The ONe writes...

1) Why didn't Anansi use his magical arts against Angela, Goliath, and the others? Why did he choose to only use melee attacks instead of such powerful and simple attacks such as the weird sister's magickal bolts or Oberon's sleep spell to ensure victory?

2) Why did Anansi even need hunters? And especially mortal hunters for that matter. Couldn't he have magically created a source of his own food and why make his form a giant spider that couldn't support itself?

Anonymous writes...

Why does Boreas resemble Highfather?

Erin Peretti writes...

I am absolutely fascinated with your comment that Gargoyle's MacBeth was more historically accurate than Shakespeare's (obviously ommitting Demona and immortality).

What parts were more accurate?

I know this is a pain, but would you happen to know where I could find some historically accurate accounts of Macbeth? His home, his full name, whether Duncan was the perfect king potrayed in the play, etc....

What research materials did you use when writing Mac for Gargoyles?

Is Glamis castle in Scotland really Mac's castle, as I have been told?

Thanks so much!!!

Aris Katsaris writes...

3. The similarities between Xanatos and Sisyphus: a Theseus/Gawain-Rory/Cuchullain situation, a descendant (Xanatos comes from Greece after all), or simply the coincidental repetition of an archetype?

(I don't think the above are story ideas, but I'll understand if Todd decides to cut them away...)

Aris Katsaris writes...

Next ramble - Xanatos and Gilgamesh:

As I said my first thought was Gilgamesh, since he also had the wish to find immortality - yet above all because Gilgamesh is the mythological hero whose mortality is an integral part of him: the same thing that you said about Xanatos... Both have had dealings with immortals, yet both are hopelessly mortal...

Other than that, admittedly they don't seem to have any other point of similarity... Perhaps (though a bit far-fetched) that Gilgamesh also starts like a bit of a villain until he discovers friendship. But comparisons between Enkidu and Goliath seem even more farfetched and I decided to stop that train of thought.

The Gilgamesh story is among my very favourite ones... And I love characters such as Utnapishtim (the survivor of the Great Flood - the gods turned him and his wife immortal). In fact I find Utnapishtim's version of the story far more fascinating than that of Noah or Deucalion - two stories which for me are so sketchy as to be really *dull*.

Anyway...
1. Do you have any plans about Gilgamesh or Utnapishtim which are more specific than "Eventually everything?"
2. Since Utnapishtim was turned immortal - do you think he's still around? :-)

Aris Katsaris writes...

More of a ramble (or two) than a question but here goes:
I believe that someone here in Ask Greg compared Xanatos to Prospero- both having magical assistants... Anyway I was thinking around the same lines, trying to compare Xanatos with characters from mythology:

My first thought was Gilgamesh (I'll ramble about him next) but then I thought an even better match: namely Sisyphus. And, god, this guy seems the most Xanatosian character I know (I even imagine him played by Frakes). He's *very* intelligent (him and Ulysses are pretty much the two clever men of Greek mythology); something of a trickster; he's considered to be something of a villain; and finally in certain stories he has even tried to find a way to defeat death. Two times in fact. One of them involved binding Thanatos (or Hades - not sure which) pretty similar to what the Emir did in 'Grief'...

So questions:
1. Any thoughts on the above? :-)
2. Sisyphus was punished pretty severely for what was seen as villainy (namely his trying to cheat death and angering Zeus in general)... Other than the brief (though admittedly great) scare that Oberon gave to Xanatos, do you think that Xanatos will get a comeuppance for his crimes? He's done worse than Sisyphus I think...
3. There's a third question but I'll post it serarately in case Todd thinks it a story idea...

Siren writes...

I didn;t see this in the archieves and was just curious...
In Eye of the Beholder, whose idea was it to dress Elisa as Belle from Beauty and the Beast. It just seemed too perfect and at such a good time in the 1st season to do so.
Also a slightly related question...Where did Goliath learn how to ballroom dance? Demona just doesn't seem the type to have done so before 998AD ;)

Ray Kremer writes...

