Kalara writes...

Mr. Weismen I just got finished reading the Clan Building Vol 2 comic and I've got to say thank you. I felt the magic all over again. For us fans who have all been waiting years for this comic it was well worth the wait. The history and adventure in the story arcs were awesome. If felt the magic of Gargoyles all over again. Thank you for your dedication to the fans and keeping the dream alive for us all over the years. Thanks much no questions just wanted to give some praise to a job well done.

Todd Jensen writes...

Thanks for the second act of "A Handful of Thorns". I enjoyed it, especially all the in-jokes (Brooklyn's spin-off remarks, the Green Goblin thinking of calling up Disney about the gargoyles, Elisa repeating her "street pizza" line from "Awakening Part One", Demona's remark about the stage being crowded enough, etc.). You must really have had a blast writing it.

So how good would a couple of gargoyle beasts be at looking after an egg? (At least nobody is going to try stealing it with Bronx and Fu-Dog on guard duty!)

On the more serious note, I liked your exploring of the impact of Brooklyn's Timedancing adventures upon the trio.

A great cliffhanger ending (I hope it won't offend any of the readers). I'll admit that I would expect the Spear of Destiny to be in a different location in the Gargoyles Universe - I won't say where, because it would break the "no original ideas" - but I've read enough about the medieval legends concerning that same spear to guess.

Looking forward to Act Three (I hope the weekend won't seem too slow).

Blaise writes...

BAD GUYS
REDEMPTION
LOSERS

SPOILERS!!!!!!!!!!!

And now we meet the Director. Sort of. We never get a clear look at his face, or learn his real name. In a way this makes him the opposite of another surprise character, Monsieur Le Maire, who appears to be the Director's superior! We know his name (or alias at least), but we never see him, or learn exactly what organization they belong to. Just what we need, another "super-secret organization." At least this one seems to be trying not to fall into the "ends justify the means" trap.
I just noticed on my second read through that Falstaff stuffs his leg of meat into his tankard while talking. I guess if you enjoy beer soaked meat....

We get introduced to Falstaff's motley crew, and Dingo introduces his group (poor Fang's out cold for his intro), and we move to dinner. I love the look on Fang's face after Hunter says they "won't be breaking any bread" ("Uh...we won't?" with a mouthful of food). Interestingly, the Matrix seems to be sampling the silverware. I also enjoy Hunter's reaction to Dingo's defense of Falstaff as having raised him ("That's a recommendation?").
Matrix seems to confound Falstaff from the get-go. I particularly like the look he gives Matrix when it makes a statement in regards to its attempt to take over the world "with geometry."

Of course, we come to the part we saw in the trailer where Falstaff makes the claim that the Illuminati are the good guys, and brings in character witnesses for that. Namely, Fiona Canmore and Thailog (love Yama's initial call for someone to fix the color after thinking it was Goliath).
Both offer some wonderful character/plot moments. For Fiona, there's the revelation that the "family" has been looking for Robyn (just how big is the Canmore family anyway?), and that "the Hunt" is just a part of something larger (of which we are not told right now). Thailog describes himself as Goliath's "rookery son" (I felt I had to laugh at the audacity of that lie), and then says Fang will vouch for him. Fang's next line ("Sure. Thailog's my kinda gargoyle") floored me. Saying that EXACT phrase to Yama pretty much guaranteed that Yama would want nothing to do with the Illuminati. Actually, Fang brings a lot of surprises in this issue, but I'll deal with the rest later.
That is a LOT of treasure. I just had to say that.
I find it hilarious that everyone has to hop for the Matrix to form a "privacy bubble." It's a fun image--as is all of them crowded together inside. Meanwhile Falstaff is stymied in his attempts to eavesdrop on their conversation. The Matrix has done nothing to endear itself to him.

The inter-cutting of the Squad's "signing up" with the Illuminati and their earlier private conference in the bubble do an effective job of keeping the reader guessing. At first I was a bit confused, but on my second read through I finally figured out what was going on. They make the decision that the Illuminati cannot be trusted, but Dingo doesn't want to just nuke the place. In addition to wanting to spare the lives of his foes, he also wants to save the treasure and all the art and history contained therein (and proving himself closer to "hero" than "anti-hero" in the process), so they play along. Their attempt at infiltration goes south, however. Maybe it was Falstaff's halfhearted acceptance of Hunter's claim that she works for Interpol, or the fact that the Thieves were already surrounding them, but something convinces Fang that Falstaff is onto them, and he starts blasting (taking out Doll first, probably for payback).

There's a lot of stuff with this fight I like:
-how quickly and easily the Matrix neutralizes Mistress Quick.
-Dingo's unhappy look at having to face off against his old mentor.
-Yama's rather unique method of defeating Points (yet another showcase of something that would NEVER have made it on television). Interestingly, I think there are actually stories from Japan of swordsmen defeating opponents with such tactics.
-Hunter's graceful handling of Bardolph.
-And Pistol's surprise entrance with a BFG.

It wouldn't surprise me at all if Matrix really could blow up the island (I find that more believable than it lying about such a thing--doesn't seem programmed for that yet). The fact that the island is a freakin' submarine caught me by surprise, but not as much as Falstaff's casual dismissal of them all drowning. After all that he'd seen/heard about the Matrix, did he really think something like this would kill them? And he didn't seem too upset about the capture of Mistress Quick (who has a whole "screaming statue" thing going on). Speaking of which, I wonder if she's at all conscious throughout this sequence.

Matrix makes a nice raft. I really enjoy the conversation here at the end, especially Yama's little speech. Even if he doesn't feel he has redeemed himself yet, he certainly seems more at peace than he was in "The Lost." I also enjoy everyone's surprise at Yama's statement that Fang was actually "more right than wrong." Actually, Fang is surprising in several ways, not the least of which is how helpful he is to the squad. He subtly indicates that Thailog (and by extension, the Illuminati) is untrustworthy, doesn't give Falstaff time to trap them, and sounds almost philosophical about losing the mission but surviving. The serious look on his face while Yama gives his speech caught me off guard, too. I never would have pegged Fang as interested in redemption before. I wonder if Tasha's suicide had something to do with it.
So Yama turns to stone in mid-sentence before he can say how they'll know they are redeemed, much to Fang's (rather humorous) consternation. I love how Yama's Squad uniform does not turn to stone with him. I'm also rather surprised at the smile Hunter and Dingo share. It's nice to see them not sniping at each other for once.

Nothing left to say really, except about that sketch on the inside of the back cover. I don't remember Hunter kissing Dingo like that in these comics! Here's hoping we see something like that in a comic in the near future.

Blaise writes...

BAD GUYS
REDEMPTION
STRANGLED

SPOILERS!!!!!!!!

Wow. We finally get to where the leica reel ends (with all the requisite high action). All the while it is interspersed with flashbacks--the most interesting being the look at Dingo's past. It's sad to see how quickly the news his mother's walked out again quells his joyous mood (did anyone else see how he crushed his math test in his fist? One thing about Karine's art: it's so full of little details). I knew something wasn't quite right with John from the way he was holding the door closed, and the look on his face. I will admit, I kind of figured he had killed Mariah, but I didn't expect the shot at the end of the comic with his friggin' hands still around her throat! That one was a shocker (though after the suicide, I wonder why that should be). Actually, seeing John Oldcastle's interactions with the young Harry is very disarming. He does seem to genuinely care about the boy (but that could just show how good a liar he is). As a side note, I know that the comic gets away with a lot, but young Harry's joking question about John being a "molester" raised an eyebrow.
The "teaching montage" is just beautiful. Shows where Dingo learned most of his skills, but not necessarily his style (the surprise on John's face when teen-Harry proudly displays his new haircut is hilarious). One question that is not resolved: WHY did Oldcastle kill Mariah? A story for another day, I guess.
Loved the shot of Dingo saving Hunter. The look on her face during that sequence is priceless. Of course, immediately after that "moment of weakness" (so to speak) she pushes off Dingo and free-falls(!) to take out another robot. Damn!
I loved Dingo's reaction to Robyn's rather melodramatic description of the Illuminati as a "super-secret organization trying to take over the world. ("Seriously?") You've got to feel for Dingo. Even after leaving the Pack, his life refuses to stop acting like a comic book. At least this time he's a hero.
Yama's still not happy about Fang coming along. He's even less happy about losing that sword. I loved the robot POV just before its destruction, as well as Yama's casual inspection and then discarding of the head.
Dingo tries to help up Hunter, she blows him off, and for some reason has a smug smile on her face (is she just proud of blowing up a robot herself?). Actually, Dingo really seems to be looking out for Hunter here--when he calls out the possibility of a trap, he has his right arm out as if to shield her or hold her back. She is not impressed, of course.
Matrix as a light source (that's a little TOO bright). Win!
"Guess we came to the right secret lair." Indeed, you have to admire the subtlety of that gigantic wall decoration.
And then we are introduced to a nimble young woman apparently named "Doll." All I can say about the last panel of her introductory page, where she sends Fang flying with a flip that leaves her doing a handstand with her legs wide open, is "SWEET JEEBUS!"
Other folk include a heavily scarred fire-breather, a woman who runs really fast, a guy who looks like a "Pirates of the Caribbean" extra (who manages to cross blades with both Yama and the Matrix), and a guy who would look at home in a Robin Hood film except he's armed with guns. And is fast enough to outdraw Hunter, not to mention skilled enough to shoot the gun out of her hand. Oh yeah, and his name's Pistol. At least that's what Dingo calls out because he apparently knows him--and who he's connected with.
And here comes the revelation: Dingo's old mentor John Oldcastle is the one calling the shots, and he's now known as "FALSTAFF, KING OF THIEVES!" (Am I the only one who hears this guy being voiced by BRIAN BLESSED?) Okay, how does he manage to get BOTH nubile young women hanging off him like that? And he does it while sitting in a throne, with a leg of meat in one hand and a tankard in the other. A more important question would be, how can I put myself in that position?
As I said, the artwork is incredible and rich in detail. I am a little sad at not seeing the cover for issue #5 (Dingo's wanted poster) in color, but that's a minor gripe.

Blaise writes...

GARGOYLES
CLAN-BUILDING
ISSUE #12

PHOENIX

SPOILERS!!!!!!

Once again, excellent art from Ben Dunn that also remains consistent with the work of the previous two artists. I feel he sometimes puts in a few too many wrinkles/flecks/spots on Goliath and Brooklyn, and he has a tendency to draw some of the women's faces (especially Finella) in a style too similar to Japanese manga. Also, Maol Chalvim's face looks a bit...off to me on page 11 (it doesn't look as "long" as it should to me). Demona's, too, on occasion. But overall, a bang up job.

This chapter actually begins in 1997 with Goliath (in his "thinker" pose) ruminating on how a thousand years ago "the humans" thought they had crushed his kind completely, before we go back to Brooklyn in 997 thinking about how "a thousand years from now" Broadway and Angela are wondering if he'll come back. I like that bit of parallelism.
"Damn good question." I'll never get over the casual swearing (no matter how mild).
For the next few pages, we're treated to Brooklyn's interior monologue as he dishes out exposition. I love how he calls the Phoenix the "Time-Fowl." He would be the type to give a casual name to a magical entity.
I can't help but wonder what kind of sword Brooklyn's using. I've heard people call it a broadsword, but Brooklyn sometimes swings it two-handed. Wouldn't that make it a bastard sword?

Meanwhile, Valmont is gloating about having the Grimorum. "First of the Three Keys to Power...the pathway to Avalon...the fate of Scotland in my hands!" Okay, it's official: Valmont is Archmage Jr.
Well, Mary's clever enough to pull the wagon out from under him. Pity it wasn't enough to make him drop the book.

Back to Brooklyn, as he continues to think about what his actions mean for the gargoyles he brought out of hiding. After he and the gargoyle with the beaky nose lift and drop a couple of soldiers, Brook gets carried away and calls him "bro" and tries to give a high-five (or high-four, in this case). He's able to recover quickly enough, though (easy when you can say "bro" is short for "rookery brother"). I like the camaraderie he managed to pull off with the other garg here.
I also like how he refers to Demona as his "least favorite personal demon." Brooklyn's no fool, he knows Demona's planning a betrayal, but he's got to play along.
Let me take this moment to say that, even if she is the Demona from 997, I am REALLY glad to see Demona back again. I've really missed her. And she is VICIOUS in battle! Clawing people across the face seems to be a thing with her.
Brooklyn's response to Demona's compliment on his battle prowess ("I had a good teacher...Goliath") is wonderful. To me it both shows the respect he has for Goliath, and also acts as his way of sticking it to Demona. She, however, takes it as an opportunity to disparage Goliath's trust of humans, and state that the humans will turn on the gargoyles at the end of battle (you're one to talk, Ms. Backstabby McBackstab).
Meanwhile Constantine taunts Kenneth with talk of "superior numbers" and how he has no mercy (which he says with a vicious smile). Okay, Constantine belongs under the "Complete Monster" category of villain. You know the kind of villain you love to hate? Well, this isn't that kind of villain. This is the type of villain you just want to see die horribly. And Gillecomgain is putting himself in that very same category with his actions here. Sure he was a monster in "City of Stone," but somehow what we see of him here makes him even worse! He's trying to kill poor Bodhe (no wonder the kid grew into a coward) and he's doing it with glee! And Constantine is egging him on. "It is the Hunter's Moon, be a hunter for your king!" (I love the close-ups of both Constantine and Gillecomgain in those two panels--page 9). Findlaech makes an offhand remark to his adversary, Mail Brigti, to the effect of Gil seeming like Constantine's son.
Mail just ignores that, fights him and reveals...that he and Findlaech are half-brothers! I had remembered hearing about this (that Gillecomgain and Macbeth were actually related), but I wondered why Gil would be a peasant if that was the case. Now we get a story where this is explained. It also explains why Mail always acted so angry (bitterness, and he may have taken some of it out on Gil). Findlaech definitely comes across as having the moral high ground, having offered to share Ruaidri's (their father) inheritance, but Mail seems determined to have everything, even if it means siding with a Complete Monster.

And then Brother Valmont casts a spell. While Finella is trying to figure out the translation, Maol finally shows up. Turns out he's quicker to understand Latin, and orders the women to take cover while he threatens Valmont to make him call off the spell. Actually, this shot of Maol Chalvim could almost be considered a hero shot. Maol's a strange character. Not nice, by any stretch of the imagination, and I know he's going to turn on poor, good Kenneth eight years on, but somehow he's able to pull of these "hero" type moments. Unfortunately, the threat doesn't work on Valmont. And Finella figures out the spell just in time to take cover.
The spell? Arrows begin to rain down from the skies (what IS it with Brother Valmont and arrows?).

Demona's Second's Mate shields him from the arrows with her own body and dies (NOOOOO!)! And she's not the only one getting hit--there are several gargoyle silhouettes in the background, some pierced with the arrows (NOOOO! multiplied by however many died). But she is the one we've seen the most of, and the fact that she's the mate of a gargoyle we are (slightly) more familiar with, helps to personalize it as he grieves for her, poor guy. Brooklyn and even Demona are horrified by this turn of events.
To be fair, I kind of figured she'd die before the end of the comic arc simply because we never saw her in "City of Stone." Of course, we never saw the beasts or "True" there either, so....
At any rate, farewell, oh web-winged female. We hardly knew ye.
Poor Magus the horse gets hit, too (NO! NOT THE HORSE!).

Valmont takes this opportunity to gloat to Maol...and loses his right hand to Brooklyn for his troubles. I was actually quite impressed, Greg, that you managed to go this far. Granted, we don't see the actual stump of the hand, but it's still a pretty shocking turn of events. And of course, it couldn't have happened to a more deserving jerk.
Maol's line, "The arrows...they still reign." Love the wordplay there (something that wouldn't come across in spoken dialogue, sadly).
Is it just me, or does Finella REALLY want to do magic. Maybe she's just trying to do SOMETHING and not feel useless. At any rate, a real sorceress steps in: Demona. She manages to reverse the spell (and look cool while doing it), but she can't bring any who died back to life, of course.

And one last casualty of the arrows is revealed: Mail Brigti (NOO--wait, what am I saying, YEEEESS!). Findlaech may be a big enough man to cry over his treacherous half-brother, but as far as I'm concerned, after following Constantine, a man he KNOWS is evil, just for his own gain, Mail Brigti got his just deserts.
Unfortunately, the arrows didn't hit the selectively blind Gillecomgain, who chooses to not see the arrows and believe that his father died by Findlaech's hand. Findlaech warns Gil not to cross him, mostly because he doesn't want to see his brother's line end. Gil chooses to believe it's because Findlaech fears him. This whole confrontation, along with the struggle over Ruaidri's inheritance, adds a whole new level to the Hunter's assassination of Findlaech in "City of Stone." Damn. The only reason they don't fight now is because Constantine and Kenneth's fight passes right between them (even a rain of arrows doesn't stop these guys!).

