W. C. Reaf writes...

Hi Greg.

A fan from England here.

Not so much a question but I just wanted to let you know that thanks to my lovely University I’ve managed to book a lecture theatre once a week to show Gargoyles on a big screen to my friends, and watch it again myself on said glorious big screen. We should be finished at the end of summer.

Currently they’re enjoying it, some more than others, and it feels great to expose people to a real classic of western animation. We’ve even got a running joke about how Xanatos is behind everything. They’re not liking the rather varied Scottish accents, or takes on them at least, but I understand there’s only so much an American production can do to get proper accents right.

We’re just starting the Avalon World Tour and I’m curious to see what they make of the revelations in the Gathering. Specifically Puck’s role but also Fox’s heritage and Xanatos’ shift into not quite being such a bad guy.

Just thought to tell you that the Gargoyles love is being spread to people across the pond that never saw it the first time ‘round.

Jack-Pumpkinhead writes...

Dear Greg,
This is more of a commendation than a question. I just want to say thank you for your patience and honesty with the fans. I notice that if something gets mentioned that could remotely relate to Gargoyles (ex: the whole Marvel/Disney thing), twenty people will ask the same question that day without seeing if someone else has already asked it. But do you shut those people out? No, you answer the same question twenty times, and I'm impressed by that. I can guess at some authors who would stop answering questions after giving the same answer 20 times, but you continue to allow fans this amazing connection to you and your work. And I really like that.

Thank you.

Lance writes...

Not a question just a quick apology. When I asked my question about the Marvel/Disney thing there wasn't much if anything about it in the archives as I could find anyhow. Since then I've read the responses and understand you being to the point of "nauseum" as you put it. I'm probably almost as tired of seeing people ask that same question as you are so I do apologize for the monotony. Its such a lingering hope for all of us die hard fans that something wonderful will happen to allow Gargoyles to continue. I want my children to enjoy it the way i have, I want there to be new wonderful stories. There are few people I talk to that aren't aware of the show and fewer still that have a negative thing to say about it. Just the other day I had a lovely young lady nearly swoon when I told her that there was a Gargoyles comic book series, almost got myself a date actually (small matter of me already being engaged, lol).

Sorry for being another bother but we're all just clinging to hope and rooting for you :)

Cheers!

Lance

Brenda W writes...

Hi Greg, this is not a question but a statement: I have been a gargoyles fan for many years and I think your work is one of the greatest animated legend in history.
We the fans will not stop until the remaining 26 episodes are released on DVD. Your ability to capture the attention of adults as well as kids are outstanding. By the way, I do have Season One and Two. Thanks

Thank you...........

David Siegrist writes...

Dear Greg, I join the army three years ago. I recently returned From a fifteen month tour in Afghanistan.I didn't have much to do (besides working in the motor pool all the time)I've watched gargoyles for the last two months of my tour. When the show stopped at 3-13-3(you tube)I was a little disappointed. I couldn't understand why Disney would do such a thing. I was going through some hard times, watching the show really help get through my endeavors. I know this isn't a question, more like a thank you note.so I say, Thank you. Sincerely a BIG fan David.

Anonymous writes...

hi love your work. i just want to ask if you read any fanfics of yore work.

Pixie writes...

All too often in cartoons (specifically nowadays) female characters fall into the role of giggling love interest, counterpart to a male character to eliminate homosexual themes or are just there to fill a demographic. Writers don't seem to know what to do with them after that.

That is why I would like to sincerely thank you for your part in fostering strong female characters like Elisa, Demona and Fox.

Also, what influenced you to write those characters the way you did? Did you have specific females from your past in mind or did you choose character traits from literature and sort of mesh them for a well rounded feel?

Thank you.

TZ writes...

Tana writes...
You Asked:
"Does anyone know if "Maza" means "iron" in any Native American language or dialect?"

According to my book of names (it's got like 20,000 names and their meanings, which is totally cool, especially the Athurian names) Maza blaska, which is a Dakota name means "flat iron." So if it's one of those languages where the adjective comes after the subject, then Maza does infact mean Iron in Dakota. Which interestingly enough adds more irony since Dakota was an early choice for Demona's name. ^_^

And you know that J.R.R. Tolkien claimed that all of his novels were fact...you seen to have the same symptom with the Gargoyles.

Greg responds...
I'm not claiming they're fact so much as acknowledging that sometimes storytelling on this show just seems to click with history, existing legend and with dramatic necessity. It's a rare feeling, and I'm humbled by it. All I'm saying is it sometimes feels like the stories are true somehow somewhere, and all I'm doing is (imperfectly) tapping into them.

But I'm not actually delusional.

Ok, this is TZ now......

I was looking over the archives and was simply amazed by this response of yours, Greg. I have always felt that art (in all forms, from literature to sculptures to music) is discovered, not created. I subscribe to that theory because there are such famous examples of great work that endure for years, sometimes even centuries. Why would something like Michelangelo's David or Beethoven's 9th remain so popular through the ages? I think it's because those pieces already existed and were "discovered" by those artists, because certain works like theirs touch us so deeply. When one of us "finds" that piece of art, and shares it, it seems to strike something in all of us. I think creativity is God's alone, but I think He gives some of us a gift to find or tap into (as you've put it) something He's already created that reveals a great truth or lesson or feeling. Anyway, just a ramble of mine to share based on something I was amazed to see here. I'm not sure if I got my point across to others (I found it really hard to put this into words) but I think you get it. Thanks for "discovering" more great art for us all!

Aeschylus writes...

Greg,

Just wanted to comment on the brilliance of the show, and you and your team being able to successfully weave different mythologies together to create a whole new mythology. It's works like that that inspire so many others to continue in the arts, whether it be writing, designing, or performing arts alike- myself included. So thank you for that and for continuing to share this amazing experience with us over a decade later. Whether or not we ever see the rest of the show released on DVD (or the next big media software), it is my belief that Gargoyles will continue to inspire all who have the privilege of watching.

Todd Jensen writes...

One of the big changes you made from canon-in-training to canon, in "Clan-Building", was having the Phoenix rather than the Phoenix Gate be the cause of Brooklyn's timedancing. I thought about it recently, and think that it was a good change.

Aside from it providing a good explanation for why it took so long for Brooklyn to get back (it would probably have seem far-fetched if each time the Phoenix Gate appeared during those forty years, he always failed to grab it before it disappeared again), I think it added something to his journey. While we don't know exactly what the Phoenix is as yet, or what its agenda is, the way it was depicted (and Brooklyn's own comments) made it clear that it deliberately took Brooklyn to Scotland in 997, that this was not just some accidental fluke, that the Phoenix has a purpose and intentions like those of any sentient being. Brooklyn isn't being battened about the time-stream by an out of control magical talisman, but is being sent places to fulfill a mission, like Goliath and his companions on the Avalon World Tour. His adventures up and down history, past and future, are the product of a plan, not just the whims of chance. I think it made for a much better story.

Matt writes...

My Review For Bad Guys #6, "Losers"...