All the rambles on City of Stone recently brought back some memories. While that season was airing I was in High school, and the English Class that semester was British Literature. Beowulf, Canterbury Tales, and of course Shakespere. We did the Scottish play not too long after CoS aired and when I was reading the book the voice of John Rhys-Davies always found its way into my head.

The classroom also had a big poster of the complete family tree of the royalty of the British Isles. You can imagine how much fun it was to look back to 11th century Scotland and find the names of Gillecomgain, Gruoch, and Luoch right there with MacBeth, Duncan, and Malcom Cannmore.

Then when we got to Arthurian Legend I asked the teacher what the significance of Avalon was besides being Arthur's final resting place, half expecting to hear it was the traditional home of the fairy kingdom. (Never could be too sure what was real, what you were making up, and what was some of both.)

Sapphire writes...

According to legend demons are adraid of gargoyles. Is this same concept true in the gargoyles universe?

Anonymous writes...

Were you inspired in someway by Quantum Leap while making Timedancer?

Todd Jensen writes...

I recently read not just "The King Must Die" (actually, the reading that I did for the upcoming GBC discussion was a rereading, since I'd originally read it some months before) but also "The Bull From the Sea" (I decided that I'd like to read the rest of Renault's take on Theseus). And I can certainly agree with you that both books are a very effective take on the Theseus story.

One bit that stood out to me was the impact that Hippolyta's death makes on Theseus. Renault, like you yourself, interpreted Theseus and Hippolyta's union as one of equals and one of the peaks in his life. So her death in battle is indeed devastating for him from just that alone. But the additional touch that Renault added on made the impact of Hippolyta's death all the more chilling, and fitted in all the better with Theseus's decline afterwards. For Renault makes it clear that Theseus is meant to make the "Kingly Sacrifice" (the leading thematic element of the two books) in the battle with the Amazons - but instead, he lives and Hippolyta is the "King" who dies willingly. The King has died, but the wrong king - and the impression that I received is that Theseus's not making the "Kingly Sacrifice" of himself in the battle is what sets his doom in motion thereafter, the fact that he has, in a sense, failed his duty.

The other element that particularly stood out to me - and again, struck me as having an effectively chilling touch to it - was the manner of Hippolytus's death, with Theseus for once abusing his gift from Poseidon to predict earthquakes and turning his prediction into a curse - leading to his permanent loss of the ability thereafter.

At any rate, I'm glad that you mentioned and recommended it to the folks here; I certainly was glad to read both books.

Jim R. writes...

In one the first series episodes, (i forgot the name), where Xanatos donated the eye of Oden and then had it stolen again for himself, there in the museum scene there was night watchman who was walking down a corridor, and he stopped to look at a painting. He said "Yeh, you and me both, pal." Was that painting any famous one in particular? I almost thought it looked like Edward Munch's "Scream" but then I thought why would the night watchmen associate what he was feeling with "Scream"(not the movie)?

Todd Jensen writes...

A couple of "Future Tense" questions:

1. What inspired you to do the "Future Tense" story (aside from the fact that it provided an effective motivation for Goliath to get rid of the Phoenix Gate)?

2. Were there any particular "dystopia/bleak future" stories that had a noticeable influence upon this episode? If so, which ones? (Well, actually, I noted that you mentioned an "X-Men" story about Sentinels in the future as one of the influences).

Laura 'ad_astra' Ackerman writes...

I've been meaning to post this for a while.. well a month or so-

On Friday, November 17, 2000 05:54:50 PM Revel writes...

"Regarding your "Vows" ramble

I think More's the pitty is kind of like Ignorance is bliss. You've just heard it so many times no one knows who originally said it. (my opinion of course) "

- I don't have my worn out favorit poetry collection with me, (where did I put that this I have been desperately searching for it for a year now …!) But I believe your example comes from a Thomas Gray poem entitled either, "Elegy in a Churchyard" or "Ode Upon Distant Prospects at Eton (or was that Oxford? Or Canbridge)" I might be mangeling any part of it. It is the last line of the poem, "In a place where ignorance is bliss, 'tis folly to be wise."

Revenge of the English major:)

Todd Jensen writes...

