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The Spectacular Spider-Man #109

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The Spectacular Spider-Man
Ep 109: "The Uncertainly Principle"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
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Card #7
Also Starring

STEVE BLUM as GREEN GOBLIN, DILBERT TRILBY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, BETTY BRANT
JOHN DIMAGGIO as HAMMERHEAD
ANDREW KISHINO as KENNY KONG, NED LEE
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON, JOHN JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as TOMBSTONE
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
VINTON HEUCK
IRINEO MARAMBA JR.
RICK MORALES
ADAM VAN WYK

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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Peter Sunnergren writes...

Hi Greg, thank's for the answers to my previous question about prodcuing/writing a comic!

A few more questions have come in to my mind.

1: What kind of format do you use when you write a script for a comic? I have been considering a treatment form such as;

-// Open up on John sitting at the desk in his office. He is on the phone. His expression suggests that he he is stressed and afraid. He says "What? How long?". John drops the phone and looks at a clock on the wall, which shows 12:56. He bolts for the door and exists //-

In that example (which is totally random by the way, it has nothing to do with my, or anyone else's work) I would just describe things; what they are, how they look and what happens, but not how it is presented in framing and paneling, leaving that for the artists.
I have also considered writing as a film script (similar to the treatment form but with different formatting for actions, names and spoken dialogue.) Another possibility I can imagine would be a storyboard. Like a "doodled" version of the page showing what I would like the framing/paneling/positioning to look like.

What are your thoughts on these different approaches?

2: On average, how much time passes on between you starting to write a comic and it goes off for printing?

Thanks! I'm off to the post office to pick up the latest issue of Gargoyles (curses England for having tiny mail slots that comics won't fit through)

Greg responds...

1. I do something like this...

PAGE ONE

PANEL ONE
Describe the action here as specifically as possibly.

1. GOLIATH: I SHOULD SAY SOMETHING SHAKESPEAREAN NOW.

2. ELISA: THAT'S PRETTY MUCH WHAT THE FANS ARE EXPECTING.

3. SFX: BOOM

PANEL TWO
Describe what we're seeing in this panel now.

4. ELISA: DID YOU HEAR A 'BOOM'?

5. GOLIATH: I DID. I DECIDEDLY HEARD A BOOM.

6. SFX: BOOM

7. ELISA/GOLIATH (UNISON): THERE IT GOES AGAIN!!
etc.

Usually takes a couple months at least for stuff to get drawn/letttered/approved etc. Sometimes much longer.

Response recorded on May 08, 2008

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Vaevictis Asmadi writes...

Hello Greg,

In #8 we learned that there are no gargoyle beasts in London. This surprised me, since the clan is large, I had assumed that all of the large clans had beasts. It is very unfortunate for the beast species, and really drives home the point that they are much worse off than the gargoyles.

We know that the Xanadu, Manhattan, Ishimura, and Avalon clans have beasts in 1996, and the Mayan clan will hatch some in 1998. The London and Labyrinth clans have none.

1. Does the Pukhan clan have any gargoyle beasts?
2. Does the Loch Ness clan have any beasts?
3. Does the New Olympian clan have any beasts?
4. We're told that by 2188 the gargoyle population will have grown, with all the clans reaching a "full" size. a. What will the beast population be like in 2188: larger than in 1996, smaller, or about the same?
b. Will every clan have beasts in 2188?

Greg responds...

Hey, I'm sorry, but I'm just not going to answer these questions at this time.

Response recorded on May 08, 2008

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Antiyonder writes...

One point that Todd Jensen has voiced about The Goliath Chronicles episode Generations is how viewed by itself it would give Demona some validity as it contained no decent human throughout the episode (The major human characters appearing were some Quarrymen and an Assassin that planned to exterminate Goliath and clan as well as double crossing Demona). So I was wondering if the inclusion of a human protagonist (Someone proving that not all humans are a threat to the Gargoyles) in any Demona story was always a conscious decision you had or just one of those ideas that write themselves (something that came naturally).

Greg responds...

A little from column A and a little from column B.

Response recorded on May 08, 2008

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Dylan Zimmerman writes...

