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VOWS memo

Saw "VOWS" last night with the family. I'll ramble on that one shortly, but here's the memo from November '94. Shari Goodhartz wrote the outline, which Michael Reaves edited. Shari's entire story was more or less set at the Eyrie Building. It was about Demona and Xanatos using the wedding to get half of a magical talisman from Goliath. Goliath prevents them from using this macguffin, but realizes once and for all that he and Demona are over.

As I noted below, it seemed like that wasn't enough. So I took ALL of Shari's story and CRUSHED it into Act One. Then I came up with the Time Travel story that was the heart of VOWS. All of Acts Two and Three as presented in the memo below are my work. But I think Shari and Michael did a great job of executing it in this jam-packed episode.

One little tidbit. Petros was my original name for Xanatos' father. (I went to college with a guy named Petros.) But Shari and/or Michael named the dad "Stefan", which I went with here. At the recording session, Marina Sirtis pointed out that the name didn't work for some reason that I can no longer recall. (Aris, any thoughts?) So I jumped in and rechristened him Petros. Later we realized that both Elisa and David had fathers who had been named variations on Peter. To me, that was a very cool thing.

WEISMAN 11-25-94

Notes on "Vows" Outline...

GENERAL
Basically, it still didn't seem like we had enough story. So I compressed what was here and tried to extrapolate forward to fill out acts 2 and 3.

THE TALISMAN
I'm calling it the PHOENIX GATE. It can be used as a gateway to anywhere and anywhen. (The Gate will, I believe, eventually give us our Battle of Britain Story. And give the Archmage a powerful weapon for reaching and conquering Avalon.) By combining the two halves of the Phoenix Gate and invoking the Latin translation of the phrase: "Burn down the walls of time and space!", the gate opens in flame and sucks up anyone in the immediate vicinity, transporting them to the place and time chosen by the invoker. But choosing requires incredible concentration. Otherwise, the chooser's emotional or mental whim of the moment may cause the gate to drop everyone off at Burger King instead of Fort Knox.

TIME TRAVEL
So we're going to do a time travel story. Which means we need to establish traveling rules for our series. I'm going with the most conservative, most restrictive rules possible, because more than any other type of fantasy or science fiction convention, time travel is really subject to logic abuse. So...

Whatever's happened in the past has already happened, including the actions of our time travelers. Recorded history may be incomplete or incorrect, but true history cannot be changed. When Demona and Goliath go back in time to meet the young Demona, both of the older gargoyles are seeking to change or influence the young Demona's history. But this meeting already took place. The older Demona remembers it. (Maybe not every precise detail, and maybe she didn't fully understand the event at the time, but she does remember it.) Whatever influence the modern gargoyles had on her has already been figured into the events that followed, many of which have already been depicted in other episodes. (Sadly, in this case, neither Goliath or Demona had any real sustained influence on the younger Demona at all. That's the tragic flaw of both Demonas. They just never learn.)

WHERE AND WHEN ARE WE GOING?
Castle Wyvern. 975 A.D. The castle is ruled by the 21 year old Prince Malcolm of Wyvern. Malcolm's chief advisors are the 35 year old Captain of the Guard [NOTE: per my recent work on the timeline, the Captain was 29 years old in 975.]; the Archmage (nine years younger than when he appeared in "Long Way to Morning"), and Hudson who is biologically 49. Young warriors, Goliath and Demona are both biologically 19, (in "Long Way..." they were more like 23). If you have space for them, Brooklyn, Lexington and Broadway are all biologically nine. Bronx hasn't hatched yet. In contrast, our modern Goliath is biologically 29 years old and Hudson's 59.

VOWS
That's the theme. Vows. When you keep them. When you can't. Why you do or don't. Don't hesitate to play it up.

STEFAN
In thinking about it, I think Stefan Xanatos should be a naturalized American Citizen living in a north eastern fishing community. Maybe somewhere in Maine. He's still Greek, but he emigrated before David was born. That way, David Xanatos could have been born and raised to pursue (and pervert) the American Dream.

