Matt writes...

My Review For Gargoyles #11, "Tyrants"...

- Alright. I'm a liar. I said in my "Rock of Ages" review that I planned to read each issue independently and review them before moving on to the next chapter, so as to get my true first impressions of each story without influence from later chapters or talking with fans. I was doing pretty well until this issue. By the end of it, I could hardly stop before moving on to #12. What is worse is that I've recently returned home from the Gathering and have had lots of discussions and revelations about the entire book. Nevertheless, I'll do my best to write these reviews as separate issues, focusing on my initial impressions for the most part.

- So, as usual, I'll start with the cover. Brooklyn meeting his past, frozen self is a neat idea. The cover made me wonder immediately if Brook will ever meet and talk to himself at some point in his TimeDancing. I guess we'll have to wait and see. Anyway, it is a good, fun cover.

- We pick up more or less where we left off, though I get the sense that some time is passing in 10-12 that we are not seeing. There is a lot of traveling through Scotland going on and I'm sure Brook is spending days on the road. What strikes me about that is that this time is passing without note, which contrast greatly with the previous three comics where every minute was accounted for. So, Mary, Finella and Brooklyn arrive back at Wyvern. A few years have passed since the Massacre and all seems quiet and calm at the old Castle. Brooklyn finally gets a chance to really face what happened to his Clan. Their crushed remains lie all around him. Brook is such a rich character. Capable of such sorrow and anguish and still be one of the most humorous characters in the series. Great writing. Brooklyn learns quickly that it isn't a great idea to talk about future events to people in the past when Mary asks about Tom. I get the sense here that Mary and Finella know and believe Brook is from the future, but not from how far in the future. I doubt Mary knows about how time passes on Avalon, so I suspect that she might only believe Brook is from a few decades down the road. Interesting. Also of note here is that Brook finds an old scabbard for the sword he obtained in the last chapter. I think this merits note because suddenly Brooklyn feels the need to carry a weapon, something he has never needed before. He also discovers that Goliath's half of the Phoenix Gate is not available.

- Meanwhile, in less quiet corners of Scotland, the busy world of war and politics is ticking along. Constantine fulfills his moniker of "Constantine the Bald" by shaving his head. Thanks to Todd Jenson and the GargWiki I was well aware of this historical tidbit before reading this chapter and it gave me a cool feeling. Constantine's relationship with Gillecomgain is very interesting, and thus the relationship with Mail Brigti is interesting as well. Constantine seems creepily fascinated by the teenager and this seems to worry Brigti, though he is probably wise to say nothing of it. Most strongly on Constantine's mind seems to be the war however. I like how he mentions the "Three Brothers". Valmont is cool here too. He deduces that Katharine and Magus have left "this world", Tom is with them or dead and that the Grimorum remains in Scotland all by reading the entrails of goats! A talented and creepy sorcerer to be sure.

- And finally, in another corner of Scotland, Demona arrives to her clan's cave with bad news. "They're all dead". Yikes. She seems mostly pissed off, but everyone else seems more shocked and sad. I like that distinction. And lets talk about this clan. The male gargoyles are not new to us, but the females and the beasts are. I can't help suspecting that the beasts are Bronx's biological parents and that the young female is 'True', Hudson's biological daughter. As it turns out, both suspicions were correct as revealed at the Gathering. Apparently, this cell is of gargoyles that originated at Wyvern. Kinda cool. We also get our first canon mention of the Wind Ceremony (just as earlier we got our first canon mention of the Humility Spell, this is a good chapter for canonizing things). I like how young, innocent 'True' suggests a Wind Ceremony, but the older, harder, angrier Demona just wants vengeance. For me this symbolizes Demona's ironic drift from the true gargoyle ways.

- And in yet one more corner of Scotland, the army of the Three Brothers assembles. I love their emblem being the three swords. A symbol of unity as opposed to Constantine's claw being a symbol of domination. So, while Demona plots to kill all humanity, Grim is hoping they will be strong allies, that is pretty cool. Really plays into how much I like the Grim. And he gets some luck when Brooklyn arrives and immediately allies himself, with hope that he can bring an army of gargoyles. Things are looking up for the army of the Three Brothers. I also want to mention that I found it funny to see Bodhe and Brooklyn standing next to each other. Not two characters I ever really suspected of being in the same scene, but I suppose TimeDancer will give us plenty of surprises along that line.

- So, we've visited all the 'camps' in this issue and now they all start coming together. After a really funny moral message to his audience beyond the fourth wall, Brooklyn leaves to find the last remaining gargoyles in Scotland. I get a good sense of a lot more time passing here. Maybe a few days or even longer. Brook finds more smashed clans and spends his days hiding before finally being discovered by an old acquaintance, the gargoyle who will be Demona. Naturally, he attacks her immediately. She is amazed to discover she knows him and he barely keeps his anger in check. I like how they both start lying to each other about how they survived the Massacre. After Demona stammers out her line about being in the forest, Brook brushes it off with a "Doesn't matter". I love how he knows she is lying and yet doesn't call her on it. Good restraint on his part and from the other angle it makes me wonder what Demona's reaction will be when she realizes Brooklyn was not being entirely honest either.

- Back at the ranch, Finella wants to try to use the Grimorum. Mary says this sounds dangerous, and I have to agree. Everyone else who has used the book was probably in training for years. We'll see if she can pull it off. I suppose knowing Latin and seeing magic performed before is a good start, but still...

- And at the opposing army's camp, Constantine the Artist is doing some really fun face-painting for the kids... or actually creating an emblem of fear, hatred and genocide which will last for centuries. And all the while is being a real jerk. Killing the messenger and all that. And finally we come to the Battle of Rathveramoen, which we've been building towards for a while. The army of the Three Brothers seems way out-gunned until sunset. And then we get this AWESOME two page spread of Brooklyn leading the gargoyle army into the battle. I noted a couple cool things with this battle. I liked how the gargoyle beasts are seen already chomping down on Constantine's men. I like how Demona's Clan left the young gargoyles behind which contrasts with Bodhe being in the battle, against Gillecomgain, no less. I like how Demona's Second is thrilled at the thought of a 'true battle' rather than the hiding the scattered clan had been doing, and I find it cool that he (and apparently the whole clan) has started calling Brooklyn "The Gargoyle of the Sword". Not a name, of course, but just gargoyles being gargoyles. Why call it 'The Hudson' and not just 'the river', why call him 'Brooklyn' and not just 'the gargoyle of the sword'? The are just called what they are, I love it.

- And lastly we get the battle coming to where it wasn't supposed to get. Mary and Finella's guards are quickly taken out by Valmont and the Grimorum is snatched away. And we get this iconic Gargoyles moment where Demona and her enemy speak the same passionate line. In this case both desire to control Scotland. Really great stuff.

- This was a really interesting issue. Lots of new, cool things to look at, new canon stuff and a great battle begins. A fun issue that clearly left me desperate for more as I was unable to stop reading at this point. And I can still in my mind almost hear Valmont or Constantine's voice-over say "To Be Concluded..."

Kalara writes...

Mr. Weismen I just got finished reading the Clan Building Vol 2 comic and I've got to say thank you. I felt the magic all over again. For us fans who have all been waiting years for this comic it was well worth the wait. The history and adventure in the story arcs were awesome. If felt the magic of Gargoyles all over again. Thank you for your dedication to the fans and keeping the dream alive for us all over the years. Thanks much no questions just wanted to give some praise to a job well done.

Matt writes...

My Review For Gargoyles #10, "The Gate"...

- Having the next chapter a page turn away but forcing myself to refrain from proceeding until I write up a review is really good motivation for writing said review. So even though I'm not feeling well and just want to read the next chapter and go to sleep, I'm gonna write up my #10 review instead. Who knew I could be so disciplined?

- So, lets start with the cover for this one. A cool cover, though I wonder if it is a bit bland. I'm not sure it would do a great job of catching the eye and bringing in new fans, though I suppose that criticism is moot given that it never hit the stands anyway. Being an old fan (and knowing what the Phoenix Gate is and why Brooklyn's hand is reaching for it), I thought it was very cool. Very exciting.

