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I just heard that The Anthropomorphic Literature and Arts Association telling me that Gargoyles has been nominated for an Ursa Major award in the comic book category.
The winner will be announced on May 17. It looks like anyone can vote--the ballot is here: http://www.ursamajorawards.org/Voting.htm
Clan Building Volume 2 Forward Candidates.
- Michael Reaves seems like an obvious choice, and he's popular in the animation/sci-fi/fantasy circles.
- Cary Bates? His Superman run is still well regarded, I think. He seems like a logical idea, and you're both old friends.
- Crispin Freeman? He's extremely popular in anime circles.
- Frakes or Sirtis? Might help boost interest among the Trekkies.
- Tad Stones. He seems to be having hits with his Hellboy DVD movies, and being that he was at Disney for a long time, and suggested a "big heroic gargoyle", he seems like a good choice.
- Very Long shot, but according to my brother, Brian Michael Bendis liked "Gargoyles". He says at G2003, he was in an elevator with Bendis. If you remember, they had that big comic convention at Madison Square Garden that weekend, and a lot of the guests were staying in our hotel. I heard this from my brother though, but thought suggesting it would be harmless.
All great suggestions.
You asked people who should do the forward in the next trade and so far the only name I have seen come up is Joss and I figured given that you indicated that may be easier said then done I figured another good name to throw out there is Paul Dini.
Paul's great, but I have no idea if he's even seen Gargoyles.
Okay, I hadn't planned on giving a review for each Spidey show that came out, (& I'm still not planning on it as of right now) but I had to give you and all the people who worked on the episode "Natural Selection" props. I feel this has been the best episode so far, and hey, this is only the 3rd one. I really felt for Spidey at the end of the episode, having to look like a coward in front of his friends so he could keep his Spiderman secret. I guess I'm just a sucker for characters who save the day and never get the recognition they deserve, and even worse, look like they wimped out when they really didn't. The whole story was great, and I can't wait to see more.
Thank you for your time and all that you do.
Thank you too!
Hey Greg! I'm still keeping up with Spectacular Spider-Man and "Natural Selection" didn't disappoint. I feel like each episode is slightly stronger than the one before it as everyone gets more in-tune with the material and each other.
I think you found just the right note with the Billy subplot, where it was genuinely emotional and not cloying. I liked the "I took a cab" bit with Eddie at the zoo. Just a fun little jab a typical cartoon logic. I was not expecting Peter to be fired, so that was a cool moment for me as well. Somehow I have a feeling we'll be seeing the serum again.
Nice continuity nods with the ring-tone alarm, the mention of Electro, and especially Peter and Eddie calling each other "Bro", then having Spidey try to cover it up when he does the same.
One thing I noticed was that during Peter's voice-over before he plans on taking the serum is that he mentions "a hard 9PM curfew" where before it had always been 10.
The cast continues to be amazing (or rather spectacular). In particular, Kath Soucie and Lacey Chabert just completely nailed their parts this week.
Since this is "Ask Greg", I do have a quick question: For small parts i.e. the people at the coffee shop in "Interactions", or Thug #1 in this past episode do you have certain people in the cast in mind, or do you just ask whoever's in that day if they want to do it?
Thanks for your time!
We plan ahead, dealing out our bit parts from among the actors who will be present for the session. SAG rules allow us to ask any actor to do one additional character for free.
If you had wirten a story How would you do it t make people intersted more in the book?
You're looking at it.
I love your work and would really value your advice; I have decided to produce a comic/graphic novel from one of the stories I have designed. I have no experience of any budget to speak of and in this moment I can only recruit people who are willing to use it as a learning experience with just a hope of reward if all goes well. So far so good, I have a couple of writers on board, a few artists in training and a colourist. I guess this won't be a straighforward question as such, I ask for advice really. How much time is reasonable to spend on one issue, where do I turn to for recognition, do you have any general tips you could give on getting published or sponsored?
I'm not sure I'm the guy to advise you. I've never self-published anything and know little or nothing about it. I'm also not clear... you're the writer, but you have a couple of writers? Most self-published things don't employ other writers, I'd think.
As for how much time per issue... well, I usually write a couple pages per day, so that I can write two comics a month (more or less). It takes me between twenty minutes and an hour per day.
How can Owen/Puck have a relationship when he can't age?
How does one thing preclude the other?
Thoughts on the Spectacular Spider-Man episode "Natural Selection."
First off, I like this incarnation of the character of Peter Parker a lot, more so than in other cartoon versions. He's still a kid with a lot to learn, and like most kids, he thinks he knows everything. I like how even getting a good picture of himself as Spider-Man is a learning process.
And I also like the continuity in the series. In the previous episode, we see Connors's formula get shocked. And Curt puts it in his pocket. And now we see the consequences (unless, of course it just resulted from months of him injecting himself, and that last one was the proverbial back-breaking straw). The animation was awesome, in particular his morphing into and out of the Lizard. I like how the tail was formed. And the pacing of the fight scenes reminded me of the movies, which was fine. Those gave us a fantastic sense of Spider-Man's agility, as do these.
I also didn't expect to find myself saying this, but I like Eddie Brock as a character. I wasn't thrilled when I first saw his name in the cast, but I love what you've done with him so far. Giving him this personal connection with Peter Parker might actually make Venom more interesting. He seems to be building a reputation of not being able to successfully tackle baddies in Connors's lab. And I like the way he and Spider-Man worked together at the end. He's a bit reckless, but he also seems to have a strong moral sense. So he and Peter have that in common. I'm actually finding myself caring about what sets him on the road to becoming Venom.
Anyway, favorite moment in the episode: Billy Connors confronting his mutated father. I'm not sure Curt recognized him, and I'm wondering if this might come up again. And I also like how Peter Parker chose not to take what might cure him of his powers, but he also didn't throw it away. More foreshadowing, I suppose.
All in all, you and the rest of the crew have done a fantastic job so far. I was never a regular reader of the Spider-Man comic, but I'm getting more and more excited about this show the more I watch it. Keep up the good work.
Thanks. We're doing out best.
In the new Spider-Man animated series, Gwen already has a small inkling into Peter's financial problems, so why get irritated when she perceived his photo-taking of The Lizard as selfish when it was to benefit his Aunt? Is she just following the crowd's attitude, or was she afraid for Peter's safety and her anger is a result of that?
Neither, really. She felt he was taking advantage of the Connors troubles. If you watch her, she's clearly conflicted, but she's troubled by her perception that Peter LIED about abandoning the antidote quest to get home -- but really went to take a picture.