BEAT OUTLINE
ACT ONE
1. Night by some landmark, (maybe the Goldencup Bakery Building or the Cyberbiotics Tower). DAVID XANATOS (in armor) and GOLIATH fight. No stolen Cyberbiotics devices. I really don't want to sweat this scene too much. There are a hundred ways that this could have begun, and in the interest of getting to our main story quicker, I don't want to spend a lot of time "prologing" our prologue. But for the sake of consistency, I'll posit the following: Xanatos left a vaguely menacing message for Goliath with ELISA, whom he can reach easily enough at the precinct house. (The location of the rendezvous itself may have suggested bad news.) Goliath, prepared for a trap but not about to hide from danger, went to the stated rendezvous and, expecting the worse, waded into battle before Xanatos could get a word in edgewise. Well, Xanatos is always up for a little workout, so he fought back with relish, taking his time to reveal the real reason he had asked Goliath to come: He wants Goliath to be best man at his wedding tomorrow night. As a little incentive, he's invited DEMONA, and wrested a promise that she'll be on her best behavior throughout the event. [Reveal as much or as little of the "prologing" as necessary in order to make the scene play.]

2. Clock Tower just before Dawn. HUDSON seems strangely ambivalent, but Elisa and BROOKLYN can't believe Goliath would even consider going to the wedding. They have a hundred reasons each why it's obvious lunacy. Goliath doesn't put up much of a counter-argument. He knows they're right. He won't go. Dawn comes. They all turn to stone. Elisa heads home.

3. Castle during the day. In the courtyard, Xanatos waits for something, still in his armor but with the helmet off. A helicopter lands, piloted by FOX and carrying STEFAN XANATOS, a big, tough, weathered but honest Greek fisherman. Stefan is a little put off by his son's armored attire, but tries at first to make the best of an awkward situation. He is teasingly superstitious about his son seeing Fox on the day of the wedding, but the happy couple make their own luck and patronizingly ignore his concerns, which darkens Stefan's mood. Fox exits to get dressed. David asks his dad, what he thinks of the place. Stefan is frankly appalled by the conspicuous consumption. Why does his son need a place like this? "Oh, reason not the need, father. I wanted it. So I took it." Stefan is disgusted by his son's attitude. Why does he need to wear armor? David assures him, the armor is purely defensive. Defense against what? What kind of life does his son lead? He think David would have been better off being a humble fisherman, like himself: "In fact, if I ever get my hands on the man who sent you that coin, I swear I'll teach him a lesson for meddling with my family." David smiles when his Dad brings up "the coin". That's ancient history, Pop. Besides, that coin was only worth about 20 grand. David's now worth "considerably more". But Dad's not letting him off the hook. If he had never received that coin anonymously, he'd never have become what he is now. "You know, Dad, someday I'm going to prove to you that I really am a self-made man. And that's a promise." Besides, if the castle and the armor upset you, wait until you meet the best man.
On cue, OWEN enters with the JUDGE who is to perform the ceremony. Owen has prepared a little videotape of the gargoyles for Stefan and the Judge to watch. That way, they won't swallow their tongues when they see Goliath and Demona. As they all head inside, Owen questions whether this is necessary, will Goliath really show? He'll be here, Xanatos assures him, "I'd take an oath on it."

4. Back at the clock tower during the day, we push in on the stone Goliath and ripple dissolve to his dream/memory.

5. Castle Wyvern, 975 A.D., night. YOUNG GOLIATH finds YOUNG DEMONA standing on the tower with YOUNGISH HUDSON. Demona seems ridiculously happy to see him. Goliath doesn't want to miss PRINCE MALCOLM'S Wedding. She seems a bit distracted. She looks at Hudson, who says "Go on, then." She and Goliath glide down to one of the upper windows of the Great Hall. From there, they watch this strange human ceremony of bonding, including the exchange of rings. Goliath comments on the beauty of the symbolism or something, and Demona takes out the PHOENIX GATE. She separates the two pieces and hands him one. She swears she will never stop loving him. (If she seems a little too intense, we'll chalk it up at this stage to the emotion of the moment.) Goliath takes his half of the gate, and somewhat awed by her intensity, makes a similar vow. They embrace, stroking each other's hair. (The Gargoyle equivalent of kissing.)