Geez, Constantine just doesn't shut up! And this is the second time he's gone on about his "superior numbers." He promises to kill Maol Chalvim (while hinting at Maol's future turn) after he kills Kenneth's son Bodhe (well, he promises to gut Bodhe while calling him a very unflattering word). This is the last straw for Kenneth ("You shouldn't make Kenneth angry, Constantine...you wouldn't like him when he's angry"). Kenneth throws away his shield and begins attacking Constantine with both hands on his sword. He manages to unhorse Constantine and slay him. I love the look on both Constantine and Gillecomgain's face before Kenneth drives the blade home (where's your "superior numbers" now, Constantine?). In contrast to Constantine earlier, Kenneth is silent through all this part. It reminds me of a quote from Terry Pratchett's Discworld book "Men at Arms." To paraphrase it shortly, "If you are staring down a loaded crossbow, pray that the man on the other end is an evil man. Because an evil man will want you to know you are beaten, so he will talk and gloat and put off the moment of killing you for as long as possible the way a man might put off smoking a good cigar. A good man will just kill you without a word." Seems to fit this situation.

Well, Demona is in awe at having the Grimorum Arcanorum in her hands, while Brooklyn tries to figure out how to separate it from her. And then the Phoenix appears again. I wonder why Brooklyn focused on "Timedance" as his metaphor of choice, embellishing it with such gems as "chronal-boogie" and "temporal-tune." I can definitely understand his frustration at not being able to know how everything turned out (guess he'll be hitting the books when he gets back).
I loved Brooklyn's way of tricking Demona into giving him the Grimorum (playing on her desire for power, offering to hold the book while she got her half of the Gate). I can only wonder what Demona thought and did after he was gone. This whole thing also adds another level to "Temptation"--how much of this encounter did Demona remember through the years?
Well, Brook's ready to go, but so are Mary and Finella, much to his dismay.

But now we travel back to the present (well, 1997) and repeat the last few panels we saw of Broadway and Angela, and--THERE! In the last panel of page 20! In that panel, Angela has her collar (a bit more wrinkled than usual, but it's there), but in the panel before, and the panel after (first panel of page 21) she has no collar! Just let her keep the collar already!
Sorry.
Anyway, I liked Brooklyn's "Forever...forty years...forty seconds...however you keep time, the Dance is finally done." So cool. And yeah, I've already been spoiled so the "He's not alone" misdirection didn't work on me, but I can appreciate the effect it might have on readers not "in the know."

Well, we return to Goliath and his ruminations. But what's this? Lexington and Hudson have returned...and they brought Coldstone and Coldfire! Goliath is, needless to say, overjoyed by this turn of events. And then Broadway arrives to say that Brooklyn went on "a little trip" of his own and...well, Goliath has to see for himself.

Okay, this is IT! The part I've waited 12 years for. The first canon appearance of Brooklyn's mate, Katana. Not to mention his son, Nashville, and Fu-Dog, and how Brooklyn himself looks after his journey. I will admit, I had not expected him to so closely resemble his "Future Tense" self, but I'm not complaining (that armor just looks cool). And man is he armed to the teeth or WHAT? That Scottish sword (which he apparently kept with him throughout all 40 years), a Japanese Katana, a hand pistol (or blaster of some kind) and a Big Fricken' Futuristic Rifle. It also seems he lost his left eye somewhere along the way. Funny, that's the same eye Hudson lost sight in. You know, Broadway may be Hudson's biological son, but Brooklyn seems to me to take after the old garg a lot more than anyone else.
And Nashville (or Gnash, as he prefers to be called) is pretty much what I expected. I didn't know his coloring, and he looks a lot tougher than I would have thought (he's the physical equivalent of a 9-year-old, but then again, he's a time-traveling gargoyle), and I didn't expect him to be ARMED with a Japanese blade, but yeah, he's definitely Brooklyn's son. The clothes were a surprise, too--more modern than either of his parents, which makes sense I guess (so U.S.N. stands for "U.S. Navy?" Interesting).
And Fu-Dog...what can I say. He's like a green lion (and pretty darn cool looking).

But Katana...oh man, where do I begin? Well, let's start with the fact that she is the first major beaked female in the canon. I am ashamed to admit that in all those 12 years, I was never able to picture her beaked. I knew intellectually that it was a possibility, but for some reason I could never wrap my mind around it. Maybe it was the difficulty of trying to picture a beaked female that DIDN'T just look like Brooklyn with boobs.
But now Katana's been revealed and...the first word that popped into my mind to describe her was "cute." There's just something about her face that lends itself to that. Her beak is smaller than Brooklyn's, and maybe that helps. Her hair is gorgeous, and I love the style. But the real secret is in her eyes and expression. God, those eyes are perfectly shaped, and the look in them, coupled with her smile.... You said, Greg, that her and Brooklyn's relationship would have been like Sam and Diane, or Beatrice and Benedick, and I can just see ALL of that in the look on her face here.
As for the rest, I somehow always figured she'd be some shade of blue. I love the design of her clothes (I have looked extensively at Robby Bevard's design sheet for her). I'd really like to see her use those war fans at some point. I'm still surprised at her having one digit less per appendage (3 instead of 4). And then there's how she acts with her egg. When Angela asked to hold it, she seemed guarded. And she even takes the egg into battle with her! I can think of only one reason she would do that: she can protect that egg from ANYTHING the world can throw at her!
All this, and she didn't even get a single line in this issue (even Gnash got ONE). Damn. Well, you can't have everything. But I still can't wait for the next installment of the "GARGOYLES" comic, or for the "TIMEDANCER" spin off. I want to hear Katana speak (figuratively, of course). I want to see her fight. I want to see her and Brooklyn's relationship. I want to see her three-fingered hand intertwined with his four-fingered one. God, it's going to be a long wait.

"Egwardo?" Brooklyn, some things about you never change.

The group shot at the top of page 23 is kind of neat. I love all their reactions. Bronx and Fu-Dog are sniffing at each other, Angela's excited over the egg, Hudson's laughing, Lex seems to be chatting with Gnash, and Brooklyn...he just seems happy to be home again.

Then Elisa comes in and has a wonderful reaction to the overnight change in the clan's roster. Seriously, I can't help laughing everytime I imagine Salli Richardson saying that line.
Well, Jackal's busted Hyena and Wolf out of prison and they're wreaking Times Square, so the WHOLE FRICKEN' CLAN goes out to meat them. Lex is right, "The Pack'll never know what hit 'em."

This was a great issue, a great arc, and a great series. If I had any complaints about this particular issue it's that the last four pages felt very rushed. I mean it's like BOOM--Lex and Hudson--BOOM--Coldstone and Coldfire--BIG BOOM--Brooklyn and family--BOOM--Pack attacks--BOOM--attack Pack. I felt like I couldn't catch my breath! And this just makes me want another issue right NOW!

"Never the End..." eh? I'll drink to that, but like I said before "It's going to be a long wait." Still, here's to what we did get.

Thank you, Greg!

Blaise writes...

GARGOYLES
CLAN-BUILDING
ISSUE #11

TYRANTS

Let's dive right in.

SPOILERS!!!!!!!!!!

Once more, I will begin with the art. David Hutchison does a good job, and is a decent successor to Greg Guler here. This is especially true in regards to consistency. This and the Halloween arc ("Invitation Only," "Masque," and "Bash") are the only two that have a completely different artist for each issue within the arc. In the case of the Halloween arc, the contrast in styles between David Hedgecock, Nir Paniry, and Karine Charlebois was quite jarring at times. Here, however, the difference in styles between Greg Guler, David Hutchison and Ben Dunn isn't as drastic. Consequently, these three issues seem to..."flow together" better, I guess. The transition is easier.
At any rate, the only complaint I have is that Hutchison sometimes draws Brooklyn's wings in a semi-bat shape when their edges should be smooth. Other than that though, kudos to Mr. Hutchison.

Well, we pick up where we left off: Brooklyn, along with Mary and Finella, makes for Castle Wyvern ("Home sweet decimated home"). Brooklyn seems to feel like hooking his wing-claws on his shoulders (like his "Future Tense" version did) for now instead of caping them like usual. Interesting.
Brooklyn mentions getting back to his century, confusing Mary, who figured the 10th century was his century. It's funny--Brooklyn lived most of his life in the 900's, and yet after two years in the 1990's he already considers that his century. Of course, the fact that his clan's there probably has something to do with it.

I remember hearing a while back that the Constantine we saw on "GARGOYLES" was King Constantine III who ruled from 995-997 A.D. (what year is Brooklyn stranded in again?), and he was known as Constantine the...bald. Yeah, I kind of figured the "GARGOYLES" crew either missed that, or decided he looked better with a wig. But NOW we see why he was called that in the "GARGOYLES" universe. He cut his hair to turn his head into "the proper canvas." Canvas for what I wonder.
Given his reaction to Gillecomgain's brown-nosing answer, Constantine seems to like yes-men and toadies.
Mail Brigti (and now we know his first name) arrives with news about the Grim's army assembling at Rathveramoen, and Constantine sends him off to wait at the head of his (Constantine's) own army. Mail calls Gil, but Constantine wants to keep Gil nearby (it was the toadying that impressed him, wasn't it?), and begins an in-depth study of Gil's scars. Mail hesitates, but leaves when curtly dismissed.
Constantine then takes a moment to gloat about wiping out "the male line of the Three Brothers" (there's that reference only "Ask Greg" readers will fully understand again) before asking Brother Valmont about the Magus and Princess Katharine. Valmont..."read the entrails of half the goats in Scotland?!" YUCK!! EW! Okay, my appetite's gone. Anyway, short version, they're both out of Scotland, Tom's out of Scotland as well, but the Grimorum is still around and Valmont must get it.

"Okay, this is just freaky." Yeah, seeing your sleeping form would engender that reaction. But then Brooklyn moves among the remains of his massacred clan while thinking to himself how "freaky" is a nice, safe adjective in comparison to "horrific, traumatizing, or soul-killing." This is probably just as bad as living that night after the Massacre all over again. I like his description of it feeling like his heart is "turning to stone and Hakon is taking a mace to it."
He also finds a scabbard for his new sword. Interesting. I wonder what prompted him to keep the sword in the first place. He's been going for years without a weapon and now he decides to keep the first sword he grabs? Then again, with the King's army against you, a sword might come in handy.

Well, Mary asks after Tom, and Brooklyn starts to explain about Tom being married. This floors Mary who is still thinking of Tom as the little boy she left two years ago. Brooklyn leaps away (awkward transition that, since we don't see him actually leaving Mary in that panel), and resolves to keep his "big beak shut" just in case. Probably wise, things will be simpler that way.
I rather enjoy Brooklyn's annoyance at stone sleep (and wondering how Elisa can stand it). And we finally have a canon mention of the Humility Spell...but no explanation. Yes, we who have read "Ask Greg" and the GargWiki know the story, but for those who have only watched the series and read the comic, I wonder if this mention (along with the one about the "Three Brothers" and the later one about the Wind Ceremony) will whet their appetite for more stories and for the background on these references.
Given that Brooklyn's most likely stuck in the 10th century now without the Gate, he seems quite calm about it. No whining, no rage, just a sigh and "I guess this IS my century again, after all." Man, Brook's made of some pretty stern stuff. I'm pretty sure I wouldn't be that calm.
And he calls Demona a witch. Oh, come on Brooklyn! Just replace the "w" with a "b" and be done with it. We all know you want to!

Demona arrives at a cave and announces to the gargs there the death of the Sruighlea cell (damn, I do not know how the hell that name is pronounced). Okay, so Demona's clan is split into separate cells. I did not know that (in fact, I've always wondered why the number of gargoyles Demona led in "City of Stone" seemed to change, and now I finally know). This particular cell she leads is full of familiar faces, though. There's her Second, and apparently his Mate (I know she's called something else in the scripts, but since she isn't referred to as that by the characters, I'm just going to call her Second's Mate). Also a new young gargoyle face and two beasts, one of whom looks like Bronx except for coloring, and one of whom is colored like Bronx. Oh, and the new young one has Hudson's skin tone and white hair and...okay, yes she's Hudson's biological daughter (True), and the beasts are obviously Bronx's biological parents. I wonder why this female beast's eyes glow red but Boudicca's didn't?
At any rate, "True" says they should hold a Wind Ceremony for the fallen (the first canon mention of that, too), but Demona once again shows that vengeance trumps all other concerns for her (save her own survival, of course). Bitch.

Maol Chalvim is his usual self as he spells out to Kenneth just why they can't count on gargoyle support...and then one shows up in their camp, carted in by Mary and Finella. I must admit, I hadn't realized Maol might hold some animosity towards Finella, but it makes perfect sense.

I wish I could have seen the first meeting between Brooklyn, Kenneth, Maol and Finlaech, but I guess something had to be sacrificed for page space.
Seeing Brooklyn pointing at the map and telling Kenneth to engage Constantine's forces at Rathveramoen while he (Brooklyn) brings reinforcements seems to cement the image of Brooklyn as strategist. Brook also seems intelligent enough to realize that he needs Demona's help and must put his own personal feelings aside (our boy is FINALLY growing up in that area!).
Brooklyn's little "break the fourth wall" bit in the last panel of page 13 seems to have provoked a mix of reactions. I've read a few people who seemed to think it was Greg's way of directing an "educational" message directly at them, and hating it just for that. Me? I find it a hilarious character moment of Brooklyn joking around. I mean, heck, *I* sometimes address a non-existent audience! It can lighten up a strange situation and make it bearable.

I liked the shots of Brooklyn discovering the massacred cell, and him hiding in a tree during the day. And then he encounters Demona...and immediately attacks her. Demona's too shocked by the fact that he's someone from Wyvern (still love the "By the Dragon" exclamation) to be too upset about this. Brooklyn tries to regain his composure, and almost loses it again just thinking about her betrayal. Still, they manage to keep from splatting and Demona...is smiling? Wow, she really looks happy to see an old clan-mate alive again. She mentions her new clan and asks how Brooklyn survived and if any others did. Brook, clearly uncomfortable at having to make nice, has to tell a half truth--omitting himself being cursed as well (and almost calling Hudson by name). Demona sees red (literally) at hearing about the sleep spell, until Brooklyn undercuts it by pointing out she managed to escape both fates and now Demona has to stammer an explanation. In the end, Brooklyn brushes it all aside for the greater good.

Wow, no sorcerers for Kenneth's side? Finella decides she'll try the book herself just because she knows Latin. Mary points out the danger, and Finella points out that they're already in danger. I love the little "Magus--the man, not the horse" bit.

Constantine has the messenger killed. And he does it for no reason, it would seem, other than he just likes being able to. Douche.
Mail Brigti seems saddened by that action, too. If that's the case, why does he stick with Constantine anyway (yeah, I know the answer will come in the next issue, and if anything shows how much of a sell-out Mail really is)? Gillecomgain on the other hand, seems to approve of Constantine's behavior (look at that smile).
And now we see Constantine's war-paint. The roots of the Hunter's mask. In addition to the three red slashes across black on the front, he has the same design on the back along with two false eyes (doubtless to confuse and unnerve foes in the heat of battle). I think Gil likes the new look. I recall, Greg, you saying at the Gathering that this was a way to explain how people wouldn't immediately conclude that Gillecomgain was the Hunter based on the design of the mask in "City of Stone." Whatever the reason, it's a striking visual.

The armies converge and Findlaech notes there are fewer Irish (Constantine's soldiers) than he thought. Yeah, Fin, that's because the rest are hiding in the forest waiting to outflank you! There's some great art here for the battle, especially in regards to the light of the setting sun. In the last panel of page 21, I think I can see winged shapes in the sky behind the fighting Constantine and Kenneth. Three guesses what they are (and the first two don't count).
Sure enough come the next page and we get an excellent two-page spread of the gargoyles arriving into battle. Second's Mate appears to have the same wing structure as Lexington--COOL! The striking visual of the gargoyles attacking is almost enough to make one forget there's fighting on the ground, too. Gil knocks Bodhe off his horse, Mail and Finlaech are heading towards one another, and Constantine and Kenneth are still fighting. I wonder where Maol is in all of this?

The last page brings us parallel panels of simultaneous events again. Demona's Second apparently likes a good battle, and is glad they followed the "gargoyle of the sword" (looks like Brooklyn just picked up a new name). Demona (who casually BREAKS A MAN'S NECK), is already planning to turn on the Grim after the battle is won (wow, Demona's planning betrayal, what a surprise). Meanwhile, Finella is still intent on learning a spell, and doesn't realize until too late that all her guards have been killed by the flaming arrows of Brother Valmont, who snatches the Grimorum and reveals his intention to turn on HIS boss, Constantine. And then both he and Demona share the EXACT same thought at the EXACT same time: conquering Scotland! (Yeah, they haven't quite graduated to "take over the world" yet.)