This is a related comment to the Mystic shop in London question that I asked a bit ago (perhaps assisted by the fact that I was watching a PBS documentary on Napoleon earlier today). Napoleon once made a famous dismissal of the English as a "nation of shopkeepers" (presumably before those same "shopkeepers" defeated his fleet at Trafalgar and his army at Waterloo). In light of this remark of his, I find it rather amusing that the gargoyles in England are shopkeepers as well as the humans. I don't know if that quote of his ever came to anybody's thought when you were working on "M.I.A.", but I thought that you might be interested.

Aris Katsaris writes...

You said: <<O.K. Thanks. So death was NEVER personified?
Certainly Uranos was personified in the mythology, right? And Eros, of course. >>

Umm, I'm not certain what exactly it is you mean by "personification", so let me be a bit more elaborate.

Pretty much *everything* was personified as a deity, including abstractions like "Victory"-Nike, "Peace"-Eirene, "Justice"-Dike, "Violence"-Bia, "Night"-Nyx, "Sleep"-Hypnos, etc. The name is the concept is the deity...

However most of these deities never seemed to have a solid existence in stories besides their very function - unlike gods and goddesses like Athena, Hades, Hermes, Thetis, Callisto, etc, who very clearly were "persons" with a history and personalities that was separate from their specific roles...

Uranus was ofcourse personified - he was a person who was defeated and castrated by Cronos, etc, etc. And in fact he was probably personified so much that the meaning of his name being "sky" was probably almost forgotten, and Zeus was considered the god whose province was the sky, etc.

Eros is a weird case: The story which "personified" him as the son of Aphrodite and the lover of Psyche, was written very late, 2nd century AD I think, by a Roman writer. In that one he was obviously a seperate person, "personified" with any definition one can come up with.

But before that, Eros seems to have been much more of an abstraction, one of the very first gods who was birthed by Chaos: For if there had been no Eros (no love) later gods (like Gaia and Uranus, or Cronos and Rhea, or Zeus and Hera) could not have loved each other. More of a force, less of a person.

Now Death-"Thanatos" was ofcourse personified like anything else: he's supposed to be the son of Night, and the older brother of Sleep (Hypnos). But besides that, he seems to me to be much more of an abstraction like Nike, and less of a person like Athena. He's referred to as a person occasionally (Zeus sends Hypnos and Thanatos to carry the body of Sarpedon with honour away from Troy, I think that Hercules is supposed to have wrestled with Thanatos in one case) but those two are pretty much the only occasions I remember him be a person...

I don't know if the above helped clarify or confuse...

LSZ writes...

This is a weird question, but were there any plans to use more recent fictional works in the Gargoyles universe, particularly:

1) HG Wells
2) Jules Verne
3) C.S Lewis
4) H.P Lovecraft

Anonymous writes...

there seemed to be many similarities between the star wars universe and the gargoyles universe is this coincidence?

Aris Katsaris writes...

Regarding Xanatos's name you said: <<First it's a slight change on Thanatos, the Greek god of death.>>

A small tidbit: "Thanatos" is not just the ancient Greek god of death, it's the Greek *word* for death (in both ancient and modern Greek).

It means death the same way that in Greek "Uranus" means sky and "Oceanus" means ocean and "Eros" means love (both romantic and physical), etc...

Aris Katsaris writes...

A more normal but somewhat silly question (the answer is almost certainly "no"):

Have you ever read Don Rosa's "Return to Xanadu"? I'm not entirely certain but I think that was one of the first mentions of Xanadu that I ever saw - and which lead me to read Coleridge's poem.

RPG [rpg7@poczta.fm] writes...

Hi!

I'd like to ask You for a Carl Johnson, editor of the such wonderful music sound track to the Gargoyles. Yes, I know there's nothing like a original motion picture soundtrack from the series (however, I know about a fan-made one), but what I want to know if something about this guy, especially what other movies he illustrated with music (I've asked many people, on cr too, but nobody know really nothing).

Another question: how You probably know, there was a TV horror movie Gargoyles (which I haven't seen, btw). I'm curious if You saw this movie and if it inspired You even a little.