- Beyond the cover we find ourselves in a new adventure quite separate from the last couple chapters. A different setting, a different bunch of lead characters and, most strikingly, a different artist. Like many others I've greatly anticipated Greg Guler's art in this issue. And, to no one's surprise, he didn't dissapoint. Like Karine Charlebois, Guler's style here really echoes the TV series. This, of course, isn't a shock since Guler designed many of these characters for the series in the first place. It's impossible not to like Guler's work here since it feels so Gargoyles. That doesn't mean I don't like Hedgecock's (or other artists') work on the book, because many people know I liked Hedgecock's work a lot. But one thing I greatly enjoyed about Hedgecock is that he kept well-known characters recognizable while still maintaining his own style. With Guler, the style is the same style as the show. I think both are great, honestly. The ironic thing I noticed immediately when reading this chapter is that some characters not directly designed by Guler (such as Broadway) are spot on, while others he did work on extensively (like Angela) seem a little off at times. All of it looks great though.

- So our story starts back in Manhattan where the oh so melancholy Brooklyn endures the Broadway-Angela relationship. This must be especially tough with Lex and Hudson off in London. Clearly, Brook wants them back for their company. He seems so lonely. I wonder how much he hangs out with Goliath. Who else can he hang out with? How many times in these reviews have I said "Poor Brooklyn"?

- Anyway, the three young gargs are hanging out and a portal opens and out pops the fiery Gate. I wonder if this is where the Gate immediately came after Goliath tossed it in "Future Tense". And if so, why here and why now? Did Goliath's mind have some influence? Or did the Gate come here and now completely on its own accord? Hard to know, though the events that happen next make me suspect the latter. Before anyone has a chance to do anything, the Gate seems to... evaporate or something and out from the ashes (how neat is that?) comes one huge flaming Phoenix. Woah! Thats a big bird. I wonder what nearby New Yorkers thought of that pyrotechnic display. I really like how the Phoenix seems to single out Brook. I wonder why, but no one gets any answers here. The bird gobbles him up as if it didn't have a moment to spare (haha). This leads to one of my favorite moments in this chapter; Broadway and Angela. Now, having the general idea of this moment spoiled to me nearly ten years ago, I've had a lot of time to imagine how it goes down. In ways I'm not too far off, in other ways I was surprised how I reacted. As I suspected, Broadway and Angela do what they can to rescue Brook from the flames and are not successful, but after he is gone and the flames have died out we get one great little panel. Broadway says, "We've... we've lost him..." And Angela responds, "Maybe forever..." How chilling that was! I'm serious, the first time I read it, I got chills from Angela's line. And I think I know how this sort of ends even! Broadway has this sad moment of fear and helplessness and frustration and Angela responds with this great line that contains this mix of pragmatism and sorrow. Like she is trying to comfort Broadway, reassure herself, but ultimately face reality all at once. Leave it to Greg Weisman to deliver such powerful moments in such little dialogue. I mean I am really impressed. A couple frames to look at and no voice actors and I still totally feel for these characters. Great stuff. Really great.

- And what about our poor Brooklyn? Well, he seems to barely have time to catch his breath before he faces danger yet again. This chapter just keeps moving forward, which contrasts greatly with the last three issues. As fun and interesting as the non-linear storytelling was, it really is a relief to get back to a more standard format. One big catch is that I seem to read through these issues even quicker. Anyway, Here we are again in the tenth century, much to the delight of many fans, I'm sure. Flashbacks and time travel and other adventures in the past really are one of the great things about Gargoyles. It is no surprise to me that nearly all the multi-part episodes contain them as they seem to be bursting beyond the seams of a normal length tale. There is so much neat stuff going on in (the year of our lord) 997 that I barely know where to start. Some of the cool things that come to mind include the use of tenth century 'slang' and viewpoints, the natural alliance of Gillecomgain and Constantine, the appearance of one of Constantine's aforementioned sorcerers, and Mary and Finella's continued life on the run. All these characters are so fascinating. I look at Finella and wonder if she has ever seen a real gargoyle before. She seems so amazed that they actually bleed. I love that Constantine is a jerk, but a smart one, he knows his enemies will seek the help of gargoyles and moves to destroy them. I like how he kills the gargoyles out of strategy and maybe a bit of evil joy, while Gillecomgain's destruction of them is pure anger and vengeance.

- And how about the gargoyles themselves? Naturally, I'm thrilled to see a new bunch of Scottish gargoyles, especially since they include females and a beast! They didn't last long though, and boy is Demona pissed about that. Of course, she hasn't been named Demona yet, right? But damn isn't she getting an awful lot of non-speaking cameos in the comic. Isn't this the fourth or fifth book we've seen her, but not heard from her? I know thats about to change, but it strikes me as interesting. Like Greg is baiting along those diehard Demona fans! Haha.

- And as for Brooklyn himself, we see here so clearly how he, more than many other Gargoyles characters can lead his own spinoff. He is a warrior and has issues and aspirations and problems and a keen mind. But most of all he has that sarcastic humor we all love him for. He really had me laughing out loud in this one. Kudos Greg! Some great lines: "Okay, now that I've set back human-gargoyle relations for the next millennium..." and "Look, I know you've never seen Star Trek or Quantum Leap, but I need you to understand - I'm from the future." Great, great stuff.

- One other scene I want to point out is the meeting between the rightful heirs of the Scottish throne. There is a lot of cool stuff going on here. You've got this new character called "The Grim". The moniker is such a contrast to how he seems to actually be. I like him. He seems wise and kind and good-natured. A really good guy in a really ugly world. I love how he knows from his own family history that gargoyles can be powerful allies. He makes me wish that his wisdom and optimism about gargoyles would lead to a good future between the species, though we know this is not to be. Not yet. The other three characters are not new at all. We've got Maol Chalvim just as brooding as ever. Findlaech, who has always been such a great mix of "look at the bright side" and "face reality". And then young Bodhe. Bodhe was a fun surprise. I was surprised he was the Grim's son, I was surprised at his relative youth next to his future friend Findlaech, and most of all I was surprised by his eagerness to follow his father into battle. This is very different from the somewhat cowardly man we know he grows to be. I have to wonder what changes him down the road?

- One final note before I wrap this review up. The "wanted posters" that Constantine is displaying all over Scotland... they seem to have been drawn by the same artists that are designing the characters in Spectacular Spider-Man. Tom especially has a strong resemblance to Peter Parker. I find myself looking for the mole... Anyway, kinda funny. I guess now that references to the other show goes both ways.

- This issue was just awesome. One of the best of the ten chapters, in my humble opinion. The art, the plot, the writing all of it was perfection. My only gripe would be the cover, but one message of this series has always been to not judge a book by its cover and that axiom certainly bears truth for me here. This chapter really leaves me desperate for more, so I'm off to read #11!

lil c writes...

am i going 2 have a gurl

Todd Jensen writes...

Thanks for the second act of "A Handful of Thorns". I enjoyed it, especially all the in-jokes (Brooklyn's spin-off remarks, the Green Goblin thinking of calling up Disney about the gargoyles, Elisa repeating her "street pizza" line from "Awakening Part One", Demona's remark about the stage being crowded enough, etc.). You must really have had a blast writing it.

So how good would a couple of gargoyle beasts be at looking after an egg? (At least nobody is going to try stealing it with Bronx and Fu-Dog on guard duty!)

On the more serious note, I liked your exploring of the impact of Brooklyn's Timedancing adventures upon the trio.

A great cliffhanger ending (I hope it won't offend any of the readers). I'll admit that I would expect the Spear of Destiny to be in a different location in the Gargoyles Universe - I won't say where, because it would break the "no original ideas" - but I've read enough about the medieval legends concerning that same spear to guess.

Looking forward to Act Three (I hope the weekend won't seem too slow).

Anonymous writes...

