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I'm an animation fan....particular from the days when everything was animated in the US....such as the earlier Hanna-Barbara days or Filmation's cartoons. Has "Gargoyles" and the new animated "Spectacular Spiderman" animated overseas? Do you have direct input into all the stories that go or have gone into these series?
All the writing and voice recording for both shows are/were done in the US. On Spider-Man all of the pre-production and post-production as well. On Gargoyles, most of the pre-production was done in the U.S., but a few episodes were pre-produced at Walt Disney TV Japan, but under the supervision of myself and Frank Paur. All the post for Gargoyles was done in L.A.
The actual animation was/is done overseas. Gargoyles was about 1/3 Japan and 2/3 Korea (with a bit of China thrown in). Spidey is all animated in Korea at one of three studios: HanHo, DongWoo and Moi.
It's me! Again. Another Macbeth thought.
I just finished reading your ramble on the episode "Enter Macbeth." I find it very ironic that at that time, you were only aware of the Shakespearian Macbeth. I guess the same goes for me the first time I watched it, but it's interesting how even though his (the show's Macbeth) back story hadn't been completely known to you at the time, he doesn't come across as the paranoid-perhaps-a-little-crazy-kill-a-guy-in-his-sleep character I remember reading about in the play. Maybe it's his sense of honor, however skewed? I think that this is especially interesting, considering you were most familiar with Shakespeare's Macbeth, who DID kill Duncan in his sleep, that the show's Macbeth wouldn't stoop so low to attack the gargoyles while they were sleeping....Was this intentional? At the time, even though you were only familiar with Shakespeare's Macbeth, did you have any plans to make Macbeth more like his Shakespearian counterpart, or did you already know from the beginning that he would be different?
I hope you don't get sick of people thanking you for Gargoyles, because I'm thanking you right now. I love it, and I admire your talents as a storyteller and your dedication. You're so wonderful to the fans. Spider-Man is also great right now. I can't wait to see what happens in the future, in both series. Thanks!
I knew we wanted to explore Macbeth's character more -- beyond that, I have to say it's been so long, I can't quite remember every aspect of my thought process (let alone anyone else's like Michael Reaves).
Do goliath and Elisa get married
We'll have to wait and see...
What episdoe does Elisa get a shiny badge?
Uh... she's had her badge as long as we've known her. Or am I not understanding your question?
I'd like to start by wishing a happy Easter to those who cerebrate it and to those that don't, have a great day anyway. Now lets talk Spidey...
Another solid episode with a lot of different threads running through it. We start getting to know J. Johna Jameson and he's a lot of fun, I especially liked the whole hyperactive 'perpetually ten minutes to deadline' attitude they gave him. Interestingly this incarnation of ole Jolly Jonah doesn't seem to be particularly Anti-Spidey, I don't know if you've completely dropped it or if you're going to incorporate it later.
Also returning are Flint Marko and Alex O'Hirn AKA the future Sandman and Rhino respectively. O'Hirn's "ram him with a truck" move is a very Rhino-esque tactic, nice bit of foreshadowing.
When I first heard that Shocker wasn't going to be Herman Schultz I was a little weirded out but this episode erased all my doubts. Montana makes for a pretty charismatic villain with warped sense of honor. by the way, how weird is it to see the bad guy espousing the Moral of The Day(TM)?
We also meet Betty Brant and Robbie Robertson, I'd guessed that Randy from Peter's school was indeed his son but it's nice to have confirmation. big shout out to Phil LaMarr who managed to make father and son sound both reminiscent yet distinctive. Some nice interaction between Pete and Betty but is he trying to get the poor women tossed in jail.
Norman Osborn gets some nice development in this episode, teaming up with the Big Man to set up a sort of Supervillians'R'Us. That's what sets Osborn apart from Spidey's other rogues. Take away Vulture's wing and he's just a bitter old man. Take away Electro's lightning and he's just the school handyman. Take away Venom's symbiont and he's just a dweeb with a persecution complex. But take away Green Goblin's Glider and Pumpkin Bombs and he can still make your life a living hell as plain old Norman Osborn.
When I first heard that Keith David would be replaced as the Big Man I was rather disappointed but I was very impressed by Kevin Michael Richardson's performance. he really nailed the part, so much so that I wouldn't have noticed the change if I hadn't heard about it before hand.