Sorry for my english (I'm a polish fan), and thank You in advance for answering my questions and doing it for fans - You are great! ^_^

[Btw: I noticed there was a question about a possibility of releasing a Gargoyles role-playing game. If You are interested to see a fan-made amatour rp conversions of series, I've got some (there's much more of this stuff on the web) of them at following adress ftp://vortex.efekt.pl/people/gargoyle%5E/gargoyle_gamez/]

LSZ writes...

1) Did you ever see either the movie or the original stage version of the musical Camelot(there's a lot of difference between the two)?
2) If so, what did you think about it?

LSZ writes...

I recently got the original book version of 'Magic'; it's just as good as the movie. Have you ever read it?

Aris Katsaris writes...

Todd> Such scenarios have their root in reality - whereever a minority is oppressed by a majority, you'll get the individuals who'll fight back hatefully and the individuals who'll want to live in harmony.

In my opinion it's *extremely* silly to think that Gargoyles could be copying the X-men when both were obviously copying the real world...

Now X-Men and the *New Olympians*... well that's a whole other story. :-)

Duncan Devlin writes...

Hi Greg. I was a little curious about Robbins' line about books at the end of "A Lighthouse in the Sea of Time".
Who came up with. it.
Were there any specific influences (assuming it didn't come from a source I don't know).
Are there any other drafts of the quote available (if yes, could you post something?)

Amberie writes...

Greetings. I was just wondering if you've ever considered including fairy tale (Snow White, Cinderella, etc)elements into the Gargoyles Universe, especially since you've included mythology and aliens. Thanks!

Aris Katsaris writes...

Greg, what do you think about the place that the "May Day's Decree" has in the Gargoyle Universe? (the murder of a great number of infants so as to destroy Mordred)

I always felt that unlike most other parts of the Arthurian legend (which didn't have so obvious sources) , the "May Day Decree" seemed a complete copycat of Herod's massacre with a bit of Perseus thrown in. As such I felt it was perhaps the part which rung by far the most untrue...

Anyway, others in the comment room have disagreed ofcourse. Do you think it happened in the Gargoyles universe or not?

(And I really hope for something more clear than "All things are true" :-)

puck40 writes...

Hey Greg

Comment about Terry Pratchet. :)
Just find any one of those Discworld books and read the first couple pages. If your not hooked into it by the first or second page... well like thats possible. hee hee
ja!

LSZ writes...

Aaargh..I lose Internet access for a while, and return to find that due to my poorly phrased questions that I was looking forward to finding out the answers of, I have totally messed up the question..oh well.

I'll try a more careful rephrase now..but first, some new questions.

Are or were there any plans to incorporate the legend of Faust into the Gargoyles Universe?

Derek! writes...

Greg-
I think the book club thing over in the comment room is a great idea. But I just finished Postman and already owned Rime,(and it's not even October yet!) so I was wondering if, off the record, you could recommend a few more books. I'm working at a Borders bookstore now and am itching to use my book discount.But, if you want me to just be patient and wait with everyone else, I'll understand, of course. Thanks for your time:)

Aris Katsaris writes...

Quick! We must fill the queue - Greg's caught up! :-)

Anyway, just a nitpick: You said "Odysseus traveled for twenty years."

Well, he was away from home for twenty years. But ten of these years he had been fighting at Troy. His return took him a further ten years, seven of which he spent as a virtual prisoner in Callisto's island.

So, one could say that he spent only *three* years travelling, though it was twenty years that he spent away from home.

If one's nitpicking, anyway. :-)

Punchinello writes...

Hello Mr. Weisman.

It has been a while since I have stopped by here. I've been extremely busy.

I reviewed your most recent responses to your fans, and I took special notice of a response you gave to Aris regarding the weird sisters.

You commented that one was older and one was younger, but not always the same one. (Or words to thqat effect.) That made me curious.

I am not really familiar with the mythology surrounding the sisters. I know that the imagery and concept of the "three women" can be observed in a number of disparate cultures and stories. I never actually took the time to investigate their history , however. I knew that Shakespeare's works played a prominent role, so I just assumed you were importing them from there. I kind of took it for granted.

