Aldrius writes...

"Nature vs Nurture" The Review!

I loved this episode. I loved the 'creepy thriller' vibe the scenes at the parade had going. (With Spider-man searching the crowds.) And I loved each character's moment, I liked Liz, I liked Gwen (I really liked Gwen in this episode), I liked Mary Jane, I liked Peter and Flash, I liked Rand, I even liked Eddie. Well, no, I didn't like Eddie, but I understood Eddie.

Which is quite a leap from '*grumblegrumble*Eddie's an idiot.*Grumblegrumble*'. I got it in this one. The Connors are his Aunt May and Uncle Ben, and Peter was the one guy he thought he could really count on and depend upon. And then Peter hurt his Uncle Ben and Aunt May, and the symbiote manipulated him into being hateful and desiring nothing but solitude. After his 'Aunt May' turned him away (because he thought more of their relationship than was actually true), and after it seemed like Peter was no longer worthy of his friendship. A lot of the stuff in this episode made more sense, Peter calling Eddie to apologize about his job, after being responsible for him losing it. Eddie's comment about Peter saving Gwen to 'be the hero', clearly shows what he thinks of Spider-man's heroics: just another way to get glory and fame, by helping people. This was all stuff that I had considered before, of course, but for some reason it all clicked in this episode. It all made a lot more sense. I didn't need that 75 on the jerkometer anymore.

I am not a fan of the damsel in distress routine normally (even Lois Lane isn't really a 'damsel in distress' anymore), but here it kinda worked better for me. I think it was because Rand, Flash, Liz, Gloria, Mary Jane and even Sally helped out in rescuing Gwen. So she wasn't a 'damsel in distress', she was just someone who was in danger and needed helping out from her friends.

Loved the last scene too. Gwen finally works up her nerve and tells Peter how she feels (so to speak). All in the theme of 'responsibility' of course. Gwen not being able to date Peter has nothing to do with his ignorance, it has everything to do with her nervousness. She needed to take responsibility for her own feelings. And the theme of responsibility is prevalent in Eddie as well of course. He's allowed himself to be alone, because he's been too dependent on others for reassurance. He wanted the Connors to become his surrogate family, but they already had a family of their own. He wanted Peter to be his brother forever, but Peter had to grow up and branch out too. And that's Eddie's problem, really. He didn't look for another job after he lost his job at the lab. He didn't look for new friends after he 'lost' Peter. He just wallowed and wasn't proactive.

Where's Norman Osbourn to give an encouraging speech when you need him? "Man up!!"

And that really shows how different the stakes are here. With Gwen it's all about her romance with Peter. Her love of him. With Eddie it's all about his hatred, it's life or death. But both problems are equally important, because of the emotional stakes involved. It's just as important that Gwen tells Peter how she feels, as it is that Eddie kills Peter. And that's really good writing.

I did have some problems with this episode however. Nothing mind-shattering, as, as I've said before... I've enjoyed every single episode.

Problem 1 I had was that Peter still hasn't told Aunt May that he's Spider-man, but this is something that's always bothered me in any Spider-man story. The woman is supposed to be his surrogate mother, and yet he still won't be completely honest with her.

Problem 2 was that the 'Spider-man working for the Big Man' thing didn't really go anywhere, it just ended up being a set-up for Venom working for the Big Man. And now that Eddie's passed out on a roof top somewhere (was that resolved, by the way? If it was I must not have been paying close enough attention.) and the Symbiote is buried under a few feet of concrete, so that doesn't really seem to be going anywhere fast either.

But other than that, fantastic finale to a fantastic season, and I can't wait for next season. Let's hope it finds itself on a network that allows the show the same freedoms it was allowed on the KidsWB.

Edward writes...

I just started reading the comics there awesome.

I was just wondering how the gargoyles feel about the human race knowing they exist? Matt wants to cover them up, Xanatos wants to slowly expose them, and of course Castaway wants them all dead. But we don't really know what the Gargoyles want. They seem more concerned with their love lifes.

Alan Kistler writes...

Mr. Weisman, I am a journalist/reviewer for http://www.ComicMix.com and a big fan of your work. I will be attending the Gathering of the Gargoyles convention in Chicago and I wanted to ask if there would be anyway I could snag an interview with you for our readers. For your review, you can check out the kind of work we do at ComicMix.com and you can find previous interviews I've conducted at this link: http://alankistler.squarespace.com/journal/2007/11/20/alan-kistlers-interviews.html. My personal web-site is http://KistlerUniverse.com and my e-mail is KistlerAlan@gmail.com. Thank you in advance for your time.

Simon Elst writes...

M. Weisman,

I'm a student soundengineering (final year) at the IAD (Institut des Arts de Diffusion de Louvain-La-Neuve, Belgium ; http://www.iad-arts.be ). I take the liberty of writing you about my thesis. It had to handle on the role of sound in animationfilm. My ambition is to bring out the importance of sound in animation film, my passion in which I want to invest myself in the future. The fact is that the Gargoyles were my heroes wen I was young (thanks to belgian televisions to made it possible !).

