A Station Eight Fan Web Site
Hi, I'm posting on Disney/Marvel Merger Day and I'm looking for some historical perspective. Someone in the comment room says "I recall Greg once saying that back in the 90s Disney was interested in buying Marvel, but instead decided to create their own universe with Gargoyles." I've found this on the New Olympians episode ramble:
Well, the Greek Myths of course. But that's not really what I'm talking about. As many of you know, The New Olympians was a concept -- originally created by Bob Kline -- that we began developing at Disney TV Animation even BEFORE Gargoyles. It was definitely a concept that evolved, but it was also a concept that we felt fit nicely into the Gargoyles Universe. So this episode was created as a backdoor pilot. At the time we had big plans for the Gargoyles Universe. Hopes that it would eventually evolve into Disney's equivalent of the Marvel or DC Universe. The World Tour expanded our Universe in many ways -- mostly for the sake of the Gargoyles series itself. But also to demonstrate that our universe had the "chops" to go the distance."
Could you elaborate?
1) Is it true that Disney considered buying Marvel in the 90s?
2) Did the Disney higher-ups want a Gargoyles Universe to rival Marvel/DCU, if briefly, or was that your idea?
3) How heady were the days of season 2? Was Gargoyles being positioned as a significant face of Disney? I remember the Anaheim Gargoyles baseball team memo is from around that time too.
2. It was my suggestion, but it was a suggestion that my bosses, including Michael Eisner liked. At least for one meeting.
3. They weren't all that heady. There was a lot of potential in the property, but the schedule was also both long and brutal, and we were still producing episodes into May of 1996, even though the season had premiered in September or October of 1995. By January it was pretty clear that reruns, preemptions, the O.J. Simpson trial and Power Rangers had combined to severely damage our momentum. In addition, the death of Frank Wells and the departures of Jeffrey Katzenberg, Rich Frank, Gary Krisel and Bruce Cranston, i.e. some of the people who had been such great backers of the property, hurt too. As did Eisner's decision to step back from the hands-on decision making he had done vis-a-vis Disney T.V. Animation. It left us quite at sea. New people came in who had no affinity for the property, long before we were even done producing Season Two.
So does this mean that Gargoyles is part Marvel?
I have more questions, inspired by the Timedancer arc in the trade paperback. I hope you are in the mood to answer some fan questions in between the con-journals.
I am quite curious now about what the Phoenix Gate actually is.
1. The Weird Sisters said that "The Eye and the Gate were forged on Avalon..." so is the Phoenix Gate Third Race magic?
2. Is the phoenix itself an actual living being?
3. If the phoenix is an actual living being, what kind of life-form is it? (Other than being a phoenix.)
Thanks again for answering our questions. I'm planning on reading Brooklyn's adventures again in between watching Avalon and City of Stone.
1. It's more complex than that.
2. Depends on how you define "living being".
3. It is.
What do you think about the Disney Marvel merger? Do you think it will change anything for you(or in other words you're struggle to get more episodes of Gargoyles made)? Do you think we will see you're gargoyles comics published by Marvel in the future?
1. I'm withholding judgement.
2. I don't know.
I see there are two other questions about Disney buying Marvel - but I'm going to ask two other related questions:
(1) Were you aware ahead of time that Disney would be purchasing Marvel?
(2) I'm sure the legal complexities involved in this transaction are very... well, complex... as they interface with your show. However, to your knowledge, how does Disney's purchase of Marvel impact the possibilities of using previous off-limits characters on Spectacular Spider-Man? (Especially Kingpin, but also other characters you said you wanted to use on rare occasion, such as Human Torch.)
2. No idea.
Did you ever seriously consider leaving Venom and/or Mary Jane Watson out of season 1 of The Spectacular Spiderman? I heard that you didn't want to use one of them (but I forget which) in the first season.
Seriously, WHO did you hear this stuff from?