- Alright! I'm glad we are ending this mini-series with a pretty strong cover. And I'm really pleased that this cover is what made the cover for the trade. I had kinda figured we'd be getting a group shot for this final cover and it looks great. Matrix is very cool here and Hunter and Dingo look awesome here. My only complaints is that Fang looks a bit too cat-like and Yama looks like Goliath. But I can get over it.

- So, here we go. We don't pick up where we left off at Eastcheap Island, but back in Paris where the Mr. Director is chatting with Dolores and later Monsieur Le Maire. A bunch of characters we don't know anything about really, aside from the fact that they are part of the organization that formed the Redemption Squad. Hunter at one point claims this group is Interpol, but I'm not sure if I'm supposed to believe her or not. I hope (and suspect) these three unknown characters will be expanded down the road, particularly the Director. On a related note, I was expecting to see the story of Hunter's recruitment in this chapter, but it was not to be. A story for another day, I suppose. This issue has a lot to work with already.

- Back at Eastcheap, everybody chills out (except Hunter) and sits down to a nice meal. Falstaff couldn't be more right when he called this lot a motley crew. Something that has always appealed to me about the Redemption Squad is that they seem like they'd be perfect for and a lot of fun fighting another group. I've been looking forward to a Redemption Squad versus The Ultra-Pack battle for years, but Falstaff's Band of Thieves seems like they'd make a great group antagonist also, and I'm sure we'll see more of them in the Bad Guys series.

- We continue on with a lively discussion at the dinner table. Falstaff, Dingo and Hunter all have this great dynamic with each other. It is like none of them really like each other, but are trying to get along. Dingo in particular plays the middle-man so well here. Mediating between these two groups. And it is funny because he doesn't have much reason to trust either Falstaff or Hunter. He doesn't know or understand what Falstaff is doing here, but Hunter won't even tell him who he is supposed to be working for. And on top of that, he has this past relationship with Falstaff and this blooming future relationship with Hunter, so he really is stuck in the middle here, and it seems to me now that Dingo has always been the middle-man. Balanced. Not good or bad. Anyway, a fun scene. We also get a cool bit where Fang is chowing down... and Matrix is eating a fork! Funny.

- And speaking of Matrix. I find him to be very interesting is this chapter. What strikes me most is his non-direct interplay with Falstaff. Falstaff really seems to be bothered by Matrix a lot. Looking at him funny, thinking over the things Matrix says. I can't put my finger on it, but I suspect something is going on in Falstaff's mind concerning Matrix. And Matrix continues to be an incredibly resourceful and useful teammate. In that aspect, he is sorta the R2-D2 of the group. Maybe not the main hero, but consistently saving and supporting the hero. That kind of character has always appealed to me and Matrix is no exception. I do remember hearing Greg talking about Matrix doing something truly incredible down the road and becoming a foe the Redemption Squad must face. I hope we get to see that story eventually because Matrix really is fascinating.

- Meanwhile, Falstaff tries to convince the Squad that they really are the good guys. And he does this in such an interesting way. Falstaff himself talks to Dingo. Tries to show him that he has reformed and is some sort of guardian these days. And Falstaff sets up some communications with a couple other Illuminati members: Fiona Canmore and Thailog. This is just brilliant, great stuff. There are so many conflicting things going on around here. You have a team of villains who don't know who they are working for that are trying to be good guys confronting a team of possibly bad guys who are trying to prove they are good guys working for a possibly good organization and as proof they get a couple not-so-protagonists to vouch for them. And one of them is a gargoyle and the other a gargoyle hunter. Wow.
I'm not sure if it was just luck that Matrix went along with Hunter to talk to Fiona instead of, say, Yama. Would've been an interesting conversation with Aunt Fiona with a gargoyle standing next to Hunter. Nice to see Fiona in the canon finally. And not far away we get Yama make something of a joke for us ("Someone fix the color!" Very funny.) and he and Fang chat with Thailog. These conversations don't seem to go as planned for Falstaff though. Hunter has left the family business, but Fiona indicates that there is more to things than that. We don't see what happens next, but it seems to me that Hunter has a hard time going along with whatever else Fiona has to say. And Fang vouching for Thailog means little since no one trusts Fang. So, in the end it seems only Dingo is willing to give the Illuminati the benefit of the doubt. Maybe.

- So, the Squad takes a few minutes to confer. As a side note, anyone else notice the tapestry in the room they are left in? Looks like a gargoyle fighting a human to me. Hunter gives it a passing glance anyway. Safe inside the Matrix Isolation Sphere, we see some sharing of notes. Of course, all of this is intercut with the following scene. Like the last issue, these flashes back and forth in time really keep the suspense up. Sometimes it even comes across as if the scenes were talking to each other, if you get my meaning. Dialogue in one scene inter-plays with dialogue in another. And we are not always sure what each group, even each character, is up to until the end. Really great stuff. Kudos to Greg for that. And Fang starts off a pretty climactic battle. Matrix takes out Mistress Quickly pretty easily, which makes his point. He wraps her up in some sort of shell. Greg indicated at the Gathering that she was, in fact, still alive, but in some sort of hibernation. That can't be fun for her, yikes. Of course, her teammate Points is dealing out some damage of his own, stabbing Yama in the gut. I like how Yama admits that Points is a superior swordsman, but endures the injury to take advantage of his own superior traits, namely his strength and knowledge that he will heal. Still, must've hurt, yowch. Dingo pulls out his old bolas. I don't think we've seen Dingo use the bolas since "Thrill of the Hunt". Falstaff pulls a Goliath by snapping his way out of them though. Guess he still has some muscle under the medieval getup and pounds of fat. And Hunter kicks the face of the amazing, fire-breathing Bardolph. I guess his face was already messed up, but still...
But the Squad is outnumbered and out-gunned... seemingly. Falstaff and Dingo play a game of bluffing and Falstaff bails. He reveals that Eastcheap isn't an island, but a submersible vessel of huge size. Didn't expect that! The Band of Thieves leaves the Squad to its fate in the soon to be flooded chamber. I can't help think that despite his words, Falstaff knew they'd escape and survive like we all did. Matrix saves the day again and we get our last scene with our heros(?)
Hunter is frustrated that they did not manage to capture the island or the treasure or Falstaff. No one points out that they did escape with a prisoner however. Anyway, Fang is content just to survive and Yama... actually agrees with Fang sort of. Yama tells the team that the road to their redemption is a journey and that gaining a captive or an island or whatever isn't as important as walking the road. These results are not the destination, more like perks along the road. There is a beautiful but brief moment of comraderie here with everyone, but most notably between Fang and Yama. Yama actually puts his hand on Fang's shoulder (must be the blood loss) and Fang listens so intently to Yama's words. Of course, the sun rises and we don't get to hear the obvious answer of when we've reached redemption. Fang goes back to being Fang and gives us one last curse word for the books. His use of the word "crap" really serves to re-emphasize to me, the reader, about how dark this comic was able to get at times, yet how fun and comedic it was too. A cool moment. Hunter and Dingo's last little look at each other is nice too. Honestly, the last three pages are just wonderful. Very poignant and satisfying. A great ending to this mini-series. I really hope to see more of the Bad Guys spin-off down the Redemption Road.

P.S. Can't help notice that the Humility Spell didn't turn Yama's clothes to stone... guess the Squad is in for an eyeful at sunset. : )

skeeJay writes...