Damn cliffhanger! Then again, I didn't have to wait two months for the conclusion to this story....

Blaise writes...

GARGOYLES
CLAN-BUILDING
ISSUE #10

THE GATE

Yes! Finally! The "TIMEDANCER" story! A three-comic arc focusing on my favorite "GARGOYLES" character! I have been looking forward to this for (literally) YEARS. And it did not disappoint. Okay, maybe there are a few nitpicks here or there, but who cares? It still rocks! So let's start with the first part.

SPOILERS!!!!!!!!!!!!!!!!

First of all, I must address the art. Greg Guler did a fantastic job here. I mean, good God, this is probably the best art I've seen throughout the entire "Clan-Building" comic run (Karine, I love you and your work on "Bash" but this...wow, just...wow). I mean, the issue even starts out with what could only be called a "hero shot" of Brooklyn, and it kicks ass! The only nit is that in the first panel it looks like Brooklyn has the "one-claw" style wings instead of his normal ones. Well, maybe the other two claws are hidden. Regardless, it's still great!

Anyway, Brooklyn seems to be enjoying a glide out by himself...and then Broadway and Angela show up. And they're holding hands (and just what had they been doing to make their eyes glow like that?). Brook is not happy (I love his expression here). Broadway remarks how dull it's been with Lex and Hudson off in London (really, Broadway? Is spending "quality alone time" with Angela THAT boring?). He wishes they'd come back, to which Brooklyn responds "Yeah, that's one of my wishes...". Wow, for being the two most intuitive members of the clan, Broadway and Angela are REALLY blind to Brooklyn here. I mean, it's like (to borrow from "The Princess Bride") they're giving him a nice paper-cut and pouring lemon juice on it--and they don't even realize they're doing it!
Actually, Brooklyn's kind of interesting here. He seems to bottle most of his feelings up around them. I mean, it's like he's trying not to make a big deal about his disappointment over not "getting the girl" and just trying to avoid being constantly reminded of it, but all the body language and subtle hints in the world aren't piercing through the little "love bubble." I can only wonder what this little powder keg might have become had he not gone on his little Dance. But I'll get to that in a minute.

A little art tangent here: Angela's collar. Now, we've seen Angela's new two-piece since the start of the comics, but one thing that's always been inconsistent about it is the presence or absence of a high collar. Well, there's also the number of threads covering the, um..."low cut" area on the chest. Whenever Greg Guler draws Angela, whether on the covers, or right here in his own issue, he draws her with the collar, and only two threads over the low cut area. The ONLY OTHER artist who did that is Gordon Purcell (in Issue #6 "Reunion" for the "present" scenes). Every other artist who drew her in her "normal" outfit draws her top without the collar and with a LOT more threads. This is something that's always bugged me. It's a new outfit for her, designed by Greg Guler (I believe), so why not follow his design all the way? Why do so many make her new two-piece look like her original one-piece with just a section missing. Maybe I wouldn't care so much except I LIKE that collar. I like the distinctive look it gives her. And yes, I admit, I would not say "no" to less threads obscuring the low-cut area. ;-)
Okay, there, I've said all I need to say about that. Sorry for the digression--on with the comic.

The Phoenix Gate arrives, bouncing off one of the letters in the sign before coming to rest on the rooftop. Angela is really concerned about this development, while Brooklyn seems rather calm (and even flippant). Maybe he's just glad for the distraction from the happy couple. I like the glow of the Gate reflecting off Brooklyn's eyes.

Brooklyn reaches for the Gate (not unreasonable, from his POV--you don't want to leave something like that lying around), and...it disintegrates. Ummm, okay, in the 12 years I'd known about "TIMEDANCER" I never thought that the Gate would do this. First disintegrate, and then spit out a huge flamin' Phoenix that would swallow Brooklyn whole and vanish! I especially like that first panel on page 6--with the Phoenix's eyes looming over the three gargoyles. Maybe it's because he's closest to center, but Brooklyn does seem to be the focus of that gaze (no surprise there).

And now we begin the real meat of this tale--Brooklyn's adventures in the past. I easily recognized Constantine and Gillcomgain. Gil's father I didn't recognize until Gil referred to him as such, and a few pages later we finally get a name for him, Brigti. Anyway, poor Brook lands right in front of this rather hostile audience. Gil immediately calls him "demon" and Constantine (for reasons soon to become apparent) gives the order to "kill it." Brigti's reaction is the odd one out, if only because it's so calm and matter of fact. I wonder if Brigti sees gargoyles as something a person doesn't need to kick up much of a fuss about, at least no more so than any wild animal. This makes his reaction an interesting contrast to Constantine and Gil's rather vehement ones.

Young Gil trying to take out a surprised Brooklyn with a knife=FAIL! Constantine trying to take out Brooklyn with his HORSE=a considerably more dignified FAIL. That guy in green casting a fire arrow spell with no magic book or other noticeable conduit and getting Brooklyn in the leg=OUCH! Actually, overall, I'm impressed by how Brooklyn handles himself throughout this whole thing. He doesn't panic, keeps his head (even manages to crack a few smart remarks), correctly figures the place and century he landed in, is able to get enough height to glide somehow (it looked like a hilly bit of land, I guess) and even manages to take a FIRE ARROW in the leg and keep going (much to Constantine's displeasure). Go Brooklyn!

Anyway, we learn more about what Constantine is doing out at this hour--posting "Wanted" posters for the Magus, Tom, Mary and Finella. It would also seem that he's also hunting down gargoyles because of past history (and for those of us who have read the "Three Brothers" story, this is an added bit of icing on the cake). Oh, and the wizard in the green cloak is called Brother Valmont...and maybe it's the bald head but he looks strangely similar to someone from the previous chapter....
And just what is this "Grim" that is amassing an army?

As soon as I saw that feminine, blue-sleeved hand rip off that poster, I knew Filella and Mary had arrived. Constantine, that jerk, has been doing a bit of spin-doctoring it would seem. Among other things, the poster accuses Finella of "turning to sin and Satan" (even with the violence and minor swears the comics have been able to get away with, that line surprised me) in grief over the loss of her son.
MARY: You had a son?
FINELLA: I--NO!
Okay, that line and the look on her face leave me to wonder if she was telling the truth there.

To get past the Porter, Mary introduces Finella as the Lady...Fiona (the name of *another* "GARGOYLES" character voiced by Sheena Easton). Meanwhile, Brooklyn lands nearby and pulls out the arrow. Wow, hardcore. The expression of pain on his face is great, as is the surprise and lighting when the two halves of the arrow dissolve into flames (he should be thankful they didn't do that while he was holding one in his mouth).
Well, gold is enough to get the past the Porter, but not the Guardsman, who pulls off the poster...what, wait a minute! Didn't Finella already tear it off? Yeah, there she is holding it, and now the Guardsman's holding one and...THERE'S ANOTHER ON THE DOOR?! Okay, Finella looks about as surprised as I feel. Does the poster have some sort of magic spell on it that creates an exact copy if it is torn off?
Things go south very fast for our heroines. The jerk Guardsman can apparently follow orders enough to want them alive, but no one else in the town seems to agree. Finella tries to bluff her way out with the Grimorum (LOVE that last panel on page 15), but the Guardsman is not as easily cowed as the townspeople. Until Brooklyn arrives, that is. Brook even pulls a Goliath and takes the sword in his had by the blade (leaving a fair amount of blood in the process). And then he pulls a Hudson by taking that sword and keeping it with him. I loved his lines here (especially, "You wait here for my clan to come eat your brains..." and "Now that I've set back human-gargoyle relations for the next millennium").
"RUN AWAY! RUN AWAY!" You've just been waiting to put that Monty Python bit in, haven't you, Greg?
One art nit: It would seem the top part of a word bubble is floating just above the bottom of panel 6 on page 16. Oh, well.
I love Finella's expressions first after Brook appears and then after he turns to stone. I'd guess this is the first time she's been this close to a gargoyle in her life. She seems concerned about the wound on his hand though (YIKES, yeah, you wouldn't have been able to show that much on the TV show). Mary seems to wear a concerned expression, too in the final frame of page 17.
Mary named the horse "Magus?" Heh. That's kind of cool.

And now we meet "The Grim"--jolly Kenneth (soon to be King Kenneth III), cousin of Maol Chalvim and Princess Katharine. We see Maol, too (as gregarious as ever), and surprisingly enough, a younger Findlaech. Oh, and Bodhe as a boy, ready to follow his father into battle (or so he says). I got the Shakespeare reference (either Kenneth or Shakespeare must have been psychic), and the irony about Ken being called "The Grim" instead of Maol. After some exposition on how the war against Constantine goes, Kenneth brings up gargoyles ("the solution of our fathers") and we cut to a group of gargoyles sleeping in a cave...right before they fall to the mace. Gillecomgain, not surprisingly, is in a frenzy, screaming at them to "DIE" as he smashes their unconscious forms to rubble. He is so into this, it impresses even Constantine (who had smashed the first one with a smile on his face). And unless I miss my guess, it unnerves Brigti somewhat.
Why would they put a poster there? Do they really expect people to stop by that cave? Or is it for any other gargoyles that might happen along?

Loved Brook's wake up (and the detail of stone flakes on Mary's hood a few frames later). Brook and Mary recognize each other from Wyvern and exchange names (and I wonder if Brook had already heard about Finella from Goliath or Angela retelling Tom's story). Brook's response to all this? "Oh, this is too cool!" Wow...that would not have been my response. I mean, seriously, Brooklyn has adapted to this situation admirably fast. Maybe that's because he HAS seen "Star Trek" and "Quantum Leap" (loved those references, by the way). At any rate, he certainly is handling himself well, all things considered.

"The year of our Lord Nine Hundred and Ninety-Seven." I don't know why, but I love that Finella stated the year that way. Brooklyn figures that the only way he'll get back is with the Phoenix Gate, and because he knows his "997 Clan History" he knows that half the Gate is with Goliath and the other half with...

...Demona, in a FANTASTIC final image!

Here's to the first part of a great Brooklyn story!

Brigadoon Traveller writes...

Well I finally got my copy of Clan Building 2 last week; it was weird, even though I'd been waiting MONTHS to read this, when I had the book in my hands I wasn't in that much of a rush to read it. Maybe subconciously I was registering that this would be the last few stories of Gargoyles that I would read for some time. :(

Anyway, I have to say when I did read it I loved it, couldn't put it down.

Just one question (for now at least):

As of 1994 (or "Awakening part 4") did Demona remember her encounter with "the gargoyle of the sword" back in 997? If so, how did she reconcile it with Brooklyn waking up in 1994 after being put under the sleep spell?

I have to say, I loved the 997 arc btw; thought it was brilliant. Especially loved the end pages of #12; finally we get to see Katana, Nashville (or Gnash as he likes to call himself) and Fu-Dog (& not to mention Egwardo) after all these years.

It was also a surprise seeing Coldstone and Coldfire rejoin the clan.

On the whole loved the book; here's hoping for more soon.

Michael writes...

..sorry.. i know this isn't a question. just wanted to hopefully tell Greg he's an awesome storyteller and a great human being.. the funny thing is at least 50% of the cartoons i grew up with and loved had something to do with him, if not written, voice directed, etc. by him. he was nearly everything in my childhood that made it great to watch cartoons(with very few exceptions). I hope this gets to him....and..well.... Greg, you're an awesome Human Being.

P.S. Todd, you're a great guy too, even if this never gets to Greg,,,,, heh.... there should be a "Thank Greg for being so awesome" area too i guess.

Sincerely, Mike Greenwood

P.P.S. I'm 23...and still love classic cartoons cause of you ;) and i probably always will. thanks, Greg!

P.P.P.S. i LOVE the "you DID check the archives first, right?" bit ;)

Vaevictis Asmadi writes...

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ELEVEN: TYRANTS

Poor Brooklyn, having to walk through the remains of his entire clan. The TV show never seemed to pay any attention to the psychological trauma and grief that the survivors must have felt, so it is good to see it addressed here. Depressing and tragic, of course, but it had to be mentioned. If only he'd had time to cremate them all before he left.

I'm glad that Mary is being more friendly towards Brooklyn than when last they met. Avalon implied that her attitudes had changed after the Massacre, but it's still good to see it. And I hope she can be reunited with Tom someday.

Mary: "Married?! My little Tom?!"
Just wait till she finds out that he eloped instead of having a proper Christian wedding... I don't think that sort of thing was accepted in the Tenth Century. Not that I mind, but she might have a fit.

Mary and Finella named their mare after the Magus?

How can Maol Chalvim blame Finella for Kenneth's death? And how can she blame herself? It's obvious to anybody who knows how he died, that she isn't to blame. Unless there's a lot more to the story than what I saw in Avalon.

I do not like it when Brooklyn breaks the fourth wall. This is something I have never liked in fiction.

Brooklyn has to learn fast how to control his temper around Demona. He has every right to confront her for what she did to their clan. But if he did that, she would never help him against Constantine.

I still wonder how Brooklyn decided so quickly that he had to protect Mary, Finella, and the Grimorum, and how he decided he had to help defeat Constantine. He probably still thought that Xanatos learned about their clan by reading the Grimorum... maybe that's it.

Constantine's messenger/herald man is noticeably upset when Kenneth's herald is murdered. Constantine on the other hand just displays his lack of redeeming features yet again.

His facepaint is creepy! Eyes on the back of his head... and what made him want to put Gillecomgain's scars on his face? Obviously this is what inspired the Hunter mask, but how did it get into Constantine's head?

I'm surprised to see Bodhe ride to battle at that age. I know kids were expected to grow up fast in ancient times, but he looks so young.

And Brother Valmont turns out to be another power-hungry mage bent on conquering Scotland. This is... familiar. And nothing will come of it unless more books can ever be published.

More later...
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Vaevictis Asmadi writes...

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TEN: THE GATE

"Yes, Angela, I know it's dangerous. Why do you think I want to play w-- I mean, protect it?"

Whoa, that Phoenix is huge! Is there a living creature inside the Phoenix Gate? Or is it simply an emanation from the magic that only looks alive? The two-page spread is amazing.

Hilarious lines:
"I come in peace!"
"What do we do?! What do we do!?" (cue panic)
"...wait for my clan to come eat your brains..."
"Run away! Run away!" (shades of Monty Python)
"...why don't you get in the cart before they realize my clan's not coming.... and I don't eat brains." ROFL
"Badly then?" "Aye."

Saeth ... that's one powerful spell. One word to create a very dangerous weapon that leaves no trace, except for the wounds. And how can Brookly stand, or walk, after that?

Why is the wanted poster written in Elvish?! Well, maybe medieval Scottish writing just looked that way. But it looks just like Tolkien's Elvish.

Several allusions throughout whole arc to Once Upon a Time There Were Three Brothers. I sure hope that it or Dark Ages can be published some day.

Constantine blames Finella for murdering the king... thus the official history is written. But did Kenneth II actually kill her son? Did she actually have more part in Kenneth's death than what was shown in Avalon?

Brooklyn comes to a decision to help the women surprisingly quickly, just as soon as he recognizes the Grimorum. This, and his reference to the Spell of Humility, make me think that his trip to medieval Scotland is not his first time-trip, only one taken out from the middle. But other parts of the arc make me think that it must be his first trip. Either way, he has his wits about him. But how does he know the Grimorum will be so important? Because he still believes that Xanatos read the Magus' story from it?

There's unfortunately an art error on the page with the brain-eating comments. Part of a speech balloon from the last panel is showing up in the panel above it as a white area.

I'm surprised to see Bodhe show up as a child. In City of Stone he looks to be about Findlaech's age. But since Kenneth III is clearly about the same age as his cousin, Bodhe is still a small child.

I am happy to see and examine the new gargoyle and beast models in this whole arc. And it is also wonderful to see so many of them together. Of course it is terribly tragic to see any pre-modern clan, because I know they will all die. It is especially horrible with that little girl in #11. And that green, beaked fellow looks like just a kid, too.

I'm slightly confused by the red-eyed beast. Boudicca's eyes glow white.

Gillecomgain's joy as he murders gargoyles... it is repulsive.

And there's a great full-page art of Demona.

Overall, I enjoyed the Timedancer arc the most, out of the 12 issues. That's no surprise considering that City of Stone, Awakening, and Avalon are some of my favorite episodes. I just enjoy the medieval flashbacks a lot. I suspect that if Dark Ages was ever written, it would be my favorite spin-off.
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Vaevictis Asmadi writes...

TRADE PAPERBACK

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FINALLY the book was published. I had concluded that the book was cancelled. I'm still waiting for Bad Guys. Very glad that I finally have Volume Two. It is still sinking in.