I know that whether any more Gargoyles trades are made by SLG depends in large part on the sales of the existing trades. Did Dan Vado give you any specific numbers (or even ballpark figures) of how many copies of the trades need to be sold so that SLG will consider approaching Disney to make more Gargoyles trades? If he did, what are those numbers/figures/estimates? Also, I don't know how closely you keep up with the sales of the trades, but can you tell us approximately how many have been sold so far so that we know how close we are to potentially meeting the goal so that we might get new trade paperbacks in the future?
He did not give me specific numbers, relative either to his expectations or to actual sales. But clearly the numbers warrant the fact that he's now (still) in the process of trying to secure the license again from Disney.
Now that Disney is buying Marvel, do you think will affect, positively or negatively, The Spectacular Spider-Man's future?
I really don't know.
Will Disney buying Marvel Comics mean anything for the Gargoyles comic book series?
I don't think so, but I don't know.
I just watch Gargoylese episode-future tense and I wonder if you have been inspired by x men -days of the future past storyline when you wrote that episode?
There is also a moment when brooklyn said that" thailog was killed during clone
wars"Was it intentional wink for star wars fans,or did you just wanted to gave George Lucas headache.
I appologise every Gargoyle if I made some mistakes in English.
Yes, as I've mentioned before, "Days of Future Past" was an inspiration for "Future Tense". The "Clone Wars" thing was a throwaway, though I have no interest in causing George Lucas headaches of any kind. And now the line has meaning.
This wasn't my first con, but it was my first gathering. I was only 4 or 5 when Gargoyles first aired--so now, at the age of 20, it really felt like I was part of this younger generation just barely getting to the point of shouldering the responsibility of the fandom. There were people twice my age who lived with this show and supported it by attending the con, working with Greg and forming these very close bonds--it was really something to see, how your own love and appreciation is reflected in so many other people, especially when they've had to go farther for it, like maintaining the expense of the Gathering and bringing it back for so many years.
So I was a bit sad going in--my first gathering, and it would be the last one? It was hard not to feel this way at certain times, but mostly everything was so fun and exiting I was on cloud nine all weekend long.
I'm from Arkansas, and our NATIONAL AIRPORT in our capitol of Little Rock has a total of TWELVE GATES. This meant a connecting flight in Dallas, which meant a long delay due to bad weather, which ultimately meant arriving at the Gathering at 2 instead of 12, despite those handy hours we gained on the trip. Got my badge, and bought a copy of Bad Guys, talked with some people and eventually found my way for Thom's panel. It was so cool! He's such an interesting guy, and really really funny. I wish I had told him how when I was younger my cousin and I would fight over who got to be Lexington when we played Gargoyles, but I only thought of it after...oh well. Opening ceremonies: it was cool to see how many con-virgins their were--myself included. Huzzah for young blood, if I may cheer for myself. Seeing all the promos and clips was great, because I hadn't seen a lot of them. Was very late for supper, but my dad who came with me (I'm old enough to drive and vote and go to school out of state, but alone in LA for one weekend? Forget about it. But I love my dad and he's good company, even though he doesn't get Gargoyles or cartoons in general) was waiting for me and we got dinner at the hotel. Sushi and smoked salmon, like they don't have in Arkansas. So good.
I wavered and missed out on Keith David's mug-a-guest, so I went to audition for the radio play. Brought back all those delightful feelings I had in high school drama of the nervous audition, the fragile hope, and ultimate rejection. So I called a friend and CHILLED OUT. And I read for Gwen, and gave my best high pitched shriek. Walking away, and I swear I really thought this--I figured if I got any part at all it would be for the screaming bit.
Went to Cripsin Freeman's panel on Dragons for a lark and was really surprised. I hadn't expected it to be so good--it was really thought out, informative, and entertaining. I've been listening to Freeman in my anime for years (he brought be to tears for his work in Wolf's Rain, but I didn't mention that either--shoot!) but I never expected him to have the same passion for myths and folklore I do. I need to check out his site.