Hi Greg. A quick response on your "accessibility" ramble. I actually really appreciated the way you approached it in the comics. It was handled in a very classy way that wasn't redundant or insulting for existing fans. In fact, the spread in Issue #1 was elegant, fit the story well, and was a fun extension of the opening credits monologueâ€"which, of course, was intended to bring new fans up to speed in the first place, and ended up becoming a touchstone for the loyal existing fans. I feel like the same was accomplished here (the spread, Al's story, etc.), and as someone mildly irritated whenever a story feels it has to "talk down" to me, I appreciate it.

Matt writes...

My Review For Bad Guys #5, "Strangled"...

- The first thing I did upon checking in at the Gathering this year was seek out my copy of Bad Guys, Volume 1 and read it. Couldn't go through the Gathering out of the loop, could I? Anyway, the point is that I first read this chapter several weeks ago, and many times since then. I'll try to focus on my initial thoughts, however.

- As usual, I'll start with the cover. After a very cool "Louse" cover, it seems we are back to the somewhat dull 'Wanted' poster covers. It isn't that I don't think these covers are a fun way of highlighting the character of focus in the chapter, 'cause it works well for that purpose, but in terms of drawing new readers in, in terms of color and action, they just don't grab me. This cover is also the only one we don't get to see in color at all, which is a shame, but since it doesn't strike me as being particularly colorful anyway, I suppose we are not missing too much by only seeing it in b&w.

- Moving on to the content, we start off back at our island battle. A cool thing here is that these island battle scenes have moved from being flashbacks and become the current story (intercut with new flashback scenes). So, a robot has its grip on Hunter and Dingo really gets to be the hero here. He flies in at high speed, rescues the damsel in distress and vanquishes the monster. Fun stuff and a cool sequence, and the strongest indication yet of the relationship between Dingo and Hunter. Too bad Hunter has no interest in being a damsel. She is so fun as she lets her guard down for a second and then snaps back into tough-girl mode. I get the sense that Dingo both loves and hates that about her.
Meanwhile, Yama saves Fang without a word (quite the contrast between these two and Hunter and Dingo). Yama dives down to the island and immediately draws his swords to take on a couple smaller 'bots. This is a fun little battle also. It is neat to see that when Yama is disarmed, he still has his natural weapons, his strength and claws. A gargoyle without weapons is still a gargoyle.
So, Hunter comes crashing in and the others land nearby, bringing our team back together. There is a brief moment where Dingo helps Hunter to her feet and she brushes him off followed a few moments later by him guarding her from the supposed trap behind the island doors, which she again ignores. These two really get a lot of subtle, but fun, play in this chapter. Of course, the Hunter-Dingo relationship serves as a great reference to Harry's relationship with his mother.

- And speaking of Harry's mother, lets not forget these very interesting flashbacks. We get to learn a lot about Dingo's past. We see that he was a good kid that came from a rough part of town and was raised by a seemingly 'good guy'. A simple thief who raised poor Harry to live a life of crime. It really makes me want to go back and watch some of those Pack episodes again. Dingo was always the good guy doing the bad guy thing. Which is, of course, a fun contrast to John Oldcastle, the bad guy doing the good guy thing. I recall at the 2008 Gathering in Chicago, Karine had a panel in which she talked about various issues she had drawing this chapter (which she had been doing at the time). One thing she mentioned in particular was that one panel was simply hard to draw due to the content. I remember thinking to myself that after drawing a suicide, what could be worse. I suppose the answer should've been obvious given the title of the chapter, but the last page of the comic was a surprise to me. Pretty sick, this John. I have to wonder why he killed Mariah though. What happened? And he seems to so calmly adopt and raise Harry afterwards. Anyway, a true villain. Which is ironic since Dingo seems to think somewhat highly of the man, though I get ahead of myself.

- Anyway, so the Squad moves into the island itself. Matrix gets a brief moment to shine here (haha), and the team comes across the most hilarious piece of art a secret society would ever possess, a giant tapestry with their insignia on it. "Guess we came to the right secret lair." Uh, yeah. And after this long battle with the drab, mindless robots outside we get this quick battle with this colorful bunch of characters inside. These new people are fun. They've got some neat tricks. I love how easily 'Doll' takes out Fang. And the dude with the swords taking on both Yama and Matrix is a lot of fun too. But Dingo knows this Pistol guy and immediately guesses who else is around. So John (AKA Falstaff) makes his appearance. I have to admit that I don't know much about the Shakespearean Falstaff, but this guy is quite the character. We saw that he had gained a lot of weight through the montage of training Harry, but here he has obviously been living the easy life. I love that he walks around with a turkey leg this whole scene. He ominously welcomes Dingo and his friends to "Eastcheap Isle" (uh, haven't you been attacking them the whole time?) and then 'strangles' Dingo with a bearhug. Creepy. Falstaff is an interesting character. He seems so cheerful and friendly and Santa Claus-like that you have to like him, but knowing what he has done... Well, suffice to say that Greg Weisman really likes to push the boundaries in Bad Guys of what is right and wrong, who is good and bad and who we are supposed to like or dislike. Fun stuff.

- So, all in all, a great chapter. We got a lot of interesting background on Dingo and finally moved beyond the Bad Guys Leica Reel. The story order is well laid out. The flashbacks don't just inform the present story, they are a rich part of it, enhancing it. When going from a present day scene to one of the flashbacks, there is no jarring shift because the two seemingly separate stories work so well together. It is very reminiscent of the Stone of Destiny story in the main Gargoyles comic in that the presence of a flashback at a particular moment actually adds new insight that wouldn't have been so clear had the story been told entirely chronologically. I suppose this is what Greg meant when he said that working the Stone of Destiny story has helped in how he wrote Bad Guys. Anyway, truly brilliant, great stuff!

Todd Jensen writes...

Now that "Clan-Building" and "Bad Guys: Redemption" have been completed, and while we pause for a while (hoping that you and SLG will get to do further "Gargoyles" stories together), I thought I'd look over the Master Plan document you shared with us over ten years ago, and see how that was fulfilled in the eighteen chapters.

First, the spin-offs. "Bad Guys" obviously was represented here, with the six-chapter origin story for the Redemption Squad. Also, "Pendragon" and "TimeDancer" both found their way into "Clan-Building", "Pendragon" with the Stone of Destiny story in #7 to #9 (you even mentioned the Stone of Destiny story in the "Pendragon" section) and "TimeDancer" in #10 to #12, where we saw the beginning of Brooklyn's TimeDancing, his first adventure with Mary and Finella, and the end with his return to New York with his new family.

We also got a taste of "The New Olympians" with Terry Chung's cameos, and maybe even a trace of "Gargoyles 2198" when Peredur mentioned that Arthur wasn't expected to awaken for another two hundred years (Britain and the rest of the planet would definitely be in an hour of need then - definitely shades of "Camelot 3000"). Nothing directly from "Dark Ages", however (Brooklyn's adventure in 997 comes close, but it takes place three years after the Wyvern Massacre that would presumably have formed the series finale) - though we know that you planned to do a story about that next.

