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Related to "Future Tense":
When/How did Puck find out about Goliath having the Phoenix Gate. I don't recall Puck ever knowing this before.
Puck would have found out from Owen, who would have found out from David.
Do the tricksters get along with each other? Do they like to commit shenanigans together during Gatherings, or do they have different dynamics between each other?
Any two individuals have a unique dynamic.
Hi Greg. In the Cauldron of Life episode, why was Xanatos so disheartened when he lost Hudson as a test subject?
"I was so close to finding out if the legend was true. Now there's no one to test it on."
Couldn't he have secured a simple test animal to dip into the cauldron? You'd said that he never expected Owen to lend a hand. It's odd for him to voice defeat without thinking of another plan.
On the subject of stone skin, why weren't there any skin shards lying around from all the times the Gargoyles had awakened at the castle? I seem to recall an episode where someone assumed an identity to get to the castle and he found a skin shard (unless, of course, that was from season 3).
I'm not sure "disheartened" is the word I'd use. Wistful, maybe.
As for the skin shards, most had been cleared away, cleaned up, etc. It wasn't anticipated that they might be useful.
Hi, I'm posting on Disney/Marvel Merger Day and I'm looking for some historical perspective. Someone in the comment room says "I recall Greg once saying that back in the 90s Disney was interested in buying Marvel, but instead decided to create their own universe with Gargoyles." I've found this on the New Olympians episode ramble:
Well, the Greek Myths of course. But that's not really what I'm talking about. As many of you know, The New Olympians was a concept -- originally created by Bob Kline -- that we began developing at Disney TV Animation even BEFORE Gargoyles. It was definitely a concept that evolved, but it was also a concept that we felt fit nicely into the Gargoyles Universe. So this episode was created as a backdoor pilot. At the time we had big plans for the Gargoyles Universe. Hopes that it would eventually evolve into Disney's equivalent of the Marvel or DC Universe. The World Tour expanded our Universe in many ways -- mostly for the sake of the Gargoyles series itself. But also to demonstrate that our universe had the "chops" to go the distance."
Could you elaborate?
1) Is it true that Disney considered buying Marvel in the 90s?
2) Did the Disney higher-ups want a Gargoyles Universe to rival Marvel/DCU, if briefly, or was that your idea?
3) How heady were the days of season 2? Was Gargoyles being positioned as a significant face of Disney? I remember the Anaheim Gargoyles baseball team memo is from around that time too.
2. It was my suggestion, but it was a suggestion that my bosses, including Michael Eisner liked. At least for one meeting.
3. They weren't all that heady. There was a lot of potential in the property, but the schedule was also both long and brutal, and we were still producing episodes into May of 1996, even though the season had premiered in September or October of 1995. By January it was pretty clear that reruns, preemptions, the O.J. Simpson trial and Power Rangers had combined to severely damage our momentum. In addition, the death of Frank Wells and the departures of Jeffrey Katzenberg, Rich Frank, Gary Krisel and Bruce Cranston, i.e. some of the people who had been such great backers of the property, hurt too. As did Eisner's decision to step back from the hands-on decision making he had done vis-a-vis Disney T.V. Animation. It left us quite at sea. New people came in who had no affinity for the property, long before we were even done producing Season Two.
So does this mean that Gargoyles is part Marvel?
I have more questions, inspired by the Timedancer arc in the trade paperback. I hope you are in the mood to answer some fan questions in between the con-journals.
I am quite curious now about what the Phoenix Gate actually is.
1. The Weird Sisters said that "The Eye and the Gate were forged on Avalon..." so is the Phoenix Gate Third Race magic?
2. Is the phoenix itself an actual living being?
3. If the phoenix is an actual living being, what kind of life-form is it? (Other than being a phoenix.)
Thanks again for answering our questions. I'm planning on reading Brooklyn's adventures again in between watching Avalon and City of Stone.
1. It's more complex than that.
2. Depends on how you define "living being".
3. It is.
What do you think about the Disney Marvel merger? Do you think it will change anything for you(or in other words you're struggle to get more episodes of Gargoyles made)? Do you think we will see you're gargoyles comics published by Marvel in the future?
1. I'm withholding judgement.
2. I don't know.
I see there are two other questions about Disney buying Marvel - but I'm going to ask two other related questions:
(1) Were you aware ahead of time that Disney would be purchasing Marvel?
(2) I'm sure the legal complexities involved in this transaction are very... well, complex... as they interface with your show. However, to your knowledge, how does Disney's purchase of Marvel impact the possibilities of using previous off-limits characters on Spectacular Spider-Man? (Especially Kingpin, but also other characters you said you wanted to use on rare occasion, such as Human Torch.)
2. No idea.
Did you ever seriously consider leaving Venom and/or Mary Jane Watson out of season 1 of The Spectacular Spiderman? I heard that you didn't want to use one of them (but I forget which) in the first season.
Seriously, WHO did you hear this stuff from?
I know that whether any more Gargoyles trades are made by SLG depends in large part on the sales of the existing trades. Did Dan Vado give you any specific numbers (or even ballpark figures) of how many copies of the trades need to be sold so that SLG will consider approaching Disney to make more Gargoyles trades? If he did, what are those numbers/figures/estimates? Also, I don't know how closely you keep up with the sales of the trades, but can you tell us approximately how many have been sold so far so that we know how close we are to potentially meeting the goal so that we might get new trade paperbacks in the future?
He did not give me specific numbers, relative either to his expectations or to actual sales. But clearly the numbers warrant the fact that he's now (still) in the process of trying to secure the license again from Disney.