6. Dissolve back out to the Clock Tower at Dusk. Goliath and the others explode awake. Goliath goes to a secret hiding place in the clock tower. (Behind the comatose, COLDSTONE, perhaps.) We see the GRIMORUM and the EYE OF ODIN, as well as Goliath's half of the Gate. (He had hidden it a thousand years ago in a hollow brick at the castle, which Xanatos had transported to NYC unaware of its contents. Goliath had retrieved it before moving to the Clock Tower.) He clutches the gate-piece in his huge hand and leaves, never giving the other gargoyles a chance to talk him out of what even he must realize is a foolhardy quest. Hudson watches him go.

7. Night at the castle. Xanatos and Owen wait in the courtyard for Goliath. Both are now dressed in tuxedos, and Xanatos is wearing a lapel pin that depicts a pyramid with an eye at its apex radiating light. Owen questions whether he should be wearing the emblem of the ILLUMINATI SOCIETY in public. Xanatos says cryptically that it's a necessary risk. [By the way, I have no idea if this is an Illuminati symbol or not. But it seems to fit.] Goliath arrives. Owen offers him a bow-tie. Goliath is not amused. Xanatos gives him Fox's wedding ring to hold. That's what the best man does, you see. Hold the ring, until the couple exchanges vows.
The three enter the Great Hall. Everyone is there. The judge and Stefan have already seen Demona, but Goliath is even more startling thanks to his imposing size. Fox is wearing a white dress, but something non-traditional and sexy. And Demona broods. Goliath approaches her, clutching the gate-piece tightly in his fist. She does not even want to talk to him. She feels she has to attend this farce because Xanatos insisted, and she needs to keep him as an ally. But she cannot fathom why Xanatos wants Goliath here. Goliath attempts to remind her of the last wedding they attended together, but she is not interested in reminiscing.
The wedding ceremony begins, rather informally at first. Keep it very short. (At some point, the Judge should ask Fox's real name. Fox coldly informs him that "Fox" is legally her real name now.) We get to the exchange of rings. Goliath hands Xanatos one for Fox. Demona hands Fox one for Xanatos. Demona looks across at Goliath and seems to break down. Just as the Judge pronounces David and Fox, HUSBAND AND WIFE, Demona runs from the Hall. Goliath pursues. Xanatos & Fox, exchange glances. "Now the fun really begins." They start to follow the gargoyles. Stefan tries to restrain his son: What are you up to now? You'd interrupt your own wedding to engage in Machiavellian scheming? But Xanatos is in a bit of a hurry. He and Fox head out the door pursued by Stefan. The Judge turns to Owen very confused. Owen says something dry and witty. And then both men follow the rest.
Outside, Goliath catches up with Demona before she can glide away. Does she remember their vows? Is there still a chance for them? He shows her his gate-piece. He's always kept it. She gently removes it from his hand and takes out hers. So has she. She puts the interlocking pieces together to form the PHOENIX GATE. And then... she laughs. Goliath is such a fool. He's fallen right into Xanatos and Demona's sentimental trap. Now she has the Gate. And she intends to use it. And just as the Xanatos clan approaches, she speaks the incantation. A huge bird of fire seems to engulf Goliath, Demona, David, Fox and Stefan Xanatos. The fire consumes itself. Owen and the Judge arrive just in time to see the last spark go out. There is no sign of the wedding party. Owen: "It seems the honeymoon has begun earlier than expected."

8. Wyvern, Scotland, on the cliffside near the forest overlooking Castle Wyvern. (This is where Hudson and Goliath froze the morning of the gargoyle massacre of 994 A.D. Only now, it's 975 A.D. -- the night of Prince Malcolm's wedding.) Our five time travelers materialize out of the flaming gate. Stefan asks "Where are we?" David: "The question isn't where... but when?"

ACT TWO
9. Pick up right where we left off. Demona laughs and launches herself off the cliff. Goliath pursues, leaving the humans behind. Xanatos doesn't waste any time. "Follow me!" He runs back into the forest followed by Fox and a very confused Stefan.

10. Air chase. Demona manages to put some distance between herself and Goliath. She chants the incantation and vanishes into the flaming "Gate", leaving Goliath alone.