Now I'll turn to your list of the planned elements for "Gargoyles"'s third season from the same document.

The Quarryman problem: I would have liked to see a bit more of that (to serve as an antidote to the "Goliath Chronicles" depiction of the Quarrymen), but I enjoyed what we saw. Castaway in Invitation Only" and "Estranged" showed himself to be shrewd and prudent as well as vengeful; I liked the details of his forbidding the Quarrymen to carry hammers on Halloween patrol (in case they mistake costumed trick-or-treaters for gargoyles) and the television commercial that Robyn and Jason see making the Quarrymen seem more like a charitable organization to help people in need than like a hate group.

Xanatos' conversion: And, of course, we saw that he didn't change that much; he's as much a trickster as ever, even ready to, after stealing the Stone of Destiny for the Illuminati, give them another duplicate and keep the original for himself. Life with him is certainly going to be interesting for the clan.

Broadway and Angela's relationship: Not much of this (beyond the library scene), but we clearly see that they're a couple.

Goliath and Elisa's relationship: Definitely there, with the Double Date story and their reconciliation (especially the big moment in "The Rock" when they get back together).

The four Tricksters and Alexander: One of the few threads from your list that didn't get in, but there's always next arc.

The Illuminati: And how! We learn more about the Society, including its internal structure (I'm still delighted with the revelation of exactly how many membership slots there are), and several new members (new in the sense of being "new characters"): Quincy Hemings, Shari, and Falstaff, not to mention our look at Peredur, Duval, and Blanchefleur at the top. We also learn that Thailog's joined the Society (that was one of the biggest surprises in the comic for me), and Fiona Canmore's a member as well. And we get a hint, in the scene between Peredur and the Stone of Destiny in Carbonek, of what the Illuminati's goal is (or at least, what Peredur's goal for the Illuminati is). Not to mention we see more of their shrewdness, with Hacker presenting a different story about the Illuminati's intentions towards the gargoyles to Matt, Xanatos, and Castaway separately.

The Ultra-Pack: We haven't seen them yet, either, but I've no doubt that the big fight with Jackal, Hyena, and Wolf in Times Square is going to encourage the Pack to upgrade again. And after reading "Bad Guys", I have a strong suspicion who the new member will be.

Coldsteel and Coyote: We saw their team-up in the Stone of Destiny story (another of the big surprises was Xanatos using the Coyote Diamond to improve Coyote 5.0 - even after seeing how you keep on bringing back elements from earlier episodes and expanding on them, I hadn't foreseen that).

The Clones: And we saw much of them, as well. I think that almost everyone expected to see Thailog seek to recover the Clones - but we then had the treat of that adventure providing character development for Delilah (who became an especially appealing character in "Bash") and Brentwood.

So we got quite a lot of the MasterPlan in those eighteen chapters. And I hope, someday, we'll see even more of it.

Todd Jensen writes...

I finally got my copy of "Bad Guys" today, and here's my review of the final two chapters in it, as a single post (they blended so well, I thought, that I decided to review them together).

I'll start with one word: Falstaff! I'd hoped, after Dingo's real name was revealed, that he'd get into "Bad Guys" in some way, and I was right. And as a bonus, we not only get Falstaff, but also his familiar gang (Mistress Quickly, Bardolph, Pistol, Doll, and Points [sic] - was his name deliberately changed from "Poins"?). I was delighted that in the last chapters of the comic, we'd get some fresh Shakespeare into "Gargoyles" - this time, you make use of the history plays for the first time.

And I got a big laugh out of Falstaff's original name being "Oldcastle", and his headquarters being named "Eastcheap". Not to mention, also, young Harry saying about his mother Mariah "She's the wind." Though the laughter quickly dried up after I saw, at the end of Chapter Five, what *really* happened to her.

I get a kick out of the way Fang's sitting at the conference table when Hunter's telling them about their new mission.

Was Bardolph's fire-breathing ability inspired by all the jokes about his Shakespearean namesake's fiery complexion in the Henry IV plays?

When Falstaff says that the Illuminati want to save the world, I couldn't help thinking that he might be right about that. We learned in "Gargoyles" #9 that the Illuminati's goals (at least, from Peredur's perspective) had something to do with Arthur's anticipated return, most likely to help him out when that happens - certainly a worthy aim. But of course, as Monsieur le Maire brings up in his phone conversation with the Director, the Society's taking the attitude of letting the ends justify the means (enrolling people like Xanatos, Thailog, and Mace Malone, running the Hotel Cabal, supporting the Quarrymen, stealing a national treasure like the Stone of Destiny, etc.).

Incidentally, even if you hadn't mentioned that the Director was at odds with the Illuminati in "Ask Greg", I think we'd have suspected that the Redemption Squad would be facing them at some point. The conversation between Hunter and Castaway in "Estranged" about who each other's financial backers are, and the Casablanca Hotel (whose name echoes the Hotel Cabal's), set up enough of a parallel to the Illuminati Society that a clash would *have* to take place. (Your philosophy about what makes a good antagonist at work, clearly.)

So Fiona Canmore's a member of the Illuminati. It's not a total shock (I'd seen speculations about it before), but a fun surprise, all the same - and so logical, too, in light of Hunter's identity. Thailog's cameo was fun as well (especially Yama's initial belief that the color on the monitor's gone wrong).

Despite Fang's many bad habits, I was impressed that he helped alert his teammates to the Illuminati's nature through his comments on Thailog, and his part in the battle that followed. Maybe, just maybe, there's hope for him yet.

I was delighted when Dingo urged his teammates not to destroy the island, because of all the artwork and historical artifacts stored there (it reminded me a bit of Broadway and Hudson urging Goliath not to burn the Scrolls of Merlin). Another reason why I've grown fond of the guy.

I liked the ending - Falstaff gets away and the Redemption Squad have only managed to capture one of his gang, but that wasn't the real issue. The real issue was their search for redemption, as Yama points out. (I liked the leavening of humor here - Matrix still displaying his single-minded interest in law and order; even Yama is amused here - and his turning to stone in mid-speech, to Fang's exasperation.)

Thanks for the spin-off, Greg. I hadn't initially expected to like "Bad Guys" (I thought it would be just another conventional action series), but I really enjoyed it a lot - especially with Falstaff and his gang, as I said above. And thanks for the eighteen new chapters in the Gargoyles Universe that you gave us with the comics. I hope that they shan't be the last - but even if they were, they've enriched us all the more.

Harlan Phoenix writes...

I just got Clan Building vol. 2 and Bad Guys today. I'd post a long elaborate review of just how much I love this comic and how hopeful I am that we get more Garg stuff, but many people have said what I'd say and better. So, I'll just post a short review:

These were quite possibly some of the most badass comics I've ever read in my life. Thank you.

Chip writes...

