD deserve a round of applause...

<CLAP CLAP CLAP CLAP CLAP CLAP CLAP>

But please, let's not use this as an excuse to be complacent. We now need to sell out this second printing and encourage pre-orders on issue #2. Not to mention the two DVD sets.

This is NOT me asking people who've already bought the book to buy additional copies. This IS me asking people to continue to spread the word. (I can't tell you how many garg fans I just met in Minnesota, who had no idea that the comic was even out.) Contact the ELFQUEST fandom, the STAR TREK fandom the FILL-IN-THE-BLANK fandom. Contact local comic shops. Contact local conventions. Contact any community that might be interested.

Keep the good news rolling in...

SPREAD THE WORD!!!!

DUCKS IN A ROW

ASK GREG will be open up again today (Thursday, June 22) so that questions and especially G2006 CON JOURNALS can be posted. We'll stay open at least until the end of July.

In addition, Gorebash has been working on the site to allow Todd to answer some frequently asked questions for me by searching the archives. We haven't totally got the new system up and running, but the long awaited upgrade to ASK GREG is on the verge of reality here. REJOICE!!!

This should help us get through the queue MUCH faster.

But another thing that would help is still a bit of common sense on the part of posters. Try to search the FAQ or the ARCHIVES first. Ask your question here in the comment room. (And, gang, be nice to the newbies, ignorant or not.) Keep the queue as clean of garbage as possible.

And POST THOSE CON JOURNALS. Cut and paste them! It's important!!!!!

Also, post comments and questions about the new comic book that hit stores YESTERDAY (Thursday, June 21)!!! Copies of the first issue ("Nightwatch") WILL be available at the Gathering this weekend, but as Marty said, anything that can be done to encourage sales at local stores is essential.

[I realize from VERY recent personal experience that this can be frustrating. A drone at MY local comic shop was very insistent yesterday that the comic wasn't out yet. Do NOT let them tell you that. It IS out! Be persistent, insistent, but unfailingly POLITE, as it won't help the cause to alienate the guy who orders books for the store.]

This isn't simply about you guys buying a bunch of copies yourself. If EVERYONE who normally checks out ASK GREG bought ten copies, our sales would still, frankly, suck. Yes, I hope you guys support the book with cold hard cash (though as always I'd never ask you to spend money you don't have and/or need for food, shelter, education, etc.), but what I'm really COUNTING on you guys to do is spread the word. EVERYWHERE. We need to bring in a much larger crowd than simply the hard core fans. Word of mouth to individuals is great, but try to brainstorm ways to reach a lot of people on the net, at conventions, etc. Look at other rabid fandoms that might like Gargoyles, and LET. THEM. KNOW what they're missing! (Let them know.) BRAINSTORM NEW WAYS. NEW. NEW WAYS.

DO NOT TAKE FOR GRANTED that the book will just be an ongoing thing. If sales on the first couple issues suck then don't assume that there will be an issue #3. (That's how we got into the dilemma we're facing with the DVDs.)

WORD MUST BE SPREAD!!!!!

Finally, for those of you attending the Gathering this weekend in Valencia: please come up to me and say hello. Many of you know me already. Some of you have met me briefly. Some of you are strangers. I'll admit in advance that though I am fearless when I'm "On Stage," ironically I get very shy trying to conduct small talk. So be patient with me. It usually takes me two cons to remember names and three to really get to know a person. But keep trying. I have made so many great friends at these conventions, and you could be one of them. I really do want to know you all.

It's a very exciting con this year. We've got so many great guests and events planned. Panels with the creators of Kim Possible, Talespin, Darkwing Duck, Ben Ten. Jim Cummings, the voice of Dingo, Don Karnage, Darkwing Duck, Pete, Winnie-The-Pooh, Tigger, Bonkers, etc., etc., etc. will be there. Voice directors, background artists, character designers, film editors, music editors, sound effects editors, storyboard artists, and tons of VOICE ACTORS. Nearly the entire writing staff and Voice cast of WITCH will be there. (And I hope you've been watching the episodes of WITCH that I produced which have been airing on Toon Disney and ABC Family's Jetix blocks.) Frank Paur will talk about Spawn, Iron Man and Dr. Strange. Tad Stones will talk about Hellboy. Keith David, Thom Adcox and Crispin Freeman will all BE IN THIS YEAR'S RADIO PLAY!!! Brigitte Bako, the voice of Angela, is attending her first convention EVER!! (So be extra nice to her.) I'm even doing a seminar on time travel.

So stop by, have fun, enjoy... and SPREAD THE WORD. (Have I mentioned that yet? SPREAD THE WORD!!!!)

Gargoyles is BACK!!!!

