matt writes...

oh, and if i remember correctly, you said that March 21 was not only the Spring Equinox, and the possible hatch date for gargoyles, but its also your son's birthday, so, Happy Birthday Ben even though its belated by now... talk to you later!

Sapphire writes...

Oh Greg the episode Metamorphisis was pretty cool the mutagen thing and all. Do you know in reality how they do gene transference between different organisms like the gene tranference between Derek and a panther, electric eel and bat. Viruses they insert genes into viruses and inject them into a creature where the viruses insert the foreign genes into the creatures DNA and it usually takes 5 months for the creature's DNA to accept the foreign genes as opposed to the 2 days in the episode Metamorphisis. Also there is also a high risk that the immune system would gobble up the mutagen plus the body also gets rid of cells that are mutated so in reality if a mad scientist ever injected you with a mutagen containing the DNA of animals your immune system would destroy the mutagen or the cells that has been mutated

Duncan Devlin writes...

Someone asked about sources on clothing from 1000 AD so I found these two books and figured that I would post them.

The Book of Costume
-Millia Davenport

What People Wore
-Douglas Gorsline

Blaise writes...

CITY OF STONE PART FOUR
Finally! I've been trying to respond to this for weeks! But due to a hectic schedule (and a testy computer) I've been hampered in my efforts.

Anyway, Bronx saves Elisa--as we all knew he would--and Demona still manages to work around him. I always did find this scene interesting for the same reasons you mentioned. Bronx won't attack Demona if she does not SEEM dangerous. It's a fun scene to watch (especially when Demona still loses her cool when referring to Elisa).

Yeah, I also like the choral music in the flashback battle sequence. Actually, I have an affinity for any music with choral parts ("O Fortuna" or "Ode de Joy" for example).
One of my favorite scenes in the battle--Demona is fighting a human. He's on the ground in front of her, screaming. She brings down her mace hard. The camera quickly closes in on her face, putting the guy and mace action off-screen. We hear the sound of impact and the scream abruptly cut-off. Maybe I'm sick, but it just pleases me that people actually are dying in this battle. More real.

Seeing Demona happy (truly smiling and laughing) in her interaction with Macbeth is another one of those "heartbreaking moments" for me, because I know it won't last. It always gets me how quickly Demona's smile turns to a frown after Macbeth leaves.

While I never believed Macbeth would betray Demona, it is nice to have confirmation of that.
Demona on the other hand, I can't help but feel a bit frustrated with. That she suspects Mac will betray her I can understand, but why not go with Luach, the one who openly and VEHEMENTLY supported her and her clan? Why go over to the guy who wears a mask with a legacy of GARGOYLE KILLING? Just goes to show that Demona believes in hurting her enemies more than the salvation of her kind--at least that's what it shows to me.

You mentioned in PART TWO how Emma Samms' voicework as Gruoch improved noticably over the four eps. You're so right, she's absolutely smoking in this episode, especially when she chews out Demona. But I'm getting ahead of myself.

The ineffectiveness of the boulders dropped from above is something that always sets my brother off. The first time he saw that scene, he couldn't even complete a whole sentence. :D

The confrontation with Canmore (whose wardrobe I really love, BTW). Macbeth still tries to reason with him, something I admire. Canmore on the other hand, stabs Mac in the back. Like Todd, I find this rather despicable and cowardly. I like Canmore even less when he gives his little anti-gargoyle statement. Gruoch has a similar line, but I can't help feeling a bit more sympathetic towards her.
It's another one of those, "I always found it interesting" bits when Demona doesn't kill Gruoch. Very nice character work.
Backtracking a bit, it is good to know that Bodhe may have finally learned that sometimes you must stand and fight.
The Sisters come in and do their thing. While I already figured the spell out, I did like the way it was phrased. Good dialogue.
And Macbeth and Gruoch part. I still find it one of the most touching moments of the series.