Review for GARGOYLES CLAN-BUILDING; CHAPTER 10: THE GATE
Okay, this has been the most anticipated story-line in the entire Gargoyles Fandom…and man it did not disappoint.
First, a shout out to the AMAZING art by Greg Guler…Karine Charlebois said that the art was beyond description at the 08 Gathering…but seeing it nowâ€"it knocks Karine from my favorite gargoyles comic artist to my second fave. (No offense to her, I do still LOVE her work)
So Brooklyn goes gliding away from the Eerie Building…presumably to get away from the Lovey-dovey couple. Too bad they appeared to have followed him. The look of annoyance on Brook’s face was priceless. (Oh, incidentally…it took me ages to figure out what the sign on the building they landed on said. At first, I thought it might be the GOLDEN CUP building from the series, or perhaps the CASABLANCA HOTEL. I finally realized that it’s THE DAILY BUGLE. Clever…you placed so many GARGOYLES references in SPECTACULAR SPIDER-MAN; it was kinda nice to see a Spidey reference in Gargs.)
You waste no time, the Gate appears, and Brook tries to pick it up…and it disintegrates. An enormous two-page Phoenix emerges and swallows Brooklyn whole, leaving Broadway and Angela behind, looking on in horror…I could hear Broadway’s voice…
997, Brook emerges from the flames…I note that the Phoenix itself does not seem to appear, but rather an orange glow just off-screen. It makes me wonder if the Phoenix actually shows up when Brook is arriving, or if he just tumbles out of the flames, with no actual Phoenix manifesting.
I recognized Gillecomgain, Constantine III, and Mail Brigti right away (though, I did not know Mail’s name…just that he was Gilly’s father.) Their reaction’s to Brooklyn’s appearance was not unexpected. Brigti seems indifferent…oh look, a gargoyle. Oh look, a cow. Oh look, a horse. No big deal.
Gilly calls Brook a “demon”. BIG shock there. (Rolls eyes) Constantine orders them to kill it. It reminds me of his “I don’t like Gargoyle Eggs” line in “Avalon Part 1” C and G fail miserably to take Brook down…but this fourth figure…Brother Valmont, uses potent sorcery to shoot a flaming arrow that hits Brooklyn’s leg.
From what the Magus said in “Avalon Part 3” I thought one needed a conduit to use magic…like the Grimorum, but this guy seems to be able to use magic without one.
The next few pages are the most interesting to me…Brook breaks apart the arrow and it bursts into magical flames…makes me wonder if it would have done that if he’d left it in.
Finella tears the wanted poster off the door…and mysteriously…there’s another…and when the guard tears off the poster…there’s yet another. Is this another one of Brother Valmont’s magics?
And then the minions come…and it can’t help the gargoyle-human relations that Brook is red…with horns. Based on Finella’s expressions, I don’t think she’s ever seen a gargoyle before.
Moving on…Maol Chalvim and Kenneth III (AKA The Grim). I like The Grim, but it surprised me that he’s Bodhe’s dad…and it upset me slightly that when I did the historical research that Maol would overthrow him. But…I liked Findlaech’s appearance too.
Then we some cool new gargoyle designs, including a new beast in the foreground, only to see them get smashed. I especially liked the female with the “beard” of spikes. She was cool. And another wanted poster is posted.
And Brooklyn awakes…I love how much Mary has changed in her attitude in just three short years…and Brook makes a Quantum Leap reference…very cool, considering that that show was quite popular in the 90’s. (And still is in some circles)
I love that Brooklyn GETS why he’s here so quickly. He understands how Avalon works, and figures that the Phoenix works the same way. I also think he’s actually pleased with the situation…considering that he’s now away from Broadway and Angela…I would be too in his shoes…and I HAVE been in those shoes before.
And we end with a full page picture of Demona that was so cool I took a picture and made it the wallpaper on my phone, and I’m not even that big a Demona fan. I note she’s holding the wanted poster…and wonder if there is a new one on the cave wall.
I think that I will post my reviews of 11 & 12 at a later date, but I look forward to the arrival of my Bad Guys.

Chip writes...

Okay, I’ve been holding off on reviewing till I had my Bad Guys Trade in my hot little hands…it’s been almost four weeks and I still have no BG trade…*Sigh* so I figure I might as well review now.

GARGOYLES CLAN-BUILDING; CHAPTER 9: ROCK & ROLL
Not much to say here, I’ve been sitting on this story for almost a year, as I was in the 2008 Radio Play. (Playing Griffâ€"My Favorite Characterâ€"thank you again for the gift of that role again Greg, and whoever else was involved. Wish I could have been at the 09 Gathering…but I just couldn’t afford a trip to LA…apologies) I knew how it would turn out, but the art was spectacular…and using the art, Greg managed to throw a few more curves my way.
I didn’t expect to see Macbeth battling alongside Robert the Bruce…makes me wonder just how involved Mac was with Scottish History. Didn’t expect Duval to be a cyborg…THAT was a huge curveball. Also, I didn’t realize it before, but even though she appeared, Fleur’s name was never spoken aloud…which means it’s technically still Canon in Training, even though she herself has appeared and is ranked “3”.
Also didn’t expect to see Leo and Una atop Knight’s Spur…that was a pleasant surprise…though I was disappointed that we couldn’t get a good look at Old Pog…I really like that gargoyle.

Matt writes...

My Review For Gargoyles #12, "Phoenix"...

- So, we have finally come to the last chapter of Clan-Building. As with Issue #11, I'll do my best to review this one with my initial impressions at the forefront, though I know I won't be able to resist mentioning further information and insight from the Gathering.

- Again, lets start with this awesome cover. After all the mixed feelings I've had about the numerous covers (both from Gargoyles and Bad Guys), I'm happy that this final cover really hit all the right spots. It is brightly colored and visually interesting. It is funny due to the obvious Star Wars reference and thus works well to grab the attention of comic book store shoppers. It has a lot going on without giving anything away or being too busy. I really think it is the best cover (aside from Issue #1 and possibly #5) and so I was thrilled it made it to the cover of Clan-Building Volume 2.

- On to the meat of the book now (and boy, is there a lot of meat, this thing is crammed full), we open, no in 997 with Brooklyn as I suspected, but rather in 1997 with Goliath. His monologue here is really great. It bookends this chapter, but more importantly it bookends the Clan-Building series as it parallels directly with Goliath's monologue to Elisa (and us) in Issue #1 about his clan. You could even say it goes all the way back to the opening sequence of the Season 2 episodes. Anyway, it works beautifully here. I can't help but think of Closing Ceremonies at the Gathering when I read it now. Greg Weisman talked about how the moment was so bittersweet, and it was... is. But reading this issue, and Goliath's monologue in particular, really gives me hope for this franchise and this fandom.

- Meanwhile, a thousand years ago, Brook is giving his own inner monologue, but he isn't doing it in quiet solitude, he is giving it in the thick of the Battle of Rathveramoen! I like that even as people are dieing all around him and his own life is truly at risk, his thoughts dwell on his family back home. We worries that they are worried about him, but of course, they barely have time to worry at all, but he doesn't know that yet. But he realizes to get home to see his family again, his job is to help the Grim win the battle, keep the Grimorum out of the wrong hands, and keep the last bunch of gargoyles in Scotland safe. Of course, all of these objectives are in jeopardy of going undone. Ironically, the battle itself seems to be going well. Brooklyn, "Demona" and the clan are kicking some ass (or rather breaking some necks, slicing some flesh and causing some heavy damage from high-altitude drops). This battle is a lot of fun visually. And there is a lot going on. Brook has a couple really great moments. First he and a fellow gargoyle, "Bro", have this great exchange about being rookery brothers. It was very cool to finally meet a rookery sibling of the trio (knowing that they were, of course), but it wasn't until the Gathering where Greg Weisman pointed out that the gargoyle behind these two watching this exchange is probably Brooklyn's BIOLOGICAL brother. How cool is that?! We get a great example of how relationships work within gargoyle clans. So cool, and such a contrast to what we see going on with the humans, where blood relationships define everything (and seem to be causing a lot of trouble). Then Brooklyn gets a very cool moment with Demona where they discuss Goliath. She is such a hypocrite here. She bitches that when the humans are finished fighting each other, they will come after the gargoyles, but her plan is to kill their human allies once they've defeated their rivals! Does she even hear herself? Well, this is Demona, her own worst enemy after all.