Thanks,
Greg Weisman

San Diego ComicCon 2005

Hey guys,

I'm heading down to San Diego tomorrow for a brief sojourn at ComicCon. Specifically, I'll be participating (at least I'll be sitting there) at a Slave Labor Graphics Panel at 4pm on Saturday, 7-16-05. Stop by and say hello.

Creature Comics.com

Creature Comics.com.

It doesn't quite exist yet. But, yes. It's coming. Or at least I'm starting to feel confident that it's coming. (Traditionally, this kinda confidence has a history of blowing up in my face, but what the heck, right?)

Want the backstory?

At the Gathering 2003 in New York City, I sat down for a while with Martin Lund. Some of you know him as Kai, I believe. At the time, I have to admit, I mostly knew him as Lexy's other half. (Sorry, Marty, can't quite bring myself to say "better half".) Anyway, Marty and I talked. About a lot of stuff, but mostly about how much we'd both like to see a new GARGOYLES comic book telling original stories for the fans.

Marty felt we could make it happen. And Marty got me to believe it was possible.

We soon partnered up with Greg Guler. Many of you have met Greg G. at various Gatherings. Greg was one of the main development artists who helped create GARGOYLES. (He did the key inspirational designs on a few minor characters that you might remember: Goliath, Elisa, Demona.) He was also the Lead Character Designer for the entire Second Season of the Series. Like me, Greg G. also has a comic book background. We both worked at DC Comics in the late eighties/early nineties -- though we never actually worked together back then. He did a bunch of stuff, but the thing I always rememered was his monthly work on HAWK & DOVE.

(When Greg & I first met in person, he was doing prop design at Disney. I kinda credit myself for giving him a push into character design. He's been one of WDTVA's chief character designers for years now. His credits there are almost endless.)

Anyway, Marty & Greg & I formed a partnership, which we soon called CREATURE COMICS. Our initial goal was to license and launch a new GARGOYLES comic book. Marty would handle the business end. Greg G. would handle the art end. Yours truly would handle the writing (and to a lesser extent be the big mouth mouthpiece for the group -- hence this ramble).

Of course, this was nearly TWO YEARS ago. But Marty does NOT give up. Money was our first problem, i.e. we had none, and *surprise, surprise* Disney wasn't keen on the idea of licensing the GARGOYLES property for free. In fact, because we were a start-up (up-start?) company with no track record, they actually wanted a LARGER license fee as, in essence, insurance, in case we screwed up. The good news was that they did LIKE the idea of having two of the original creators being in charge of the creative. (This would fortunately be of importance down the road.) They just weren't wild about a bunch of "amateurs" being put in charge of their property.

But as I said, Marty does NOT give up. Still, for the time being, we put a pin in the GARGOYLES idea. If that was too expensive, we'd start with an ORIGINAL property -- one that CREATURE COMICS could own. We'd prove ourselves on that. Then after we were huge successes, we'd be able to go to Disney again with that track record they felt they needed.

Turns out we had a problem here too. No money. (Funny how that keeps coming up.) So CREATURE COMICS morphed into CREATURE COMICS.COM. We'd launch the comic on the web. This seemed like a plan. But life/reality/actual paying work kept getting in the way. (We -- meaning Greg G. -- did manage to create a logo though, which should be revealed soon.)

Meanwhile, as I mentioned, Marty was busy NOT giving up. He maintained contact with Disney. They were still interested in having the GARGOYLES creators on a GARGOYLES comic book. (And I figure the relative success of the DVD didn't hurt our situation either.) It was just that pesky start-up status that they couldn't deal with. But believe it or not, DISNEY suggested a solution. They were (are) currently in the process of making a licensing deal with SLAVE LABOR GRAPHICS... i.e. a comic book company with an actual track record!

Now, as of this writing, to my knowledge, the deal between SLG and DISNEY is not yet fully, totally realized. As I understand it, they're VERY close. But it's not signed. So normally, I would TOTALLY not be discussing ANY OF THIS (this whole ramble would not exist). But Dan Vado, who runs SLG, spilled some beans last weekend. So we talked with him, and he was okay with us talking to you, with us being cautiously optimistic.

SLG is on the verge of licensing four properties from Disney: HAUNTED MANSION, ALICE IN WONDERLAND, TRON and... GARGOYLES.

GARGOYLES was NOT part of SLG's original pitch to Disney. But Disney hooked Marty, Greg & myself up with Dan. Everyone (Disney, Dan, Marty, Greg, Greg) really liked the idea of CCC packaging the creative on a new GARGOYLES comic for SLG. So THAT is the plan.

But I have to add the caveat, that at the moment, it's STILL only a plan. Because SLG hasn't signed on the dotted line with Disney, they have -- for obvious reasons -- not yet made any deal with us at CCC. As I said, I'm cautiously optimistic. But s--t happens, you know? So cross your fingers for us, but... well, it may still be a touch premature to ACTUALLY hold your breath.