All in all another job well done.
Keith did a great job in Episode One, but then he headed out to New York to play OBERON in Central Park. (Still can't compete w/Shakespeare.) Kevin stepped in and I think did an admirable job. He's really made the part his own without making it a different character.
If sales are good for the first two DVD sets of Gargoyles Season 1 and Season 2, Volume 1, Disney may release Gargoyles Season 2, Volume 2 on DVD that will contain the final 26 episodes with the uncut versions along with special features that I will get to complete the entire series of Gargoyles on DVD! I know that I am keeping my fingers crossed and waiting very patiently for Gargoyles Season 2, Volume 2 to get released on DVD. Thank you.
You're telling me...
Saw the fourth episode of "The Spectacular Spider-Man" this morning, and enjoyed it. In fact, I laughed several times during it, including at the J. Jonah Jameson scenes (yep, that's definitely him all right), and Peter/Spider-Man's difficulty getting rid of the garbage smell.
The Shocker was a great villain, and truly felt like a menace to Spider-Man. I also liked the touch about his remark about carrying out his responsibilities hitting home to Peter, fitting in with his abandoning Harry and his worries about Aunt May.
And we see an alliance formed between the mysterious unseen boss and Norman Osborn, something that could lead to some big episodes ahead.
Keep up the good work.
We're trying, believe me. Even as I type this we're trying.
Another terrific episode. I really enjoyed Greg's take on the Shocker, and making him Montana really works in the context of the series. As I've said before, who is Herman Schultz? Who cares?
Lots of pipe laying here. Sandman and Rhino both, plus a lot of foreshadowing on where Norman Osborn is going.
The Big Man is no longer voiced by Keith David, unfortunately. Kevin Michael Richardson is a decent substitute, but I can't help but miss Keith. There's a certain quality to his voice work that Richardson can't quite capture.
Aunt May wants to introduce Peter the neighbor's niece, Mary Jane Watson. She has a "wonderful personality". Naturally, Peter shudders.
Norman Osborn was great in this episode, telling Harry to "cowboy up", take responsibility and do what he has to do. Like Halcyon Renard. An evil, cold, sadistic, borderline insane version of Halcyon Renard...
... actually, I got kind of a Tony Soprano vibe from Norman's little pep talk. "What happened to Gary Cooper? The strong, silent type. That was an American. He wasn't in touch with his feelings. He just did what he had to do."
Peter finally landed a job at the Daily Bugle, working for jolly J. Jonah Jameson. But, don't fret. JJJ is a decent man deep down. Mariana's trench deep. Dante's Ninth Circle deep.
"Don't go emo on me, bro."
- Eddie Brock to Peter. I'm guessing Eddie's seen "Spider-Man 3"
I'm sitting here at a Mix for Spider-Man episode #7 and I just asked everyone if there's an emo ref in S-M3. We had to talk about it to figure out what you meant. But I think we get it now.
It's the eye-liner, isn't it?
I love Spider man! congrats!
But i was combing the archives and I cant seem to figure out why the comics stopped... Is there a legal problem? I was just wondering whats going on? i know you are very busy, but Id love to know.
Thank you much!!!
The comics haven't stopped. They're still coming out more or less monthly (between Gargoyles and Bad Guys).
I noticed that you're nearing the end of the "This Day in Gargoyles Universe History" feature; you began (according to the archives) on April 7 last year, and it's March 21 now. So there's less than three weeks left until it comes to an end.
I'll miss it. I enjoyed that feature, especially your inclusion of real-world history connected to events in "Gargoyles" (such as the lives and deaths of various people in 11th century England such as Canute, Edward the Confessor, and Harold Godwinson, the Parisian catacombs, and the Kennedy assassination). And it even introduced new information that often got our attention (Gruoch's suicide, for example, or Quincy Hemings getting his present job just one day after the Kennedy assassination - you just know that's going to encourage the conspiracy theories!).
At least we have the whole year's cycle now (or will, in another eighteen days). I'd like to thank you for this feature at "Ask Greg".
You're welcome. It's been fun. We'll take a rest from it for a few years, and then maybe revisit the feature.
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