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Where there any plans during the production of the Avalon world tour for the travelers to wear outfits from the London, Mayan and the ishimura clans?
No. Pragmatically, changing costumes - particularly back when we were producing Gargoyles in the 90s - was a costly, difficult thing. We did it, but sparingly. I doubt we even considered doing it in the way you're suggesting.
Hi Greg, I wrote many months ago about the correct episode order for Gargoyles. I actually live in Australia so getting Gargoyles Season 2 Vol. 2 is hard and because I know I won't be able to finish it, I haven't watched all of what I have of Gargoyles yet. That information wasn't really needed but I figured I would put it there as a precursor to saying I'm practically obsessive about The Spectacular Spider-Man, (as a Spider-Man fan like yourself, albeit a much narrower breadth of knowledge as I am only a teenager) love Young Justice, particularly the second season, and am enjoying Gargoyles (I think I'm only just past City of Stone, which was epic in the literal sense) and Star Wars Rebels, that twist in 'Rise of the Old Masters' in particular was really well crafted, which as I write this is six episodes or seven episodes in, I'm slightly behind.
Before I get started, I want to make it clear that whatever I say in my first question, I have no intention to argue with you about what you put in the show as others have been about Wally West at the time I write this. I actually have a few different questions on Young Justice, one on The Spectacular Spider-Man and one about you which are split up and these two paragraphs sort of serve as an introduction to all of it.
1. I'm fairly certain there's an undeniable change of pacing and generally a slight tinkering in the type of storytelling from the first season of Young Justice to the second. In the first season the episodes were relatively self contained episodes that contributed to larger character arcs but in the second season almost every episode, if not every episode, contributed to a constant driving narrative. I've noticed something like this in all of your shows, between their first and second seasons before they all were sadly cancelled. Gargoyles felt like its first season set up the character dynamics and world before the second season expanded its universe, probably due to such a large episode order. And The Spectacular Spider-Man felt like it just grew more confident and ambitious. If you don't think these assessments are correct I'd be very different to hear why your shows evolved. I believe Young Justice evolved the most though. Was that planned from the start or was the show readjusted due to what direction you and the rest thought the show could best move in? Or was it some external factor like a change in writing staff, or a smaller amount of episode? In conclusion, why was the show's overall pacing changed? And if you think I've answered my own question can you elaborate?
2. Was there any break in production? I know there wasn't much space between the airing of Young Justice's first season and its second, but did you have any break between seasons?
3. I'm not sure if this has been asked before, and it seems like a fairly obvious question so I apologize if it has been, but how far into production of season 2 of Young Justice, if at all, did you know it was your last season and how sure were you? When I say you I mean everyone who worked on the show.
1. I think much of what you says feels right. But that's a key distinction. It "feels" right. It isn't objectively correct. I do think that on YJ, the second season was without a doubt more driven by narrative than by character, as the first season was. This was in part intentional. We didn't need to intro concepts. But you may be overstating it a bit as well, since every episode was still designed to stand alone and tell a great story that could hook new viewers. One other factor, as you noted, that definitely contributed to this sense of momentum was the fact that we only got 20 episodes for the second season. That forced us to dedicate more episodes (and storylines within episodes) to the main "novel" we were crafting. With a larger order, we'd have had more plotlines that weren't directly tied to the main throughline, and the feel would have been more like Season One.
2. A short break. Nothing significant.
3. I don't remember exactly, but it was before we completed production. I think maybe even before we had completed the final script.
I'm back with some questions regarding the skiff Goliath and co. rode arround on during the World Tour.
For the life of me I cannot recall whether they kept the skiff with them in Manhatten or sent it back to Avalon, or if it was ever even shown what happened to it.
1. If they did keep it, would whoever rode it next be taken back to Avalon or resume the World Tour?
2. Also, if they kept it, how did Tom get from Avalon to Manhatten?
3. Kind of a related topic, but if not I'll understand if I have to ask again later...what brought King Arthur's body to Avalon?
It wasn't shown, but you saw what happened to Arthur's skiff. The same thing happened to Goliath's. Since the skiff/Avalon "knew" it was the last stop, it sank away and returned to Avalon. Recycled, don'tcha know.
1. See above.
2. There is, by the way, more than one skiff.
3. A skiff.
To be honest I hadn't followed your work religiously until Young Justice and now I can't get enough. As a theater person I really fell in love with Gargoyles rewatching it now as a 19 year old and noticed so many references to pop culture and to my delight Shakespeare.
