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I was just wondering, how many pages is a script to one of the episodes to the Spectacular Spider-Man?
First season, we had a 38 page maximum. Second season we had a 36 page maximum, and we were often (if not quite always) still too long. It's somewhat frustrating, but the end result is hard to complain about.
Not so much a question, but a comment. A thanks, really.
I HATE, HATE, HATE Venom. With a fiery passion. I dislike the character more than healthy, I'm sure. But I'd like to thank you and your staff of writers for not only providing me with a Venom I could really love, but making the Venom arc of the second season my favorite story arc of the entire series. The framing devices for each episode were excellently done, and Eddie himself proved to be a formidable antagonist who actually utilized the knowledge the symbiote gave him.
So thank you very much. There's little I love more than seeing initially weak characters finally written to their full potential. Great work. This is why you're one of my favorite people ever. Also, whoever wrote those episodes. I'll have to go back and check.
P.S. Although this is largely a post praising your show's Venom, I'd also like to take a moment to say that my favorite character in the show is Electro. I think he's been handled beautifully and I love the transition his character took from "pissed off villain" to "This is all I have." At least, that's how I saw it. I'm eagerly awaiting a hopeful season three and hoping that Electro, among other villains you're planning, shows up and gets fleshed out more.
Thanks for another great cartoon series, Mr. Weisman.
The Venom arc was written by Kevin Hopps, Nicole Dubuc and Andrew Robinson. I was blessed to have a great writing staff (including also Randy Jandt and Matt Wayne) on the series.
Planning more "flesh" for all our characters, as screen time allows.
I just want to now do you have a final say in how a character or story ends up in spectacular spiderman or does someoneeles besides marvel get the last word in the show.
Marvel, Sony and the network (Disney XD, these days) do have ultimate say, but I can't say there have been a lot of conflicts with any of those companies. Otherwise, Vic Cook and I make all final decisions. Story is more my area, so I'll take responsibility for whatever winds up on screen in that department.
hey greg first of Ithink spectacular spiderman is my favorite show ever. 2nd love gargoyles I like the little brodway cameo in episode one of spidey I just wanted to ask you said that spectacular spiderman is sorta in a 1962 marvel comics reality so only the characters that were aroud then are aroud now.Now I hear season two is set to end in march (the timeline not reality of corse)and I did some reserch so would that mean Ironman would exist at the end of season 2.I know he won't make a cameo or anything Ijust like the idea that he is around and I think every one will nerd out if they see somthing like Pete saying somthing like "it's the latest from stark industries" or something like that. ps I live in canada so I got to season 2 is awsome.
You know I don't have my Spider-Man notes with me at the moment, so I can't confirm or deny your assumptions about Iron Man. But I can confirm that the Fantastic Four, the Hulk and Ant-Man are all active at this stage, and that Professor X is just beginning to set up his school with his first couple of students (Cyclops and Beast).
I have another question regarding Oberon and Titania. Before the beginning of the Gathering and Titania offered to be his wife again was Oberon considering asking her to marry him?
One assumes they had had some conversations about this before, with him asking her, and she demuring...
One thing I am curious about is your view of the events in Shakespear'es Midsummer Nights Dream. After seeing the play, I had always been more sympathetic to Titania than Oberon, yet from your responses, in the Gargoyle Universe,you seem to set the actual event as more sympathetic to Oberon. What caused your decision to take that route?
I'm not sure I'm more sympathetic to Oberon AT ALL. I think he has some positive qualities in the play and some extremely NEGATIVE qualities, and my theory that he's the (illegitimate) father of the changeling boy born of a young virgin he therefore must have seduced before she died in childbirth, doesn't per se make him sympathetic, though I do think it makes his actions more understandable. Admittedly, if your interpretation was that he wants the boy for sexual purposes, he's a monster, and I sound like a sympathetic revisionist/apologist/jerk by comparison. But if you don't attribute that horrific interpretation to the play, then all I've done is motivate his actions with something specific.
Question on the last aired episode, Nature vs. Nurture:
Without going in to spoilers of season 2, if possible.
What exactly was the motivation for Peter to dismiss Eddie (a guy who has dangerous information he could use against Peter, and others) as not important enough to continue searching for him at that moment? Or at the very least to not keep him in the back of his mind, at some time during the thanksgiving dinner?