11. In the forest, Clan Xanatos comes upon TWO HOODED RIDERS who are being attacked by FOUR ARMED BANDITS on horseback. Although he is unarmed, Xanatos never hesitates, wading right in against the bandits. Xanatos, Fox, the larger of the two riders and even Stefan make short work of the bandits. The bandits are forced to flee without their horses, which Xanatos commandeers for his family. The large rider is grateful but suspicious of these strangers in bizarre garb. Then he notices Xanatos' Illuminati pin and warms up fast, briefly drawing back his cloak, to reveal that he wears the same Illuminati emblem. He tells Xanatos that he is the NORMAN AMBASSADOR. He and his "companion" bring "priceless gifts" to Prince Malcolm of Wyvern. Xanatos may wear strange garb, but he's a great fighter (and a fellow Illuminatus). The Ambassador would be honored if Xanatos' would accompany them the last few miles to Castle Wyvern. He also promises that Prince Malcolm will be very grateful for their help as well.

12. Having lost Demona, Goliath soars closer to the castle, debating with himself whether or not he should land there. Then he spots Demona again from a distance. He circles to intercept her, but as she lands on a castle battlement, she is greeted by a young Goliath. And the adult Goliath realizes that he wasn't tracking his enemy, but her younger counterpart. He comes in for a landing on one of the high towers of the castle, and surreptitiously watches the young lovers below him. It almost tears his heart out. And then he hears Hudson's voice behind him, demanding to know what he's doing up on the tower when he had been assigned to hold watch on the battlement. Adult Goliath turns to see his MENTOR, (the YOUNGER HUDSON). When Hudson gets a good look at him, he immediately sees that something is wrong. And when Hudson sees young Goliath and young Demona, below on the battlement, he's ready to cry sorcery, and Adult Goliath has to slap a hand over his mouth.

13. At the gates of the castle, Xanatos, Stefan, Fox, the Ambassador and the hooded rider are greeted by young Prince Malcolm and the ARCHMAGE. The rider is revealed to be PRINCESS ELENA of Normandy. (I made this name up, and have no idea if it's accurate to tenth century Normandy.) The Ambassador had hoped that by arriving in secret, he and the Princess would avoid just the kind of trouble that Clan Xanatos saved them from. Malcolm is very grateful. He was to marry Elena tomorrow, but because the princess was attacked, he has decided to move up the wedding to this very night. He tells his SERVANTS to prepare the Great Hall. At the Ambassador's prompting, Elena pulls out her father's wedding gift. It is a priceless golden treasure known as the PHOENIX GATE, which she will officially present to the Prince after the ceremony.

14. Meanwhile, with great difficulty, Goliath is trying to convince Hudson that he is not a sorcerous creature, but a visitor from the future. (He does not choose to reveal how far in the future.) Goliath is a bit flustered himself: he doesn't know how much to reveal, and he has to remind himself not to use anachronistic names like Hudson and Demona. He manages to babble out the fact that sometime in the future, he attended the wedding of an enemy and that he and his... enemies were sent back in time by some kind of sorcery. He is particularly concerned for the younger versions of himself and Demona. He needs his MENTOR's help. (This conversation will explain the older Hudson's ambivalence in Scene 2. He remembered meeting the adult Goliath after the latter had attended the wedding of an enemy.) Hudson isn't sure what to believe, but he looks deeply into adult Goliath's eyes and decides to trust him.

15. The Archmage returns to his laboratory. He is furious. At first we think he's ranting to himself, but then we realize he's talking to his apprentice, who cowers a bit in the shadows. It turns out that the Archmage hired the bandits to steal the Phoenix Gate from the Normans. To Malcolm, it is just a gaudy bauble, but to him it is the second talisman of power that he needs. (He has the Grimorum. Doesn't yet have the Eye of Odin.) With it he can transverse space and time in a thought. He needs his apprentice to steal it from the Princess before the wedding. Hesitantly, the apprentice steps forward out of the shadows. It is the young Demona.

