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Here I go again
1. Arthur
2. Merlin
3. Lady of the Lake
4. Percival
5. Morgana la Fay
6. Galahad
7. Nimue
8. Mordred
six points
Thank you. Come again.
(This is getting scary.)
Sorry to be back so soon with another line up for the Arthurian survivors but this one I just came up with seems more likely than the previous one (boy am I going to look stupid when this one turns out to be wrong too).
1)Arthur
2)Lady of the Lake
3)Merlin
4)Morgana Le Fey
5)Percival
6)Galahad
7)Bedivere
8)Nimue
Thankyou again.
six points
Thank you. Come again.
(I should have a function key, that just types that up.)
Hello Mr. Weisman,
First of all, thank you for answering my questions.
Here are my guesses for the Arthurain survivors:
1)Arthur
2)Merlin
3)Lady of the Lake
4)Percival
5)Morgana Le Fey
6)Bedivere
7)Galahad
8)The Green Knight
Thank you very much.
six points
Thank you. Come again.
(This is getting a bit repetitive.)
An earlier guess of mine but with a different Grail Damsel :).
1.Arthur 2.Merlin 3.Lady of the Lake 4.Perceval 5.Galahad 6.Morgana 7.Nimue 8.Cundry
six points
Thank you. Come again.
Another shot at the Arthurian Survivors
1. Arthur
2. Merlin
3. Lady of the Lake
4. Percival
5. Morgana la Fay
6. Lancelot
7. Bedivere
8. Nimue
six points
Thank you. Come again.
In your opinion, what's Titania's attitude towards Merlin? (I hope for Merlin's sake that it's nothing along the lines of Hera's attitude towards Zeus's illegitimate offspring such as Heracles).
Her attitude when?
In both "Avalon Part Three" and "Pendragon", it was made clear that King Arthur had been awakened "ahead of schedule", well before the time of Britain's greatest hour of need when he was meant to return from Avalon: Arthur admits it in "Avalon Part Three" and the Stone of Destiny and the Lady of the Lake both say as much in "Pendragon". If you had made the "Pendragon" spin-off, would this element have been addressed in it, that Arthur had been awakened by Elisa before the appointed time - and what the possible consequences for it could be for Britain when it reached the point that it needed Arthur's return?
Absolutely. Believe me, I wouldn't have gone to so much trouble to point it out if it wasn't for a reason. I'm not really that subtle a guy, am I?
Is there a special story behind the flute of Puck that was seen in "Gathering, Part I"? Or the harp seen in "Lighthouse in the Sea of Time"? Were you planning to do stories on either or both of the two?
I had planned on using the flute in THE GATHERING, PART TWO -- and it's probably a mistake that I didn't. I wanted Puck to use it to temporarily subdue Oberon, but it got away from me somehow.
But yes, the flute definitely interested me, and I would have done something with it eventually.
The harp, I hadn't given any real thought to. But it could probably come into play down the road in Pendragon.
When the your envolvement with the series ended, where you happy with the character of Arthur.
Huh?
I was happy with him up to that point...
As many of you know, I had hoped to spin him off into his own show, PENDRAGON. And I'm sorry I didn't get to tell those stories, but I'm happy enough with the two stories we did tell with him.
You gave a list here once of Arthurian writers that you've read: Geoffrey of Monmouth, Sir Thomas Malory, T. H. White, Mary Stewart, Roger Lancelyn Green, John Steinbeck, Thomas Berger, and Norma Lorre Goodrich, as I recall. I was wondering if you might be interested in giving your opinions (in brief, of course) on their Arthurian writings - and Goodrich, in particular. Having read her Arthurian books myself, I'm curious as to what you thought of them. (My own response to them was that the author had an engaging style, but a lot of her notions struck me as improbable - such as her effort to substantially revise Arthurian geography by putting everything up in Scotland - and I even detected a number of factual errors and slip-ups in them).
Believe it or not, I've never read Malory from cover to cover. I've read huge chunks of it. And I've skimmed the whole thing. But he doesn't really engage me as a writer. I'm not sure why.
Thus, it is Roger Lanelyn Green who almost acts as my so-called primary source. God, I loved that little book.
Geoffrey was endlessly fascinating.
Steinbeck didn't finish, which was frustrating. It wasn't the best read.
Berger was a lot of fun. Though I don't personally "believe" many of his interpretations of the legends, it was a great read.
I loved Stewart's THE CRYSTAL CAVE. But with each successive book, I found less and less to connect with Stewart's interpretations. And her Mordred book really bummed me out. It seemed like she felt a need to turn Mordred into a real hero at the expense of just about anyone else. Bugged me.
T.H. White's ONCE AND FUTURE KING. I love this book. And I love his "Book of Merlyn." Beautiful writing. Human and fanciful. Irresistable to me.
As for Goodrich, well, I don't have the background to argue her facts. I found much of the material unconvincing and flat-out dull. But I thought she had one real insight. Lancelot has always been viewed as a late addition to the mythology. As a character who was probably NOT historical. (Whereas Arthur likely was.) Her linguistic explanation, connecting Malory's Lancelot with Monmouth's Angus was very convincing. I'll try and duplicate it here...
ANGUS latinized becomes something like ANGUSELUS.
But Anguselus was a title that could properly be rendered as THE ANGUSELUS.
Frenchifying this would make it L'ANGUSELOS. With the last letter silent.
Over time, it would not be unlikely for the name to be simplified. If a syllable got dropped it could very easily become L'ANSELOS.
And if the last S is silent (as it likely would be in French) then it could easilty become an equally silent "T". Thus L'ANSELOT.
Or LANCELOT once it was anglicized again.
This may sound like a stretch. And I may not be doing it justice above. But early Celtic accounts include the character of Angus. Lancelot was assumed to be a later and fictional French addition to the legend. (And thus a character from France.) If Lancelot is in fact Angus, then that lends a certain credence to the entire legend. And I just love that idea.
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