Then I stayed for the Gargoyles and the Spectacular Spider-Man voice panels--words cannot describe how hilarious they were. I asked a few questions but mostly listened and laughed, utterly content. After I shook Phil Lamarr's hand, and told him that I loved his work and could always tell when it was him, even though his range is so varied, which is true--that man has acted in probably every cartoon I've loved (and a few that I merely liked) since I was 11. I took a bit of time out to chat with Karine Charlebois, artist of Bad Guys. I want to work in comics or animation one day, so her insight was very useful. Thanks Karine!
After the voice panels I went to check the cast list, certain that I would merely be watching the players tonight and attending David Hedgecock's panel during the hour before the play--but my name was on this list! It felt like magic. And if wasn't magic it was certainly a little weird, as I had been given the role of the Pumpkin Bomb--the shrieking part. Score one for my intuition!
I was elated all night. Hearing all the actors reprise their old roles and work off of all the other actors WAS magic. It made it seem like that show I loved, those stories and those characters were still out there, just waiting to be brought back. It was amazing fun, and I shrieked with all my might! Phil Lamarr who sat in front of me, I'm sorry if I hurt your ears!
And after the play, I met my dad and we both walked and ate in Universal city. I gushed out everything to him, and while I'm certain he was extremely bemused he was also happy for me. A really wonderful night. Thanks Greg (and Mir. Thomason, and Victor Cook who thought up the screaming pumpkin bomb) for allowing me to be a part in that magic. I'll be the pumpkin bomb forever.
I attended both panels of the production process for both shows--if Saturday was all about fun and play, Sunday was (for me, anyway) all about fun and learning. I learned so much about how it felt to make a show, both from Greg and his comrades and from Victor Cook, whose mug-a-guest session I attended. Mr. Cook even gave me his card--the shining dream of working in animation (and um...the potential scary parts of that shining dream) seemed so much closer! I came in a bit late for the writer's panel, but still learned a lot. After the panel I shook Michael Reeves' hand, and I was really sad to hear that he was ill. He wrote some of my favorite shows on Gargoyles, and I hope he gets better. I also got Greg to sign my script, and told him how glad I was to be the pumpkin bomb. I still am, Greg! I still am!!
At the banquet I sat at Crispin Freeman's table, and had a nice dinner. The Q & A was also great then too--though I felt bad that everyone had to stand on stage like that; their feet must have been killing them, especially Greg. The Masquerade was great too. If there ever is another one, I'm definitely dressing up at least once. I had to leave pretty soon, as my dad and I had an early flight out Monday. So I didn't get to go at all on Monday, but I still felt that twinge of sadness that I'm sure was felt more acutely at closing ceremonies. I had a great time, but I had a long drive waiting to go to school once I got back home, and not enough time to say goodbye properly. I don't think I want to say goodbye.
Instead, I'll just say good night, and thank you. To Greg, to Michael Reeves and Vic Cook, to the con staff, to the guests, to the attendees and to the fans who couldn't go but were there in spirit: thank you. I hope I'll see you again.
Your shriek was stunning!!!
I'm glad you had a great time!
I also was wondering if you get the go ahead to produce a 3 season do you already know the fate of gwen stacy? like you have it all planned out on what will happen to her?
I know what I want to do next with her.
Longtime fan, first-time con-goer here. I attended the 2009 Gathering (sadly, now I'm regretting not going sooner since I had a good time and now it's over) and noticed during the Radio Play that the session's audio was being recorded. Is there an intent to release these recordings or is it for internal use only?
Is there a way to get a hold of the older recordings, if any?
There was an intent to release it. Not sure what happened with that. I know there's at least one old radio play available on YouTube in like three or four parts.
I have heard a rumor that if Spectacular Spiderman continues, Tony Todd would possibly play Hobgoblin. Have you ever considered this possibility yourself?
Where did you hear this rumor?
I was just wondering if you get the go ahead to season 3 will you announce it on that same day? and if so how will you announce it?
And a side note I'm buying the season 1 DVD for support
That's up to the companies involved.
Thanks for buying the DVDs.
Since your only involvement in the Goliath Chronicles was the first episode why did you have Goliath standing outside of Elisa's apartment? Wouldn't it have been safe to be inside while New York City is on a manhunt for gargoyles?