- While the battle rages, not far away, the Grimorum has finally fallen into the wrong hands. Mary and Finella (and Magus the horse) do what they can to get the book back, but to little avail. Valmont uses the book to cast a pretty nasty spell that seems to amplify the one he has used a few times before. Fiery arrows rain down on the battle and a lot of gargoyles are injured or killed. We get a really sad scene of the sacrifice of one gargoyle for her mate. But this whole thing makes me so angry at Demona. She uses these deaths (both in this chapter and in City of Stone) as fuel for her hate, but in doing so she negates all that they are fighting and dying for. And THEN, she remarks how she cannot undo these awful things that have happened. Well, duh, girl, but making things worse is not the solution! What a hypocrite and a bitch! She drives me nuts, and to all of the Demona-apologist fans out there I ask you to pay attention to what is going on here.

- Meanwhile, the humans are battling it out. Constantine and the Grim seem evenly matched until Constantine threatens Bodhe, then the Grim really lets him have it. Constantine's reign as King ends as it begins, with someone getting stabbed, though at least this isn't a cold murder, but a death in battle. The Grim has that over Constantine. And speaking of Bodhe, he seems to be getting trounced by Gillecomgain, which is no surprise in that Gille is twice his size and probably much more skilled in battle. Bodhe seems to barely survive, and only luck saves him when Gille gets distracted by his father's death, but you can tell the event probably traumatized him for life (Greg indicated at the Gathering that this event, the murder of the Grim a few years later and the murder of Bodhe's own sone a few years after that all lead to his behavior in City of Stone. This all has made Bodhe very interesting to me). Findlaech really comes across as a good guy here, he wanted to share with his brother and Mail Brigti refused, he didn't want to kill his nephew because after it all he didn't want to end his brother's line. It really makes me wonder what Findlaech thought when Maol Chalvim usurped the Grim a few years down the line. And speaking of that, some of Constantine's final words seem almost prophetic. He senses Maol's thirst for the throne and blattanly tells the Grim of it. He even inspires Gillecomgain to become the first Hunter.

- Anyway, the battle ends, the arrows are stopped and just when things seem to have called down the Phoenix reappears. Brooklyn is understandably annoyed. He doesn't get to see what comes next, and we can relate, we don't either. Guess it is off to hit the history books to see what happened next... for now. Before he is off, Brook smoothly recovers the Grimorum from Demona and passes it back to Finella and Mary. I was a bit surprised that Finella didn't get a chance to use magic herself as I thought she would due to her talk in #11, but I wasn't surprised that Mary and Finella asked to go with Brooklyn, having had that idea spoiled for me years ago online. I suspect that all three of them thought they would be going right back to the time and place Brook came from and I suspect therein lies Mary's real motivation. I think she wants to see Tom again and knows he is safe and alive (and married) in Brook's time. Well, we don't get to find out... yet. The Phoenix, once again, seems to have Brooklyn singled out and we can assume the "Time-Fowl" snatched up Mary and Finella and the Grimorum too.

- So we, the audience, pop back to 1997 to the moments right after Brooklyn left... and he reappears. We are told that he is not alone, and I think the less-informed (or less spoiled) fan might think Finella and Mary are with him, but most of us know better. Back at the Castle, Hudson and Lex finally come home from London and as I suspected Coldstone and Coldfire came with. I'm thrilled that they are finally members of the Clan in full. And then we come to probably the most anticipated moment for fans for the last ten years. The reveal of Brooklyn's family. I have to admit, I didn't know what to expect outside of a female Ishimuran gargoyle, her and Brook's son and a gargoyle beast (and an egg, okay I had a good idea what the egg would look like). Katana is very cool. I love that we finally have a beaked female in the canon, I love that attention was paid to her number of fingers and toes to reflect her clan of origin. I do have a slight worry that the two beaked gargoyles would end up together. I know that a beaked gargoyle could just as well mate with a non-beaked gargoyle, but I worry that some fans might not see this. I dunno. A minor worry for me. Gnash is a lot of fun, he seems older than his age indicates. Must be the weapon. Really, the whole family seems like they have a lot of stories to tell. Or rather, for Greg to tell. I like Brooklyn's line about his journey being a long story and "some of it even true". Ties us nicely with the journey Goliath set us on back in #2 and with Shari's tales. And lets not forget Fu-Dog. I LOVE Fu-Dog's design. Very cool. I hope he and Bronx get along. Other nice things about this final scene include Hudson laughing and being so happy. When I see him here, I think back to his line in "The Gathering" where he is so happy that they are not the last and not alone. He gets to see his decimated clan grow. How cool. I really like how Angela wants to hold 'Egwardo'. I never thought about her never having seen an egg before (I suppose I figured she saw the clutches in Ishimura or ChacIxChel), but I love the motherly aspect this gives her and Broadway's reaction to it. A lot of fans seem to focus on Katana's reluctance to let go of the egg, but I don't see that as that big of a deal. It isn't like she violently refused, and after all they've been through, you have to understand her reluctance. Anyway, Elisa's reaction to showing up was really cool. I mean she was probably expecting Goliath, Bronx, Broadway, Angela and Brooklyn at most. Instead she comes out of the elevator too see this whole motley crew. Coldstone, Coldfire, Katana, Gnash, Fu-Dog and even Brooklyn must've been a real shock. I like her "Whoa... Goliath...?" But, there isn't time for explanations, we have to go kick some butt. As Greg indicated at the Gathering, I'm sure they did. All these gargoyles versus Wolf, Jackal and Hyena. As Lex states, they'll "never know what hit 'em!" A GREAT ending to this awesome Clan-Building arc. Of course, it is "Never The End..." Not for the Manhattan Clan or the Gargoyles series or the fandom. This comic couldn't have been released at a more poignant time. Great job, Greg. Really, this is awesome stuff. And ALL of the artists made it work so beautifully as well. Thank You!

Eagerly awaiting Gargoyles #13, "Manhattan, Chapter One"...

Greg Bishansky writes...

"Gargoyles, Bad Guys: Redemption. #6: Losers"

We pick up where we left off, but, at last we meet the mystery man who is behind the Redemption Squad. A man obscured in shadow called 'the Director.' We don't see much of him, but he works for an organization which, I suspect, is trying to bring down the Illuminati.

Anyway, Falstaff introduces his band of freaks. Pistol (a gun fighter); Points (swordsman); Bardolph (He breathes fire); Mistress Doll (a contortionist); and Mistress Quickly.