16. Fox and Stefan watch as Xanatos hands the Ambassador a letter, and returns to face his father. He tells him that the letter contains instructions for the Illuminati society and two sealed envelopes. The Society is to wait 1000 years and then deliver the first envelope to a young David Xanatos of Bar Harbor, Maine. The envelope contains a small coin, a minor reward requested of the Prince for saving the Princess. The coin is practically worthless in 975, but by 1975 it will be worth about 20 grand. The second envelope is to be delivered twenty years after the first. It contains a detailed account of how the coin was obtained. That's how Xanatos knew how to set all this up. He had received instructions from himself last week. "So you see, Pop. I am indeed a self-made man." Fox beams with pride. Stefan is quiet for a beat. Then asks: "All right, Mr. Big Shot Time Traveler. You sent yourself your little letter before you answered one important question: How do we get home?"

17. Young Demona sneaks into the Princess' room through a window and grabs the Phoenix Gate, while Elena's back is turned. She leaves by the same window, but she doesn't get very far. Suddenly, her older counterpart appears before her in a fiery flash of Phoenix flame.

ACT THREE
18. Up on the tower, the burst of Phoenix flame attracts the attention of Goliath, Hudson -- and Young Goliath down on the battlement! Adult Goliath knows the flame signals the arrival of his... enemy. But his younger counterpart MUST NOT investigate. Hudson agrees to waylay young Goliath. Adult Goliath takes off in the direction of the fading flame.

19. Meanwhile, the older Demona confronts her younger self. Both hold a complete version of the Phoenix Gate. (Don't you just love time travel stories?) Anyway, the younger Demona is obviously stunned by what she sees. The older one is right to business. She knows for a fact that her arrival is about to attract some unwanted attention. They need to go somewhere private to talk! She invokes the Latin spell and her gate opens into fire that sucks in both Demonas. At the last possible second, Adult Goliath flies into the fiery gate, and all three vanish.

20. Castle Wyvern. The highest tower. 994 A.D. A few nights after the Massacre. The 994 counterpart of Goliath is frozen in stone (in Thinker pose) at night! Small fires still burn. Fragments of other gargoyles litter the ground. On the cut, the Phoenix Gate deposits Young Demona, Adult Demona and Adult Goliath a few yards above the tower. The Demona's drop down gently enough, but Goliath's momentum from scene 19 sends him crashing into the stone floor of the tower. Adult Demona seems ready for this as well. Before Goliath can recover, she slams him across the back with all her might, plus both fists and the anger of 1000 years. He is knocked unconscious.
And then her real work begins. Young Demona is still in a state of semi-shock. Adult Demona wastes no time. Yes, she is her older self returned from the future with a warning. See the destruction. The death. Goliath frozen in stone at night! Humans did this! And you can stop it! You have the Phoenix Gate. All you have to do is think of a place and time. Hold it in your mind, and by speaking the incantation you are there. With its power you can accomplish anything. Do not give it away to the Archmage. Do not share it with... Do not share it! USE IT!! Destroy all the humans! Rule the Gargoyles! Rule the world!! It's all within your grasp!!!
Goliath starts to come to. Young Demona rushes to his side. Adult Demona intercepts her. "Believe me, I know exactly how you feel." But you cannot trust Goliath. He is weak. He cares more about the humans than the gargoyle clan! The greatest favor you can do him would be to put him out of our misery. (And here is where our Demona has made her big mistake. A mistake made despite the power of hindsight. Because Demona never learns. And because at this time, the younger Demona loves Goliath with all her heart.) Adult Demona: "You must know I'm right! Can't you see I am what you will become?!" And young Demona, still largely innocent and good, snaps: "I will never become like you!" Young Demona attacks adult Demona! Fight scene. Frankly, Young Demona wouldn't be a match for adult Demona, except that the latter is a bit reluctant to trash "herself". Still, it's for her own good.
Goliath regains consciousness and joins the battle. The tide turns and Adult Demona is knocked out this time. Goliath takes her version of the Phoenix Gate from her. Young Demona is pretty near shattered by this whole experience! She turns to Goliath, pleadingly. What should she do?
Goliath is reluctant to use Adult Demona's methods. But he also wants to undo some of the damage the Adult Demona did. Young Demona is touching the frozen version of Goliath. Our Goliath approaches her. Tells her not to worry about this. Not to fear it or look for it. It is not the big catastrophes that must concern her. It is the little slights. The little jealousies and angers that prey upon the heart. Fortify yourself with love and trust, and you need not fear this future.
Goliath looks at Adult Demona. He holds up her Gate. He's not sure he knows how to use it. The younger one lifts her version. She knows how. She speaks the words and the three of them disappear in flames.