He probably should have gone inside. But he didn't.
I always wander what the blue thing is on Fox's eye. Is it a tattoo? Metal scrap? Is it removable? It has always bothered me.
Hey again Greg! Got a few more TSSM questions here.
1) You have said in the past that you have a general map for the entire series. But of course, since there's no finite end, I was wondering how far your ideas stretched. Since you've set 5 seasons as your goal, is that where your plans end or do you have plans stretching into the possible DTVs/Season 6?
2) Regarding the potential DTVs, would you be allowed to get away with more things in there? I mean, you obviously manage to get away a lot in the series itself ("Don't get your goop in my hair!"), but there are some plots, like Kraven's Last Hunt, for example, that they would NEVER pass for TV. But would you be allowed to tackle these darker plots in DTVs, or would they still be censored to the same level?
3) Also regarding DTVs, how many do you think you'll aim for?
1. The latter, but they are vaguer the further out you go...
2. I have no idea, but I would think so.
3. No idea.
These couple of questions I'm asking pertain to Goliath's reaction to why Avalon sent them to Manhattan:
1. As of the end of Golem, was it Goliath's intention to stay in Manhattan whether Avalon released them from their journey or not?
2. When Goliath states that Avalon sent them to Manhatten because of the present danger, was that scene suppose to give the audience the impression that Goliath, Angela, Elisa and Bronx would resume their travel?
1. I don't think it occurred to him not to stay at first. Then after the crisis emerged he realized that they had been sent to Manhattan or a reason, not because they'd been "released".
Hi there, Mr. Weisman.
It's a great oportunity for all of us fans to be able to write you a few questions (a few thousands by now) about a show that we all enjoyed so long ago and keep loving through all these time, and to keep up with the spirit to publish/share your ideas withs us is even more than I had dreamed possible. Thank you for your time, your efforts, and for sharing that gift of creativity that makes us dream of another world of great adventures, while we secretly (or openly) hope someday will become true.
Now what intrigues me:
I was watching episode 10 - The Edge, and about minute 17, when Broadway makes a Steel Clan robot crash into the book of the Liberty Statue, he makes a very distinctive gesture: to pass a finger over his tonge and then draw a "1" in the air... the same gesture that Gillian uses in the opening sequence of Jayce and the Wheeled warriors. Who's idea was it to include a reference to the Wheelies? I almost fall from my chair when I saw this (and a lot of other puns, references and dialogs!). I'm sorry if someone already pointed it out, but I have read more than 500 records from the archive (only 138 from the search of "edge") and I haven't seen any reference to this.
By the way, I love some (if not most) of your short answers... The "Hey, if we can keep you uneasy, then I think we've succeeded." to Greg Bishannsky... wonderful. And answering to one of your questions in the rambling "Chapter XLIX: Eye of the Storm" that has an "edge" word in it, I was lightning-struck to find out that Odin's eye was actually his EYE!
It's NOT a reference to a specific show (particularly a show I've never seen). It's a sports reference, that I'm guessing both shows utilized.
My Con Journal
I never would've gotten to go to Gathering at all if it weren't for Guardian.
Guardian and I met... YEARS ago. And ironically, what brought us together wasn't our mutual love for Gargoyles, but our mutual love for Dinotopia. We met on the Dinotopia Official Messageboard, and our two characters quickly became Dinotopian life partners (NOT what you think - in Dinotopia, that's the term for a very close bond between a dinosaur and a human (I was the dinosaur, and she was the human). When she was attacked on the OMB, I backed her up. And when she left, I left, too.
We hung out at my messageboard, discussing the other fandoms we had in common (Buffy, Gargoyles), and I got introduced to Riftwar (EPIC RP, omg, so sad that it's been wiped from EZ Board), and her main character/self Guardian.