I recently purchased Gargoyles in its entirety on DVD as well as the comic continuation. Watching it from start to finish as an adult I saw so much character growth and depth that is often missing from live action television and for that I thank you. Now please don't take this as a criticism, because it is not it is simply my observation about the World Tour arch. I did enjoy it the first time around as I saw great stories. The one thing that I don't want to say bothered me because it really didn't bother me, I was more curious than anything else. Why did many of the original regular characters seem to be sidelined as a result of the arch. I guess for me characters like Demona, Hudson, Lexington, and Xanatos all seemed to be thrust to the side in favor of Goliath and Company. My question is was that intentional or just the way the story worked itself out?
Furthermore my next question is about Xanatos' change of heart regarding the Gargoyles. When looking at what the Gargoyles did to save Alexander the change makes perfect sense to be and I even admire David for that honorable quality. However, when comparing his actions in the Gathering to his behavior in Cloud Fathers, I find the change slightly out of left field. In Cloud Fathers, Xanatos admits to clichéd villainy and in several other appearances his actions towards Goliath and Co. felt so amoral that calling a permanent truce seemed as though it wouldn't have lasted. I guess my question is this do you see Xanatos as so indebted to Goliath that he would never hurt them again or is he still willing to harm them if they threaten his endeavors?
Thanks so much for great storytelling and looking forward to Rebels,
1. Inevitably, if we do a journey story, we're going to spend more screen time with those on the journey.
2. It depends on one's definition of harm, I suppose.
These couple of questions I'm asking pertain to Goliath's reaction to why Avalon sent them to Manhattan:
1. As of the end of Golem, was it Goliath's intention to stay in Manhattan whether Avalon released them from their journey or not?
2. When Goliath states that Avalon sent them to Manhatten because of the present danger, was that scene suppose to give the audience the impression that Goliath, Angela, Elisa and Bronx would resume their travel?
1. I don't think it occurred to him not to stay at first. Then after the crisis emerged he realized that they had been sent to Manhattan or a reason, not because they'd been "released".
Did all the foreign people & gargoyles in "The Green" & "Bushido" that got to speak know how to speak English or are Goliath, Angela, & Elisa for some reason trilingual? (It just piqued my curiosity that you couldn't really have everyone speak English without some explanation for dubbing purposes.)
This also kinda raises a question on why the Emir read the scroll to capture Anubis in English instead of Arabic. (Unless the scroll weren't written in Arabic. Was it?)
There are two ways to interpret things. One is that the Gate compensated, and Elisa, Goliath and Angela were magically adjusted to the local lingua without them even being aware of the change. It's also possible that the folks at the other end were speaking English.
Ever get any fan mail by overseas fans on how they reacted to their countries Gargoyles (Japan, Guatemala, London, etc.)? Did they like how they were depicted?
Haven't actually. At least none that I can recall off the top of my head.
Ok, ergh, in the last post a "other" was missing - it should have said "other potential mediums", "potential mediums" makes it as if comics were second grade... talking bout making mistakes...
Anyways, I've got another question: with the comics being limited to a few books per year - are there any "minor" story arcs you've dropped along the way? I don't want to ask if there were "less important" ones, because who's yet to tell what is of importance in the future? I'd just like to know this, for the last Season of Gargoyles (Season 2) was so hughe and massive, that I'd like to know how you're working here (it's obvious that the Timedancing, for example, can't take as long as the Avalon-tour did, for there's not enough room). Are there side-storys you've dropped for now or that are on ice? Or are you just formulating the main storyarcs?
Thank you so much for awnsering, and once more - thank you for your time and work.
I haven't DROPPED anything. I'm just in no hurry (anymore) to catch up to the present. I'm fine with the setting being the late nineties for the time being.
TimeDancer is MUCH longer than the World Tour. The latter lasted a few months. The former, forty years. But again, I'm in no hurry to tell it all at once.
This day in Gargoyles' Universe History....
On Avalon, Goliath, Angela and Bronx awaken. Quite aware they won't be getting home any time soon, the travelers elect to spend "a few days" resting and getting to know the Avalon Clan. And in Nigeria, Tea is marked by a were-panther on the day she departs for the city of Abuja.
This day in Gargoyles' Universe History....
Halcyon Renard returns to Manhattan and contacts Matt Bluestone, informing him of Goliath and Elisa Maza's situation. Matt passes the word on to Hudson and the Trio, who inform Talon. Matt also attempts to cover for Elisa with her parents and Captain Maria Chavez.