In the comics are we ever going to find out what happened to Brooklyn in his 40 years of time travel?

Matt writes...

SPOILERS!

My Review For Gargoyles #9, "Rock of Ages"...

- Well. That was worth the wait. Okay, so I couldn't wait any longer and had SLG ship a couple copies of Gargoyles: Clan-Building Volume 2 to me directly (or rather to my workplace so I could get them even faster). Just to finally have it feels great. Ask my coworkers, I was bouncing off the walls today. And here is the funny part; I've only read half the book so far. I decided in advance not to just read through the whole thing in one big gulp, no matter how badly I want to. I know that over the next weeks, months, years, new Gargoyles material is going to be scarce if existent and I want to make this last. So, with that in mind, I'm reading one issue at a time, reviewing it and waiting til I've assimilated it pretty well before moving on. You have no idea how much temptation I have. So, the reviews for 9-12 will be given without any idea of what happens in the following issues (and hopefully there will be more beyond 12). Being that as it may, I'm happy that the first issue I read happens to be #9 as I witnessed the Radio Play in 2008 in which it was a part and thus received major spoilers. I was eager to actually see it though. And to see how the fractured timeline thing worked itself into the issue.

- So, without further ado... the cover. Gorgeous. Perfect. Lex and Hudson look great, but Griff is just awesome. I mean, I've always liked the guy, but this is just so cool. At no other time has Griff (or any other English gargoyle) looked so... well... gargoyle-like. Turn Griff to stone with that expression and you can see him on some building or church. He is scary and cool and so dynamic. I LOVE Griff on the cover.

- So, on with the story. It has always been difficult to review this story 'in order', but I'll do my best. (I sometimes think I should've written these reviews then randomly mixed up the paragraphs for effect.) So, with a few side-bars, we continue with the battle above Westminster while Arthur checks out the Stone inside. Lex wakes in Staghart's arms (*sigh*) and quickly takes control of the situation. Go Lexington; he is pretty impressive here. After waking from unconsciousness, he quickly gathers "the gist" of the situation, comes up with a plan and implements it to spectacular effect. Don't ask me why, but I especially liked the viewpoints of the Steel Clan and Iron Clan robots in infrared. I had fun deciphering their little codes. Great attention to detail with all that. 'ICR', 'SCR', 'Tracking:Lexington' and cool how they just identify Griff and Amp as "U.G.-1" and "U.G.-3" since they don't know their names. Neat. So after the ICR and SCR are taken care of (by Coyote, whoops). Coldsteel and Coyote make a quick exit. Coyote's light blast was cool, though I wonder why he didn't use it during the battle. Anyway, a fun end to a fun battle. And Coyote makes it away nearly unscathed, he must be thinking his luck has finally turned.... nah.

- So morning comes and the Stone is being moved and we move to the second airborne battle. This one was a lot of fun too. The way Coldsteel ties up Coldfire is just so darn suggestive, ya know? Coyote's chain-saw, Coldfire's head-butt and especially the way Coldstone takes out Coyote are great attacks that came as really fun surprises. It isn't always easy to keep these battles fresh and original, but Greg does a great job. Kudos there. And it isn't just the actions, the lines are superb. The dialogue of the whole scene is great and flows so well. Coldsteel has a lot of good ones, but Coldstone's "Define this!" got a laugh out of me, probably because when he said it I could just hear Mr. Worf saying to some Borg "Assimilate this!" in a similar situation. I have to admit that it struck me as odd that Coyote would refer to Xanatos as "David" when talking to Coldstone. He always called him "Xanatos" before, why the first name basis now? I also liked that Coldsteel's self-repair initiation seems to mention the Matrix technology. Kinda a cool little thing. Oh yeah, Coldstone running around the bottom of the river is cool too.

- Alright, on to the Stone itself. We get several more stories from Shari. I have to admit, these don't grab me the way they did in #7-8. Maybe it was that I was less familiar with the legends and characters mentioned or maybe I was too interested in the modern day stuff. I dunno. I imagine in time I'll become more familiar with these legends and historical figures. Gargoyles is always good for that, eh? One thing I immediately wondered is if the man behind Robert the Bruce is, in fact, Macbeth fighting on the sly for Scotland. Or is he the Irishman Cormac Maccarthy? Or is he some random dude who happens to look like Macbeth? Or is Cormac just one of Macbeth's alias'? Hard to say, though I suspect talk with the fans and some research will reveal more. Gargoyles sure has a way of making you hit the books. Kudos to Greg for that.

- Now we get to where I get a bit confused. So, we know the Illuminati wants the Stone. They get Xanatos to help. But I'm not sure I understand why, or what exactly Xanatos is up to here. The Stone is in the car being driven by some English military dude (presumably). Xanatos uses the shoe box to stall the convoy on the bridge. Coyote and Coldsteel head to the bridge but don't make it there. While the cars are stopped, Xanatos hits a button which flips the stone with a replica. Alright. The shoe box is found to not be a bomb and the convoy moves on to Scotland. But the same car (with this woman driving now) arrives at some warehouse a little later with the Stone and it is later taken to Carbonek. So... what happened? I'm afraid I didn't figure it out. And I really hate that. I'm not sure if I should feel dissapointed or just stupid. The whole plot leaves me with a lot of questions. The Stone itself seems to say it is every rock and that protecting, mending, stealing or hoarding it is utterly "pointless". Well, great. So that means it doesn't matter which Stone is real and which a fake. But I still want to know what Xanatos' plan was. Was he trying to obtain the Stone for himself while making both the Illuminati and the authorities believe they have the real stone in their possession? Why did he send the robots to attack the gargoyles the night before and what were Coldsteel and Coyote going to do had they reached the bridge? Why did Xanatos summon Coldfire and Coldstone? What happened to stone that was flipped in the car? How did the car get to be driven by the Illuminati woman? I've read the book several times over trying to understand this stuff and I hate to say I don't, but I just don't. *shrugs*

- But moving on, we get to Carbonek. These characters are not what I expected. They are modern. Modern clothes, modern personalities, even beyond modern cybernetics. I guess it makes sense to think about it now, but I sure didn't expect it. The Stone's long dialogue to the four men is just awesome. So cool to think about. What a list. I especially love some of the references like the Megalith Dance and Uluru. Cool. And for the past year I've been thinking about the Stone's little comment to Duval about Arthur being awake and his reaction. This is really interesting stuff. I want to know how the Illuminati knew he'd sleep for another 200 years, but I suppose that is a story for another day. It is funny, for a long time we heard in the series a lot of characters (including Arthur himself) talk about how he'd been awakened early. I always suspected that they were wrong and that Arthur woke precisely when he was destined to and that no one knew what they were talking about. Looks like I might be wrong. And looks like Elisa might've really screwed up the future. Guess Samson will just have to do his best without Arthur.

- Okay, the "Hey" "Hey" Stone/Grail scene is just hilarious. It was hilarious during the Radio Play and it is hilarious in the book.

- So we come to the end of this tale. Which is really just the beginning. Hudson, Lexington, Coldstone and Coldfire decide to hang out with the London Clan a while and it sounds like the latter two might just rejoin the Manhattan Clan when Hudson and Lex return. We'll see. Meanwhile, it is fun to see Una and Leo (and presumably Pog) in the background. And Lunette gets her little line. Coldsteel is off again, but this time he is untraceable, or so Xanatos promises. Xanatos gets the Coyote Diamond back. I like the bit about being it's minder only.

- For the most part, I loved this chapter. Yes, Xanatos' scheme still alludes me, but I'm not worried too much about it. Though I don't understand how things happened exactly, I get the gist of it and know what the end results are. The book itself is filled with so much good stuff, that I'm willing to overlook this problem. And perhaps it is only a problem for me anyway and someone will explain it to me soon. Anyway, I'm off to read #10 now... SO EXCITED!

Todd Jensen writes...

