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POSTINGS 2008-06 (Jun)
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Mara writes...
Not a question so much as comments- REALLY enjoying the hopping in time for issue seven and eight as well as the art gets better and better each issue. (Hedgecock's pencils are strong and improve as he's getting more familiar with the characters and Bevard's colors are beautifully crisp and more in touch with the style the show was done in.)
So, yeah. Keep on keeping on.
Greg responds...
Thanks, Mara.
Lizzy writes...
Not so much a question as an add-on. One question on the Gargoyle FAQ asks why Gargoyles do not kiss as humans do. While it is true that kissing is a human custom, it is not universal; some cultures view kissing as gross or bizarre. In ancient Inuit tribes, couples would share affection by leaning close to each other so they can feel the warmth of each other's breath. That is where the original term "Eskimo kissing" comes from. In Bali, couples will lean close to each other and gaze into each other's eyes as a show of intimacy. (This has changed as Westernization moved in.) Kissing was not a custom in many Asian countries until relatively recently, when American culture became very popular. The Sirinio in Bolivia and the Thonga in Africa do not kiss as they see it as a sharing of dirt and saliva.
Greg responds...
So it goes...
UncannyGarlic writes...
I'd like to start by saying that I like what I've seen of your work with Gargoyles (was around the target demographic when it was produced, the move to comics is probably for the best [even though I miss the quallity voice work]), WITCH (amusing show, interesting enough story and humourous dialogue [some of it is just that special kind of terrible ;)] keeps me watching when I'm awake for it), and 3x3 Eyes (quite the rarity, a good english dub for anime, major props for that) standing out. I'd comment on your newest serries but I haven't watched The Spectacular Spiderman, never really been a fan of the franchise.
Onto the question:
After watching "The Gathering: Part II" again I noticed that when Hudson attacked Oberon's hair with his sword (presumably made from steel as it was from the tenth century) he couldn't cut the hair and was zapped; however, when Angela and Brooklyn (I think, may have been Broadway...) attacked the hair with shards of the broken iron clan they cut clean through it without any negetive effects. My question is, why was Hudson's sword (presumably containing iron) ineffective while the scraps of iron worked great?
Greg responds...
I'll leave that to your imagination.
John writes...
I looked through the archives and you seem to get this question somewhat often but I would really like to know at least vaguely what the heights of the major gargoyles are (within half a foot would work). At the very least could you give the height of Lexington? He tends to not stand up straight a lot and its a little hard to tell.
If its really that bothersome forget it but as I'm sure you know the estimates from fan vary so much even a guess from you would probably be more accurate. I suppose even one height would help as I could just estimate from that...
I'd appreciate any help on the subject but I would blame you if you have better things to do.
Greg responds...
It's not that I have better things to do, but I'm just not a numbers guy...
The Spectacular Spider-Man #111
___________________________________________________________________________
The Spectacular Spider-Man
Ep 111: "Group Therapy"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________
Developed For Television By
VICTOR COOK & GREG WEISMAN
Created by
STAN LEE & STEVE DITKO
Opening Credits
Card #1
Supervising Producer and Story Editor
GREG WEISMAN
Card #2
Producer and Supervising Director
VICTOR COOK
Card #3
Producer
DIANE A CREA
Card #4
Written By
ANDREW ROBINSON
Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________
__________________________________________________________________________
Closing Credits
Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring
IRENE BEDARD as JEAN DeWOLFF
JEFF BENNETT as SHOCKER , ST. JOHN DEVEREAUX
STEVE BLUM as DILBERT TRILBY
CLANCY BROWN as RHINO, GEORGE STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as SANDMAN, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ROBERT ENGLUND as VULTURE
_______________________________________________________________________
Card #8
Also Starring
CRISPIN FREEMAN as ELECTRO
ELISA GABRIELLI as ASHLEY KAFKA
PHIL LAMARR as ROBBIE ROBERTSON, FANCY DAN
PETER MACNICOL as DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
KATH SOUCIE as ANNA WATSON
DEBORAH STRANG as MAY PARKER
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION
___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI
___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS
Apprentice Writer
RANDY JANDT
Card # 13
Storyboard Artists
KEVIN ALTIERI
NATE CLESOWICH
JOAQUIM DOS SANTOS
CHARLES DROST
DAVE SCHWARTZ
Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON
Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA
Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK
Card #16
Background Supervisor
VINCENT TOYAMA
Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN
Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE
Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG
Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE
Card #18
Supervising Timing Director
GORDON KENT
Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
JUNGJA KIM WOLF
Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
__________________________________________________________________________
Card #20
Associate Producer for Marvel
JOSHUA FINE
Production Coordinator for Marvel
ADAM TOOTLA
__________________________________________________________________________
Card #21
Recorded at
STUDIOPOLIS, INC.
Dialogue Recording Engineer
ERIC LEWIS, C.A.S.
Dialogue Editor
TERRY REIFF
Track Reading
SOUND BYTE, INC.
__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN
Editors
RALPH A. EUSEBIO
BRUCE A. KING
Assistant Editors
MYRA OWYANG
CHUCK SMITH
Digital Effects Supervisor
ULYSSES ARGETTA
Card #22
Music Engineers MARK MATTSON
MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX
Main Title Directed by
VICTOR COOK
Main Title Storyboard by
PHIL WEINSTEIN
Main Title Color by
JOEY MASON
Main Title Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD
___________________________________________________________________________
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.
___________________________________________________________________________
END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
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