Anyway... I'll be the writer. THE ONLY WRITER. So those of you looking to trade me in for Joss Whedon or Neil Gaiman are SOL. Greg Guler will be the Art Director. He may not pencil every issue, but he'll be making sure that every issue looks damn good. Marty, as usual, will handle the business end of things in his capacity as Executive Vice President of Not-Giving-Up.

Our direction is pretty straight forward. The book we'll be styled to look like the series, and my plan is to pick up pretty much where "Hunter's Moon" left off and do the "third season" that I wanted to do (as opposed to the GOLIATH CHRONICLE version). (The year is 1996. Although I'm probably not going to go out of my way to put a date in the content of the comic that'll scare away a new audience. There's always ASK GREG to fill people in on timeline details. And eventually, I'm hoping to catch up to the present.) I'm also eventually hoping that this thing is such a massive success that it'll lead to all the spin-offs we've been talking about for years. Not to mention those ORIGINAL PROPERTIES that CCC would own and that we still hope to do someday. But to some extent that won't be up to us. It'll be up to all of you.

Marty & Greg & I are all VERY excited! I'd say SPREAD THE WORD!!! But frankly, it's all a bit premature. We hope to begin finalizing things in the next month or so. (Dan's "leak" has certainly lit a bit of a fire. Hmmmm.... wonder if that wa his plan all along? Why, that little scamp!) Greg G. and I are both planning to be on hand for a bit with Disney & SLG at the San Diego ComicCon, so look for us there.

And of course, I'm hoping to be able to tell you a LOT more at the GATHERING 2005 in Las Vegas. Marty'll be there too. You can all hoist him on your shoulders, cuz honestly, he's the real hero in all of this. I get the juice, but he squeezed it.

So that's the scoopage, folks.

CREATURE COMICS.COM. It doesn't exist yet. But... damn... don't give up!

Chapter XV: "Metamorphosis"

STORY EDITOR: Michael Reaves
WRITERS: Brynne Chandler Reaves & Lydia Marano

The first appearance of Anton Sevarius and the MUTATES: Maggie the Cat, Fang and Claw. Derek had appeared before, but this was TALON's "first appearance" as well.

In our original development, the Talon character was called CATSCAN. He wasn't Elisa's brother. In fact, he was sorta Sevarius. That is, he was the scientist who created the mutagenic formula. At first he works for Xavier (Xanatos), but later -- when he realizes that Xavier was responsible for the "accident" that turned him into Catscan -- he tries to hunt Xanatos down, forcing Goliath to actually protect Xanatos in order to save Catscan's soul. This version of Catscan was basically the inspiration of my good friend Fred Schaefer, who was a Disney Development Associate at the time. Part of the team. Oh, and Catscan was a solo act, there were no other Mutates. And he didn't have wings either. He fired some kind of radiation bolt from his eyes.

Later, we began to prep Derek for the Catscan/Talon role. I don't remember if we knew Derek's fate way back in "Deadly Force", when he was introduced, but we definitely knew by "Her Brother's Keeper". One of the reasons we made him a pilot was to give him some flight background to justify how quickly we needed him to learn to fly. This was emphasized HERE by putting him in a glider.

Anton Sevarius became a separate character obviously. Michael Reaves, I believe, came up with his name. At first, I didn't like it. I thought it was too cartoony. Now I think it suits him.

Rereading my memo, it seems I was thinking of Brent Spiner to play Sevarius. I hadn't remembered that. Of course, no one else could be Sevarius except Tim Curry. And Brent was a perfect Puck for us too. So all's well that ends well. (But can you imagine if somehow the rolls had been switched?) Tim has some great lines here: "...Or has that changed?" is one of my favorites. He's so hungry.

FYI - That's Jonathan Frakes voicing Fang's one-liner in this episode. We couldn't afford to hire a separate actor for one line. So Jonathan stepped in. Of course, later Fang was taken over by Jim Belushi. But I don't think anyone noticed.

Gotta love the Snidely Whiplash reference.

As I mentioned in my last Ramble on "Leader", Xanatos' plans were getting more and more sophisticated. Here we had two humdingers in a row. The one in "Leader" is just a lot of fun. This one is cruel. Throughout the story, we (I think) tend to believe in Xanatos' mea culpa and his outrage regarding the Mutates ("They'll crucify you. And if they don't, I WILL!!"). Why? Because he's so darn likable we want to think well of him. (Who was fooled? I'd like to know.) Also his story rings true. When he tells Sevarius, "I've been in prison before." We know he has. We believe he could take it again. It's that touch of truth amid the lies that makes him so sharp.