During that time he carried on like everything was fine. But I never got that feeling at all watching it. It took me out of moments like Peter dumping the gene clenser or Gwen kissing Peter for the first time.
Yes I know what you've said about Peter looking for him next season, and for the sake of ratings/anticipation (to get someone to continue watching) I get why this was done.
But from a storytelling/narrative standpoint I find it annoying, and it feels too much like Peter looking the other way, for my liking.
Now had something like Peter taking Eddie to Ravencroft after defeating him, then the next season he finds out he's no longer there; and never started any sort of therapy happened. I could buy that.
What I got just didn't fly with me, as it felt too much like the threat had no form of conclusion.
Anyways, was this done for the sake of audience anticipation when you left Eddie Brock out there?
Of course, he searched for Eddie immediately -- as soon as he finished disposing of the Symbiote. He just didn't find him. Which seemed to me to be a scene not worth showing relative to everything else we had to fit into the episode. He searched for Eddie continually ... which we tried to indicate by both his nightmare in episode 14 and his trip to Eddie's dormroom immediately after. Those two scenes were representative of his entire search. They were never meant to be the sum total of his searching, anymore than, say, his questioning of Blackie and Patch about the Master Planner in episode 16 was supposed to be the sum total of THAT search.
Anyway, after going to the dorm, and not only NOT finding Eddie there but finding INSTEAD clear signs that he had moved out, I assume Spidey checked a few other likely locations, and then, yes, having no other leads, he probably did stop looking for a time, distracted as he was by the antics of such people as Mysterio, Kraven and the Master Planner, et al.
See, I don't deny that Pete's a distractible boy. Girls distract him. Aunt May's condition distracts him. Other villains distract him. Etc. Is Eddie ALWAYS on his mind? No. But the idea that Eddie wasn't in the back of Pete's mind during this period is belied by the nightmare, I would think. Not to mention his fear that he was seeing things when Eddie did finally show up and began gaslighting him.
Including scenes of Pete taking Eddie to Ravencroft, scenes of him checking on Eddie in Ravencroft later and finding him gone, i.e. the type of stuff you're suggesting -- well, it strikes me as a waste of precious screen time. (Besides, I have plans for Eddie and Ravencroft, as I think would be obvious by how we ended the Season Two Venom arc. Wasn't much point in feinting in that direction and then balking, only to restart that Ravencroft plotline again in Season Three. I'd rather there were distinctions/differences between how the situation is left at the end of our two Venom arcs, as opposed to duplicating the same beats.)
Again... only 19 minutes and thirty seconds of original content in each episode means I have to be somewhat economic with what I put on screen. And I'm not shy about making the audience WORK either. Making them fill in the blanks. Sometimes that tactic is successful, sometimes not. But I don't really feel I had much choice in the matter. For ANYTHING I put in, down to the shortest line of dialogue, something else has to come out. As I've mentioned before, you might feel there were other things worth dumping in favor of clarifying this point. But what you might have been okay with dumping, I can guarantee another fan somewhere would not have been. So I always have to rely on my own instincts, and thus choices are made. I felt Pete's feelings here would be fairly clear, given all he had said to Eddie and Venom during the episode. You clearly disagree.
Left with no other choice, we'll have to agree to disagree. I get that the story "just didn't fly with [you]" and believe me, I wish it did. But all I can say is that it indeed flew for me, and I hope it flapped pretty well -- or at least glided along -- for most of our audience. But I learned a long time ago that I can't win 'em all. (Though God knows I agonize over the attempt to do just that.)
I recently watched season two of Spectacuar Spider-Man, and I have to hand it to you. I honestly think you topped season one. I've honestly never given much thought to the crime family plots in spider-man before, but the gang war arc was very exciting and a thrill to watch. You made Silvermane badass! I also enjoyed the unmasking of Green Goblin. I liked how you more or less played around with the identity of a well-estabished villain in such a way that had me second guessing myself several times throughout the episode.