21. They reappear in flame on the same tower in 975. Xanatos, Fox and Stefan are there. (The highest point on the castle was the logical place to watch for the Phoenix flames.) Goliath would be tempted to leave Xanatos behind if he wasn't afraid of the damage the guy could do to the future. Goliath says good-bye to young Demona. By now, he's figured out how the gate works. Young Demona steps back out of range. With some hesitancy, Goliath speaks the Latin and our five time travelers disappear.
Young Demona is left alone. She still has her version of the Phoenix Gate, which she holds tightly behind her back. The Archmage comes running up the stairs, clutching the Grimorum. He had seen the Phoenix fire and jumps to the conclusion that young Demona let somebody else get away with the Gate. Before she can reveal that she still has her Gate, he punishes her with a bolt of lightning, and threatens to tell the Prince that she stole the Gate. Hudson glides in, landing between Demona and the Archmage. Hudson wonders why the Archmage would expect Demona to have the Prince's wedding present? If Demona did steal it, who would she be stealing it for? The Archmage takes the hint, begrudgingly. But he won't forget this. He heads back downstairs, grumbling: Those strangely dressed strangers have disappeared. The theft of the Gate can be blamed on them. Obviously, Young Demona never reveals that she still has the Gate.
Young Goliath glides in and in a repeat of the first half of scene 5, Demona seems ridiculously happy to see him. Goliath doesn't want to miss Prince Malcolm's Wedding. Demona seems a bit distracted. She looks at Hudson, who says "Go on, then." She and Goliath glide down to one of the upper windows of the Great Hall.

22. Xanatos' Castle in Manhattan, 1995. A repeat of the end of scene 7: Owen and the Judge arrive on the scene just in time to see the last spark go out. There is no sign of the wedding party. Owen: "It seems the honeymoon has begun earlier than expected."
Our five time travelers reappear. Demona is recovering. Goliath may have defeated her, but he failed too. Demona remembers his little speech from when she was young. She never forgot it. And it didn't change anything. "More's the pity," he says. And he glides off with the Gate.
In excellent spirits, Xanatos approaches his father. "Did you have a good time at the wedding?" Xanatos Senior takes a penny from his pocket and flips it to Xanatos Junior. David catches it and asks, what's this? Stefan says, "It's called a penny. It's not worth much now, but in a 1000 years, who knows. It's my wedding present to you. Because it's all you seem to care about." Stefan turns his back on his son, and walks away.

23. Goliath arrives back at the Clock Tower. Elisa and Brooklyn are there, ready to blast him for going to the wedding. But Hudson takes one look at Goliath and stops them. Goliath puts the Phoenix Gate back in its hiding place with the Grimorum and the Eye. When he turns to face us, there's a single tear rolling down his cheek. Push in on him and ripple dissolve...

24. Castle Wyvern, 975 A.D., night. M.O.S., Young Demona separates the two pieces of the Phoenix Gate and hands one to Young Goliath. They embrace, stroking each other's hair. FADE OUT.


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Faieq writes...

When Iago made Othello believe that Goliath was trying to steal Desdemona away from Othello during the Dark Ages, what was Demona's role in all this?

Greg responds...

Minimal.

Response recorded on November 09, 2000

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Demona Taina writes...

Hello, Greg. :)

I just finished reading your "Eye of the Beholder" outline.. and I'm at a loss of words. The least I can say is, well, GREAT JOB. :)

Well, these are rather.. silly Goliath-related questions that I couldn't help but ask. [giggles]

1. Why didn't Goliath wear a costume for Halloween? Was it because of:

A. He's too big to fit in a costume.
B. He didn't feel like wearing one.

2. If the above is B, then why didn't he wear a costume? He would've looked so incredibly handsome dressed as something that was just so HIM! Maybe as Conan.. or Hercules.. or something big and strong!