In Act One of "Religious Studies 101: A Handful of Thorns", when Jameson's handing out assignments to everyone at the Daily Bugle, he sends Foswell to investigate the Dominic Dracon part of the story with the words "You know that world!" Now, while I'm not an expert on Spider-Man, I picked up from the discussions of "The Spectacular Spider-Man" in the Station 8 comment room that in the comics, Foswell had apparently lived a double life as a reporter and a crime boss. Was Jameson's line an in-joke about that?

Professor Mangle writes...

What does Disney's aquisition of Marvel mean for the future of Gargoyles?

Todd Jensen writes...

I read Act One of the Radio Play and enjoyed it (it might be second-best to actually hearing the voice actors reprise their roles, but I could still imagine their voices while reading it). I enjoyed the way you wove the two universes together. A few moments that especially stood out to me:

1. Peter's mention of the "Cliff Notes version" of "A Midsummer Night's Dream".

2. Dominique reminiscing about the founder of Ravencroft (these kinds of speeches by spectacularly long-lived characters are generally a lot of fun).

3. The portrayal of Dominic Dracon as still crushed by the denouement of "The Silver Falcon". (I know that this isn't canon, but I think this is exactly the way he'd have gone after the marbles disappointment.)

4. Jonah Jameson getting Travis Marshall on the phone.

5. The meeting between Captain Stacy and Captain Chavez, especially Chavez's "Twilight Zone" remark.

6. The echo of "The Mirror" when Demona's smuggler delivers part of the Spear of Longinus to her home.

7. Demona's meta-reference to the first act at the end.

I look forward to the next instalment tomorrow.

Shawntae Howard writes...

Now that Marvel Comics, a company that once published a Gargoyles comic series, and Disney have now merged into one, would there be any chance that Marvel/Disney could bring back Gargoyles in some fashion? Since one of the reasons for Disney to aquire Marvel was to gain access to a market that catered more towards teenage boys, it seems that one of the only action series it produced on it's own could find a new home under this merger.

Also, has there been any update on the release of Season 2 vol.2, perhaps the best string of Gargolye episodes made, again, particularly now that Disney is one with Marvel it could be labeled under a Marvel logo (since again at one time an actual Marvel comic) and gain more fan/dollar support that way.

MARVEL-FAN writes...

Wow, I just read the first act of the Spectacular Spider-Man Radio Play. And it was very good, I really cant want for act 2. But I was wondering, if season 3 is a yes, will you make this into a stright to dvd movie? I'll buy it, if it come on dvd.

TK writes...

Dear Mr. Weisman,

After Goliath falls in love with Elisa, would her menstrual cycles have any biological effect on him? Yes, I know...that's a very ODD question, to say the least. Thank you, regardless.

Gargoyles fan writes...

What is the future for Gargoyles?

Rebel writes...

Hi Greg, I have some questions for you about the functions of gargoyle stone sleep. I checked the archives and saw lots of questions about stone sleep, but as far as I could tell, no one asked these questions specifically.

We know that stone sleep serves the following functions:
-rest and rejuvenation
-healing of injuries
-storing of energy (as hypothesized by Sevarius)

However, based on what we've seen in the series and comics, it seems like it probably serves other functions as well. So I have some questions for you about other possible functions of stone sleep.

1. Does it cleanse the gargoyle? We've never heard any mentions of gargoyles bathing and there probably wasn't a shower in the clock tower. So does dirt, grime, and body emollients turn to stone with the gargoyle, or does it sit on top of their stone skin and get sloughed off when the gargoyle awakens?

2. Does it cleanse the gargoyle's clothes? If stone sleep cleanses a gargoyle, it seems logical to me that it would clean the gargoyles' clothes as well. After all, the Humility Spell would turn a gargoyle's clothes to stone because he considers those clothes to belong to him. But, presumably, he would not consider any dirt that is on those clothes to be his, so it seems like any dirt on his clothes might get shed when he wakes up. This could explain why the gargoyles in the show are always wearing the same clothes and we've heard no mentions of doing laundry.

3. Does stone sleep serve as a way to expel wastes? When gargoyles wake up, they end up shedding a bunch of skin. Where does all that mass come from? That's probably at least a pound or two of stone skin being shed per gargoyle, and they do it everyday. If gargoyles are shedding all that stone skin AND pooping, it seems like they would constantly be losing mass or having to eat more to put on mass. Yet if the mass from their food goes towards the outer-most layer of stone skin everyday, that makes sense to me from a conservation of mass perspective. That's why I'm wondering if the stone skin that gets shed every night is mostly gargoyle solid waste.

Not a question about stone sleep functions, but a question about it in general

4. Did Lexington and Hudson get to watch the sun rise (or at least part of it) when they were in London? It seems logical that if their awakening got delayed due to jet lag, maybe their falling asleep got delayed too.

Anonymous writes...

Okay, so the London Clan has a strict limit of two eggs per breeding couple to avoid a Clan population that could not be supported at Knight's Spur. This I understand. What I'm curious about is Coco's comment about how the limitation is enforced by isolating Gargoyles from their mates “during the FEMALE'S final heat”. Does this mean that the mating seasons only affect the fertility of female Gargoyles and that male Gargoyles might possibly be fertile throughout most of their life and not just during the mating seasons? I mean, if male Gargoyles can only become fertile at the same ages as the females (50, 70, and 90 years old), then how could Yama and Sora have a third child (not that they necesarily WILL have a third child, or any children for that matter, I'm just saying COULD they have a third child?) Sora's third potential egg would be laid when she's 90, at which point Yama would be 110 years old (he's from an older rookery). Females cannot become pregnant at the age of 110 and if males are the same way, Yama would not be able to impregnate Sora with a third egg at the ag of 110. So, do male Gargoyles follow the same fertility pattern as females or could Yama and Sora potentially have a third child?

Anonymous writes...

I thought Duval and Percival were the same person but after reading Gargoyles Clan-Building Volume Two, I just learned that Duval is a Illuminati member one rank below Percival (named Peredur in the comic, Peredur being Welsh version of Percival's name).
1. Didn't you mention or hint at some point before that Duval would be the name Percival uses in modern times?
2. If you answered yes to question 1:
2.a. Did you change your mind and decide to make Duval and Percival seperate characters?
2.b. Did you decide you liked the name Peredur better than Duval and then recycled the name Duval for a new character?

GargFan writes...

Which one of the multiple characters in Gargoyles were you aiming towards Dracula being an antagonist and foil for?

Clark Cradic writes...

What was the fate of Tom's father? What can we know about him? Was he a soldier? Farmer?

Todd Jensen writes...

Did you find it spooky that Disney bought Marvel so soon after you wrote and put on the Gargoyles/Spectacular Spider-Man crossover Radio Play for the Gathering? I know that it was just a coincidence, but I still found the timing a bit eerie.

Greg Bishansky writes...

Just a couple of questions about "Opening Night"

1. How did Norman Osborn manage to contact Spider-Man so he could request that Spidey help test the Vault?

2. Well, we know where Harry was. We know why Norman was "occupied". But why didn't Emily Osborn go to the play? How was she "otherwise occupied?"

Blaise writes...

BAD GUYS
REDEMPTION
LOSERS

SPOILERS!!!!!!!!!!!

And now we meet the Director. Sort of. We never get a clear look at his face, or learn his real name. In a way this makes him the opposite of another surprise character, Monsieur Le Maire, who appears to be the Director's superior! We know his name (or alias at least), but we never see him, or learn exactly what organization they belong to. Just what we need, another "super-secret organization." At least this one seems to be trying not to fall into the "ends justify the means" trap.
I just noticed on my second read through that Falstaff stuffs his leg of meat into his tankard while talking. I guess if you enjoy beer soaked meat....

We get introduced to Falstaff's motley crew, and Dingo introduces his group (poor Fang's out cold for his intro), and we move to dinner. I love the look on Fang's face after Hunter says they "won't be breaking any bread" ("Uh...we won't?" with a mouthful of food). Interestingly, the Matrix seems to be sampling the silverware. I also enjoy Hunter's reaction to Dingo's defense of Falstaff as having raised him ("That's a recommendation?").
Matrix seems to confound Falstaff from the get-go. I particularly like the look he gives Matrix when it makes a statement in regards to its attempt to take over the world "with geometry."

