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I'd like to start by wishing a happy Easter to those who cerebrate it and to those that don't, have a great day anyway. Now lets talk Spidey...
Another solid episode with a lot of different threads running through it. We start getting to know J. Johna Jameson and he's a lot of fun, I especially liked the whole hyperactive 'perpetually ten minutes to deadline' attitude they gave him. Interestingly this incarnation of ole Jolly Jonah doesn't seem to be particularly Anti-Spidey, I don't know if you've completely dropped it or if you're going to incorporate it later.
Also returning are Flint Marko and Alex O'Hirn AKA the future Sandman and Rhino respectively. O'Hirn's "ram him with a truck" move is a very Rhino-esque tactic, nice bit of foreshadowing.
When I first heard that Shocker wasn't going to be Herman Schultz I was a little weirded out but this episode erased all my doubts. Montana makes for a pretty charismatic villain with warped sense of honor. by the way, how weird is it to see the bad guy espousing the Moral of The Day(TM)?
We also meet Betty Brant and Robbie Robertson, I'd guessed that Randy from Peter's school was indeed his son but it's nice to have confirmation. big shout out to Phil LaMarr who managed to make father and son sound both reminiscent yet distinctive. Some nice interaction between Pete and Betty but is he trying to get the poor women tossed in jail.
Norman Osborn gets some nice development in this episode, teaming up with the Big Man to set up a sort of Supervillians'R'Us. That's what sets Osborn apart from Spidey's other rogues. Take away Vulture's wing and he's just a bitter old man. Take away Electro's lightning and he's just the school handyman. Take away Venom's symbiont and he's just a dweeb with a persecution complex. But take away Green Goblin's Glider and Pumpkin Bombs and he can still make your life a living hell as plain old Norman Osborn.
When I first heard that Keith David would be replaced as the Big Man I was rather disappointed but I was very impressed by Kevin Michael Richardson's performance. he really nailed the part, so much so that I wouldn't have noticed the change if I hadn't heard about it before hand.
All in all another job well done.
Keith did a great job in Episode One, but then he headed out to New York to play OBERON in Central Park. (Still can't compete w/Shakespeare.) Kevin stepped in and I think did an admirable job. He's really made the part his own without making it a different character.
If sales are good for the first two DVD sets of Gargoyles Season 1 and Season 2, Volume 1, Disney may release Gargoyles Season 2, Volume 2 on DVD that will contain the final 26 episodes with the uncut versions along with special features that I will get to complete the entire series of Gargoyles on DVD! I know that I am keeping my fingers crossed and waiting very patiently for Gargoyles Season 2, Volume 2 to get released on DVD. Thank you.
You're telling me...
Saw the fourth episode of "The Spectacular Spider-Man" this morning, and enjoyed it. In fact, I laughed several times during it, including at the J. Jonah Jameson scenes (yep, that's definitely him all right), and Peter/Spider-Man's difficulty getting rid of the garbage smell.
The Shocker was a great villain, and truly felt like a menace to Spider-Man. I also liked the touch about his remark about carrying out his responsibilities hitting home to Peter, fitting in with his abandoning Harry and his worries about Aunt May.
And we see an alliance formed between the mysterious unseen boss and Norman Osborn, something that could lead to some big episodes ahead.
Keep up the good work.
We're trying, believe me. Even as I type this we're trying.
Another terrific episode. I really enjoyed Greg's take on the Shocker, and making him Montana really works in the context of the series. As I've said before, who is Herman Schultz? Who cares?
Lots of pipe laying here. Sandman and Rhino both, plus a lot of foreshadowing on where Norman Osborn is going.
The Big Man is no longer voiced by Keith David, unfortunately. Kevin Michael Richardson is a decent substitute, but I can't help but miss Keith. There's a certain quality to his voice work that Richardson can't quite capture.
Aunt May wants to introduce Peter the neighbor's niece, Mary Jane Watson. She has a "wonderful personality". Naturally, Peter shudders.
Norman Osborn was great in this episode, telling Harry to "cowboy up", take responsibility and do what he has to do. Like Halcyon Renard. An evil, cold, sadistic, borderline insane version of Halcyon Renard...
... actually, I got kind of a Tony Soprano vibe from Norman's little pep talk. "What happened to Gary Cooper? The strong, silent type. That was an American. He wasn't in touch with his feelings. He just did what he had to do."