Back in the present:
I didn't find the scene between Goliath and Xanatos too feeble. Granted the tapestry bit comes from out of nowhere somewhat, but the mouth of the armor moving is no big problem. I say that because in later airings (like the one I taped) the animation was fixed and the mouth doesn't move anymore.
I love Macbeth's interaction with Demona here. Yes, she's more rational than usual, but I love the look on her face when she realizes that Macbeth WANTS to die. Didn't see that one coming, did she?

You are right that the DUCKTALES pilot had better "fall-away floor" animation, but this one served it's purpose well enough.
Two of my favorite moments occur after falling out of the castle but before falling into the atrium. Goliath tries to stop D and M--they BOTH punch him. Xanatos tries to use his laser, Macbeth just says, "You're not the only one with weapons, laddie" and throws down a small grenade.

The final confrontation with the Sisters. Their revelations to Mac didn't much surprise me, until they mentioned Luach's death. That got me.
After the Sisters put Mac to sleep, I found myself thinking, "This would be the sort of thing Xanatos might like seeing." Immediately after, Xanatos pops up with "Normally, I'd find this all very fascinating, but right now I need that code to save my city." Wonderful touch of character. Two touches counting Xanatos' reference to Manhatten as his city.

And now, the sequence that pretty much left me breathless. The Sisters show Demona how she had been responsible for the Massacre, the Hunter, and Canmore's victory. I had never thought on that until now. And then, "The access code is...'alone'." When she said that, with tears in her eyes...I cannot adequately describe what I felt.

Xanatos jets up and saves the day. And is painfully aware that he has been seen doing that, even if it is the "dog." "What are you looking at?" Such a funny line.
It's also funny to see Demona, now her ol', vindictive self trying to break the grip of the Sisters-as-children and failing. The Sisters' exit left me eagerly anticipating their next appearance.

Then the sky burns. Whatever you guys did, kudos. Xanatos said it best, "Magnificent."

While it might have been nice for the gargoyles to lift Elisa up into the air, the scene still played well, and Xanatos' "You'll forgive me if I just shake your hand" remains humorous.

While I knew that Xanatos wasn't the type of villain to try to "kill the good guys at all costs," it is a nice final interaction he and Goliath have, explaining this.

Let's hope this posts now. With luck, I'll catch up with the next two rambles over the next couple of days.

matt writes...

ramble on "Revelations"-

first of all, the name is perfect for this episode, perfect!

ok, i agree, Tom Wilson is excellant in this episode, you can hear what he's thinking with his tone throughout the episode, both while narrating and not. its Tom's performance here that makes Matt one of my favirote characters.

until your ramble i had no idea that a different person was voicing Chavez, which is wierd cuz i usually notice things like that. oh, well, she did a great job!

when Matt first discovers the stuff in the clocktower i was horrified, "Oh no! He's going to discover the gargs and hate them!!" then i realized i've been wanting for Matt to discover the gargs since "The Edge"

until your recent posts i didn't realize that Mace ended up dying at Hotel Cabal, i figured that eventually the Illuminati came in and saved him. Hacker seemed too casual talking about Mace for me to think he died. actually for the rest of the series i was waiting for Mace to get his revenge on Matt and Goliath... guess not, huh?

this episode definetly had the best turn-to-stone scene in the series, its like Matt said, "Wow..." sometimes i'll watch just this part of the episode, its amazing, especially Bronx, i love his stance, beautiful.

Chavez's line to Elisa and Matt about finding each other is one of my favirotes. they were finally acting like real partners by "The Silver Falcon", now they are friends too. Chavez looks especially pleased with herself at this too, probably remebering Elisa's objections to a partner in "The Edge".

i'm happy Matt got his own episode, not just tagging along with Elisa and dissapearing at the right times, what a good episode too...

Revel writes...

"Your Revelations ramble"

This is probably more a compliment than anything else. Revelations was actually the first episode of the show I ever saw. I happend to flip through as the opening theme was playing and i stopped and started to watch. As you can guess I was in front of the television again the following Friday. (man that was a while ago)
What I did want to ask was did Mace get his tattoo by choice or was it sort of like branding by the society? (ouch)
Thanks

Todd Jensen writes...