Of course, we come to the part we saw in the trailer where Falstaff makes the claim that the Illuminati are the good guys, and brings in character witnesses for that. Namely, Fiona Canmore and Thailog (love Yama's initial call for someone to fix the color after thinking it was Goliath).
Both offer some wonderful character/plot moments. For Fiona, there's the revelation that the "family" has been looking for Robyn (just how big is the Canmore family anyway?), and that "the Hunt" is just a part of something larger (of which we are not told right now). Thailog describes himself as Goliath's "rookery son" (I felt I had to laugh at the audacity of that lie), and then says Fang will vouch for him. Fang's next line ("Sure. Thailog's my kinda gargoyle") floored me. Saying that EXACT phrase to Yama pretty much guaranteed that Yama would want nothing to do with the Illuminati. Actually, Fang brings a lot of surprises in this issue, but I'll deal with the rest later.
That is a LOT of treasure. I just had to say that.
I find it hilarious that everyone has to hop for the Matrix to form a "privacy bubble." It's a fun image--as is all of them crowded together inside. Meanwhile Falstaff is stymied in his attempts to eavesdrop on their conversation. The Matrix has done nothing to endear itself to him.

The inter-cutting of the Squad's "signing up" with the Illuminati and their earlier private conference in the bubble do an effective job of keeping the reader guessing. At first I was a bit confused, but on my second read through I finally figured out what was going on. They make the decision that the Illuminati cannot be trusted, but Dingo doesn't want to just nuke the place. In addition to wanting to spare the lives of his foes, he also wants to save the treasure and all the art and history contained therein (and proving himself closer to "hero" than "anti-hero" in the process), so they play along. Their attempt at infiltration goes south, however. Maybe it was Falstaff's halfhearted acceptance of Hunter's claim that she works for Interpol, or the fact that the Thieves were already surrounding them, but something convinces Fang that Falstaff is onto them, and he starts blasting (taking out Doll first, probably for payback).

There's a lot of stuff with this fight I like:
-how quickly and easily the Matrix neutralizes Mistress Quick.
-Dingo's unhappy look at having to face off against his old mentor.
-Yama's rather unique method of defeating Points (yet another showcase of something that would NEVER have made it on television). Interestingly, I think there are actually stories from Japan of swordsmen defeating opponents with such tactics.
-Hunter's graceful handling of Bardolph.
-And Pistol's surprise entrance with a BFG.

It wouldn't surprise me at all if Matrix really could blow up the island (I find that more believable than it lying about such a thing--doesn't seem programmed for that yet). The fact that the island is a freakin' submarine caught me by surprise, but not as much as Falstaff's casual dismissal of them all drowning. After all that he'd seen/heard about the Matrix, did he really think something like this would kill them? And he didn't seem too upset about the capture of Mistress Quick (who has a whole "screaming statue" thing going on). Speaking of which, I wonder if she's at all conscious throughout this sequence.

Matrix makes a nice raft. I really enjoy the conversation here at the end, especially Yama's little speech. Even if he doesn't feel he has redeemed himself yet, he certainly seems more at peace than he was in "The Lost." I also enjoy everyone's surprise at Yama's statement that Fang was actually "more right than wrong." Actually, Fang is surprising in several ways, not the least of which is how helpful he is to the squad. He subtly indicates that Thailog (and by extension, the Illuminati) is untrustworthy, doesn't give Falstaff time to trap them, and sounds almost philosophical about losing the mission but surviving. The serious look on his face while Yama gives his speech caught me off guard, too. I never would have pegged Fang as interested in redemption before. I wonder if Tasha's suicide had something to do with it.
So Yama turns to stone in mid-sentence before he can say how they'll know they are redeemed, much to Fang's (rather humorous) consternation. I love how Yama's Squad uniform does not turn to stone with him. I'm also rather surprised at the smile Hunter and Dingo share. It's nice to see them not sniping at each other for once.

Nothing left to say really, except about that sketch on the inside of the back cover. I don't remember Hunter kissing Dingo like that in these comics! Here's hoping we see something like that in a comic in the near future.

Blaise writes...

BAD GUYS
REDEMPTION
STRANGLED

SPOILERS!!!!!!!!

Wow. We finally get to where the leica reel ends (with all the requisite high action). All the while it is interspersed with flashbacks--the most interesting being the look at Dingo's past. It's sad to see how quickly the news his mother's walked out again quells his joyous mood (did anyone else see how he crushed his math test in his fist? One thing about Karine's art: it's so full of little details). I knew something wasn't quite right with John from the way he was holding the door closed, and the look on his face. I will admit, I kind of figured he had killed Mariah, but I didn't expect the shot at the end of the comic with his friggin' hands still around her throat! That one was a shocker (though after the suicide, I wonder why that should be). Actually, seeing John Oldcastle's interactions with the young Harry is very disarming. He does seem to genuinely care about the boy (but that could just show how good a liar he is). As a side note, I know that the comic gets away with a lot, but young Harry's joking question about John being a "molester" raised an eyebrow.
The "teaching montage" is just beautiful. Shows where Dingo learned most of his skills, but not necessarily his style (the surprise on John's face when teen-Harry proudly displays his new haircut is hilarious). One question that is not resolved: WHY did Oldcastle kill Mariah? A story for another day, I guess.
Loved the shot of Dingo saving Hunter. The look on her face during that sequence is priceless. Of course, immediately after that "moment of weakness" (so to speak) she pushes off Dingo and free-falls(!) to take out another robot. Damn!
I loved Dingo's reaction to Robyn's rather melodramatic description of the Illuminati as a "super-secret organization trying to take over the world. ("Seriously?") You've got to feel for Dingo. Even after leaving the Pack, his life refuses to stop acting like a comic book. At least this time he's a hero.
Yama's still not happy about Fang coming along. He's even less happy about losing that sword. I loved the robot POV just before its destruction, as well as Yama's casual inspection and then discarding of the head.
Dingo tries to help up Hunter, she blows him off, and for some reason has a smug smile on her face (is she just proud of blowing up a robot herself?). Actually, Dingo really seems to be looking out for Hunter here--when he calls out the possibility of a trap, he has his right arm out as if to shield her or hold her back. She is not impressed, of course.
Matrix as a light source (that's a little TOO bright). Win!
"Guess we came to the right secret lair." Indeed, you have to admire the subtlety of that gigantic wall decoration.
And then we are introduced to a nimble young woman apparently named "Doll." All I can say about the last panel of her introductory page, where she sends Fang flying with a flip that leaves her doing a handstand with her legs wide open, is "SWEET JEEBUS!"
Other folk include a heavily scarred fire-breather, a woman who runs really fast, a guy who looks like a "Pirates of the Caribbean" extra (who manages to cross blades with both Yama and the Matrix), and a guy who would look at home in a Robin Hood film except he's armed with guns. And is fast enough to outdraw Hunter, not to mention skilled enough to shoot the gun out of her hand. Oh yeah, and his name's Pistol. At least that's what Dingo calls out because he apparently knows him--and who he's connected with.
And here comes the revelation: Dingo's old mentor John Oldcastle is the one calling the shots, and he's now known as "FALSTAFF, KING OF THIEVES!" (Am I the only one who hears this guy being voiced by BRIAN BLESSED?) Okay, how does he manage to get BOTH nubile young women hanging off him like that? And he does it while sitting in a throne, with a leg of meat in one hand and a tankard in the other. A more important question would be, how can I put myself in that position?
As I said, the artwork is incredible and rich in detail. I am a little sad at not seeing the cover for issue #5 (Dingo's wanted poster) in color, but that's a minor gripe.

Blaise writes...

GARGOYLES
CLAN-BUILDING
ISSUE #12

PHOENIX

SPOILERS!!!!!!