Anyway, I like the book a lot, especially the medieval flashbacks. And the art has been for the most part consistent and nicely done. I actually read through all twelve issues of Clan-Building, although it took me until 3 am. That wasn't so smart. Oh well. Thank you for writing the new Gargoyles stories and jumping through hoops to get somebody to publish them.

Nothing eloquent from me, just scattered thoughts from the single issues as I re-read them:

I find it interesting that Lexington tells Alex to call him by his name. "Doggie" could be responded to in any number of ways, such as "I'm a gargoyle." But Lex is insisting on his name. Quite a contrast to Awakening.

The non-chronological format of the Stone of Destiny arc (and to a lesser extent Bad Guys, Timedancer, and Reunion) is very confusing, though of course now I know why 7-9 are written this way. But I still find it confusing, especially with the different time-zones, and the +# stuff which I do not get. I did not understand the button-pressing, nor the stone-switching, until I read the ramble. I'm still not sure what happened on the bridge.

Gathellus and Scota's wardrobe. I never noticed it before, but now this irritates me. Gathelus (Gathelos?) is an ancient Greek, and Scota is an ancient Egyptian. He and his men should be wearing tunics, chitons, or kilts. She should have a nearly shaved head, and a tripartite wig (at least at first -- after wandering around for years, maybe she couldn't replace her wigs after a while).

Vinnie: "Can you believe it? I'm going to Japan!"
Random passenger: "So is everybody on this plane, genius!"

I can hear most of the TV characters' voices in my head, but I can't get a good voice in my head for most of the new ones.
I want Constance to have an alto English accent, but in my head she always sounds like Fleance. Eugh.

I imagine doing research on legends and myths about himself feels pretty weird for King Arthur. Good thing Avalon made him literate in English (and prevented him from speaking with an incomprehensibly thick accent, too.)

NINE: ROCK OF AGES

Nice cover! I like Griff.

I am confused what King Arthur is apologizing to the Westminster guards for.

"Define this." I laughed out loud. Great line to put in Coldstone's mouth! Was it a deliberate allusion to Warf's "Assimilate this." in the movie with the Borg? Either way, it's hilarious!

Ms. Three must be Blanchefleur (sp?). Interesting that she can get into Castle Carbonek at will, without a problem.

Creepy Borg-Picard-Guy is Creepy! This is Duval. And Peredur fab Ragnal is Percival. I'm quite surprised that they are not the same character, as I had expected. Now I wonder who Duval is. In the words of Fox: "...who is this guy?"

I like that you used Peredur's Welsh name, instead of the French one. Peredur makes more sense than Percival for an ancient Brython. And it's interesting to see it confirmed that he is the son of Ragnal, which presumably makes Gawain his father. Now I wonder if he grew up in obscurity in the woods (like in R.L. Greene) and if so, what could have caused his parents to break up. I would like to learn more about what happened in the Gargoyles universe. In fact, I would probably enjoy just reading a graphic novel about the Gargoyles version of the King Arthur legends, and how the gargoyles and Third Race participated in the stories. Same for the Greek myths.

Also, I'm relieved that Peredur is not a creepy, ill-tempered cyborg. It's sad enough that a guy like Peredur has stooped to supervising the Illuminati's horrible activities, not to mention their eventual allying with the Space-Spawn. I am surprised that he looks so young and fit.

Macbeth's breaking the Stone, and its reaction, is pretty funny. He actually did a fairly poor job gluing it, there's crud oozing out of the crack.

From there it just gets bizarre. This Stone, and a bunch of other sacred and/or magical stones around the world, are temporary or shared vessels for some vast, sapient force of destiny? It even talks to Xanatos and King Arthur simultaneously, from two different stones. Once you suggested that it might be either a magic talisman or a Child of Oberon, but now I feel like it must not, cannot, be either of these. I want to know what it is! And also, why the Holy Grail can talk!

The burden of Sisyphus... he's dead and Tartaros, so isn't his rock a piece of ghostly ectoplasm, or something?

Peredur has expected King Arthur to arrive in 200 years. No surprise that that was his original intended "destination" -- a time when Earth will be conquered and bereft of all its political leaders. But how did Peredur know this? And if this was planned in advanced by some force of destiny, instead of being a hypothetical "What if?", does that mean the Space-Spawn invasion is, within the Garg-universe, an unpreventable event that's fated to happen? That would imply the aliens lack free will, which I doubt.

Also, what is Blanchefleur wearing? Her pants are falling down!

Coldsteel really is a jerk.

Why do I get the feeling Xanatos didn't actually disable that tracking device?

More later...
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Litwolf writes...

At long last, I have Clan-Building Volume Two in my hands! Like most fans, I have been dreaming of this for a full year. To be able to have it in hand and read it is delightful beyond words. So I’ll just start on my review then, shall I?

SPOILERS FOR CLAN-BUILDING VOLUME TWO

PLEASE DON’T READ IF YOU DON’T WANT SPOILERS

Chapter Nine: Rock of Ages

Just a few months before CB2 came out, I got the chance to spend three weeks in England and Ireland and a single day I Scotland. On that day, I got to tour Edinburgh Castle and view the Treasures of the Crown, including the Stone of Destiny. I got a little giddy seeing the Stone in Scotland because I could imagine the battle between gargoyles and robots being fought over it the night before its transportation. Sadly, I wasn’t allowed to take a picture; I could only gawk for a moment before getting shooed down the line with the other tourists. So it’s a pleasure to have seen the Stone of Destiny before reading the conclusion of this arc. (On the same trip, I visited and Eskimo-kissed the Blarney Stone in Ireland; however, I had no idea until reading CB2 that one of the theories of the Blarney Stone’s origin was from the Stone of Destiny. Quite exciting I visited the pieces from the same Stone twice :D)

We got to see the conclusion of the big air battle from the last issue. I liked the glance back to Tibet and seeing the two monks from ‘Reunion’. I think its fitting that Coldstone returned to them to show he had overcome his inner turmoil.

As always, it is a pleasure to see what new way the Coyote Robot will bite it next. And I love the free will chit-chat between Coldsteel and Coyote.

I will admit that I was one of the readers who was confused about who had the ‘real’ Stone of Destiny by the end of it: Xanatos, the Illuminati, or Scotland? But, with the help of your Ramble and by rereading it a few times, I came to understand the fact that all the pieces of the Stone (whatever their name and location) are considered to be part of the Stone of Destiny. I am guessing that the Spirit of Destiny (I believe that’s what it’s called on GargWiki) can jump between the fragments as it sees fit. Hence being unable to be possessed by any one mortal.

Favorite part of the whole arc: the greetings exchanged between the Stone of Destiny and the Holy Grail. I think it’s simple and just so totally perfect that these two artifacts of immense power say, “Hey.” Its beautiful. I may cry.

And Shari ends things right where they began. That is some fine storytelling on her part. I like her as a storyteller.

All in all, I thought it was a fantastic conclusion to the Stone Arc. I’ll admit, the non-linear storytelling took some getting used to but I was hooked by the end of it. My only disappointment is that we don’t know why the London Clan doesn’t have any gargoyle beasts, which we are all curious to know because it seems like there is more of a story behind it than simply “They all died out”. Oh well, gotta save some mystery for when the Gargoyle Graphic Novels get picked up, right? Well done, well done!

Jack-Pumpkinhead writes...

Dear Greg,
I just got my copy of Volume 2 and read it. I am thoroughly impressed with your still-amazing storytelling. The Stone left me slightly confused, but I think I understand what the point was; the stone may take many shapes and names, but it will always be the stone. I like that the stone and the grail can talk to eachother, that was just funny (That and Brooklyn's PSA panel). And I absolutely loved, I repeat, LOVED finally seeing Katana and Gnash. The artists all get my deepest compliments and gratitude fro bringing form to some great characters. I really hope you can get the licenses approved and tell the rest of Brooklyn's story. This was amazing, and I hope I can talk more people into reading such great work.

Todd Jensen writes...

And now, the final story, "Phoenix".

* SPOILERS FOLLOW*

Great opening, with Goliath brooding at Castle Wyvern in his "Thinker" position.

A fine epic battle scene (looks more 13th century than 10th, but then, so did the medieval portions of "Awakening").

Nice touch with Brooklyn's "Bro" slip.

Bodhe's already timid, even as a kid.

Whoa! Constantine crying out about the Hunter's Moon! Gargoyle-haters using that moon goes back further than I'd thought.

I see you've found a way to reconcile Gillecomgain's historical parentage with his depiction in the animated series as a peasant. Good solution.

Valmont's spell of fiery arrows was another unsettling moment - especially since we got to know at least one of its casualties (Magus the horse), and see the grief of Demona's second as he loses his mate to the enchanted shafts.

I like Demona's line "The spell? Perhaps. Its consequences... never". Very true to the spirit of "Gargoyles".

Constantine clearly foresees Maol Chalvim's future treachery.

So now we get to meet Katana, Nashville, and Fu-Dog at last. (And the egg - I wonder whether "Egwardo" will turn out to be another case where canon replaces the old canon-in-training expectations.) And we know what Brooklyn's injury is. (As I said, missing eyes seem to be turning up a lot in the Gargoyles Universe.)

I wonder whether the Pack's attack was meant as a set-up for #13 - had there been one - or a "hero's work is never done" moment. But it was a great way to end the story, as the expanded clan heads off into battle....

And so "Clan-Building" comes to an end. Thank you very much, Greg, for these new stories.

* SPOILERS END *

Todd Jensen writes...

My review for #11, "Tyrants".

* SPOILERS *

I'd long had a vision of Brooklyn, during his Timedancing, confronting his stone self at Castle Wyvern - so I was amused to see that happen here, and on the "cover page".

I'd read since "Avalon Part One" aired about Constantine's nickname being "the Bald", and got a kick out of seeing you incorporate that here.

I liked Constantine's "Three Brothers" line, alluding to your four-parter here.

Another priceless moment: Brooklyn accidentally blabbing about Tom's future to Mary.

Just his luck: the Phoenix Gate trapped inside the stone pouch. And now the Humility Spell's name becomes canon, rather than canon-in-training. Followed by the Wind Ceremony.

Demona's second-in-command from "City of Stone" shows up in her clan. Nice touch.

I liked Brooklyn's "Hit those books" moment - very funny, and such good advice. And I'm certain you've encouraged your readers to study up on 10th century Scottish history with this story.

And Brooklyn has to make an alliance with his old enemy Demona (who hasn't even done the thing he'll hate her for yet). I liked his slip about Hudson's name. (Also Demona frantically lying about her whereabouts during the Massacre.)

Another great cliff-hanger, with a double threat from Demona and Valmont.

* SPOILERS END *

Todd Jensen writes...

My review for "The Gate".

* SPOILERS FOLLOW *

I'd been expecting Brooklyn's Timedancing to be the next story after the Stone of Destiny one. For one thing, its consequences (which turned out to be canon, not just "canon-in-training") would indeed help to build up the clan with the new additions. For another, with Brooklyn, Angela, and Broadway left behind in New York while Hudson and Lexington went off to London with Macbeth - I suspected that you were laying the groundwork at that point.

The appearance of a literal phoenix was a definite surprise, though (except that I'd gotten a glimpse of it in Slave Labor Graphics' official teaser). Somebody had said once that you'd stated that, in the same way that the Eye of Odin would turn out to be literally Odin's missing eye, the Phoenix would eventually be associated with the Phoenix Gate - but I didn't think that would happen so soon!

Trust Brooklyn to bring in another "when" as well as "where", once he finds himself time traveling.

A new villain in the form of Brother Valmont, and a creepy one at that.

The writing on the wanted poster reminded me of Tolkien's tengwar (Elvish lettering, for those not familiar with the details of Middle-earth).

Gillecomgain and his father showing up to help Constantine was another surprise.

Another touch I enjoyed: Constantine's lie about Finella having a son murdered by Kenneth (I recognized that at once from the research I'd done on the original Scottish histories about Kenneth and Finella).

And her alias of "Fiona". (No relation to a certain Canmore, I assume.)

I really liked the medieval Scotland setting in this story and the next two issues; another of my favorite aspects of "Gargoyles".

I liked the cameos of Findlaech and a surprisingly young Bodhe. (I hadn't thought he was that much younger than Findlaech!)

Ah, another touch of Shakespeare, as Kenneth III quotes "Hamlet" (if it counts as a quote when that play isn't to be written for another six hundred years).

Got a kick out of Brooklyn referring to various sci-fi series he'd seen.

And a great cliff-hanger (I hadn't even thought that Brooklyn might be looking for the pieces of the Gate extant in 997 - and, yes, just his misfortune that Demona has half).

* SPOILERS END *

Todd Jensen writes...

After over a year's wait, it's over. I finally get to read the final third of the Stone of Destiny story.

* SPOILERS FOLLOW*

I'd done a lot of speculating on what stories about the Stone Shari would tell in this issue, and researched the Stone. Three of the four stories I'd expected made the issue: Edward I's seizing it in 1296, Robert the Bruce giving a piece of it to Cormac Maccarthy which became the Blarney Stone, and the 1950 theft from Westminster Abbey. Not a bad record.

I was also pleased to note that Macbeth (apparently) helped out his fellow Scots at Bannockburn. I'm glad that he remembered his old country, despite all the centuries.

So it seems we're getting a taste of future Coyote developments when Coldsteel remarks that the robot has potential.

We meet Blanchefleur, Duval, and Peredur at last - and I was surprised to discover that Peredur (whom I assume to be the same as Percival; I know that "Peredur" is the Welsh form of Percival's name) is a different person from Duval. You really know how to surprise people; now we'll never take any "canon-in-training" information for granted again! There seem to be quite a few people with missing eyes running about the Gargoyles Universe: Odin (though that's been fixed), Hudson, and Duval - not to mention - but that has to wait for the review of #12....

Xanatos seems a bit less surprised than Macbeth, Arthur, and Peredur over the Stone's remarks (or maybe he's better at hiding it).

I liked all the Stone's titles (including the references to Sisyphus, the Philosopher's Stone, the Rosetta Stone, etc.). You really gave it quite an aura there.

So the Grail's a plain wooden bowl (or at least, takes on the form of a plain wooden bowl) in the Gargoyles Universe, rather than the golden goblet? Though since I've seen other such interpretations of the Grail before, I'm not too astonished. (Having the Grail say something as informal as "Hey", on the other hand - that definitely surprised me.)

So King Arthur wasn't due to awaken for another two hundred years? I can guess now what "Britain's greatest hour of need" was in the Gargoyles Universe.

And I like the touch of Shari launching into the very story we've been reading at the very end.

I really enjoyed the Stone of Destiny story; it incorporated some of my favorite elements of "Gargoyles" (Macbeth, King Arthur, various legends, etc.). Thanks for making it one of the stories in "Clan-Building".

* SPOILERS END *

BlkAngl Bradshaw-Koo writes...

I just wanted to say that I like the new Spectacular Spider-Man Animated Series concept. At first, I was skeptical; being that I am a fan of the 90's cartoon Spider-Man, but I like it..and so does my son. Secondly, I personally do not care for the idea of Peter Parker in a romantic relationship with Gwen Stacey. She's too drab for him. Yes, they are kind of cute together in an all too predictable way. And so, makes for boring T.V. drama. I'd prefer it if Gwen ends up with Harry instead. That would actually make for a more interestingly dramatic twist. The concept of Peter with Liz is not so bad. But being that this versions Mary Jane Watson is soo much more intriguing, I would love it if Peter ends up with her; or at very least, Spider-Man with Black Cat. Either or is fine with me. ^_^ I just hope that Mary Jane does not suddenly turn into a scaredy cat type. (Shudder...) ~_~
Thank you for your time in reading this and allowing me to submit our comments. Best wishes on your journey. Peace. - A Fan ^_^"

Todd Jensen writes...

I just read your obituary for Hermione, and wanted to send you my condolences. I'm sorry to learn about her passing.

Haley writes...

This is not realy a question but i hope you read it.

I asked a question, but i total blew off the instructions in the begining. And i asked a question that had been asked a billion times before. Now looking back i worded it rudely too. I am sorry. I didn't mean to sound mean or to ask an over asked question. i am sorry. Yes i am the one writing the book and i am done. I didn't use the same location or anything that you ever did. I am sorry. I wish i could remove some of the questions i asked, but as you know i can't and if you read them before you get to this one, I AM SO SORRY. Please forgive my rudeness and the fact that i didn't read the instructions. Sorry. =(

Greg Bishansky writes...

Hi Greg,

This is kind of a ramble/response to "stanley dean cowens" question/comment on how some shows take fan response into consideration when plotting out future stores.

Not knocking anyone, but in my personal experience, when most of the shows, comics that I liked started catering to fans more than telling their stories, it was usually not for the better. Most of the time, the author knows better than the fans when it comes to the theory (I say most, because there are some exceptions to this rule).

So, while some fans may have wished Goliath and Demona to reunite, or Brooklyn and Angela to hook up, I am glad you stuck to your guns and did what was right for the characters.