I think Gargoyles would be an excellent example to analyse in detail for my thesis. To do so, I'd like of course your permission, but also, if possible, your help by means of a few questions to answer. Would you ? I can understand that answering all the questions may be heavy, so.. use the way you want ! :)

a) In your opinion, are there (or have there to be) differences in the aesthetic and the realism of the sound when handling on "live" film or animated film. If yes, wich ones, and why? If no, why?

b) What do you think about next three hypothesis :

1) "Reality Effect" : traditional animation film is, by essence, soundless : the elements (components) that forms the film (figures, objects, sets, …) are mostly "silent" and even if they could produce sounds, the fact of shooting image by image makes it impossible to record live. The artificiallity or virtuality of the elements on screen creates a lack of credibility : the audience isn't naturally absorbed in the represented world. In movies in general, sound permits to locate elements "off screen", to create a world of which a great deal isn't seen at the screen. It has to be the same in animation film. But, as the characters are artificial here, there presence and activity doesn't exist for the audience unless by a "sound confirmation".
2) "Sound inspires life into the virtuals worlds of animation film" : in the same way as the animator gives live to his figures, the soundengineer gives them a lively dimension (thanks to the voices, the presences and the interactions of the character with his environment).
3) Most of the animationfilms are shot at 12 frames per second. The result is tolerably well for the audience, but nevertheless less fluid than in a "live" film. Sound is a constant component that permits "to link up the frames", to put a smooth coating upon the frames, and so reduce partly the "jerky appearance" of the 12fps format.

Thanking you in advance for your answer, Simon Elst

evr4 writes...

(spectacular spider-man questions)
first let me say you are too good (for Gargoyles and for bringing back interest in spider-man)!
anyway,
1) did you watch "Intervention"? it was amazing and passed all my expectations of venom's origins. It was the perfect weave (of THE story (second most known history behind Peter's back story) I would think everybody knows) with a beautiful stylistic approach. All episodes so far, but especially this one, showed an approach with "we are going this direction with the storyline, but wait you (the viewer) were wrong because we are going to make a 180 degree turn and make you say, 'I can't believe they just did that!'" Genious...Utter Genious! My friends and I agree we can only dream the SEASON FINALE WAS A 2 PARTER. An interesting statement one of my friends made was Uncle Ben reminded him of Ben 10's grandfather. But one thing felt weird to me....was the episode's animation rushed or was it exactly how it was suppose to be...I can get the "it's in your (Peter Parker/Eddie Brock) mind" sequence so it resembles that of a "dream/fantasy" sequence....but during the episodes some of the lines didn't seem solid...and there was a scene where I think a screenshot stood still on Flash emotionless (though I do understand where the story was going with this) for an entire 1.5 seconds (AWKWARD)..but yeah was it rushed?

2) when Green Goblin has his first serious encounter with Spider-Man (after Spidey just saved Tombstone from Gobby), there was a scene where the glider went right through a building and GG acrobatically jumped over the building and landed on his glider, I saw this scene and immediately said, "TOO GOOD," and lowe and behold Spidey, says, "Okay wow, just wow." any information on who came up with Gobby performing the feat, and who wrote the lines, "Okay wow, just wow"?

finally, let me say, my circle of friends are either 20 or 21, and we love the direction spec spider-man takes every episode. One of my friend's girlfriends younger brother immediately hated the show when it came out but then changed his mind with the great direction and writing of the show (ironically he hated The Batman at first, then fell in love with it). And let me say for myself for one who notices all the smallest details and little intricacies of all your shows (not just Garg and Spec Spid), I will continue to say Greg Weisman is TOO GOOD!

save the shows writes...

i know this is not a question but it's a helpful way to save shows. if any one would like to save a show and get it aired again such as *hint hint* WITCH then go on this web http://help.savedisneyshows.org/ and follow the instructions also get as many people as possible to go on http://help.savedisneyshows.org/ and follow the instuctions (it says it was made by a greg, and im not sure if thats coincedental or the same person)
remember save great shows *hint hint* such as WITCH from not being aired ever again thank you

kyle tonarella writes...

well i actually have seen the joker episodes you've written and they are tureley works of art a shame that they could not make joker like that through the rrst of the series oh well anyone on to a new question i've heard molten man will be in the show and we he actaully have connections to Liz Allen like the comics is he part of the firs or second arc of season 2

Liz writes...

Hey! just wanted to know if you could talk to disney over making more WITCH or could i a fan do so, also wnated to know that if disney say no could another company make a differnt spin on witch such as jetix, 'coz back here in england WITCH is played on jetix not disney

any help would be appericiated
thanks Liz

ollie writes...

orry for the double comment but i just read the rules again, if i broke any sorry! i'm not looking for employment or mascarading any idea's i jus wanna know if W.I.T.C.H is ever gonna continue and if theres any specific reason or any reason at all why
sorry again if i've made a mistake Ollie