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Todd Jensen writes...

This is more a comment than a question, but I found myself remembering something. You mentioned having worked on the development of the original version of "Bonkers", the one where he was teamed up with Miranda Wright. One of the episodes from that version of "Bonkers", I recall (my memories are a little over ten years old, and a bit rusty), had Bonkers and Miranda after a band of gangsters who were after a long-gone gangster's treasure, the clue to which was on "page 23" (I think that it was 23, though I could be wrong) of a book, but they didn't know which book. So they were stealing Page 23 from every book that they could find - and when they found the correct page, it led to what was at first sight a poetry book - and in the same episode, Bonkers had taken up poetry (even composing a poem that was a take-off on Lord Byron's "She walks in beauty like the night") and viewed the poetry book as real treasure.

It struck me that, although it might have been only a coincidence, the episode feels almost like a foreshadowing of both "A Lighthouse in the Sea of Time" (both episodes had a strong pro-literacy message and the beauties of the written word proving to be the "real treasure") and "The Silver Falcon" (the antagonists searching for the treasure of a long-gone gangster). I just thought that I'd bring it up here.

Greg responds...

I'd forgotten about that Bonkers episode. I should say that after the (Miranda version of the) series was developed, I wasn't all that involved with the day-to-day of the script writing, with a few notable exceptions (the Gloomy the Clown Banana Cream Pie bit, of course). And of course, once the new (Piquel) version of the series was developed, I had nothing to do with the show.

As I've stated before, the Miranda version of Bonkers was a definite influence on Gargoyles. Though I can't say that this particular episode was. But maybe...

Response recorded on November 07, 2006

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Lenny Ernquist writes...

In some of the episodes of Gargoyles I noticed how similar the storylines are to Star Trek. Did Star Trek influence some of your plot devices for Gargoyles?

Greg responds...

Only one that I can think of, which was "Possession". The bit where three "ghosts" take over three of our leads and one wants to keep the bodies was partially inspired by a Star Trek episode, as I've always acknowledged.

I can't think of any others. What did you have in mind?

Response recorded on November 01, 2006

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Zel writes...

Can you give us fans a short little bibliography of all the mythology used in Gargoyles? Any other good reccomended reads? I dig your storytelling style, and I'm hoping that you write a novel sometime soon

Greg responds...

I'd check the "Influences" section of the ASK GREG archives.

I've recommended a number of books there. But there's too large a list for me to compile a "short little bibliography".

I'd love to write a novel someday. So we're both hoping...

Response recorded on October 25, 2005

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Drew Lung writes...

Hey, it's me again.

You said that you tried to get all the myths into 'Gargoyles, but you neglected J.R.R. Tolkien's works. Why? This is probably the dumbest question you've ever been asked on this site, but I must know.

Greg responds...

Let's start by admitting up front that this isn't even close to the dumbest question I've ever been asked on this site.

But... I said I'd try to get everything in the PUBLIC DOMAIN in eventually. Tolkien's work is not in the public domain. On occasion, we may make a sly reference, be influenced by or pay homage to non-public domain work. But I try to avoid flat-out rip-offs of stuff that isn't free for me to take.

Response recorded on October 24, 2005

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Edi writes...

Hello, Greg. This is a question I wanted to ask: Have your kids, Erin and Benny, played inspiration in you in any of your cartoons, including Gargoyles and Max Steel?

Greg responds...

Sometimes.

For example, Alex Xanatos' first word, "doggie", was inspired by the fact that for a period of time Erin ONLY said the word "doggie" and she said it non-stop.

Response recorded on September 27, 2005

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Anonymous writes...

What where gargoyles for and why they where put on churches ?

Greg responds...

I'm tempted to just tell you to do your own research.

Historically, gargoyles were rainspouts, but the whisp of legend that I always heard was that gargoyles and grotesques were put on churches and castles, etc. to ward off evil-spirits.

We extrapolated on that idea -- or at least on the thinking that might have fed that idea -- to develop our series.

Response recorded on May 24, 2005

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iamsingleandsexy writes...

What gave you the idea for Gargoyles?

Greg responds...

Gargoyles and grotesques.

Response recorded on May 24, 2005

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Lawrence Matheson writes...

who invented robotic body armour? was it MacBeth?Renard?Xanitos? or someone else?

Greg responds...

I think it was Robert Heinlein.

Response recorded on May 19, 2005

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Sahyinepu writes...

I have been watching Gargoyles for some years, and was personally very pleased with how you portrayed the character of Yinepu/Anubis. I was curious why He in particular made the show, while other Names of Netjer did not? Did you plan later to include other Names as well? Also, how difficult did you find it to include religious elements of varying faiths without stepping on toes, in particular of still very much thriving faiths, like Judaism?

Greg responds...

I'm afraid I'm not familiar with the "Names of Netjer".

In all cases, whether the religion/faith/mythology was extant like Judaism or archaeic, like Wotenism, we tried to treat the characters and situations with respect and as much accuracy as was possible in the context of a fantasy series. That's the best we could do, and generally, it seemed to work.

Response recorded on May 17, 2005

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Gothic Cowboy writes...

Domo Arigato, Weisman-sama. Concerning an earlier question by another petitioner regarding the Lost Race and how they stack up to Lovecraft's Old Ones, in brief, the Old Ones are beings (often aquatic or semi-aquatic) who ruled the Earth prior to the rise of man, but whose society was brought low through rampant use of Black Magic (of a sort). A few survivors still exist, slumbering in great voids. The important thing to remember about them is that they aren't good or evil. They are so far beyond humanity that any attempt to understand them results in madness. They are usually barely aware of the little humans and unconcerned with us, but they radiate waves of psychic madness, causing insanity. I highly recommend his stuff, by the way. It actually disturbed me.

Greg responds...

I've heard great things about Lovecraft. What you describe pretty much covers my understanding of the stuff -- mostly gleaned from reading Howard and others who were influenced by Lovecraft. And by reading ABOUT Lovecraft. I have of course no excuse for not having read him myself, other than horror isn't my particular cup of tea. Maybe someday.

For the record, the so-called "Lost Race" of the Gargoyles Universe has nothing whatsoever to do with Lovecraftian concepts.

Response recorded on May 13, 2005


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