Anyway, I was interested in your comment because it reminded me of an incarnation of "the three women" that I knew of. Lloyd Alexander's Orwen, Orduu and Orgotch. I specifically remember one of them being upset because they "always had to be Orgotch!" They were bitter because the other two seemed to always appropriate the other two identities. Alexander's Weird sisters were the only ones I had ever observed to display this interchangeable identity. I know that Alexander's sisters were Welsh in origin. His books were inspired by the mythology of that culture. I dont know if the interchangeable identities were also of the same origin, or purely a creation of the author.

I was wondering if your weird sisters were inspired by Alexander's in any capacity, or if the concept behind their identities has other origins.

Thanks in advance for taking the time to answer.

Mr. Pun, Mr. Chin, Mr. Nel and Mr. Lo

Todd Jensen writes...

Just read your "Gargoyle pitch" that you posted a few minutes ago. It's definitely interesting to see the familiar story increasingly taking shape (with some differences still here and there, such as Goliath being an artificial creation or the "Elisa-equivalent" being still considered as descended from the "Princess Katharine-equivalent").

I was also intrigued to note that even this early in the development, you'd visualized Goliath fighting the Germans in the air in World War II, the first hint (perhaps) of "M.I.A."

puck<40> writes...

Greg responds...

I once read a Star Wars novel right after the original movie came out. It stank. Kinda turned me off that whole thing.

But you never know.

;-; you read Splinter of the Minds eye? huff. See when I read this trilogy of books it turned me *onto* the other books. Timothy Zahn is really a great writer. And turned me on so much so that I read through so many of the bad ones... including "splinter" <which was released shortly after the movie, pure crap>. Occasionally I try to make my way through another one here and there..... But everything pales. PALES!!!!!! ~taunts all the star wars fans who disagree~ sheep!!!! can't any of these so called hardcore fans see that a BIG MACHINE OF DEATH is kinda boring? book after book.... ;-; so depressing. But This trilogy.... MWAHAHAHH. 9.9; sorry

erhm, heheh. ^.^ anyways.... ~wavies the books in front of Greg~ If I managed to send these.... or not even these. Just the first one to Jen, would you consider reading it? "Heir to the Empire". Made the best seeeelllleeeerrrssss list. =) Hit number oooooonnnneeee. read the reviews online of it if my sales pitch didn't sell it.

and forget about the rest of the books. <a couple short stories are superb here and there but mostly they're blah>

running off now, spanish homework to do.

Vashkoda writes...

1a) You said that Brooklyn would travel to the "Future Tense/2158/?" era both before and after he met Katana. From the perspective of those living during this future period, did Brooklyn's first visit (when he was alone) happen *after* he had already appeared with his family? b) If so, did the people during that time reveal (perhaps accidentally) to Brooklyn that he was going to have a family?

2) You said that Brooklyn keeps "chasing" after the Gate because he wants to get home. Although I'd understand why this would be important to him when he's alone and memories of home are still fresh on his mind, I would think that after 40 years and having the comfort of his family, getting home wouldn't be as critical to him. Am I wrong, or does Brooklyn find a new reason to be motivated to return home to the present?

Wing writes...

Knowing you are an English type teacher (as opposed to Science and what not), is it safe to assume you are familiar with the concept of the HERO'S JOURNEY? (a journey of self-discovery?)

It can be said that Titania went on the HERO'S JOURNEY. She took a trip and came back all the better (simplified). Too, it can be said, that Oberon ordered all fae to complete a HERO'S JOURNEY of sorts. (Loving the capital thing by the way) Oberon himself I belive went briefly on a journey, but only kinda (assumed from previous answers).
My q is, will Oberon ever go on a HERO'S JOURNEY and have a coming of age? Has this already happened, more subtly? Will his character continue to develope?

Emmlei writes...

You were a big comics fan until recently, right? so, i got to ask, did you read Archies?

Todd Jensen writes...