"Give the audience what they need, not what they want," is a phrase I personally subscribe to.

To be honest, that's why, as much as I like and admire Joss Whedon, I always felt that until he got a soul, the Spike/Buffy relationship seemed very forced. Even having Spike interact with the Scooby gang from season four on seemed forced... I love the Spike character, but a lot of what happened with him seemed to fly in the face of what had been established with the mythology up until that point. But, Spike being a very popular character, both with the fans and the writers, was put into a position he didn't really belong in, to his detriment, I thought. Of course, I was eventually vindicated in that, sadly, brutal scene near the end of season six in her bathroom.

I know that's an unpopular opinion, but it just never clicked with me until Spike was re-ensouled.

So, in that sense, I thank you for continuing to stick to your guns. Even in the "Gargoyles" comics, well... we all wanted more Demona, I know I certainly did. But you didn't force her in early to provide fan service. You serviced the story instead.

Thank you for that.

haley writes...

I am the one, again that is writing the book. If i put that my main characters were in a one thousand and ten year sleep, would that be copying you? I am so sorry that i keep asking these questions. They just keep being brought to my attention. I would never want to copy anyones work.

Nelio writes...

Hi Greg.

I'm not sure if you are aware of it, but Internet Celebrity Douglas Walker (The Nostalgia Critic) Recently did a review of Gargoyles. This guy does reviews of a lot of old things from the 90s that often impacted people childhood; and in the case of Gargoyles, this is equally true for me. Regardless, in the past he has spoken positively of Gargoyles, and so I think you might be interested in watching the review when it goes up in a week (or when you get around to answer this question). I'm also curious as to your thoughts on it.

Here is the link to Nostalgia Critic's list of reviews:
http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/nostalgia-critic

RobertD writes...

P.S. - I'm a HUGE and long time Gargoyles fan. Thank you so much for creating such a wonderful story and world.

Clark Cradic writes...

Ever get any fan mail by overseas fans on how they reacted to their countries Gargoyles (Japan, Guatemala, London, etc.)? Did they like how they were depicted?

Bela writes...

Greetings from Spain, Greg :)

I've been gliding through the archives in the hopes of finding something, anything, that can help me remember what my absolutely vital question was las time Ask Greg was open (Ask Greg closed before I could submit it). I'm sure it was something super boring about insights and Gargoyle psychology (especially Goliath's, I find him complex and amazing) but well. I'll have to stick to the rant that went with it and spare you the question :D.

You've heard all kinds of praises and ear-candies about you and the show by now, so I really don't want to be boring and repetitive.But the fact is that more than twelve years after the show was first aired here, I'm still as hooked as I ever was. If not more. I was in college then (imagine, I'll love watching cartoons till the last day :D) and I couldn't believe how good that episode of this Gargoyles thing I randomly caught one day was. I ended up rushing out of classes for the rest of the term, not to miss a single episode more.

You've explained before how you really feel that the story it's out there somewhere, and you tapped into it, somehow. I understand what you mean. It feels that way. Exactly that way.

The characters are so dimensional that they make the story so intense and...well, real. To the point that I'm not only positive about it being the best tv show I've ever seen, but also feels like one of the best readings. Your story is better than 80% of the books I've read in the last, say, 12 years. One almost yearns for something like Gargoyles happening to the world, with the same intensity which half the female population around the world dreams of finding Mr. Darcy... And that is something I truly thank you for.

Goliath and Elisa deserve a special mention. I don't think I've fallen so in love with a fictional couple since..well..Mr. Darcy here and Elizabeth (mm..actually I think I might have subconsciously matched the two brooding heros with the two strong-willed women, even though their stories are so different..). No wonder Elisa couldn't get herself off Goliath's hook and viceversa. And by the way, going through the archives, I read something about clan wind ceremonies on Elisa's dying. I'm amazed, I couldn't even picture it. It's so sad, one or the other dying, that even if intellectually it's something obvious, I really don't want to know that far. Pretty childish of me I guess but, well. I want some things eternal :D

For a Gargoyles unconditional, I guess I was born in the wrong country, lol. But one day, who knows! I just hope Gatherings are still happening.

Thank you so much, Greg, for a lot of reasons. Not only for the show and the comics and being here to feed the beasts from time to time, but for your dedication. For not giving up. For believing in what you do, and therefore allowing some of us to go along for the ride, and end up believing in what WE do (doomed-storyteller here :))

Wish you all the best, Greg, and I really hope you can find soon a way to let the story go on. The clan would want you to ;)

BeLa xx

PS: Just so you know, I showed Awakenings to Tania, a dear friend, and she watched the entire show, plus TGC (which she didn't really enjoy as much, by the way) in less than ten days.

PPS: I hope my english was understandable enough, by the way!

Lemmy Pierce writes...

So I unexpectedly came off work early today and found myself with a bit of free time-- not much, mind you, but enough. I don't know what it says for my intelligence or creativity that my thoughts immediately wandered to television, but eh . . . free time is supposed to make you feel good, not benefit humanity as a whole. And it felt like it'd been awhile since I'd gotten to actually sit down and watch anything (as opposed to, say, piping up the volume and listening from another room while I do this, that or the other thing). I wasn't sure what, if anything, I was in the mood for, and cast a casual eye onto my DVD shelf.

Gargoyles.

Well, why not Gargoyles? The quality ratio and fun factor with that show is so high that the only difficult part there is choosing which episode to run. So I pulled down Season One.

Initially I thought to watch Awakenings, but that's a lot of time to commit for one sitting when I had other things to be doing later on. I decided I'd watch "Enter Macbeth" instead.

It is, of course, one of my all-time favorites. mainly because of its titular character.

I actually watched it two times through for the hell of it. When I was finished, I ended up thinking and rethinking through a lot of it . . . and then somewhere in the back of my mind I remembered ASK GREG.

So, I thought I'd ramble. That *is* allowed, isn't it?

ENTER MACBETH

Yeah, we'll tell the truth on this one: The episode does kinda look like . . . well, crap. I have a much more affectionate eye for the episode than I did upon first viewing and look past a lot of it now, but there are still moments of "Enter Macbeth" that I can't get out of my head as something to say, "God, that's some [your negative adjective goes here] animation." I can't quite put my finger on what it is-- the whole episode just feels so off from a visual standpoint.

This would, in fact, become the start of one of the things I disliked most about this particular studio. When gargoyle wings fold over cloak-like, you should not see the three "limbs" as you do when seeing their interior. Or at least, you don't in the better animation studios. Drive me nuts; don't know why.

And of course, there was that one shot of Macbeth with the most yellow friggin' teeth. WTF?!

Greg, it's been many years since I've checked the archives in any great detail, but I think I remember you saying something like, "I was sure that the bad animation would make it so that almost no one would be interested in seeing Macbeth again." Well, this is one of those instances where the characters and plot shine through to make up for an episode's lackluster animation. (I call them "Korean Incidents".) It never detracted from the story. Not for me, anyways.

Let's start with Macbeth himself. This is an interesting character. At first glance, he appears to come out of nowhere. His motivations are unclear, so for now he's just "the bad guy". So how do you sell him without the cool backstory that will be developed later?

You have him kick copious amounts of ass, both literally and figuratively.

The scene with him posing as a prison guard is a highlight. So much of the credit for this episode should go to John Rhys-Davies, who from what I can tell just leapt into the role. Although, is it my failing memory or is this practically the only time that Xanatos and Macbeth have any real interaction with one another? If this is true, then that's a shame because they play well off of one another. But why would Macbeth introduce himself as . .. well, *himself*, rather than Lennox MacDuff (presuming that this is the identity he's gone by for many hundreds of years as a cover)?

Look at this guy, though. Not only does he wait for the gargoyles to awaken, he takes them all on single-handedly and wins. Not only that, but he takes prisoners. All on their home turf, and without so much as breaking a SWEAT. His knowledge in these "creatures" is so expert that he knows precisely what to do and how to do it with cold and calculated precision.

Check that attack. He throws (an admittedly off-guard) Broadway into Hudson and over the castle edge with ease. Then before anyone else can react, he tosses the smoke pellets and gains the upper hand over everyone else. Confusion ensues. The gargoyles who can't see and don't move end up blindsighted by gargoyles who can't see and DO move in very wrong directions. Or by Macbeth himself, who most assuredly can see and makes short work of Brooklyn before he can do a damned thing.

From there, it's just zap zap zap and it's finished. "Captured me three gargs in under 20 seconds, EL-OH-EL."

I always found this battle to be interesting in and of itself. Macbeth, for as much as we know this far in the game, is ordinarily human. He doesn't have biological enhancements or special powers or even henchmen; he's as human as you or me. And he takes them ALL down. Hell, Goliath himself probably gets the worst of it-- the outcome is so nakedly humiliating that I'm blushing. Oh, and that body slam into the fusebox didn't help either.

And is it me, or was Elisa WAY too close when Goliath came swooshing down after being electrified by the hull of Macbeth's ship? I say that she was damned lucky: If he had actually COLLIDED with her at that speed, I say that she might've been crushed to death.

So now Goliath leaves to track them down. Hudson and Broadway are left to defend the castle, but of course that's another subplot all its own.

Elisa warns Goliath that it's not safe to stay at the castle. Hell, she says it three times in a row. And his best reaction is to shrug her off-- something he won't be so apt to do in later episodes. He took off awful fast to rescue the other gargoyles at that point, almost as though he couldn't avoid the conversation fast enough.

Something else we don't see a lot of in later episodes tends to show in abundance with regards to Season One and particularly "Enter Macbeth", and that's Goliath Pissed Off. It was only juuuuuuust last episode that he was in a rage over what he thought was Elisa getting shot by Dracon. Goliath holding Dracon over the railing was a powerful dramatic moment. (Although in hindsight, he does that a LOT. Twice in "Awakening" with Hakon and Xanatos, Dracon in "Deadly Force" and I think at least once more somewhere down the line, although I can't remember when.) But in "Enter Macbeth", it's kinda flipped around. Goliath caught Dracon with relative ease, and it was clear what he would have done had Broadway not fessed up in time. Goliath never catches Macbeth, though. And he spends so much time chasing mirrors and shadows that I think Goliath might have been pissed enough to do worse than simply drop him. So we get to see a lot of vicious anger on his part in this ep. Roaring. Tearing through walls. Getting into a slugfest. Goliath isn't just another species, he's a dangerous one when it comes to the defense of his clan.

But that just makes Macbeth even cooler. Now it's Goliath who's handled with ease. Think about that for a moment. GOLIATH. A gargoyle warrior who is more than a match for just about any human out there. But against Macbeth, and especially on his turf, that same gargoyle finds himself at a disadvantage. And what makes that so interesting is that Macbeth isn't this ZOMG "genetically-engineered gargoyle sorceress hybrid mutant clone" superior foe. He's a human being. A human being with technology up the wazoo, but still human.

Look at the way he handles himself in their duel, after the chase is over. It's completely even. It was smart of Goliath to grab for a weapon when he got the chance, because even if weaponry isn't his habit I think he knew that against a sword-swinging Macbeth it was his only real chance. Even so, Macbeth doesn't relent. Goes on and on. Fights until the mansion is about to go up in flames . . . and he never gets too angry or panicked even when forced to escape. Is he pissed because the plan went to rot and his house burned down? Sure, why not? But he still takes it all with a certain amount of stride. No loud threats for vengeance, no personal grudge against Goliath, no real "villainous" actions taken at all (except, maybe, leaving the other gargoyles to burn alive). He just leaves when the gettin's good, and knows a little more for next time.

Love that little slip-out-of-the-jacket thing, by the way.

No, Macbeth doesn't have extra emotions to waste on Goliath and company. He wants Demona, Demona, Demona. The other gargoyles are just pawns (albeit useless ones as it turns out). I think it was a wise decision for her to not show up in this episode at all; it would have been too convenient, not to mention that it would also have detracted from Macbeth's character study. This is his episode.

Back at the castle, the remaining Gargoyles decide to take the Grimorum off Xanatos' hands. Now Owen gets his moment, too.

Hudson: Who's going to stop us? You?
Owen: Indeed.

You can tell by Hudson's attitude that he didn't expect Owen to knock his ass onto the floor. I don't think any of us did! Then, before Broadway can intervene, he's got a loaded gun pointed at his head. (I don't think that S&P would let that slide nowadays.) Owen is capable and reasonably prepared, no matter the circumstances. I think it's great that it's Elisa throwing a crutch at him that effectively turns the tables-- for all their strength, the gargoyles ended up pretty helpless otherwise.

Ah, well. All part of the job for Owen Burnett. However, I wonder if he faced some sort of penalty or reprimand for failing to prevent the theft of the Grimorum.

I despise when recurring characters are introduced via Korean outsourcing. I would say, introduce them some other way, and then give them crap animation somewhere down the line. Macbeth has a great character design; it should have been introduced through one of the better studios, perhaps the best one. (Not that I'm implying fault. You can give only so many episodes to Japan's Tokyo outlet; you make your choices and you live with 'em.) This is one of those episodes that I say to myself, "Damn, I'd love to see what this would'a looked like with kickass animation."

The "City of Stone" four-parter becomes interesting for this reason, given that we see how many changes Macbeth has gone through throughout the centuries . . . again, both figuratively and literally. It's not done by the Tokyo studio, but we're given so many designs for Macbeth. It's wonderful.

I've gotta start dinner now, so I guess that about does it for me. Later!

~Da Lemmy

Todd Jensen writes...

I just thought you might like to learn about this - especially now, when any piece of good news involving "Gargoyles" would be welcome.

I've been asked to write an article on "Gargoyles" for a book of essays on the Middle Ages as depicted on television (apparently, other articles in the book will include such shows as "Roar" and "The Tudors"). I don't know how much word it'll spread (I suspect it's going to be the kind of book found mostly in university libraries), but if it informs one person about "Gargoyles", it'll be worth it.

K9: The First writes...

KINGDOM

You asked for my ramble, and here it is!

ANIMATION

Okay, let me start off with the animation here. I don't know what studio did this ep, but I wish they did EVERY episode for the show! It has the feel of some sort of Animated Film or an Anime. The action is smooth, and even when the characters aren't talking, they aren't just standing there(something I've recently found in cartoons that I don't like), their always doing something. Little nuances that makes the scenes more realistic are EVERYWHERE.

Example: In the first scene, when we open on Hudson watching Brook and Lex glide in, you can tell how disturbed he is that they're alone, without Goliath. More often then not scenes of a similar vein have the character have more ambiguous expression.

Another example is Fang and Talon's areil fight in the Labyrinth: Real cool. They even got the wings to flap! (Bat's wings remember?)

And I looked for that Cross-Eyed Xanatos you mentioned(I got the DVD), and I think I saw it, but it was barely a blink in the animation. two or three frames tops I'd say.

And I liked Maggie and Claw's interation during Fang and Talon's fight. I got the impression that Claw was quite smitten with her at one point.

But by far, my absolute FAV bit was right when Fang took Maggie Hostage. It was fluid, and the animator really put effort into making Maggie look like she was trying to escape, or at least look ticked off. I could watch that footage loop all day, I'm THAT impressed. I also got a ThunderCats vibe from it for some reason.

And how about Lex breaking through that ceiling in the final scene? Arms crossed and all that.

VOICE ACTING

Not much to say here. But the performances are-as always- top notch.

"Do I really need an excuse to have a good time in my own home?" I laughed out loud there.

However, Katie Soucie's portrayal is off this time. Her Maggie voice isn't what it was. It's deeper, smoother this time around, when before it was a tiny bit higher and somewhat raspy. She's still giving a great performance, it's just that the voice itself is out of continuity. I know that you weren't in charge of Voice Direction, but I just thought at least Katie would remember the voice she used a few months prior.

I guess the in-show answer could be that either the mutation has set up in her vocal cords(and stops there), or that it's to show her standing up more, sort of speak.

And am I the only one who finds the fact that Jeff and Katie are acting characters that are acting funny?

STORY

I didn't know Gargoyles existed, let alone watch it, until maybe '95 or '96. I remember watching something on TGIF about the new One Saturday Morning block when/if it had Gargoyles. (I remember a gag with the host that night with a Gargoyle's eyes glowing red) I watched the show on and off over the years(NOT that I didn't love it, I just could catch the reruns all the time). Anyway, I can't remember the first time I watched this episode, so I can't give my first impression sadly.

And Brooklyn's lack of action is understandable, and doesn't come off as fear, which is important. And that first scene shows that, while they probably couldn't do so for long, the clan does have an idea of what needs to be done without a leader(to many shows have the 'non-leader' types fall to peices without an authorety figure too quickly). It also shows what a minipulative punk Hudson can be! ^_^ (That's a good thing)

You mentioned the question of a Power Vaccume, and I agree that no organized group can exist without a leader type, be it an individual, or a group. I also think that, without some form of disciplinary threat, no organization is safe, as Talon's lack of action against Fang shows, and a fact Maggie subtly brings up, and Talon gives the stereotypical arguement for no punishment.