Once again, excellent art from Ben Dunn that also remains consistent with the work of the previous two artists. I feel he sometimes puts in a few too many wrinkles/flecks/spots on Goliath and Brooklyn, and he has a tendency to draw some of the women's faces (especially Finella) in a style too similar to Japanese manga. Also, Maol Chalvim's face looks a bit...off to me on page 11 (it doesn't look as "long" as it should to me). Demona's, too, on occasion. But overall, a bang up job.

This chapter actually begins in 1997 with Goliath (in his "thinker" pose) ruminating on how a thousand years ago "the humans" thought they had crushed his kind completely, before we go back to Brooklyn in 997 thinking about how "a thousand years from now" Broadway and Angela are wondering if he'll come back. I like that bit of parallelism.
"Damn good question." I'll never get over the casual swearing (no matter how mild).
For the next few pages, we're treated to Brooklyn's interior monologue as he dishes out exposition. I love how he calls the Phoenix the "Time-Fowl." He would be the type to give a casual name to a magical entity.
I can't help but wonder what kind of sword Brooklyn's using. I've heard people call it a broadsword, but Brooklyn sometimes swings it two-handed. Wouldn't that make it a bastard sword?

Meanwhile, Valmont is gloating about having the Grimorum. "First of the Three Keys to Power...the pathway to Avalon...the fate of Scotland in my hands!" Okay, it's official: Valmont is Archmage Jr.
Well, Mary's clever enough to pull the wagon out from under him. Pity it wasn't enough to make him drop the book.

Back to Brooklyn, as he continues to think about what his actions mean for the gargoyles he brought out of hiding. After he and the gargoyle with the beaky nose lift and drop a couple of soldiers, Brook gets carried away and calls him "bro" and tries to give a high-five (or high-four, in this case). He's able to recover quickly enough, though (easy when you can say "bro" is short for "rookery brother"). I like the camaraderie he managed to pull off with the other garg here.
I also like how he refers to Demona as his "least favorite personal demon." Brooklyn's no fool, he knows Demona's planning a betrayal, but he's got to play along.
Let me take this moment to say that, even if she is the Demona from 997, I am REALLY glad to see Demona back again. I've really missed her. And she is VICIOUS in battle! Clawing people across the face seems to be a thing with her.
Brooklyn's response to Demona's compliment on his battle prowess ("I had a good teacher...Goliath") is wonderful. To me it both shows the respect he has for Goliath, and also acts as his way of sticking it to Demona. She, however, takes it as an opportunity to disparage Goliath's trust of humans, and state that the humans will turn on the gargoyles at the end of battle (you're one to talk, Ms. Backstabby McBackstab).
Meanwhile Constantine taunts Kenneth with talk of "superior numbers" and how he has no mercy (which he says with a vicious smile). Okay, Constantine belongs under the "Complete Monster" category of villain. You know the kind of villain you love to hate? Well, this isn't that kind of villain. This is the type of villain you just want to see die horribly. And Gillecomgain is putting himself in that very same category with his actions here. Sure he was a monster in "City of Stone," but somehow what we see of him here makes him even worse! He's trying to kill poor Bodhe (no wonder the kid grew into a coward) and he's doing it with glee! And Constantine is egging him on. "It is the Hunter's Moon, be a hunter for your king!" (I love the close-ups of both Constantine and Gillecomgain in those two panels--page 9). Findlaech makes an offhand remark to his adversary, Mail Brigti, to the effect of Gil seeming like Constantine's son.
Mail just ignores that, fights him and reveals...that he and Findlaech are half-brothers! I had remembered hearing about this (that Gillecomgain and Macbeth were actually related), but I wondered why Gil would be a peasant if that was the case. Now we get a story where this is explained. It also explains why Mail always acted so angry (bitterness, and he may have taken some of it out on Gil). Findlaech definitely comes across as having the moral high ground, having offered to share Ruaidri's (their father) inheritance, but Mail seems determined to have everything, even if it means siding with a Complete Monster.

And then Brother Valmont casts a spell. While Finella is trying to figure out the translation, Maol finally shows up. Turns out he's quicker to understand Latin, and orders the women to take cover while he threatens Valmont to make him call off the spell. Actually, this shot of Maol Chalvim could almost be considered a hero shot. Maol's a strange character. Not nice, by any stretch of the imagination, and I know he's going to turn on poor, good Kenneth eight years on, but somehow he's able to pull of these "hero" type moments. Unfortunately, the threat doesn't work on Valmont. And Finella figures out the spell just in time to take cover.
The spell? Arrows begin to rain down from the skies (what IS it with Brother Valmont and arrows?).

Demona's Second's Mate shields him from the arrows with her own body and dies (NOOOOO!)! And she's not the only one getting hit--there are several gargoyle silhouettes in the background, some pierced with the arrows (NOOOO! multiplied by however many died). But she is the one we've seen the most of, and the fact that she's the mate of a gargoyle we are (slightly) more familiar with, helps to personalize it as he grieves for her, poor guy. Brooklyn and even Demona are horrified by this turn of events.
To be fair, I kind of figured she'd die before the end of the comic arc simply because we never saw her in "City of Stone." Of course, we never saw the beasts or "True" there either, so....
At any rate, farewell, oh web-winged female. We hardly knew ye.
Poor Magus the horse gets hit, too (NO! NOT THE HORSE!).

Valmont takes this opportunity to gloat to Maol...and loses his right hand to Brooklyn for his troubles. I was actually quite impressed, Greg, that you managed to go this far. Granted, we don't see the actual stump of the hand, but it's still a pretty shocking turn of events. And of course, it couldn't have happened to a more deserving jerk.
Maol's line, "The arrows...they still reign." Love the wordplay there (something that wouldn't come across in spoken dialogue, sadly).
Is it just me, or does Finella REALLY want to do magic. Maybe she's just trying to do SOMETHING and not feel useless. At any rate, a real sorceress steps in: Demona. She manages to reverse the spell (and look cool while doing it), but she can't bring any who died back to life, of course.

And one last casualty of the arrows is revealed: Mail Brigti (NOO--wait, what am I saying, YEEEESS!). Findlaech may be a big enough man to cry over his treacherous half-brother, but as far as I'm concerned, after following Constantine, a man he KNOWS is evil, just for his own gain, Mail Brigti got his just deserts.
Unfortunately, the arrows didn't hit the selectively blind Gillecomgain, who chooses to not see the arrows and believe that his father died by Findlaech's hand. Findlaech warns Gil not to cross him, mostly because he doesn't want to see his brother's line end. Gil chooses to believe it's because Findlaech fears him. This whole confrontation, along with the struggle over Ruaidri's inheritance, adds a whole new level to the Hunter's assassination of Findlaech in "City of Stone." Damn. The only reason they don't fight now is because Constantine and Kenneth's fight passes right between them (even a rain of arrows doesn't stop these guys!).

Geez, Constantine just doesn't shut up! And this is the second time he's gone on about his "superior numbers." He promises to kill Maol Chalvim (while hinting at Maol's future turn) after he kills Kenneth's son Bodhe (well, he promises to gut Bodhe while calling him a very unflattering word). This is the last straw for Kenneth ("You shouldn't make Kenneth angry, Constantine...you wouldn't like him when he's angry"). Kenneth throws away his shield and begins attacking Constantine with both hands on his sword. He manages to unhorse Constantine and slay him. I love the look on both Constantine and Gillecomgain's face before Kenneth drives the blade home (where's your "superior numbers" now, Constantine?). In contrast to Constantine earlier, Kenneth is silent through all this part. It reminds me of a quote from Terry Pratchett's Discworld book "Men at Arms." To paraphrase it shortly, "If you are staring down a loaded crossbow, pray that the man on the other end is an evil man. Because an evil man will want you to know you are beaten, so he will talk and gloat and put off the moment of killing you for as long as possible the way a man might put off smoking a good cigar. A good man will just kill you without a word." Seems to fit this situation.