Flash forward to earlier this year when I made the conscious decision to get back in touch with the four old online friends that have meant the most to me, over the years. Two, Guard, and the Chief Rabbit of my old Watership Down forum, I've managed to get into constant contact with. The other two... well, one hasn't answered my email, and the other doesn't have an up to date email address, anywhere I can find... But that's beside the point.
Anyway, while talking to Guard, the subject of Gathering came up. We started talking about how badly Nyx and I wanted to go, but how I couldn't afford it. And Guard commissioned me for enough art to pay my way, essentially, into the whole con.
Now, shortly after that, Nyx's grandmother went into the hospital... and from there into hospice care on a deathwatch. We supported her, and stayed with her, but I wasn't able to finish the commissions on time. When it really began to look like we couldn't go, I talked to Guard again, apologized for the delay, explained it, and asked if there was any way she could get us something, and maybe get the Future Of The fandom panel recorded...
Then she offered to just... pay for me and Nyx to get into the con. After all, I'm already doing the commissions, and she has no doubt I'll finish them... So plans were made, and we met her at the hotel Sunday morning. She bought our con badges after an hour or so of waiting, and then we split up for the day, going to different panels.
The panels the first day were fun. I enjoyed Dynamic Drawing (I think I've finally got a handle (pun intended) on the basic shapes of the hand and foot, now), and also the panel of writers was amazing... I got to meet one of my writer heroes, Greg Weisman, and let him know that he is one of the reasons that I'm a writer today. I got his autograph, as well as the autograph of another writer there who also worked on Transformers: Beast Machines... *geeks out*
Anyway, we hadn't had enough to afford the banquet Sunday night, and we didn't have costumes for the masquerade ball afterwards, so we went home after the second panel. We spent the night at Nyx's mom's house (which lead to me realizing that I don't computer well on a floor), watched all of the first five episodes of Gargoyles (the Awakening saga), and then went to sleep.
Keeping in mind that I'd gotten up at 4am Sunday, after having gone to bed at 1:30 in the morning. I embarrassed myself by falling asleep in the writing panel, but it all worked out eventually - the anxiety of getting the autographs woke me up for awhile. By the time we actually tried to go to bed, I'd gotten my second... or third... wind, and laid awake for awhile. Then, when I DID fall asleep, I jerked awake at 3 am, seeing a light outside and thinking the alarm hadn't gone off. I climbed over Nyx (we were sharing her twin bed at her mom's house), checked my phone, saw that it was 2:59am... thought "That can't be right... Wait!" My phone was plugged into Lona's computer in order to charge. And most of the time, when it's plugged in, it randomly sets it's time zone to something strange... "Enwetok" or something like that, that's -12 hours from where we are. But... it hadn't done that, this time. Yes, it was 3am... And having scared myself awake, I was wide awake. (Keeping in mind, we didn't get to bed until 11:30-midnight.)
So, I sat up for an hour, played my DS, sat in the living room (where it was marginally cooler - it was really hot in that bedroom), then finally came back to bed, sleepy, at almost 4:30am. I woke up again one or two minutes before the alarm would go OFF, so for all my panic about sleeping through the alarm, I was still up on time.
A few slices of leftover pizza, the rest of my starbucks coffee from the previous day, and I was ready to go. On to the last day of the Con!
First was the Future Of The Fandom panel. Essentially a panel moderated by one of the people who runs the con, getting fan ideas for how to keep the con alive. I was proud of myself for speaking up several times. I even gave the idea that the con could be expanded to honor the other Disney Afternoon shows that were with Gargoyles in that block. Everyone seemed to like that.
After that, the Gargoyles: Biology And Culture (I asked a question there, too... and Greg Weisman himself answered it!)... that was the most awesome panel, ever. Gargoyles were tied into paleontology, even. SO incredibly awesome. And I learned that I'm not nuts. :P Lots of people question as if the Gargoyles world is/was real, as I do. That was just...awesome. Totally awesome.
The best part of the day, however, was the Closing Ceremonies... So many people, fan and Guest alike, spoke about past Gatherings, their memories... no one was ready for it to be over. We all just kept filling the silence with stories after stories... Greg Weisman, the creator of Gargoyles, was crying through most of it... I don't even know where to start.