Hi Greg I have been a fan of Gargoyles since I was a kid and I have a comic book I am writing that I will be sending to Darkhorse soon and I was wondering if you would take the time out of your scedule and check it out now I am sure you get asked this millons of times a day so if no responce I get it no harm no faul but I would love an honest opinion from someone experenced if you want to contact me outside of your website my Email is Madprofecer340@aol.com but please leave it out if answer my question

Greg responds...

Sorry, Dylan, but I don't have time to do all the stuff I'm being paid to do. But good luck.

Response recorded on May 08, 2008

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Craig writes...

I must make a brief comment on the terrific advances David Hedgecock has made since this series has begun. A lot of fans were quick to criticize his early work. Unfortunately, now that his art has improved by leaps and bounds, I have not seen a corresponding amount of praise.

Right off the bat, we have the cover. Since I was ten, I've thought Hudson was the coolest looking gargoyle, and Hedgecock and Jorge Molina prove it in style! I was really disappointed to hear that Guler would no longer be doing the covers, so I was biased against Hedgecock in that regard...but even with that bias, I feel that this is the second coolest cover, after #5!

Other highlights for Hedgecock this issue: Thailog's victorious grin (and subsequent contrite look) upon catching Shari in a lie, and then being reminded of her disclaimer. Macbeth's look when he talks about "sleep-walking" (what a PERFECTLY written scene, by the way!). The wide-eyed optimism in Lex's eyes when he asks about the beasts, and the sadness in Griff's face when he replies (this exchange is odd and without context at this point, and yet Hedgecock lends it exactly the right tension and emotion to make us curious for an explanation). The design of Merlin...precisely the right balance of benevolence and mystery. And our first foggy glimpse of Castle Carbonek...! What a thrilling moment for us Illuminati nuts, after all these years of waiting.

I never thought Hedgecock's work was "bad" by any standard. However, I think the improvement from issue one to the current issue is comparable to the difference between a TV episode animated by Sun Woo and one animated by Koko...the art goes from supporting the story to elevating it. This is a massive testament to Hedgecock's commitment to this project...I cannot begin to imagine the hours he must have put into exploring this world, not to mention the new characters he has to learn for every issue. So I hope that you will forward this comment to Dave as some small motivation to keep up the terrific work. And as always, Greg, thanks for making all of this possible, and for bringing David and the rest of us to your world!

Greg responds...

I've always been a fan of Dave's, so you're preaching to the converted over here.

Response recorded on May 08, 2008

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BLESSING USANI OTU writes...

WHAT IS THE DEFINITION OF AULTAL SPECTRUM DISORDER,WHAT IS THE CAUSE, WHAT ARE THE SYMTOMS, HOW IS IT TREATED, WHO CAN SURFFER IT

Greg responds...

Ahhh, yes, the tragedy of A.S.D.

Really, I shouldn't joke. Cuz I have NO IDEA what the heck it is, but it doesn't sound funny.

Response recorded on May 07, 2008

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Anonymous writes...

Is there any gay or lebian gargoyles?

Greg responds...

Yep.

Response recorded on May 07, 2008

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Darren writes...

Which cartoons did YOU watch when you were younger? Did any of these inspire you?

Greg responds...

I'm SURE I've answered this before, but...

I watched TONS of cartoons when I was a kid. And I'm sure MANY influenced me. The ones that seemed to most spark my imagination included...

SPACE GHOST
JONNY QUEST
HERCULOIDS
THUNDERBIRDS (does Supermarionation count?)
SPIDER-MAN
SUPERMAN-BATMAN-AQUAMAN HOUR
SPEED RACER
SCOOBY DOO
FRACTURED FAIRY TALES
ROCKY & BULWINKLE
THE FLINTSTONES

That's really just a partial list.

Response recorded on May 07, 2008

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dph writes...

Thank you for sharing with us a year's worth of Today In Gargoyles Universe History. It was very interesting. I have one question about an event not on the calendar so far. What year did the Pack first start airing on television?

Greg responds...

Ahh, DPH, bad luck. I'm answering questions from a Spider-Man episode #10 mix, and I don't have access to my timeline here. Try again later, as my Magic Eightball would say.

Response recorded on May 07, 2008


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