In one of your recent answers to "Shadows of the Past" questions, you called the enormous megalith that Hakon and the Captain of the Guard were using to drain Goliath "the Megalith Dance". Was this name for it (particularly the "Dance" part) inspired or influenced by Geoffrey of Monmouth's name for Stonehenge, the "Giants' Dance"?

Aris Katsaris writes...

Mary Mack <<They specialize in the older versions of legends, so I didn't even realize (should've, because you mentioned that Ancient Greek was closer to Modern Greek than Middle English is to Modern English) that somebody else might know the word in a different context.>>

A small correction - I said that Modern Greek is closer to Ancient Greek than Modern English is to *Celtic*.

I'm not so sure about the analogous place of Middle-English... Perhaps it's similar to Ancient Greek - most of it would be unintelligible, but people would recognize clear connections between words and could perhaps slowly decipher the meaning of a written text?

Aris Katsaris writes...

And since Todd referred to it, I may as well... was "By the dragon!" an Excalibur (the movie) reference, as I had thought it to be?

Todd Jensen writes...

This is another thing that I've meant to post here from time to time, and your recent mention that you've read The Hobbit and The Lord of the Rings encouraged me to do so at last.

I've sometimes thought that the Eye of Odin has a certain similarity to the One Ring at times (although I think that it's probably coincidental). Both the Eye and the Ring altered the person who used them, and with a sinister undercurrent to it so that practically anybody who used either would become corrupted, and almost used by the magical object in the process rather than using it. But the Eye of Odin in "Eye of the Storm" especially there reminded me of the Ring. Odin comes seeking the Eye because he lost much of his native power when he parted with it, just as Sauron was seeking the Ring because much of his power passed into it when he made it, diminishing him. And Goliath, when he donned the Eye to use against Odin, became subtly corrupted by it until he wound up, while ostensibly fighting Odin to keep his companions safe from him, really doing so to dispose of the competition over the Eye's ownership. This reminds me of how in "The Lord of the Rings", Gandalf pointed out that they couldn't use the Ring to defeat Sauron since it would do the same thing to its user and turn him into a new Sauron. (Indeed, I can't help but feel that if Gandalf *had* claimed the Ring as a weapon against Sauron, his corruption by it would have been much like Goliath's corruption by the Eye in that episode).

Of course, "Eye of the Storm" didn't feel like a Tolkien copycat, since its concerns were more those of the Gargoyles Universe (and in particular, the correct way of solving the problem with the Eye turned out to be to give it back to Odin - a definite difference from the case of the Ring and Sauron), but I did feel that there was a certain similarity there. I just thought that you might be interested to read this.

Todd Jensen writes...

One last post.

You revealed in your last batch of answers that Gabriel is the leader of the Avalon clan. I will confess that this revelation amuses me a bit because of a slight echo here with "Paradise Lost" (which might be coincidental, of course, but which I'll mention anyway).

In Milton's epic poem, the original Gabriel (the Archangel) is portrayed as the leader of a squadron of angels stationed in the Garden of Eden to guard it (and who clashes briefly with Satan at the end of Book Four). Both the Garden of Eden and Avalon are earthly paradises; both are also associated with apples (although the general consensus of biblical scholars is that the forbidden fruit in the Garden of Eden wasn't an apple after all). And now both have as the leaders of their guardians a figure named Gabriel. I must confess that I rather like this touch, even if you didn't have Milton in mind when you came up with it.

Aris Katsaris writes...

Tana> Well JRR Tolkien didn't exactly say that what he was writing was fact. More that (like Greg) he seemed to not be inventing, but rather delving into a subcreation - a universe that had some reality of its own, so that instead of inventing he just had to wait until he could see what had 'really' happened...

Tljack2001@aol.com writes...