The Con was amazing. I regret never having been to all the Gatherings, previous to this one.
Glad you could make it!
In "High Noon" as Demona transforms in front of MacBeth, there are paintings of women all over the walls. Just artwork he likes or are the subjects more significant to Macbeth?
I'd have to look again.
So now that you've released the cast list/title of the Spidey crossover radio play, I have to ask: Is "Religious Studies 101" out of the running for arc titles?
Probably, but not because of the Radio Play.
Consciousness returned to my body. My eyes were stinging and heavy. I cracked open a dried socket and tried to make sense of where I was. The sun was up, enough light was getting through to help me establish I was in a hotel room. My last memories were hazy, involving a military facility and being rushed onto an aircraft. Was I drugged?
I took stock of myself. I was on the floor, still wearing my clothing from yesterday. I sensed I wasn't alone in the room, whoever was keeping me here seemed to not be paying attention. I clawed my way across the floor into the washroom. I quietly used the facilities and showered, not wanting to find out what would happen if my 'hosts' were woken up. I slipped out of the room and found myself in a large and upscale hotel. I stumbled out into the sunlight. The heat and flora told me I was in California. Disoriented, it took me some time to scale down the hill and find a street. The presence of Universal Studios meant I could only be in Los Angeles. My advanced knowledge of American geography dictates that walking in any one direction long enough will bring me to a McDonalds. Like most Canadians I had a useful amount of US currency in my wallet and obtained some vague semblance of nurishment. And coffee.
The only way to figure out why I was brought here was to get back into the hotel. The climb back was further burdened with the fast food rotting away in my stomach. Approaching cautiously, I found a contact had left a dead drop in the form of an envelope with my codename on it. Inside was a T shirt that would help me blend in with the locals and a book full of coded instructions. I could infiltrate this secret society by hiding in the background or in plain sight. I chose plain sight. A number of events seemed to rotate around a 'Radio Play'. This requried an audition so I feigned an accent to make the leaders of this group think I was European. Ironically, after the audition, the group I was trying to infiltrate offered a lecture on voice acting, which would likely be useful should I be cast in the play. This was also an opportunity to examine the leaders of this strange group. After conducting some surveillance and link analysis I had a chance to speak with a British operative who may have been on the same mission as me. I determined this because other people were noting that nobody had seen her there before. We also assessed together that Top Gear is the best show on British Television that isn't Gargoyles. I also conversed briefly with a fellow Canadian. But being both female and French I knew she wasn't to be trusted. Also her badge identified her as ONE OF THEM. Someone responsible for a project called 'Bad Guys' can't be up to anything good.
Soon it was time for the play rehearsal and play itself. I was delighted to find we weren't going to read 'Dianetics' or something. I was able to keep a copy of the script which, as we speak, is being analyzed for subliminal subversion. Also I felt I may have been losing myself in my cover. I was starting to feel the mind control effects of the group's supreme leader.
I made contact with a former US Navy operator and we able to abduct a 'biology research scientist' that belonged to this secret society and we debriefed her at a 'Fatburger'. What would this group need with a biology scientist? Germ warfare? Genetic manipulation? I was in deep, thankfully I wasn't alone.
Back at the hotel I slid into a late night session code named 'Blue Mug'. Nothing I had seen previously had prepared me for this. People were discussing things like how a gargoyle would [CLASSIFIED=========================================================================================================CLASSIFIED]with salad dressing.
Also a cultist presented a ranking member with somekind of magic underwear. It was difficult to see from the back. Exfiltration occurred around 1150 hours GMT -8
More to follow...over.
And we're all very grateful for your service...
GATHERING OF THE GARGOYLES
Due to my own limited funds, as well as my young age (17) at the time, I was unable to attend the first Gathering. In fact, I have only been able to attend the Gathering three times: in 2001, 2006, and this most recent one. In short, only the ones in and around Los Angeles. This was because travel and lodging were expenses I could ill afford. And for those last two (2006 and 2009), I didn't know if I would be able to pay the registration fee until (literally) two months before the Gathering. For that reason, I consider myself supremely fortunate to have been able to attend this, the last Gathering.