And Owen was complicit. On one level, that shouldn't be surprising, yet there's something of the Mr. Spock about Owen. As faithful as you know he is, you don't actually expect him to lie.

And frankly, the plan is SO complex. I hope it's believable when all is said and done. We made a real effort to make sure that it could have worked, that if it hadn't gone EXACTLY as depicted it would feel like there would have been alternative scenarios that would have generated the same result. Of course the master-stroke is Sevarius' death. Our S&P executive raised an eyebrow over that, as she finished reading Act Two. Fortunately, she was the type who finished the script before knee-jerking us with an objection. We got away with depicting a violent death on-screen -- because it was fake. (But who was fooled?)

We tried to play fair with a number of clues throughout. We used Xanatos' own security team as the "hired mercenaries" that Sevarius was using. Only Xanatos checks Sevarius' pulse. When Matt and Elisa are later investigating the scene, there's no body and NO CHALK OUTLINE either. They have no idea that anyone even theoretically was supposed to have DIED there. And Sevarius is SO OVER THE TOP. That should have been a stylistic clue. It was way fun to do -- and it took great acting on Tim's part to act that badly and still make it play.

For once the script came in a tad short. So the board artist added the bit where the gargoyles break out of stone and we see the debris rain down on the people below. Pigeons fly off into the night. (Just a little touch of realism.) Very nice.

I was never too fond of Elisa's Zen Master joke. Still, in the comic book story I wrote before the Marvel comic book was cancelled, I created a Zen Master character. (Just compulsive I guess.)

My original plan for Gen-U-Tech was to abreviate its name as G.U.T.S. As in the company that twists yours up. (The full name is Genetic Undiscovered Technical Systems.) Instead it became Gen-U-Tech, which is probably better. But I can't remember who made the change. The script has plenty of GUTS references in the descriptions. But it may have escaped my notice that it has none in the dialogue. And the logos designed all read Gen-U-Tech, not guts. I wonder if Frank & Michael were slyly protecting me from a mis-step?

I like the conflict between Brooklyn & Broadway here. All the interplay with the trio is very well handled, I think. Were people really rooting for Brooklyn & Maggie to wind up together?

Not our best animated episode. Both the modeling and the animation leave a bit to be desired. Derek's ears look mid-transformation long before he's hit with that dart. Makes me cringe, but I guess if the audience isn't expecting him to get changed, they don't notice the subtle pointyness to the ears, until after the contents of the dart are revealed. But on a second viewing...?

Maggie Reed: "I'm from Ohio." As if that should explain EVERYTHING. I love that line.

"Morgan Reed", by the way, was one of our may early names for what eventually became Elisa Chavez, Elisa Bluestone and finally Elisa Maza. (I never waste anything.)

Observations from my daughter Erin:

1. "I like the click of their boots." [Erin complimenting the foley during the recapture of Maggie in the alley.]

2. "His hands ARE tied!" [My clever Erin catching the irony. Elisa says "My hands are tied." Brooklyn responds, "Well mine aren't." But then he turns to stone, prompting Erin's observation.]

3. "Hudson and Bronx always stay home." [Erin commenting on our proclivity for leaving Hudson & Bronx behind at the castle or clock tower when Goliath and the Trio go off. It is kind of a rip.]

Another great series of endings and false endings.

Xanatos tells Owen to bring him the "best geneticist on the planet."

The gargs arrive and fight the Mutates. Elisa arrives. Xanatos asks her to "stop this senseless violence". [Ahh, what a lovely bastard he is.]

Maggie makes the accurate observation that Brooklyn wants her to stay a monster. And yet despite that incite, she clearly still believes that both she and Brooklyn ARE monsters. She's as bound up in appearances as he is.

Talon names himself. It's kinda odd. But I think it works.

Elisa declares war on Xanatos. And for a split-second it registers on his face. Something has actually given him pause.

And then Owen brings in the best geneticist. I still wonder if it's immediately clear that this "new guy" IS Sevarius. He looks SO different. And Tim wasn't using the hoky accent anymore. Was anyone else confused, even momentarily? But anyway, it's another stunner Xanatos Tag. Did your eyes bug out? Or did you know by this time?

And finally, back to the Tower. Brooklyn is in a funk. But Elisa...

This entire episode is obviously a direct sequel to "Brother's Keeper". Right down to the end. In the end of that one, Elisa can do nothing but stare sadly out at the snow. But we're past that now. Now she cries. Xanatos doesn't wind up with the Mutates, though he correctly predicts there eventual return, but this is his clearest victory yet. The Mutates blame the gargs. Talon still believes X is his best chance at a cure. And he has an emotional and physical weapon against Elisa and the gargs. I was proud of us for ending a "cartoon" on such a relatively down note. Can't always have happy endings. How many people were surprised we ended it that way?

That's it. Comments welcome...