And it seems Xanatos has become Talon's Demona, something Fang expertly exploits beautifully.

And yes, the new security stinks. I think the next version might not be so...destructive.

As to your concern about the lack of use of "Xanatos knows!!" nugget, I think-even if he couldn't find a use for the info directly-it could still be useful in making the Gargs needlessly wary.

Now those blaster, am I correct to assume that Cyberbiotics was up against Xanatos Enterprises for a lasor weapons military contract?

Speaking of, I can only assume that Talon and the others didn't come down with a fatal case of Dead By Lasor is that Fang, Claw, Chaze and Lou didn't know how to aim those things.

And I think Maggie was very brave in her own way. To many crimes go on because those who COULD stop it by going to the police, WON'T out of fear. She could have easily just gone with Fang's regime, but she went to the Gargs. Be it out of love for Dereck, or a since of Justice.

During the battle at the end, I always feel worried for the homeless people and their stuff, cause that's quite literally all they have in the world.

And I'm impressed by Fang when he gets Maggie, "I have no gripes with you. Leave now and Maggie goes free." This is fundamentally different from, say, Demona, whose only response to anyone-human OR Gargoyle-standing against her is 'KILL 'EM! KILL 'EM ALL!!!!' Fang however, is willing to let them all go, even let Maggie-a vital bargining chip with Talon- leave with them. This-to me- hints that he has a grasp of who's his enemy, and-grudes aside-could be an okay guy. ...Or an idiot with no sense of strategy. Your choice.

And those great acting skills you keep telling us about! Give 'er a hand everybody! And hey, even if Maggie's looks keep her off most of the plays out there, like I always say: she would be a shoe in for CATS.

And there is one more lesson that I'm surprised no one else got. Or at least, no one's mentioned. Fang calls out to Claw, asking him if he wants to be weak. Claw shakes his head no. No, he doesn't want to be weak... anymore. He chooses to be strong in a different way, and abandons Fang to team up with Talon and Maggie.

And so the 'Mutate Trilogy' has ended, with the Labyrinth Clan firmly established and allied with the Manhattan Clan. Maggie and Talon are firmly established(Much to the joy of the Maglon shippers, though to the woe of the Broogie shippers), and Brooklyn and Talon have fully accepted their respective roles as leaders.

I enjoyed this ep. Saddly Doc Sevarius isn't present(any Tim Curry is AWESOME), but that's okay, 'cause he really wasn't needed here. I hope to do the other Mutate eps, and the rest of the episodes sooner or later.

Good luck with the comic!

Grant writes...

You are so the man. I was afraid the new Spider-Man series might just be a rehashing of old stories for the youngins but I'm having a ball with it. How does it feel to write a script and know it's gold? :D I had some solid laughs, and that line about "...Harry losing his dad..." was chilling. The voice acting is quality (some familiar ones in there too, I don't know all the names like some of the hardcores here I do remember them ;)). I've only seen the first episode yet and I love how it wasn't just linear with one villain, one small fight where Spider-Man gets beat down, and one big fight Spider-Man eventually wins. Multiple arcs, both high school and super hero life, and multiple villains building in the same episode is where it is at. I didn't actually realize you were so involved in this project but I am so glad you are. The powers that be chose wisely! No pun intended. Every since it went off the air I've urned for Gargoyles to make reappearance on the small screen or, be I so bold as to say it, the big screen! I guess in some way your legacy will live on vicariously through this series, not that Spider-Man should fit in a Gargoyle's mold, but you get my drift. Keep it real pisano.

Antiyonder writes...

I'm going to work on a review for The Spectacular Spider-Man episodes 1 and 2 later today. I'll probably review them in the same style I review the comics, but I have been working on some paragraph styled reviews on tv.com. So I thought I'd present some for some episodes of Gargoyles and the Kim Possible episode Big Bother and see what you think of how I do:

1. This is for the Gargoyles Series as a whole:

"A show worth watching, and owning. The current comics from Slave Labor Graphics is equally worth buying.

I probably couldn't do the series justice in my review, but I'll certainly try.

Like many, I enjoy the show for it's appealing characters and interesting stories. The show demonstrates originality in coming up with rarely used ideas or putting a spin on established cliches.

An example would be the episode "Future Tense". The episode at surface appears to be a copout as the events were a dream. When infact it serves to foreshadow future episode/comic story elements.

The show is also well balanced. While I do have a share of favorite adult cartoons, Gargoyles manages to be adult/mature without relying on adult content nonstop. It's serious without being depressing.

Here's hoping the comic will continue for a long time."

2. Possessions (This review of course predated #6 being released):
"Didn't expect to see an immediate follow up on Puck teaching Alexander the use of his powers. It was also fun to see the return of Coldstone and crew. Coldstone's appearance in the Himalayas will be explained in #6 of the Gargoyles comic series.

What helped to make the soul transfer interesting was the choice to keep Broadway, Angela and Brooklyn's voice the same. That decision payed off even more since Brooklyn's behavior was puzzling.

As far as the forshadowing goes, I'm embarassed to admit I didn't see the pairing between Broadway and Angela coming. I thought she would end up with Brooklyn."

3. The Journey:
The episode could have done without the opening monologue as it can't hold a candle to the "Previously On Gargoyles" segment.

It's easy to see the differences between this and the rest of the season. One being that this is the only episode to deal with Xanatos' amoral nature (that he can't be trusted completely). This episode also brought up more of the Gargoyles continuity than the remaining episodes.

Seeing Vinnie make peace with Goliath was a nice little twist. Still where the episode fails, the comic improves.

4. Kim Possible - Big Bother:
"I saw it on Disney Channel.com, and made sure to record it during it's premiere. Recently my stepsister had a baby last summer, she's really adorable. So, I can really understand the Stoppable's feelings towards Hana. Right up there with Alexander Xanatos, as one of the best animated babies introduced.

Favorite moments include Ron's attempt at taking care of a sack of flour and sugar, Ron breaking the news to Yori concerning him and Kim and of course the end of the episode."

So, are my paragraph reviews ok, good or needs more work?

Todd Jensen writes...

The only episodes of the original series that you never did rambles for were the final two parts of "Hunter's Moon". I don't know if you'll ever be able to do them or not, but I thought I'd give you my own ramble on both.

PART TWO: One of my favorite segments of this episode was the opening in Renaissance Florence, with Demona stealing the Medici Tablet and being pursued by a Hunter in a Leonardo da Vinci-style flying machine. (Though the Hunter does come out looking a little dense when he's cursing about having lost her, while Demona's only a few yards away from him, climbing out of the river. No wonder she's got that smirk on her face.)

Matt's reference to Nokkar at the press conference was also a lot of fun.

Elisa's scene with Jason outside the warehouse was great. It captured their feelings for each other effectively, with the added ironic twist that Elisa doesn't know that Jason was the Hunter who attacked Angela the night before, and Jason doesn't know that Elisa's friend was the gargoyle he'd almost killed the night before. (It reminds me now of the early stages of Buffy and Riley's relationship in Season Four of "Buffy", where Buffy doesn't know that Riley's part of the Initiative, Riley doesn't know that Buffy's a Slayer, and each sees the other as a civilian who needs to be kept out of the way when there's vampire-hunting going on. Though I think - and I hope you won't mind my saying this - that Joss Whedon topped you by having Buffy and Riley finding out about each others' secret lives simultaneously.)

The drama continues in the scene at Elisa's apartment later, when she and Jason almost kiss, followed by her admission (with Goliath listening) that there's someone else in her life, but a relationship with him would be impossible. The devastated response on Goliath's face is great, and moving. (No wonder he goes so berserk on the Hunters' airship shortly afterwards!)

Brooklyn and Lexington's uneasy response towards Goliath's destructiveness (including the scene where they're descending the clock tower steps with him near the end) is also well-handled.

And, of course, the build-up to the moment where Robyn opens fire on the clock tower.... It's a pity I can no longer remember what my initial response to that was.

PART THREE: You've heard this before, but I still think that the opening scene, with Demona killing Charles Canmore in front of his children, feels almost like a twisted version of the young Bruce Wayne seeing his parents' murder. (The difference is that Thomas and Martha Wayne were genuine innocent victims, while Charles Canmore brought about his own death through his pursuit of a pointless feud.)

I remember being curious over where the new Hunters had come from, since the original Hunters of "City of Stone" (except for Macbeth) were long since dead. The revelation that their surname was "Canmore" explained a lot - except that we never found out in "Hunter's Moon" how the hunt resumed, and why it revolved around Demona this time (since Duncan and Canmore's use of the Hunter's alias centered on their feud with Macbeth instead). I hope that the comic book will last long enough to answer that question in full.

The new Hunters stand out from the old ones; instead of scheming tyrants straight out of one of Shakespeare's history plays (as Duncan and Canmore were), they're more misguided. Their Shakespearean analogy (to me) is Hamlet, who also sets out to avenge his father's death, and in the process of his revenge inadvertently brings about more tragedy (the deaths of over half the cast, and Fortinbras being able to take over Denmark without a fight - and since the main thing we know about Fortinbras was that he invaded Poland over a worthless piece of land simply because his uncle wouldn't let him invade Denmark, he doesn't hold much promise as a wise and restrained ruler). The Canmores have nobler qualities than their forebears; Jason is capable of genuine feelings towards Elisa (and a change of heart at the end), in particular. They aren't the straightforward villains that the original Hunters were - which makes their conflict with Goliath's clan all the more tragic.

But they're still dangerous - especially since they blow up the clock tower in attempting to get rid of the gargoyles, which results at least in Captain Chavez getting a broken leg. Despite their having a similar modus operandi to Batman, this is another obvious difference between them; I can't imagine Batman blowing up a police station in Gotham City in an attempt to get rid of the Joker - and then, after discovering that the Joker got away, pretending that he (the Joker) blew up the police station. I've discussed Jon's behavior in framing the gargoyles for the destruction while aware of the truth about them, but Jason and Robyn don't come off much better. They've endangered and harmed their fellow humans in the course of their hunt - and instead of taking responsibility for it, blame it on the gargoyles. (To be fair to them, they do it in order to help flush the clan out rather than to evade arrest for their actions, but it's still far from honorable behavior.)

Which brings me to a side-point about the Hunters. The obvious reason why we see them as villains is that we know the truth about the gargoyles - that they're not all like Demona, and the Hunters are wrongfully persecuting an entire species for the crimes of a single member (and a member who's out of favor with her own former clan, at that). But even if the gargoyles were the demonic monsters that the Canmores believed them to be, the Hunters are still pursuing them out of a senseless vendetta, rather than to protect the public from them - and probably do more to endanger the public than the gargoyles could have done on their own. Their reasons for gargoyle-hunting are not noble ones. And while they're aware of Demona's plans to wipe out humanity, they seem to be after her more because of her past actions against her family, than because of her schemes to commit genocide.

Goliath's blaming the Hunters for Elisa going over the dam, when he's more to blame, is one of the most chilling moments of the series, and a further sign of how much the feud is warping him. Fortunately, Elisa's return snaps him out of it in time - though too late to save Jon Canmore from taking the steps that will transform him into Castaway. (His cry of "What have I done - what have *they* done?" is another chilling moment, especially to those who've seen "City of Stone Part One".)

And with Elisa saved, Goliath now shows us the best that he's capable of, in how he foils Demona's scheme. Since she's about to carry out her plan at the point that the human world has learned about the existence of gargoyles at last - and most of them are clearly hostile and howling for blood - Goliath's thwarting Demona is a truly heroic act; he's willing to endanger himself and his entire kind (not only from Demona's virus, but also from potential Quarryman-style movements to follow) in order to preserve the humans, even though most of the humans aren't likely to show any gratitude at this point.

The final scenes (following Xanatos's rescue of the gargoyles) make a fine wrap-up to the season. Elisa talking to Jason in the hospital (including the mention of Demona and Jon out hunting each other - a great way to resolve that issue if there wouldn't be a third season). Xanatos assuring Elisa that the feud with the clan is over (of course, we know now that he's still scheming - and his current scheme could lead to a clash with the clan anyway). The actions of the other gargoyles as they settle into their new (or old) home - and finally Goliath and Elisa speaking to each other atop the highest tower, and the kiss. A great ending.

Anonymous writes...

Greg,

For the sake of brevity I will suspend sentence structure, condense context, and be as melodramatic as possible for full effect; I know testimonies have come your way in the past, but I also hope that such sincere ramblings from a fan to a creator never become tiresome.

I am a 24 year old female grad student who was raised in a closet of reality, in a single-minded religion, and without a good idea of my surroundings beyond that which I was taught to observe. At the age of eleven I saw the Gargoyles premiere.

Now whether it was a direct parallel to things already unspoken or a new and subtle influence on things to come, I can positively link what is now a lifetime of serious learning to the series that you sought to create with its multi-layered story, dynamic characters, and more verisimilitude than any other cartoon series I have ever encountered. From then until now I have studied (both on my own and in institutions of higher learning) comparative history, religion, mythology, literature, philosophy, art, and government. I have written a personal mission statement of tolerance, equality, and compassion for everything with a nervous system, and have maintained a wicked sense of humor and laissez-faire attitude that would make Xanatos proud. I seek to be a scholar, a trickster, and a strong, modern woman. Elisa, I should note, is a personal hero and I am OBSESSED with Gothic architecture.

I do not claim you and your efforts are the ultimate, godly force in my life, but I want to declare the power of such themes on a young girl, and want to thank you for not believing children incapable of understanding.

My question is: does this give you satisfaction?

Because I want it to.

-Valerie

Todd Jensen writes...

A comment, rather than a question. One of my fondest memories from the days when "Gargoyles" was on the air was, after seeing "City of Stone" and "Avalon", reading up all that I could find about the historical Macbeth, and Constantine's murder of Kenneth II. I already knew some things about early medieval Scotland (enough to know that Gruoch was the name of the real Lady Macbeth, that Macbeth overthrew Duncan in battle in actual history, and about his stepson Lulach), but after seeing those episodes, I learned even more.

Now, after Bad Guys #1 and Gargoyles #7, I've experienced once again that feeling. I've looked up whatever I could find about thylacines, and Gathelus and Scota, after reading the issues that they appeared in. Now I know even more than ever that "Gargoyles" is back. Thanks, Greg.

david writes...

hi greg,i have not read all the questions,but peerhaps the first french who write here!!!
so first of all ,i'm not going to be original,but i wanted to say that all you have done,with this series is amazing .In france the series disapear since 1999 ,and i 'm still a big fan .since march i got all the episodes and how fun it is to see my heroes back .eight years happen and my vision of the series have not changed,i' m now more able to see the detail ,the important details,that i could not see when i was young.that mean for me ,that gargoyles is more an adult series ,the psikology of all the characters are perfest an so deeply worked.i do not remember seing this on any other series.I see the episodes one on one ,and after seing one reading for the first time your rambles.I think it was so fun to see how you create the show ,,your first thoughts,our what would you prefer.and so on .i wwanted to react for all of us ,but it would have bored you (64 e mail ,i think it's a bit hard)
at list i see the evolution in my perception of the series,my favorite character was brooklynn first time i saw the serie,then broadway ,i found him strong an funny.and now at 20,it is hudson i really like,his attitude ,his experience ,his warrior skills,his swords and in the price he is so good ,his dialogue with wanatos on immortality are for me one of the best moment of the series.meanwhile my favorite episodes is shadow of the past ,this is a killing one !!!!the story the animation ,all is nearly perfect ,keith david voice as goliath is wonderful,the atmosfere of hate and shadow is so great ,so spooky and so referated(i' m not sure it exists in english)to the past.I also like long way to mourning ,you know,hudson stuff,a good story ,and the fact hudson trick demona at the end with the sun .
During the multiple revision of the serie ,i discver lot of details ,you could not see when you see the episodes just one ,the last was owen when they received john carter at castle wyvern ,he hide his stony hand in the pockets of his smoking ,i had never figured before ,but what would a man say when you saw a stony arm .and i noticed a lot of scene like this.
i want to add a word on the comics,just as the serie ,great works ,we rally found what made the series a success.i have the hope that the comics will have a long life.
To end this ,i want just add a question,after all we are here to ask question!!i just want to know if you had infos about gargoyles in france for the future,not an original question i know!!!
and are you going one day to make a gathering in paris ? perhaps ,i always wanted to go at one ,but you know ,to young and it cost a lot for going ,but one day i'll come
so greg sorry for all i have written ,but i wnated to write for so long you know!!!!!!good luck for the future ,and long live to the comics (my principal hope)

K9 the First writes...

"""Vaevictis Asmadi writes...
This is just a comment to K9...