Falstaff then invites the Redemption Squad to dinner. Dingo is asking Falstaff the questions; Hunter is sitting there fuming in silence; Yama is listening; Matrix is absorbing metal; and Fang is stuffing his face.

Falstaff decides that the Redemption Squad would make a great asset, and on behalf of the Illuminati, he offers them membership. Besides, the Illuminati is only trying to save the world. Which I am sure is true... from their point of view. And he can prove it.

Hunter is given a chance to speak with her great-aunt, Fiona Canmore. This made me bug out a little, because a year or so ago, I asked myself "if Fiona Canmore is supposed to still be alive in 1997, when she was hunting Demona in 1920... what if she was an Illuminatus and had access to their rejuvenation drugs?" But I never expected to see it in the canon. Gargoyles Fans Collective Conscious strikes again!

Across the room, Yama and Fang are connected to... Goliath. Except the coloring is off, and Yama asks for someone to fix the color. Whoops, it's not Goliath it's... Thailog. He asks Fang to vouch for him. Which Fang obliges.

Meanwhile, Dingo cannot believe that Falstaff got out of the life... but, what better job is there for the world's greatest thief than to guard the world's biggest treasury. The island: Eastcheap Isle is the Illuminati's treasury. And we see a room that would make Scrooge McDuck green with envy.

So, the Redemption Squad are left to confer. Join the Illuminati or not. But Yama knows the Illuminati cannot be trusted. And why? Because Fang vouched for Thailog and Fang knows the rest of the squad doesn't trust him. Really sneaky Fang.

So, we have a nice fight between the squad, and Falstaff's gang of freaks. But when the Redemption Squad gains the upper hand, Falstaff sinks the island... which is actually a ship. The Redemption Squad manage to escape... having lost this round.

Now, some might find it a bummer that the Redemption Squad didn't really achieve a victory here... beyond capturing Mistress Quickly. Falstaff and the rest of his crew escape, with the treasury.

But, Yama sums up what this was really all about. The never ending struggle for redemption. But Fang is just happy to have survived. He's not interested in redemption... maybe one day, but not yet.

Overall, a fun introduction to what I am sure would have been a great series. Greg's writing is as sharp as ever. But I have to say that I've always admired Karine Charlebois' art. I've watched her grow as an artist since 1997. But, with these comics, you can see her getting progressively better with each issue. She's great.

I know that if we get a license renewal and we get more spin-offs, Greg is planning a Dark Ages story, then a Pendragon story, then a TimeDancer story. But, I'll be honest. This really whetted by appetite. I want to see more of these characters and this team.

Greg Bishansky writes...

"Gargoyles, Bad Guys: Redemption. #5: Strangled"

This issue is told somewhat non-linearly, but no where near to the extent as the recent Stone of Destiny story in "Gargoyles."

Parts of this center around Dingo's past. We see Dingo/Harry Monmouth as a small child rush home only to be told by his surrogate father figure, John Oldcastle, that his mother, Mariah, has run off again. Mariah is apparently a bit of a free-spirit... and this was the 1970s. Young Harry seems hardly surprised, as Mariah has done this before. But John promises to take care of him. And, for the next decade or so of his life, John... a professional thief and criminal trains Harry and the two of them pull off a series of heists.

In the present day (hee hee, 1997), Hunter informs the now full squad of Dingo, Matrix, Yama, and Fang, that their next target is an Illuminati stronghold on an island. So now, it all comes together. This is the island that we've been seeing this squad battle those giant robots.

The squad destroys the robots and enters the stronghold, where they discover a gigantic Illuminati banner, and they are ambushed by a bunch of freaky villains in Renaissance get-up. Dingo immediately recognizes one of them as someone he worked with when he was younger and pulling jobs with John Oldcastle, and knows who they're up against.

Enter John Oldcastle, who now calls himself Falstaff. And like the Falstaff of William Shakespeare's "Henry IV," Falstaff is a rather large individual who loves to eat and drink. He also refers to himself as the "King of Thieves." The Shakespeare character was a thief as well. Gotta hand it to Greg, if he can reference the Immortal Bard, he will. Shakespeare is always a wonderful thing to include, and like the series, you don't need to be fluent in it to enjoy it.

And while I'm on the point, there was a historical John Oldcastle. He was arrested for heresy, escaped from the Tower of London, and plotted to capture King Henry V (they used to be friends) and his family. He was eventually executed... hanged and burned. They say Shakespeare based his Falstaff off of John Oldcastle. Which makes Weisman's choice in the name very appropriate.

Falstaff greets Dingo with a big manly hug... and then we cut back to our flashback to Dingo's youth, when he returned home to discover his mom had taken off again. Only, she didn't take off... John Oldcastle strangled her to death in their bedroom.

I liked this issue. Everything seems to be coming together, and the story has caught up with itself. I also think that final page outlines the advantages of the comic book medium. "Gargoyles" on TV got away with a lot, but S&P would hardly allow any cartoon series to depict a man with his hands around the throat of a dead woman (and make no mistake, she is already dead in that shot) in their bedroom.

To be concluded...

Todd Jensen writes...

Thanks for the final act of the Radio Play, Greg.

The ending, with the Illuminati getting their hands on the Spear and the Crown of Thorns, surprised me. Well, apart from the fact that a part of me thought that, in light of the Illuminati's links to the Holy Grail, it would be appropriate if they eventually got the Spear of Destiny, which turns up in the medieval Grail romances a number of times (in the role of the spear that crippled the Fisher King). And so Tombstone's an Illuminatus as well - pity that it can't be canon.

I was also surprised at Dominic Dracon's death - killing off a canonical character in a non-canonical script!

A few other highlights: more people telling Margot to "give it a rest", the "Casablanca" quote at the end, and Demona stuck at Ravencroft - though I doubt that she'll be there long.

Thanks for such a delightful piece, Greg.

Matt writes...

My Review For Gargoyles #11, "Tyrants"...

- Alright. I'm a liar. I said in my "Rock of Ages" review that I planned to read each issue independently and review them before moving on to the next chapter, so as to get my true first impressions of each story without influence from later chapters or talking with fans. I was doing pretty well until this issue. By the end of it, I could hardly stop before moving on to #12. What is worse is that I've recently returned home from the Gathering and have had lots of discussions and revelations about the entire book. Nevertheless, I'll do my best to write these reviews as separate issues, focusing on my initial impressions for the most part.

- So, as usual, I'll start with the cover. Brooklyn meeting his past, frozen self is a neat idea. The cover made me wonder immediately if Brook will ever meet and talk to himself at some point in his TimeDancing. I guess we'll have to wait and see. Anyway, it is a good, fun cover.