I also would like to personally thank you for the inclusion of Mark Alan in the series. I myself am Puerto Rican and was happy to see a fellow boricua in an animated series that wasn't either a stereotypical gang member or throw away comic relief. There really arn't that many major puerto rican characters in comics, and the ones that are there don't really have that big of roles, have lame powers, or are killed off (see Vibe from DC or Tag from Marvel). I thought Mark Alan's character was well developed and I enjoyed his redemptive nature as well as his various character flaws. I'm looking forward to the progression of his character in the future, and the progression of the series as a whole. You've set up several plot points that have me excited for a possible third season and beyond. It would definetely be a shame if the show isn't picked up again.
Thanks again for a great show, and good luck on all your endeavors!
I'm really glad you liked it... and that you liked Mark. We're hoping for a third season too.
*** SPIDEY SPOILERS ***
Another spectacular episode. This one was a biggie. A lot happened.
The return of Harry Osborn
The return of Eddie Brock
The return of Hammerhead.
The first appearance of Mark Allan.
There are times when I am amazed at just how much content can be fit into twenty-two minutes, and this one was just packed. So much was happening, so much was going on, and it never seemed to end... and I mean that as a positive. It was like a great four course dinner.
Peter and Liz Allan are now a couple, and Pete was invited to Flash's birthday party. By Flash's mom, since they were best friends in nursery school. I also like the little revelation at just how Eugene earned his nickname. I also enjoyed the little snippets here and there of everyone speaking into the camera saying what they think of Flash. I think Rand's and Sally's was my favorite.
Speaking of... when is Rand going to finally dump the bitch. The guy clearly doesn't like her much. Sally is just... ugh, that voice is pretty much nails on a chalkboard. Grey DeLisle is so great at making me hate that character. Kudos to her.
And here we have our good friend, Harry Osborn. Back from getting the help he needs dealing with his addiction to Globulin Green. And his, ahem, "supposed" stint as the Green Goblin. Again, I say, "supposed." But now, he's back. He and Pete are picking up where they left off, and Harry is now making the moves on Gwen. You know, I quite like this. When he was on drugs, she was the one who noticed something was wrong and tried to help him, and I am glad he appreciates it. I did enjoy the little flash to the Goblin.
Speaking of flashes, Peter seems to be hallucinating supervillains. Green Goblin and Eddie Brock/Venom. Although, the latter turns out not be so much a hallucination. Very clever Eddie, making Peter so paranoid that he leads you to the symbiote.
That was the gravy, let's get to the meat. Sandman. While he's never been my favorite supervillain, I did enjoy this outing (well, I enjoyed all his outings on this show). He was tough, practical as always. Very interesting uses of his powers, and proved to not be such a bad guy at heart. This is where he differs from his old partner, O'Hirn. Rhino just seems to be more bloodthirsty, and I could not imagine him risking his life to save others or entertaining little girls.
And the writers had me, for a moment I did think Sandman got killed at the end. Love it.
Hammerhead is a hard boss to like. But it's been a while since we've seen him, so his return was welcome. His presence, as well as the Big Man's, seem to be less dominant this season than last. Which is cool with me. Nice to not get a repeat of the Kingpin from the 90s Fox Kids series, who was just everywhere.
I bet it's fun being in the recording booth and listening to John DiMaggio have dialogue with himself.
So, the Master Planner rents out supervillains now? Good racket. Does anyone besides Spidey, Tinkerer, Vulture and Electro even know the Planner is Dr. Octopus?
Good episode. Gonna be a long week till the next one. But I am looking forward to it because it features the long awaited return of a character I've been missing. I of course speak of J. Jonah Jameson.
*** END SPIDEY SPOILERS ***
It's always fun listening to John DiMaggio. The guy is always on, always funny - in or out of the booth.
Hello, Greg. I'm familiar with the guidelines and I clearly understand why you dont want any original ideas or fanfic. But I got this ideas for season 3 (I know its not even picked yet), its really only the major plot for the episodes, not getting into any depth. All I'm asking is if I can post them or somehow send them to you, just to take a look and tell me is it good, bad, what do you think of it. Just this. I dont wanna make your life miserable. I know that you, Vic Cook and everybody else can and will come up with something way better. I just want your opinion. If this question/request doesnt get approved, I'll understand.
I appreciate you asking so nicely, but there's no way Sony would allow me to read what you're offering, even on an educational "tell me if it's good" basis. Spidey is a LIVE property. I can't risk the lawsuits, and Sony wouldn't let me risk the lawsuits even if I was inclined to take the risk. Policy. Sorry.
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