I think you are thinking of some Amazonian Native Americans. The Mayans and other people in Mesoamerica certainly wore clothes pre-contact."""

AH! Yes. Okay. Sorry, I wasn't quite sure about that. I'm more knowledgible of the eastern and North American primatives, the Central and South American areas/tribes/What-have-yous tend to blend together for me.

Ice Tyrant writes...

Hey. I got into gargoyles a few months ago when one night during summer break I was staying up late like always and noticed it on. Thought "Oh hey, Maybe I should watch that" so I set it on DVR. I'm a sophmore now, so I forgot just about everything (except for lexingtons name and Goliath it seems...) from back when I was a kid. Great show. Oh yes, and thank you. Thanks to you, and this site, I started reading macbet. Now I'm reading Beowulf (not sure if you've read that.) I owe my uhh... making reading more important to me, to you, so thanks. I'm still watching the series (Or I will start back on it I hope when I get my channels back.) and I haven't read the comics, though from what I hear they are good. Don't really have a question I guess. Just wanted to say thanks. Oh, Uhh...

1. Do you have any future plans for Nokkar in the current gargoyles series (Not 2198. Might be obvious...>_>)?

Moe writes...

Hi Greg, i just wanted to say that i love your responses to some of these questions..lol. Short and sweet, it just cracks me up. Anyway, great job with the comics, I think they're awesome, and hopefully the rest of the cartoon series will be released as well. Good luck with spectacular spider-man, i'm looking forward to your creativity, p.s. and don't bog yourself down with answering too many questions as you seem really irritated by it lol :)

Antiyonder writes...

Since it was brought back up, I too am sorry about your cat. Had a few cats we've had to say goodbye to ourselves.

dph writes...

I do not know if you realize this or not, but you have done "This day in Gargoyles' Universe History" for over 6 months now. Thank you for doing this for us, the fans.

Antiyonder writes...

Something that came to mind a while back. You mentioned in your rambling of The Mirror:
That the original dialogue from Demona was "You serve him, you can serve me". That was changed due to fear that "him" would be mistaken for Satan.

Kind of funny considering your ramble on "Her Brother's Keeper":

"Derek thinks Elisa thinks Xanatos is the "Prince of Darkness". "He practically is!" she responds. <SIGH> Tricksters are always being confused with Satan."

"But that was more irony. It's not the demonic-looking gargoyles who are being compared to Satan. It's the handsome, rich Bruce Wayne-esque playboy. I guess the goatee helps."

Makes his membership (666 members) in The Illuminati all the more fitting.

Charisma82 writes...

Tuesday, June 25, 2007: Day 5 of Gathering of the Gargoyles

I guess there really isn't a day 5, and that's probably when everyone is getting home, but still… Here's the last day of my journaling from a non-gathering point of view.

Kay and I didn't wake up until 10:00am the next morning because we were wiped out from Disneyland the day before. We packed and left the hotel around 11:00am to go next door to IHOP for the 3rd time in the three days (IHOP, day 3… it's kind of a joke around here now). We were going to meet my grandparents and my aunt and her family there, and since they called and told us they had a table already, we knew we'd be in and out of there quick. When we went inside, they were nowhere to be found. What had happened is that they went to the other IHOP on that street (for some strange reason, the IHOP people decided to put two IHOPs on the same street, literally 4 blocks from each other). We drove to the other IHOP and had breakfast there (so I guess we went to IHOP 4 times all together on the trip). When we finished breakfast, my family drove to the parking structure and went on the tram again to get into the Disneyland Park while the rest of our party walked (they had a parking pass for their car somewhere else and we didn't).

We went to California Adventure on this day. And again, there was a problem with the ticket I had to get into the park (the whole name thing was off… it was annoying). What made it worse than the day before with the other Disney employee, was that the lady was even more perturbed at us than the one before. Usually, Disney employees are the nicest people ever, but the two that we got that ushered us in each day at the ticket booth needed to remember where they worked. Enough on that. We met up with the rest of our party at a shop at the front of the park after we rented a locker to stuff our extra stuff in. We went to Soaring Over California, and seeing that the line was over an hour, we got fast passes. We went by the Grizzly Peak River Run thing and it was over an hour to wait in line (not surprising because it was REALLY hot and muggy outside), so we kept on going. We finally decided to go watch the Bug's Life 3D show, which is cute, and then after that we headed over to Tower of Terror, which only my family got on because no one else wanted to lose their breakfast or were too scared to get on it. After that ride (which is one of my favorites at that park) my cousin and Tyson wanted to get on the Grizzly Peak Rapid Ride, and so we stood in line for over an hour to get on it. That had to be the longest hour of the whole day… no the whole trip. I was not in the best of moods waiting for that ride, especially because the last time I'd gotten on the ride, I'd been soaked and uncomfortable for the rest of the trip. So, I made my dad get me a poncho that I would sit on so my backside wouldn't get wet. I didn't care if the top half of me was wet, but the bottom half of me was going to stay dry. The ride was fun and I didn't get too wet like others in our group, so I was happy. When that ride was over we had a half hour to kill before we could use our fast passes (which are a blessing… I need to shake the hand of the guy who came up with the idea of fast passes and tell him he deserves the biggest raise in Disneyland history…) so we went through the tortilla and sourdough bread factories. I like these because they are a nice little break from the crowd and you get to learn stuff too. Once we were done in there, we used the fast passes to get on Soaring Over California. Just about everyone who has gone on that ride have had only nice things to say about it. It is a very cool ride. We've seen people cry once they get off of it. How did you like that ride?

After this ride, my aunt and her family said their goodbyes to us. They left the park to go visit a friend of my aunt's for the next day. My grandparents and my family ate dinner (I had a sourdough bread bowl from the bread factory and everyone else had Mexican food). When we finished there, my family and I rode the Mulholland Madness roller coaster. My grandparents left after that to go do whatever they wanted and then they left the park. My mom, Kay, and I got on the Boomerang ride and then my whole family got on California Screamin'. That ride is awesome. We headed back over to Tower of Terror because my mom wanted to ride it again, but the line was too long, so we went to my favorite place ever which is called the Disney Animation Studio. This place is my favorite place in both parks combined, hands down. I LOVE IT!!! Have you ever been in there? If not, you're missing out. We didn't get to go to any of the rooms to do anything because my parents wanted to leave soon, so we sat in the main room, listening to music from Disney movies while drawings of the movies were shown all over the round room. After this, we did some shopping (ran into my grandparents 2 other times) and then left the park around 9:30pm. When we got home around 12:30am, everyone went to bed as soon as we walked in the door.

So, that's the whole thing and I am now finished with the journals. I hope you and all the other Gargoyles fans had a great time at the gathering. Though I didn't get to go (hopefully one day I will), I did have a great time at Disneyland.

Thank you for your time and all that you do.

-Charisma82

Charisma82 writes...

Monday, June 25, 2007: Day 4 of Gathering of the Gargoyles

Again, from a non-gathering view point… Kay and I woke up in our hotel around 8:00am. Kay takes forever to get ready, so she started right away in the bathroom while I dozed off and on into dream world and then back into reality. Once it hit around 8:30am I decided to get up for real. I turned on the TV to have some background noise and started getting ready. We planned to leave around 9:00am to 9:30am for IHOP, which was next door to where we were staying. I was glad that we left around 9:30am because I wasn't feeling so great while getting ready. When we walked into the IHOP I said "IHOP, day two," because we'd eaten at one the day before for dinner. Kay and I split something, me ending up with a pancake and her with eggs, hash browns, bacon, and sausage. I would've claimed more, but my stomach was still not up to eating much.

From IHOP we went to Disneyland. We were mad when we found out that Kay forgot the Disneyland CD in the hotel room so that we couldn't listen to it while we parked and all of that good stuff. We had to take a detour from where we usually go in to park in the parking structure because the regular way was blocked off, and so that took a bit more time. We finally made it in the parking structure and parked in the Goofy section. We took the tram to the front gate (I love riding the tram… it's really the first ride of the day at Disneyland, if you don't count the escalator). I had some trouble getting into the park because of the ticket I had. It was very annoying, especially because the Disney Cast Member wasn't very nice about it. What happened was that my ticket had a different name on it than mine because we'd let a friend borrow the ticket on a previous Disneyland trip and her name was on the ticket, but it was still our ticket (the ticket was good for up to 3 days at Disneyland and only one day had been used on it). They were asking me for ID and all that stuff, but I didn't even have that on me because I'd left it in the car. It was stressful for some people in my group who don't handle stress too well. Anyways, we finally got that taken care of and I was allowed into the park.

We had some time to kill before we met up with the rest of our party so we rented a locker to put extra stuff in, and headed for the board on Main Street that tells how long lines are. The Matterhorn was the shortest line with a 35-minute wait, so we went to that. After that ride we got on Thunder Mountain and then the Mark Twain boat that goes along the Rivers of America. Once that was over, we met up with my grandparents, aunt, cousin, and my aunt's boyfriend (who I will call Tyson, because I don's want to keep saying 'My aunt's boyfriend' the whole time). My aunt and her family wanted to ride on the Pirate Ship that goes on the Rivers of America, and since we'd already done that, we shopped while we waited for them (mainly shopped for trading pins, because I am REALLY into that). When they got off, we went to stand in line for Pirates of the Caribbean. We waited in the wheelchair line, since my aunt came in one due to health reasons. We ended up waiting there for an hour. My cousin (who is 13) told us that they'd never had to wait in a wheelchair line before. It was weird. After that ride, we went an Indiana Jones through the wheelchair line, which was fun because we got to ride on elevators and stuff to get to the ride. Once that ride was over, my grandparents left the park to go somewhere else. My aunt's family and ours went back to the Matterhorn, which was a big deal because my cousin had never been on a roller coaster ride before. They terrify her. She had to be bribed to get on it. She was promised $20.00 if she rode on it. It was funny because I sat in the car in front of her and heard her scream the whole time. That was the only roller coaster she got on all day (though she was bribed with $30.00 and a new sweatshirt of her choice if she got on Space Mountain… she still turned it down). After that ride, we went on the new Finding Nemo ride and waited over an hour in the wheelchair line, once again. The submarine was very stuffy and didn't have much air in it. It was a cute ride and is one of those you go on once to say you've been on it. After that, my aunt, mom, Kay, and I got on Space Mountain (my favorite ride of them all) through the wheelchair line. That was interesting. Everything was downhill and my mom, pushing my aunt, lost control of the wheelchair several times, almost ramming her into the wall. What was fun was when we got to the ride. All four of us got into our cars, which were not on the track, and then the cars were moved onto the track with us in them. I'd never done that before. I was bummed that the rockin' music from Red Hot Chili Peppers wasn't in the ride any longer. They'd had their music in there for about a month or two back around springtime. When the ride was over, it was VERY funny watching my mom push my aunt back up the ramps we'd taken to get there for the wheelchair people. It was SO funny because she was dizzy from the ride and she was swerving my aunt everywhere and almost hitting other people who were in the hallway. I won't forget it easily.

After that ride, my aunt and Tyson left the park for their hotel, and our family and my cousin had dinner at my favorite restaurant, Pizza Port. I love their spaghetti. Then we went on Buzz Lightyear Astro Blasters where I rode alone and got to use both guns to fire with. After that, we went to Main Street to get stuff out of our locker (catching the end of the fireworks show in the process) and then watched the 50 magical years show with Steve Martin and Donald Duck as the hosts. We'd seen it at least 5 times before, so it was just something to kill time with. Once that was over, we met up with my grandparents and Tyson, who'd come back to the park for the evening. It was dark by now and we left to go see Fantasmic, but ended up getting the times screwed up and missed it. My grandparents went their separate way from us and the rest of us got on the Haunted Mansion. It was probably the shortest line all day. After that, we realized that there would be another Fantasmic show at 11:30pm, so we stayed for that. I love the Fantasmic show. It's great. When it was over, we looked in a few shops and then left the park, parting ways with my cousin and Tyson. We got back to the hotel after midnight and were wiped out. Kay took a shower and I plopped down on my bed and was asleep very soon.

Well, one more day after this and the journals will all be over. Until then…

Thank you for your time and all that you do.

-Charisma82

Charisma82 writes...

Sunday, June 24, 2007: Day Three of Gathering of the Gargoyles

Here's the 3rd day of my non-Gathering weekend. Okay… Let me remember… I woke up around 8:40am to get ready for church. I wasn't feeling good, and after being up for about 10 minutes, I decided to lie down for a while and hope that I would get better. I ended up getting to church late because of this. My mom stayed behind with me and she drove us there (It's about 10 minutes away from where I live) because when I'm sick I hate driving. I started feeling better during church services. After church ended, there was a potluck going on and I stayed with my sister (Kay) for it while my parents took one of the cars back home. I ended up sitting at a table with Kay, Fizz, D.C., Peaches (whom I have spoken of before), Sprite, CameraBoy, Cliff, and a new person whose name escapes me at the moment. Everyone was there except Morgana who was up at her family's cabin for the weekend. We all had a fun time talking about different stuff, but mostly about camp. We are all going up to a camp up in the mountains, about 10 miles from Yosemite, this next week. Everyone goes up once a year and has a great time. I haven't been in about 2 or 3 years, so I'm excited. We talked about past pranks pulled on all the cabins and all the stupid stuff people do up there.

After we were done with lunch, Kay and I took her car back home where we sat around and watched TV or did stuff on the computer. I worked on Word of the Day (a sort of contest thing that I help with) and sent it out to everyone who participates in it. Around 4:00pm we started packing up stuff for our trip to Disneyland. We left near 5:00pm. As usual, I took the middle seat and Kay took the very back seat in our Suburban while my dad drove and my mom watched movies on her DVD player in the passenger's seat. I quickly set up my seat so I could lie down and then I fell asleep.

It usually takes about 3 hours to get to Disneyland from where we live, which was how long it took this time. It was dark by the time we got to the hotel. We ended up staying in a hotel we'd never stayed in before called the Radisson. Dad went in while we waited for what seemed like forever in the car. I didn't mind so much because the hotel was playing Disney music outside and I was listening to that. I rolled down my window to hear the music better and after I did, some lady sat down on a bench not 3 feet away from my window, and started smoking. I might not have been so mad about it if she hadn't noticed my window open, but she was staring at our car which was right in front of her. Okay, if you're going to smoke, don't do it next to an open window, just out of courtesy. My dad came out of the hotel and motioned for me to come in too. I asked what was going on and he said that because we had two rooms (one for my parents and one for Kay and I) I had to sign some papers. So I waited by the counter for forever while they typed a lot of stuff and had my dad sign papers, and then they said that they didn't need me after all. They had a lot of pictures in their lobby of different Disney movies, which was cool to see. After that, we went back to the car, parked it, grabbed all our luggage/pillows/blankets/electronics, found the elevator, went up to the 3rd floor (my mom hates elevators and she's never happy when we aren't on the 1st floor), found our rooms, and finally emptied our arms full of stuff. Kay and I like to get drinks and snacks from the machines when we visit motels/hotels, so we grabbed the ice bucket, got some cash from my mom, and headed out looking for the vending machines. We found a drink machine next to the ice machine, which didn't have a great selection on it. It cost Kay $2.00 for a drink. We hopped on the elevator and took it to the 1st floor, looking for snacks, and found a mini store. I bought a lemonade (for less than $2.00, so I got the better deal) and some ice cream, and Kay bought something to snack on too (I don't remember what). We were lucky 'cause they were about to close the store.

When we got back to our room, we ate our snacks while we flipped through the channels on the TV. There weren't many channels and ended up on the Disney channel (coincidence?) where some Hillary Duff movie was on. Believe me, nothing else was on. After that ended, Kay tried to go to sleep while I surfed around for another movie. I found a movie that had just started with Vince Vaughn and Jennifer Lopez in it. I didn't catch the name of the movie, but it was about Jennifer's character going into the minds of people who are in comas, trying to get them to tell her stuff. Vince's character is a police officer that captures a serial killer who goes into a coma. Jennifer has to go into his mind to find out where a woman is whom he captured. It was interesting. And what was funny is that the boy who plays the serial killer in his mind was also the boy in the Hillary Duff movie that had been on earlier. I need to look up the name of that movie 'cause it'll bug me if I don't know the name of it. After the movie ended, I listened to some Fallout Boy and then went to sleep around 1:30am.

So that was Sunday. I'll get to Monday and Tuesday as soon as I can. Lots of Disneyland stuff going on those days…

Thank you for your time and all that you do.

-Charisma82

TiniTinyTony writes...

*** BJ's and Jess's Weekend Wedding Bonanza sans The Gathering 2007 ***

- Friday, June 22, 2007

I went to sleep early the night before so that I could meet up with all the groomsmen and the groom at 9am to go clay pigeon shooting. I was supposed to meet my friend Dan at his house in Danville and follow him to the shooting range. Well he was very late getting ready and by the time we reached the range, they were done shooting. I was pretty pissed, but I didn't let it get me down. We still had golf to do later that day, and I didn't want to go into that sport angry, especially at the low level of experience that I am in the first place.