Well, Demona is in awe at having the Grimorum Arcanorum in her hands, while Brooklyn tries to figure out how to separate it from her. And then the Phoenix appears again. I wonder why Brooklyn focused on "Timedance" as his metaphor of choice, embellishing it with such gems as "chronal-boogie" and "temporal-tune." I can definitely understand his frustration at not being able to know how everything turned out (guess he'll be hitting the books when he gets back).
I loved Brooklyn's way of tricking Demona into giving him the Grimorum (playing on her desire for power, offering to hold the book while she got her half of the Gate). I can only wonder what Demona thought and did after he was gone. This whole thing also adds another level to "Temptation"--how much of this encounter did Demona remember through the years?
Well, Brook's ready to go, but so are Mary and Finella, much to his dismay.

But now we travel back to the present (well, 1997) and repeat the last few panels we saw of Broadway and Angela, and--THERE! In the last panel of page 20! In that panel, Angela has her collar (a bit more wrinkled than usual, but it's there), but in the panel before, and the panel after (first panel of page 21) she has no collar! Just let her keep the collar already!
Sorry.
Anyway, I liked Brooklyn's "Forever...forty years...forty seconds...however you keep time, the Dance is finally done." So cool. And yeah, I've already been spoiled so the "He's not alone" misdirection didn't work on me, but I can appreciate the effect it might have on readers not "in the know."

Well, we return to Goliath and his ruminations. But what's this? Lexington and Hudson have returned...and they brought Coldstone and Coldfire! Goliath is, needless to say, overjoyed by this turn of events. And then Broadway arrives to say that Brooklyn went on "a little trip" of his own and...well, Goliath has to see for himself.

Okay, this is IT! The part I've waited 12 years for. The first canon appearance of Brooklyn's mate, Katana. Not to mention his son, Nashville, and Fu-Dog, and how Brooklyn himself looks after his journey. I will admit, I had not expected him to so closely resemble his "Future Tense" self, but I'm not complaining (that armor just looks cool). And man is he armed to the teeth or WHAT? That Scottish sword (which he apparently kept with him throughout all 40 years), a Japanese Katana, a hand pistol (or blaster of some kind) and a Big Fricken' Futuristic Rifle. It also seems he lost his left eye somewhere along the way. Funny, that's the same eye Hudson lost sight in. You know, Broadway may be Hudson's biological son, but Brooklyn seems to me to take after the old garg a lot more than anyone else.
And Nashville (or Gnash, as he prefers to be called) is pretty much what I expected. I didn't know his coloring, and he looks a lot tougher than I would have thought (he's the physical equivalent of a 9-year-old, but then again, he's a time-traveling gargoyle), and I didn't expect him to be ARMED with a Japanese blade, but yeah, he's definitely Brooklyn's son. The clothes were a surprise, too--more modern than either of his parents, which makes sense I guess (so U.S.N. stands for "U.S. Navy?" Interesting).
And Fu-Dog...what can I say. He's like a green lion (and pretty darn cool looking).

But Katana...oh man, where do I begin? Well, let's start with the fact that she is the first major beaked female in the canon. I am ashamed to admit that in all those 12 years, I was never able to picture her beaked. I knew intellectually that it was a possibility, but for some reason I could never wrap my mind around it. Maybe it was the difficulty of trying to picture a beaked female that DIDN'T just look like Brooklyn with boobs.
But now Katana's been revealed and...the first word that popped into my mind to describe her was "cute." There's just something about her face that lends itself to that. Her beak is smaller than Brooklyn's, and maybe that helps. Her hair is gorgeous, and I love the style. But the real secret is in her eyes and expression. God, those eyes are perfectly shaped, and the look in them, coupled with her smile.... You said, Greg, that her and Brooklyn's relationship would have been like Sam and Diane, or Beatrice and Benedick, and I can just see ALL of that in the look on her face here.
As for the rest, I somehow always figured she'd be some shade of blue. I love the design of her clothes (I have looked extensively at Robby Bevard's design sheet for her). I'd really like to see her use those war fans at some point. I'm still surprised at her having one digit less per appendage (3 instead of 4). And then there's how she acts with her egg. When Angela asked to hold it, she seemed guarded. And she even takes the egg into battle with her! I can think of only one reason she would do that: she can protect that egg from ANYTHING the world can throw at her!
All this, and she didn't even get a single line in this issue (even Gnash got ONE). Damn. Well, you can't have everything. But I still can't wait for the next installment of the "GARGOYLES" comic, or for the "TIMEDANCER" spin off. I want to hear Katana speak (figuratively, of course). I want to see her fight. I want to see her and Brooklyn's relationship. I want to see her three-fingered hand intertwined with his four-fingered one. God, it's going to be a long wait.

"Egwardo?" Brooklyn, some things about you never change.

The group shot at the top of page 23 is kind of neat. I love all their reactions. Bronx and Fu-Dog are sniffing at each other, Angela's excited over the egg, Hudson's laughing, Lex seems to be chatting with Gnash, and Brooklyn...he just seems happy to be home again.

Then Elisa comes in and has a wonderful reaction to the overnight change in the clan's roster. Seriously, I can't help laughing everytime I imagine Salli Richardson saying that line.
Well, Jackal's busted Hyena and Wolf out of prison and they're wreaking Times Square, so the WHOLE FRICKEN' CLAN goes out to meat them. Lex is right, "The Pack'll never know what hit 'em."

This was a great issue, a great arc, and a great series. If I had any complaints about this particular issue it's that the last four pages felt very rushed. I mean it's like BOOM--Lex and Hudson--BOOM--Coldstone and Coldfire--BIG BOOM--Brooklyn and family--BOOM--Pack attacks--BOOM--attack Pack. I felt like I couldn't catch my breath! And this just makes me want another issue right NOW!

"Never the End..." eh? I'll drink to that, but like I said before "It's going to be a long wait." Still, here's to what we did get.

Thank you, Greg!

Blaise writes...

GARGOYLES
CLAN-BUILDING
ISSUE #11

TYRANTS

Let's dive right in.

SPOILERS!!!!!!!!!!

Once more, I will begin with the art. David Hutchison does a good job, and is a decent successor to Greg Guler here. This is especially true in regards to consistency. This and the Halloween arc ("Invitation Only," "Masque," and "Bash") are the only two that have a completely different artist for each issue within the arc. In the case of the Halloween arc, the contrast in styles between David Hedgecock, Nir Paniry, and Karine Charlebois was quite jarring at times. Here, however, the difference in styles between Greg Guler, David Hutchison and Ben Dunn isn't as drastic. Consequently, these three issues seem to..."flow together" better, I guess. The transition is easier.
At any rate, the only complaint I have is that Hutchison sometimes draws Brooklyn's wings in a semi-bat shape when their edges should be smooth. Other than that though, kudos to Mr. Hutchison.

Well, we pick up where we left off: Brooklyn, along with Mary and Finella, makes for Castle Wyvern ("Home sweet decimated home"). Brooklyn seems to feel like hooking his wing-claws on his shoulders (like his "Future Tense" version did) for now instead of caping them like usual. Interesting.
Brooklyn mentions getting back to his century, confusing Mary, who figured the 10th century was his century. It's funny--Brooklyn lived most of his life in the 900's, and yet after two years in the 1990's he already considers that his century. Of course, the fact that his clan's there probably has something to do with it.

I remember hearing a while back that the Constantine we saw on "GARGOYLES" was King Constantine III who ruled from 995-997 A.D. (what year is Brooklyn stranded in again?), and he was known as Constantine the...bald. Yeah, I kind of figured the "GARGOYLES" crew either missed that, or decided he looked better with a wig. But NOW we see why he was called that in the "GARGOYLES" universe. He cut his hair to turn his head into "the proper canvas." Canvas for what I wonder.
Given his reaction to Gillecomgain's brown-nosing answer, Constantine seems to like yes-men and toadies.
Mail Brigti (and now we know his first name) arrives with news about the Grim's army assembling at Rathveramoen, and Constantine sends him off to wait at the head of his (Constantine's) own army. Mail calls Gil, but Constantine wants to keep Gil nearby (it was the toadying that impressed him, wasn't it?), and begins an in-depth study of Gil's scars. Mail hesitates, but leaves when curtly dismissed.
Constantine then takes a moment to gloat about wiping out "the male line of the Three Brothers" (there's that reference only "Ask Greg" readers will fully understand again) before asking Brother Valmont about the Magus and Princess Katharine. Valmont..."read the entrails of half the goats in Scotland?!" YUCK!! EW! Okay, my appetite's gone. Anyway, short version, they're both out of Scotland, Tom's out of Scotland as well, but the Grimorum is still around and Valmont must get it.