I'm doing a report in class and I'm having a hard time I'm compering your cartoon "Gargoyles" to Edith Hamilton"s book Mythology could you tell me how you originated the characters in comparison to characters in Mythology, and why you changed the way Gargoyles live compared to Gorgons you know blah blah blah. It's a comparison and contrast report and i'm having a very hard time with it I know I'm on to something please help! Compare and contrast how you used stuff from "mythology" I have to have a source from you and this is all i found please help!! Plus I'm a girl so I have to do well on this because everyone says I don't know what I'm talking about and this is a "boy's" cartoon. Thankyou sooo much

Matthew Smith writes...

hey Greg, what's up? Well, this isn't really a Gargoyle related question, it's more about one of the movies you mention being one of your favorites: Ghostbusters. That is one of my all time favorite movies. I see you didn't seem to like the sequel. I rather enjoyed GB2, heck I bought both movies last weekend, but I guess i can see why you didn't like it. I mean walking Statue of Liberty, "Mood Slime" that responded to good/bad vibes...ect...
My passion for Ghostbusters goes back to my when I was 5. Oh I remember religiously watching "The Real Ghostbusters" every day before kindergarten. Me and my brother used to dress up in old pyjammas, which our mother altered to have the Ghostbuster logo on the shoulders, and would run around the neighbourhood pretending to "bust" ghosts.
Anyway, back to the movie. My mother must have hated that movie with a passion, simply because it was the only thing we'd rent whenever we'd go to our grand-parents house (who had a VCR when we didn't) must have seen the movie like 60 times back then, and that was before I could appreaciate the witty humor, let alone understand the plot.
Last year, I watched the movie for the first time in about 10 years. I never realized excactly how clever of a movie it was. It was hillarious, yet not off the wall not to be taken seriously. Even the Stay-Puft Marshmallow Man provided a serious enough threat.
Come to think of it, this actually is a Gargoyles question. Gozer's Terror Dogs, the one's who possessed Dana and Louis reminded me an awful lot of Bronx. Did this in anyway inspire you to create the Gargoyle Beasts? Also, the Terror Dogs came to life by breaking out out of it's stone shell, much like the way Gargoyles do. Is this simply a coincidence? I remember you stating that your inspirations for Gargoyles were Gummi Bears, actual stone gargoyles, Hill Street Blues. But is it possible that Ghostbusters is among one of the inspirations for Gargoyles? Or am I just making wild speculations in hoping that one of my favorite movies helped inspire one of my favorite animated shows?

Todd Jensen writes...

This is a comment inspired by your recent answers to the "Tempest" question. While you never did manage to get "The Tempest" into Gargoyles outright (and I found that a pity, for my own part), I've sometimes thought that Angela does resemble Miranda a little (in the same way that, to me, Thailog resembles Edmund in "King Lear" and Demona Shylock) - there's the same general concept there of a sweet, innocent girl being brought up on a mysterious magical island and filled with wonder at the outside world (Miranda's "brave new world" lines strike me as being just as suitable for Angela as they were for the original speaker). I just thought that you might be interested.

Ambrosia writes...

Okay, this is a response to that S.T. Coleridge reference and suspending disbelief.
I've been blessed with a really great English teacher who I loved so much in Freshman Comp 101, that I took him again for Literature and again in Survey of Shakespeare. Last spring semester, he lectured a bit about how to read fiction effectively. In my notes I have written down:
"be imaginatively involved in the work" That's Mr. Farrell and not Coleridge. He then quoted Coleridge saying reading fiction should be "a willing suspension of disbelief." In other words, while reading about a giant dragon, you're not supposed to think to yourself, "there's no such thing as a giant dragon." In a work of fiction, you put yourself into that world... like a certain universe we all know and love.
Just thought I'd clarify.
On the other hand, there's nothing wrong with suspending belief either...

Todd Jensen writes...

Just thought that I might tell you that I was very amused (LOL), in fact, by your answer to the question about whether pigs can fly in the Gargoyles Universe ("I've got the bacon, do you have the catapult?") - particularly since I'd never imagined firing pigs from a catapult as a means of accomplishing that feat.

Samantha writes...

Hi
I releize you get a ton of these questions each day so thanks for taking the time to read mine, I was just curious what inspired the idea for the show Gargoyles in the first place? What was the inspirtaion for the show? Thanks alot.

Aris Katsaris writes...

How many Tolkien books have you read? The Hobbit, Lord of the Rings? Have you read The Silmarillion?