- We pick up more or less where we left off, though I get the sense that some time is passing in 10-12 that we are not seeing. There is a lot of traveling through Scotland going on and I'm sure Brook is spending days on the road. What strikes me about that is that this time is passing without note, which contrast greatly with the previous three comics where every minute was accounted for. So, Mary, Finella and Brooklyn arrive back at Wyvern. A few years have passed since the Massacre and all seems quiet and calm at the old Castle. Brooklyn finally gets a chance to really face what happened to his Clan. Their crushed remains lie all around him. Brook is such a rich character. Capable of such sorrow and anguish and still be one of the most humorous characters in the series. Great writing. Brooklyn learns quickly that it isn't a great idea to talk about future events to people in the past when Mary asks about Tom. I get the sense here that Mary and Finella know and believe Brook is from the future, but not from how far in the future. I doubt Mary knows about how time passes on Avalon, so I suspect that she might only believe Brook is from a few decades down the road. Interesting. Also of note here is that Brook finds an old scabbard for the sword he obtained in the last chapter. I think this merits note because suddenly Brooklyn feels the need to carry a weapon, something he has never needed before. He also discovers that Goliath's half of the Phoenix Gate is not available.

- Meanwhile, in less quiet corners of Scotland, the busy world of war and politics is ticking along. Constantine fulfills his moniker of "Constantine the Bald" by shaving his head. Thanks to Todd Jenson and the GargWiki I was well aware of this historical tidbit before reading this chapter and it gave me a cool feeling. Constantine's relationship with Gillecomgain is very interesting, and thus the relationship with Mail Brigti is interesting as well. Constantine seems creepily fascinated by the teenager and this seems to worry Brigti, though he is probably wise to say nothing of it. Most strongly on Constantine's mind seems to be the war however. I like how he mentions the "Three Brothers". Valmont is cool here too. He deduces that Katharine and Magus have left "this world", Tom is with them or dead and that the Grimorum remains in Scotland all by reading the entrails of goats! A talented and creepy sorcerer to be sure.

- And finally, in another corner of Scotland, Demona arrives to her clan's cave with bad news. "They're all dead". Yikes. She seems mostly pissed off, but everyone else seems more shocked and sad. I like that distinction. And lets talk about this clan. The male gargoyles are not new to us, but the females and the beasts are. I can't help suspecting that the beasts are Bronx's biological parents and that the young female is 'True', Hudson's biological daughter. As it turns out, both suspicions were correct as revealed at the Gathering. Apparently, this cell is of gargoyles that originated at Wyvern. Kinda cool. We also get our first canon mention of the Wind Ceremony (just as earlier we got our first canon mention of the Humility Spell, this is a good chapter for canonizing things). I like how young, innocent 'True' suggests a Wind Ceremony, but the older, harder, angrier Demona just wants vengeance. For me this symbolizes Demona's ironic drift from the true gargoyle ways.

- And in yet one more corner of Scotland, the army of the Three Brothers assembles. I love their emblem being the three swords. A symbol of unity as opposed to Constantine's claw being a symbol of domination. So, while Demona plots to kill all humanity, Grim is hoping they will be strong allies, that is pretty cool. Really plays into how much I like the Grim. And he gets some luck when Brooklyn arrives and immediately allies himself, with hope that he can bring an army of gargoyles. Things are looking up for the army of the Three Brothers. I also want to mention that I found it funny to see Bodhe and Brooklyn standing next to each other. Not two characters I ever really suspected of being in the same scene, but I suppose TimeDancer will give us plenty of surprises along that line.

- So, we've visited all the 'camps' in this issue and now they all start coming together. After a really funny moral message to his audience beyond the fourth wall, Brooklyn leaves to find the last remaining gargoyles in Scotland. I get a good sense of a lot more time passing here. Maybe a few days or even longer. Brook finds more smashed clans and spends his days hiding before finally being discovered by an old acquaintance, the gargoyle who will be Demona. Naturally, he attacks her immediately. She is amazed to discover she knows him and he barely keeps his anger in check. I like how they both start lying to each other about how they survived the Massacre. After Demona stammers out her line about being in the forest, Brook brushes it off with a "Doesn't matter". I love how he knows she is lying and yet doesn't call her on it. Good restraint on his part and from the other angle it makes me wonder what Demona's reaction will be when she realizes Brooklyn was not being entirely honest either.

- Back at the ranch, Finella wants to try to use the Grimorum. Mary says this sounds dangerous, and I have to agree. Everyone else who has used the book was probably in training for years. We'll see if she can pull it off. I suppose knowing Latin and seeing magic performed before is a good start, but still...

- And at the opposing army's camp, Constantine the Artist is doing some really fun face-painting for the kids... or actually creating an emblem of fear, hatred and genocide which will last for centuries. And all the while is being a real jerk. Killing the messenger and all that. And finally we come to the Battle of Rathveramoen, which we've been building towards for a while. The army of the Three Brothers seems way out-gunned until sunset. And then we get this AWESOME two page spread of Brooklyn leading the gargoyle army into the battle. I noted a couple cool things with this battle. I liked how the gargoyle beasts are seen already chomping down on Constantine's men. I like how Demona's Clan left the young gargoyles behind which contrasts with Bodhe being in the battle, against Gillecomgain, no less. I like how Demona's Second is thrilled at the thought of a 'true battle' rather than the hiding the scattered clan had been doing, and I find it cool that he (and apparently the whole clan) has started calling Brooklyn "The Gargoyle of the Sword". Not a name, of course, but just gargoyles being gargoyles. Why call it 'The Hudson' and not just 'the river', why call him 'Brooklyn' and not just 'the gargoyle of the sword'? The are just called what they are, I love it.

- And lastly we get the battle coming to where it wasn't supposed to get. Mary and Finella's guards are quickly taken out by Valmont and the Grimorum is snatched away. And we get this iconic Gargoyles moment where Demona and her enemy speak the same passionate line. In this case both desire to control Scotland. Really great stuff.

- This was a really interesting issue. Lots of new, cool things to look at, new canon stuff and a great battle begins. A fun issue that clearly left me desperate for more as I was unable to stop reading at this point. And I can still in my mind almost hear Valmont or Constantine's voice-over say "To Be Concluded..."

Kalara writes...

Mr. Weismen I just got finished reading the Clan Building Vol 2 comic and I've got to say thank you. I felt the magic all over again. For us fans who have all been waiting years for this comic it was well worth the wait. The history and adventure in the story arcs were awesome. If felt the magic of Gargoyles all over again. Thank you for your dedication to the fans and keeping the dream alive for us all over the years. Thanks much no questions just wanted to give some praise to a job well done.

Todd Jensen writes...

Thanks for the second act of "A Handful of Thorns". I enjoyed it, especially all the in-jokes (Brooklyn's spin-off remarks, the Green Goblin thinking of calling up Disney about the gargoyles, Elisa repeating her "street pizza" line from "Awakening Part One", Demona's remark about the stage being crowded enough, etc.). You must really have had a blast writing it.

So how good would a couple of gargoyle beasts be at looking after an egg? (At least nobody is going to try stealing it with Bronx and Fu-Dog on guard duty!)

On the more serious note, I liked your exploring of the impact of Brooklyn's Timedancing adventures upon the trio.

A great cliffhanger ending (I hope it won't offend any of the readers). I'll admit that I would expect the Spear of Destiny to be in a different location in the Gargoyles Universe - I won't say where, because it would break the "no original ideas" - but I've read enough about the medieval legends concerning that same spear to guess.

Looking forward to Act Three (I hope the weekend won't seem too slow).