The Gathering was always something I loved to hear about, even when I wasn't there. And it was something I always felt was worth looking forward to. I looked forward to the day when I would be able to afford a trip beyond LA. Heck, let's be honest: I looked forward to a day when, like Karine, I would cross from "fan" to "professional" (actor, in my case) and be given that nifty "Guest" ribbon! Have my very own Mug-a-Guest, panels and everything! Yeah, yeah, I know--my swelled head makes it difficult to walk through doors. ;-)
And, of course, I regret not being able to go to any of the other Gatherings (especially the one in Montreal that the DVD crew filmed). I also kick myself for not being more proactive and helping out the staff for the LA conventions.
But, I am thankful for what I did have.
-The 2001 Gathering has a special place in my heart, simply for being my first Gathering. And the BIGGEST, I've every been to. Seriously, we had SO MANY panels in that first LA convention. And JEFF BENNETT! One of my favorite actors (I wish I could have gone to his Mug-a-Guest: he seemed like such a cool guy). Plus, we had a panel where fans got to try their hand at reading bits of "Gargoyles" episodes (specifically "Vows" and "M.I.A.") outside of the radio play or its auditions. And alongside Morgan Sheppard and Crispin Freeman, to boot. A couple of folks even got to try dubbing anime (I didn't have a chance to do that, but I did get to read for Goliath in the "M.I.A." scene--which was very intimidating, given how light my voice is in comparison to Keith David's--and Brooklyn's audition side). This was also the only convention I brought a costume for: Nought. I didn't enter the Masquerade contest, but I did thoroughly enjoy myself that night, as I did throughout the entire con. I think I got the most autographs from that one. But one of the biggest things was finally meeting everyone I had known online in person. It was great putting faces to names, learning the real names behind the 'net monikers, and just being able to talk with them face to face.
And for the "Hunter's Moon: Part 3" radio play, I was Matt Bluestone. It was so fun--and my first real chance to perform with professional actors from the show.
-2006 I remember mostly because I was at such a tough point in my finances I couldn't afford to drive the 30 miles back and forth to Valencia for each of the 4 days. So I drove up there once, parked in the hotel's free parking, and slept in my truck (it had a camper shell over the bed so I was comfortable) until the Gathering was over. I couldn't go to the Banquet for this one, unfortunately, but I still had a great time. The first issue of the comic had come out, so there was plenty to talk about. And on the first day, Crispin and Thom held a panel where I finally got to try my hand at dubbing a scene from an anime. Other than a particularly egregious P-pop, I feel I did pretty well for my first attempt. Plus, there was that HUGE room of voice-actors from "W.I.T.C.H." (and I still feel a little guilty about asking a question that caused the panel to go over time). This one wasn't as big as the first LA Gathering, but still a very nice size, with plenty of panels to choose from (and torture me with not being able to go to them all). Since this was my second Gathering, I felt a bit more open and comfortable with other people, especially those I remembered from my first time. In a way, that made this my most..."relaxed" Gathering.
And the radio play was "The Mirror." I'm still surprised that my Broadway managed to sound kind of like the real thing.
-And 2009...well, I've just gone into all the details over the past few days. It was not the biggest of the Gathering's I had been to, no...but in some ways the smaller, more intimate nature of it helped to make it all the more memorable. Not to mention all the voices that participated in the radio play (which was the most fun of the three, just for all the in-jokes and references if nothing else).
God...I count myself fortunate for each of the Gathering's I've gone to, and doubly fortunate for making it to the last one. I don't know what's going to happen next year, or the year after that. I still hold on to hope that, like the series it's based on, the Gathering will return in some form or another (or at least another "Gargoyles" convention like it). Until then, though, I have my memories, my radio play scripts, and the friends I've made (as well as the DVDs and comics the Gathering made possible). Not a bad legacy, all things considered.
Nope. Not bad at all...