Peter finally landed a job at the Daily Bugle, working for jolly J. Jonah Jameson. But, don't fret. JJJ is a decent man deep down. Mariana's trench deep. Dante's Ninth Circle deep.
"Don't go emo on me, bro."
- Eddie Brock to Peter. I'm guessing Eddie's seen "Spider-Man 3"
I'm sitting here at a Mix for Spider-Man episode #7 and I just asked everyone if there's an emo ref in S-M3. We had to talk about it to figure out what you meant. But I think we get it now.
It's the eye-liner, isn't it?
I love Spider man! congrats!
But i was combing the archives and I cant seem to figure out why the comics stopped... Is there a legal problem? I was just wondering whats going on? i know you are very busy, but Id love to know.
Thank you much!!!
The comics haven't stopped. They're still coming out more or less monthly (between Gargoyles and Bad Guys).
I noticed that you're nearing the end of the "This Day in Gargoyles Universe History" feature; you began (according to the archives) on April 7 last year, and it's March 21 now. So there's less than three weeks left until it comes to an end.
I'll miss it. I enjoyed that feature, especially your inclusion of real-world history connected to events in "Gargoyles" (such as the lives and deaths of various people in 11th century England such as Canute, Edward the Confessor, and Harold Godwinson, the Parisian catacombs, and the Kennedy assassination). And it even introduced new information that often got our attention (Gruoch's suicide, for example, or Quincy Hemings getting his present job just one day after the Kennedy assassination - you just know that's going to encourage the conspiracy theories!).
At least we have the whole year's cycle now (or will, in another eighteen days). I'd like to thank you for this feature at "Ask Greg".
You're welcome. It's been fun. We'll take a rest from it for a few years, and then maybe revisit the feature.
I've heard you hate what if questions, but I have a question that's been rattling in my head...
Puck's spell has her turn human in day and gargoyle at night. So my question is if she were to have another child, would it be affected by the spell? And if not is it because Puck's spell directed at her?
This has been answered before. Check the ASK GREG archives.
If Alex is still alive (and over 200 years old) in 2199, how old exactly does he look?
About 34. If.
I was just wondering who decides if and when cover images get released before the issues come out? I'm guessing they're released to entice readers, so I was wondering why we haven't seen more cover images that are finished. Obviously since Gargoyles #8 is expected to be released soon, the cover is finished, but we haven't seen it yet. You also told us, at the beginning of Feb., that #9 was finished and inked, but had to be colored, is it finished? Also, we've seen some unfinished Bad Guys covers but not the finished versions, except for #4.
I'm not trying to rush you or anything, and if it sounds like I'm being annoying, I am truly sorry, that is absolutely not my intention. It's just that I live for those little peeks at the covers to hold me over until the issues come out.
Most likely, this all has nothing to do with you, but I figured asking couldn't hurt. Do you know anything about this process? Is there any way to release the cover images of G#8 and BG#2 before the issues themselves are released?
Thanks a lot for your time! I'm incredibly grateful.
I don't know. Though it may have to do with WHEN a cover is finished. If it's done AFTER the solicitation date, then it's too late to be released WITH the solicitation, so it just doesn't get out there until it's literally out there. But that's just a guess.
I'm sorry if my last question about Maggie seemed unsettling, but it seemed logical to ask.
Anyway, is Maggie truly aware of what Brooklyn felt for her? For instance, in "Kingdom" when she approached him to help Derek, did she understand how tempted he would be to refuse her? I mean, he tried to help her repeatedly in the past and all he got in return from her was fear, hate, emotional manipulation and physical pain.
For that matter, does she realize the reason Brooklyn's keycard slight-of-hand trick was so convincing was because he was venting his real feelings of frustration, betrayal and jealousy to a certain degree into the act? If she did, then it would seem rather ungrateful or thoughtless to embrace Talon like that in front of him, considering it was obviously a knife through the heart to see what he could only accept was not to be.
I don't know if you think I'm being too judgmental about her, but part of the reason why "Kingdom" is my favourite episode is because it made me realize what television narrative brilliance you were creating with Brooklyn. In short, I could feel his pain as he accepted certain realities and sacrifices as he became a "man," and can't help but resent Maggie for making it so difficult for him.
I'll leave this to the audience's interpretation.