So we all went to BJ's house, and then took two cars to get something to eat at KFC/Taco Bell, grabbed some golf balls at Wal-Mart, and then proceeded to the golf course called Turbot Hills. We had a 1:15 tee time. It was only $19 to play and it was a pretty nice course. I had borrowed an old set of golf clubs from BJ's dad, Bill, a few days before so I didn't have to spend $4 to rent a set. We got three carts, two guys per cart, drank beers and played scrimmage style where everyone plays from where the best ball was hit to. I only lost 3 balls that day which I thought was pretty good. I got a few good shots over all throughout the day, but the best part was just hanging with friends, drinking beers, and driving the golf cart.

Once we were done with 9 holes, we headed back to BJ's house to get ready for the wedding rehearsal at 5:30pm. It was going well until BJ lost it. It took him about 10 minutes to calm down and regain composure and we proceeded to practice. I assured him that it was normal to get emotional and not to worry about it.

Once we got that out of the way, we were treated to dinner. It was a good time and everyone was enjoying my antics. We then proceeded to this dive bar to have a few drinks and then headed home around 10:30pm to get plenty of sleep for the big day tomorrow.

*** BJ's and Jess's Weekend Wedding Bonanza sans The Gathering 2007 ***

- Saturday, June 23, 2007

BJ wanted all the groomsmen to meet at his house at 9am to hang out and watch movies. I got up at 7am and arrived at his place around 9:15am. I was the first one there. We proceeded to Sheetz and got some breakfast biscuits or Shbizcuits or something bizarre like that. We went back to BJ's and hung out. We didn't end up watching movies, but we ended up cruising the internet for a bit and then played bocce outside once the other groomsmen showed up. Before long it was time to head to the church and get dressed in our tuxes.

It was 1pm and we left for the church where we had put our tuxes the night before so it was convenient for Saturday. Once we got dressed, it was Adam "Wags" Wagner and mine job to light the candles on the altar. We did a great job of course, and then we proceeded with the other groomsmen, to escort the other ladies into the church to their seats. That was probably the most fun part, for me, for no apparent reason. Once it was 3:00pm, it was time to begin. All of us lined up in front of the church with the priest, and the bridesmaids entered while music played. Then Jess came in with a huge smile on her face, as her dad brought her up to the altar. After only 20 minutes it was over, and BJ and Jess were now husband and wife.

We waited outside and blew bubbles at them. I miss the old days when you could throw rice. That was always fun. After that it was time to take pictures back inside the church. We did this for 40 minutes until the limos came at 4pm.

The limos took us to the reception where more pictures were taken. I believe it wasn't until 7pm until we finally entered the reception and sat down to eat. The picture taking seemed to take longer than usual, and I'm sure the guests were upset, but I wasn't complaining, but made jokes and had a great time.

The best man and the father of the bride gave their speeches; we toasted, and began to eat some really delicious food - steaks cooked right on this huge grill in front of us. There was plenty of wine to drink for the reception was at the Spyglass Winery, and there was a half keg of Yeugling Lager, a local favorite in Pennsylvania. Not a lot of people were on the dance floor, but I was out there having a good time. I didn't bring a date, so I danced with Jess's friends and her cousins. They were all very beautiful young women and very nice to talk to and dance with.

But like all good things, this wonderful event had come to an end. I danced the last dance of the night with BJ's mom, Susie. She is a really great lady and I consider her my second mom. Once the DJ started packing up, she was nice enough to give me a ride back to my car at the church. I got home around 11:15pm that night and I was beat. I passed out around midnight, but not before setting my alarm.

*** BJ's and Jess's Weekend Wedding Bonanza sans The Gathering 2007 ***

- Sunday, June 24, 2007

I had my alarm set for 10am. I got up around 9:30am. There was a post wedding celebration at Jess's parent's house at noon where my presence was requested.

I got to their house around 11:54am, and was the first groomsman there. BJ and Jess weren't there yet, but thankfully showed up 5 minutes later.

We had all the left over food from the wedding to eat, which was probably more delicious the next day. We played washers and horseshoes outside, while drinking beers and bullshitting, talking about how well the wedding went and how much fun everyone had.

People didn't stay very long, but I helped clean up and left around 4pm. I took the rest of the day to relax after the crazy and fun weekend that I just experienced.

Great job to all the groomsmen who helped make the weekend so memorable. Congratulations to BJ and Jess, whom I love and respect with all my heart.

Hopefully, next year I'll get to experience The Gathering experience in Chicago.

Lloyd Frisone writes...

I asked a question previously but forgot to include my email. lfrisone@comcast.net

Charisma82 writes...

Saturday, June 23, 2007: Day Two of Gathering of the Gargoyles

After I was done typing up my journal for yesterday around 1:30am in the morning, I ended up staying up until about 4:30am watching stuff on You Tube. I also did some reading of Harry Potter and the Goblet of Fire. I've read all the books before, but since the 7th and final Harry Potter book is coming out in a few weeks, I thought I'd better refresh my mind by reading all the books over again. I also want to remember what happened in the 5th book because the 5th movie is coming out soon too. I don't want to sound like I'm a big Harry Potter fan, because I'm not the biggest Harry Potter fan out there, I just like the story. Have you read any of them? Anyways, I went to bed around 4:30am and didn't wake up until 11:00am, which I'm shocked I got away with. My mom usually makes sure my sister and I are awake by 10:00am at the latest. After I woke up, my sister and I got ready to go back down to the church building to help decorate the high school room with a couple other people. Since it's the summer time and people are doing a lot of stuff, only 2 other people showed up to help. So all together it was my sister (Kay), D.C., Fizz, (all nicknames in case they have a problem with me putting their names on here) and me. First, we played a couple rounds of ping-pong (play before work… it's out of order, I know…) to get ready for ping-pong at camp next week and then we went to work on the high school room. I'm not in the high school class, and neither is D.C., so we didn't really know what needed to be done in there. First we had to take down all the old stuff in the room. Then we called up a guy that teaches in there to get some ideas, and since they weren't solid ideas and just some thrown out there suggestions, I decided to go with the theme of going down the path of righteousness or going down the path that rocks (the path that rocks, being the one that shouldn't be chosen… I'll explain). We used Kronk from the Disney movie The Emperor's New Groove (Kronk is my favorite good guy Disney character ever) and used his shoulder angel and devil's line "He wants to lead you down the path of righteousness… I want to lead you down the path that rocks…" We had to enlarge a picture of Kronk on a light projector on a wall, which took forever, and then we had to outline him again in marker. Then we had to make speaking bubbles for them to talk. It took up a lot of time, and we still didn't get it all finished. Half of it is done, but we'll have to finish the rest next week.

Everyone was hungry and since I hadn't eaten anything all day, I was ready to choose a place and go there… except that no one could agree on anything. Around 4:30pm we finally left in my car, me driving of course, and headed to Subway in the mall. I will say that I advertised the Gathering of the Gargoyles while at Subway by telling my group that it was going on this weekend. D.C. has seen gargoyles and knew what I was talking about, and Kay, being my sister, knew about it too, but Fizz needed some informing about it. After eating (I had a BLT… I think it's funny when you ask for a BLT and they still want to know if you want lettuce and tomato on the thing…) we went into Borders, which is part of the mall, and I ended up running into someone I went to high school with. She was really nice and told me we should get together and do something next week, yet the problem is that I don't know where I put her phone number… Kay, D.C., and Fizz took off into the mall while I was talking with the girl and I had to call Kay to find out where they went. They ended up wasting money on a claw machine, gave up, and used the rest of their change buying candy. Fizz had to go home, so we left the mall and I dropped her off. Kay, D.C., and I didn't want to go home just yet so I spoke up and said we should go to Cold Stone (It's funny how that's the name of that gargoyle in Gargoyles) because I love their ice cream. We went there and I bought a Peanut Butter Cup Perfection… oh, that's living (I LOVE peanut butter). I couldn't finish it and had to throw half of it away. After that we went to Best Buy, which is right behind the Cold Stone. We played some video games and browsed the DVD isles. After that, we went to Game Stop, which is across the street from Best Buy. The same video game we'd been playing at Best Buy was also at Game Stop, so we played it again just for kicks. We left there and D.C. got the call from home that he had to go home. We drove to the other side of town to drop him off and were invited to see either Dream Girls or Epic Movie with him and his sister, but Kay called our house and our dad said we needed to get back home to get packed for Disneyland (we're leaving Sunday to go down there).

We left D.C. and Peaches (his sister) and got home around 7:00pm. Mom and Dad weren't around so we started watching the movie the Pacifier (which wasn't that great). Our parents finally got home after being at Walmart buying stuff for our trip to Disneyland and California Adventure. My dad sat down to watch the end of the movie with us while my mom printed out pictures from Kay's 16th birthday party 3 weeks ago. My mom needed to clear her camera of pictures so she can take some when we go to Disneyland. My mom gave up on the picture printing thing and told my sister to continue it, but Kay ended up getting me to do it while she took her shower. I ate an apple and listened to music on the Cinemagic channel. They were playing music from the soundtrack of Braveheart. Once Kay was done in the shower, she took over printing pictures and I went to my room to check up on my e-mails online. I wrote back to my cousin who lives in Colorado and then checked up on stuff in ASKGREG. After that, I wrote this. So now that I'm caught up, I'm going to sign off. I probably won't get any more journals in until the middle of the week, seeing as we're leaving for Disneyland today (it's just past midnight) and won't get back home until either Tuesday or Wednesday. Now, I'm going to blow dry my hair and then get to bed so I'll be good and awake for church in the morning.

Thank you for your time and all that you do.

-Charisma82

Charisma82 writes...

Hey! Wow, has it already been a year since the last Gathering? It feels like just a while ago. Sadly, just like last year, I was not able to make it to the Gathering of the Gargoyles. I'm not as crushed over it as I was last year, or the year before that, or the year before that… but still, I figure that I will get to one of them one of these days, so keep having them, and I'll hopefully turn up some day. I didn't do a pre-gathering journal yesterday because nothing really happened yesterday. So here it goes for the first day of the Gathering of the Gargoyles (from the point of view of someone not being there)…

Friday, June 22, 2007: The First Day of Gathering of the Gargoyles

Today started way too early for me. All of my days for the past 4 weeks have started too early for me. I signed up for a summer class and was fool enough to sign up for a class that started at 7:00am. I've been waking up a little bit before 6:00am every morning because the school is in a different town and I have to drive a while to get there. I am definitely not a morning person. I'm used to going to sleep late and waking up late. I've been forcing myself to go to bed at midnight so I can be awake enough for the class every morning. But fortunately for me, today was my last day, so I no longer have to wake up so early. Actually, besides waking up early, I really liked the class. It was an English class that dealt with a lot of literature, which I enjoyed. We read a lot of short stories, poems, and a few plays in the class. The teacher even showed us the play "A Midsummer Night's Dream" on video that was made back in the 30's. I really liked it and was able to keep up with the names, mainly because of watching Gargoyles for as long as I have been. Since today was the last day, we had a final. We had to write a paper in class about 1, 2, or 3 different pieces of literature we'd read in class and connect them together to make a common point. I chose the poem entitled "The Ruined Maid" by Thomas Hardy and the play entitled "Overtones" by Alice Gerstenberg and talked about how moving up in social class isn't what makes a person happy, which I proved with the two pieces of literature that I chose. There was more to it, but I'm not going to get into all of that here. We were supposed to write out the paper by hand in MLA format in ink. I decided to write it out in pencil first so I wouldn't make mistakes on my final copy. Because I did this, I took up the entire 2 hours, continuously writing. My hand felt like it was going to fall off once I was done. Though it took me a lot longer to write the paper twice, I was glad I did. I didn't have any mess ups on the final draft. I was very fortunate that my paper was only 6 pages long, because that's all the paper I had on me. I couldn't afford to make mistakes.

After I finished there, I headed home (and got to hear Fuel's song "Hemorrhage" which I rocked out to). I got home just as my mom and sister went off to work. I got on the computer to do my usual rounds of checking up on e-mail and looking at my usual websites (including, of course, ASK GREG). After that, I sat around the house for a while before I became tired and knew I had to get a nap in if I wanted to last the rest of the day. I slept for about 3 hours and got up around 4:30pm to 5:00pm.

Around 6:00pm, my family (my parents and younger sister) and I took off for Family Fun Night at our church. Before we got there, we stopped by Carl's Jr. for some dinner. I didn't eat much since I wasn't feeling that great. We got to the church building a bit before 7:00pm and were the first ones there. After waiting for about 20 minutes, we had more people show up. We played cards and ping-pong. I've decided that I need to start playing ping-pong every day until next week when I go up to camp. I say this because one of the main sports up at camp is ping-pong and I found out how much practice I need when playing it tonight. I think the most fun game with ping-pong is Around the World in which a bunch of people line up around the table and take turns hitting the ball back and forth. It's not as easy as it sounds or looks. After ping-pong, about six of us decided to play hide-and-seek walky-talkies (which is basically hide-and-seek with a set of walky-talkies in the mix). That was fun. It's not so easy when the entire building is pitch black dark and you can't turn lights on. I have the best hiding spot in a closet under a set of stairs that no one ever wants to look in because there is so much junk in there and it is very dark. I was really mad when one of the younger girls decided to hide with me then decided not to because she was afraid of the dark, and then told everyone where I was once she herself was found. Now that my hiding spot has been blown, I have to find some other great hiding spot. Anyways, we ended up leaving there around 9:45pm.

When we got home, Dad really wanted to watch the baseball game that had the Colorado Rockies in it because he grew up in Colorado. He was sad when they lost at the very end of the game (sorry if I ruined that for anyone… I hope I didn't). My mom and I played Mancala (a game played with flattened marbles and a wooden board…I don't know how else to describe it) while we watched some show on the top 10 funniest women ever. It wasn't that great of a show, but there was nothing else on that the family could agree upon to watch (my mom, sister, and I wanted to watch Pirate Master, a show we got hooked on at the beginning of summer break, but my dad put his foot down and said no). My parents went to bed around 11:30pm and my sister and I stayed up to watch the AFI's top 100 movies in the past 100 years that we'd recorded on Tivo earlier in the week. It was good. We didn't know about half the movies in the countdown, but were excited to see the ones we did know. It finally ended around 1:30am. My sister went to bed, and now I'm in my room typing this.

So all in all, this was actually a busy day compared to the past couple of weeks around here. I wish I could say that I watched Gargoyles so it would seem that I'm keeping the spirit of Gargoyles alive during the Gathering of the Gargoyles (since I'm not there), but I'm too tired to start watching one of them. I'd probably fall asleep while my eyes burned trying to keep awake. Maybe tomorrow I'll do some Gargoyle watching…

Thank you for your time and all that you do.

-Charisma82

Justin writes...

Dear Greg,
I have been meaning to write you this comment for a very long time. It seems that the longer things go on, the more my life parallels things you presented on Gargoyles. Not everything mind you, haha, but somethings certainly strike a new chord than when I watched the show at 13.

To start this off, on Sept. 28th, 2005 my mother passed away. It was hard but my sisters and I got through it. Eventually around the holidays, both my sisters left for verying educational pursuits while I was tasked with taking care of our home. This officially happened in January 2006. I thought I could handle it but all of a sudden the sheer realization that I was all alone in my childhood home ( save our 2 cats and a dog) became too much to bare.

Eventually I started feeling like I was losing myself. Well this went on for a few weeks then a month or so like this and then early february, our heat went out. I had no job then and I couldn't afford the bill. It just so happened this was the coldest time of the winter that this occured.

Anyway, my little sister was attending Indiana University at the time, got wind of the situation and arranged to get me out of there, to stay the night with a family friend. I had known this family for years and I didn't want to burden them. Nor did I want to abandon my pets to the cold. So in an insane headspace I told my sister no. That I was not leaving.

Long story short I left my house that night and stayed a few days with the friends mentioned above. Here is the kicker... this is the only Gargoyles reference I have made so far but I hope if I illustrated the story well enough you see the similarities already..

When I got to my friend's home they set me up on the couch and gave me free reign over the TV. I turned to Toon Disney knowing Gargoyles would be on soon, and you know what episode was running that night? HAHA, you guessed it, Enter Macbeth.

My little sister convinced me it was suicide to stay at my home, and I ended staying with family friends that were truly more like extended family. Hudson's line struck a deep chord.. "Where we can be together and safe" It wasn't my house I was protecting, althought I thought so.. I was protecting what I felt was all I had left. Eerily similar.

In any event, I felt I would pass that along. I won't be able to attend Pigeon Forge but now I live in Chicago, so I hope to see you next year!

Peace, Love, and Empathy,

Justin M. Lindley