A ramble-review on "Revelations".

I quite liked this episode. I'd been curious for some time about Matt's interest in the Illuminati (as I mentioned before, when I first saw Xanatos donning an Illuminati badge in "Vows", my immediate thought was "What would Matt say if he knew about this?") and in the gargoyles. So now we got an episode in which these two pursuits of his intersected.

And I did initially believe that Matt had sold Goliath out to the Illuminati, which shocked me, since I hadn't thought that he'd actually do something like that. I was glad when the truth came out at the end. I very much liked Matt's narration, as well.

(One thing that did occur to me about Elisa's "uniqueness" in being the only human whom the gargoyles considered a friend; actually, she had lost her "unique" status by this point, in light of the gargoyles also making friends with Jeffrey Robbins and Halcyon Renard - but Elisa wasn't there at either of those meetings, so I don't feel bothered by that inconsistency. And I could understand her reluctance in introducing Matt to the gargs for that reason).

Mace Malone and the Hotel Cabal worked for me (I hadn't even known about the Tower of Terror part before now, or suspected it, for that matter). So did the surprise revelation at the end of the episode that Hacker had been "one of them" all along. I was very curious about what would happen now that Matt knew that his former FBI partner was really an Illuminatus who had been hindering his search.

Actually, that brings me to one of the very few regrets that I have about the series as a whole: the fact that we didn't see anything further with the Illuminati for the rest of the season, and the only element involving it for the remainder of your run on "Gargoyles" was Owen's mention of Duval in "The Journey". (The Goliath Chronicles did do an Illuminati episode after you left, but I definitely didn't like the way that they handled the Illuminati there - they reduced them too much to the level of cliched villains as "evil munitions manufacturers who start up wars just to make a profit" - the Illuminati of your run felt much more "greyish" to me, rather than out-and-out villains like, say, the Archmage or Thailog). I hope that if you get to do the series again, we'll get to see the Illuminati thread (and particularly the Matt-and-the-Illuminati thread) developed some more.

Kathy Lowe (AKA The Gatekeeper) writes...

Just my $.02 worth on "Outfoxed". I'll leave the in-depth analysis up to Todd and Aris.

When I saw Preston Vogel for the first time, I honestly thought that is was Owen. All the characters extremely complex; I never thought that it was a copout from an animation standpoint. I went right to wondering what Owen's hidden agenda was. All the other villains had a hidden agenda, why not Owen. His "I've got a secret" attitude was evident from "The Awakening".
By the end of the episode I started having doubts that Vogel was Owen, but I didn't entirely dismiss the idea until I watched "Golem". The amount of care that Vogel had to give to a very sick Renard was more time consuming that even Owen could handle.
While I was expecting a hidden agenda out of this episode, (how could I not, Xanatos was involved via Fox) I never expected it to be Fox's agenda which was her relation to Renard. While I definitely understood what the "Tests" were, my vocabulary is woefully inadequate, so I did not know that Renard meant Fox.
I was not surprised by a pregnant cartoon character. I grew up with the Flintstones; and Wilma being pregnant with Pebbles. Back then, knitting baby booties was the way to indicate that someone was expecting. (The last sentence is for those readers who are half our ages <g> Boy do I feel old)

Kathy Lowe writes...

As I understand it, you wrote the beat sheets in response to an outline or script that was submitted to you. I really enjoy reading the summaries that you wrote; I am curious about the purpose of these summaries. Were you writing down what you interpreted the story to be from the script (thinking out loud on paper)? The way it is presented in the beat sheet, seems (to me at any rate) like most of the episode ideas are coming from you rather than the other way around.

It would be nice to see one of the scripts that you did a beat sheet on, but I can certainly understand if they no longer exist. Just seeing the evolution from Beat Sheet to final episode extremely interesting.

Axem Gold writes...

I know where the Phoenix Gate really came from. It came from the writer's of the Gargoyle Animated Series.