"Okay, this is just freaky." Yeah, seeing your sleeping form would engender that reaction. But then Brooklyn moves among the remains of his massacred clan while thinking to himself how "freaky" is a nice, safe adjective in comparison to "horrific, traumatizing, or soul-killing." This is probably just as bad as living that night after the Massacre all over again. I like his description of it feeling like his heart is "turning to stone and Hakon is taking a mace to it."
He also finds a scabbard for his new sword. Interesting. I wonder what prompted him to keep the sword in the first place. He's been going for years without a weapon and now he decides to keep the first sword he grabs? Then again, with the King's army against you, a sword might come in handy.

Well, Mary asks after Tom, and Brooklyn starts to explain about Tom being married. This floors Mary who is still thinking of Tom as the little boy she left two years ago. Brooklyn leaps away (awkward transition that, since we don't see him actually leaving Mary in that panel), and resolves to keep his "big beak shut" just in case. Probably wise, things will be simpler that way.
I rather enjoy Brooklyn's annoyance at stone sleep (and wondering how Elisa can stand it). And we finally have a canon mention of the Humility Spell...but no explanation. Yes, we who have read "Ask Greg" and the GargWiki know the story, but for those who have only watched the series and read the comic, I wonder if this mention (along with the one about the "Three Brothers" and the later one about the Wind Ceremony) will whet their appetite for more stories and for the background on these references.
Given that Brooklyn's most likely stuck in the 10th century now without the Gate, he seems quite calm about it. No whining, no rage, just a sigh and "I guess this IS my century again, after all." Man, Brook's made of some pretty stern stuff. I'm pretty sure I wouldn't be that calm.
And he calls Demona a witch. Oh, come on Brooklyn! Just replace the "w" with a "b" and be done with it. We all know you want to!

Demona arrives at a cave and announces to the gargs there the death of the Sruighlea cell (damn, I do not know how the hell that name is pronounced). Okay, so Demona's clan is split into separate cells. I did not know that (in fact, I've always wondered why the number of gargoyles Demona led in "City of Stone" seemed to change, and now I finally know). This particular cell she leads is full of familiar faces, though. There's her Second, and apparently his Mate (I know she's called something else in the scripts, but since she isn't referred to as that by the characters, I'm just going to call her Second's Mate). Also a new young gargoyle face and two beasts, one of whom looks like Bronx except for coloring, and one of whom is colored like Bronx. Oh, and the new young one has Hudson's skin tone and white hair and...okay, yes she's Hudson's biological daughter (True), and the beasts are obviously Bronx's biological parents. I wonder why this female beast's eyes glow red but Boudicca's didn't?
At any rate, "True" says they should hold a Wind Ceremony for the fallen (the first canon mention of that, too), but Demona once again shows that vengeance trumps all other concerns for her (save her own survival, of course). Bitch.

Maol Chalvim is his usual self as he spells out to Kenneth just why they can't count on gargoyle support...and then one shows up in their camp, carted in by Mary and Finella. I must admit, I hadn't realized Maol might hold some animosity towards Finella, but it makes perfect sense.

I wish I could have seen the first meeting between Brooklyn, Kenneth, Maol and Finlaech, but I guess something had to be sacrificed for page space.
Seeing Brooklyn pointing at the map and telling Kenneth to engage Constantine's forces at Rathveramoen while he (Brooklyn) brings reinforcements seems to cement the image of Brooklyn as strategist. Brook also seems intelligent enough to realize that he needs Demona's help and must put his own personal feelings aside (our boy is FINALLY growing up in that area!).
Brooklyn's little "break the fourth wall" bit in the last panel of page 13 seems to have provoked a mix of reactions. I've read a few people who seemed to think it was Greg's way of directing an "educational" message directly at them, and hating it just for that. Me? I find it a hilarious character moment of Brooklyn joking around. I mean, heck, *I* sometimes address a non-existent audience! It can lighten up a strange situation and make it bearable.

I liked the shots of Brooklyn discovering the massacred cell, and him hiding in a tree during the day. And then he encounters Demona...and immediately attacks her. Demona's too shocked by the fact that he's someone from Wyvern (still love the "By the Dragon" exclamation) to be too upset about this. Brooklyn tries to regain his composure, and almost loses it again just thinking about her betrayal. Still, they manage to keep from splatting and Demona...is smiling? Wow, she really looks happy to see an old clan-mate alive again. She mentions her new clan and asks how Brooklyn survived and if any others did. Brook, clearly uncomfortable at having to make nice, has to tell a half truth--omitting himself being cursed as well (and almost calling Hudson by name). Demona sees red (literally) at hearing about the sleep spell, until Brooklyn undercuts it by pointing out she managed to escape both fates and now Demona has to stammer an explanation. In the end, Brooklyn brushes it all aside for the greater good.

Wow, no sorcerers for Kenneth's side? Finella decides she'll try the book herself just because she knows Latin. Mary points out the danger, and Finella points out that they're already in danger. I love the little "Magus--the man, not the horse" bit.

Constantine has the messenger killed. And he does it for no reason, it would seem, other than he just likes being able to. Douche.
Mail Brigti seems saddened by that action, too. If that's the case, why does he stick with Constantine anyway (yeah, I know the answer will come in the next issue, and if anything shows how much of a sell-out Mail really is)? Gillecomgain on the other hand, seems to approve of Constantine's behavior (look at that smile).
And now we see Constantine's war-paint. The roots of the Hunter's mask. In addition to the three red slashes across black on the front, he has the same design on the back along with two false eyes (doubtless to confuse and unnerve foes in the heat of battle). I think Gil likes the new look. I recall, Greg, you saying at the Gathering that this was a way to explain how people wouldn't immediately conclude that Gillecomgain was the Hunter based on the design of the mask in "City of Stone." Whatever the reason, it's a striking visual.

The armies converge and Findlaech notes there are fewer Irish (Constantine's soldiers) than he thought. Yeah, Fin, that's because the rest are hiding in the forest waiting to outflank you! There's some great art here for the battle, especially in regards to the light of the setting sun. In the last panel of page 21, I think I can see winged shapes in the sky behind the fighting Constantine and Kenneth. Three guesses what they are (and the first two don't count).
Sure enough come the next page and we get an excellent two-page spread of the gargoyles arriving into battle. Second's Mate appears to have the same wing structure as Lexington--COOL! The striking visual of the gargoyles attacking is almost enough to make one forget there's fighting on the ground, too. Gil knocks Bodhe off his horse, Mail and Finlaech are heading towards one another, and Constantine and Kenneth are still fighting. I wonder where Maol is in all of this?

The last page brings us parallel panels of simultaneous events again. Demona's Second apparently likes a good battle, and is glad they followed the "gargoyle of the sword" (looks like Brooklyn just picked up a new name). Demona (who casually BREAKS A MAN'S NECK), is already planning to turn on the Grim after the battle is won (wow, Demona's planning betrayal, what a surprise). Meanwhile, Finella is still intent on learning a spell, and doesn't realize until too late that all her guards have been killed by the flaming arrows of Brother Valmont, who snatches the Grimorum and reveals his intention to turn on HIS boss, Constantine. And then both he and Demona share the EXACT same thought at the EXACT same time: conquering Scotland! (Yeah, they haven't quite graduated to "take over the world" yet.)

Damn cliffhanger! Then again, I didn't have to wait two months for the conclusion to this story....