Or, hey, what if he dressed as the Beast from Beauty and the Beast? [in a fit of hysterical giggles] That would've been cute.. ;)

Thank you for your time.. :)

Greg responds...

1. Honestly, I think he thought it was gilding the lily. He was just glad to be able to move around in the open. He wasn't "IN" to dressing up for Halloween.

2. Just not his style, I think.

I think we got close enough to B&tB without putting a fur head on him.

Response recorded on November 09, 2000

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Chapter XX: "Eye of the Beholder"

Written by Steve Perry. Story Edited by Michael Reaves.

It's really just a coincidence that we watched this so close to Halloween (11-2-00). I wasn't trying for that. This was just the next episode in the sequence. Still, when I mentioned before we started that this was the Halloween episode of Gargoyles, the kids got very excited. Erin pointed at the framed cell we have in our bedroom which depicts Goliath and La Belle Elisa dancing. She remembered that it came from the episode we were about to watch. Benny then commented that Elisa and Goliath are going to get married. Erin, who has a clearer memory of the last time we completed the 66 episode sequence corrected him. But I said something cryptic, like you never know. Erin said I needed to make more episodes so that we could find out. From her mouth to God's ears.

In general, the kids were very verbal during this episode, or at least Erin was. Benny started out verbal, but fell asleep with his mom rubbing his tummy somewhere during Act One.

In the opener, a classic scene I think, when he first saw Xanatos and Fox together he said: "That was you, Erin. I was him." in reference to the Fox and Xanatos costumes they wore to the Gathering 2000's masquerade.

Erin really bought into the tension of the episode. And it is very tense. Some terrific pacing to this. She remembered this one with much greater clarity than most. "Uh oh. That's not just any necklace." Etc. Personally, I just love Xanatos' pragmatic proposal. The truth is X should have already known that he was truly in love with Fox. I've just done some research into sentencing while working on and reworking my Gargoyle timeline. Fox & Wolf each received a 16 month sentence for briefly holding that model hostage in "Thrill of the Hunt". They had the opportunity to be parolled after eight months. They were rejected. Instead of waiting a mere eight more months for them to be released free and clear, an impatient Xanatos sets up the events in "Leader of the Pack". Is that a man in love or what? Nevertheless, we get his whole "We're genetically compatible and have the same goals" speech. She asks about love, and he feels himself largely incapable of the emotion. He thinks he's too amoral for that. "I think we love each other as much as two people like us can." (Or something like that. I'm approximating all these quotations.) It's fun.

Then comes the sequence in Mr. Jaffe's store. Erin is still very tense: "Uh oh, that's Fox. She's wearing the necklace." and "She wants to stop it [the necklace] with one arm. But she doesn't want to with the other." Here, Erin's hit right on Fox's internal conflict. Part of her is fighting the Eye, but part of her wants to surrender to its power. When X first confronts her in her bedroom, and when the Werefox emerges and attacks, it doesn't shred him. It throws him down on the bed. There's some powerful primal energy swirling 'round that room. Lucky thing Owen is there, or I'm not sure Xanatos escapes with his dignity intact.

Xanatos takes note and activates Plan A, which will be followed by B and C. And a makeshift D. It becomes almost a parody of all his contingencies and "Xanatos Tags" from previous episodes. For once, he's out of control. And he can't bear to admit it. He pretends (even to himself) that he just needs to recover the valuable Eye of Odin, when what he obviously really wants is to save Fox. "...I'd never have just given it away. Ah, well, spilled milk." (I always thought that was a great and yet feeble cover for his real feelings.)

Speaking of the Eye, how many knew back when it was intro'd in "The Edge" that it would be so important? As I think I've mentioned, the Eye was actually the creation of Disney Interactive which was working on a GARGOYLES VIDEO GAME at the time. They told us about the Eye, and I loved the idea and decided to incorporate it into the show. Unfortunately, we didn't use their design, which had this great crow/raven theme to it, appropriate to Odin. Instead, our design always looked vaguely Egyptian to me. I can't remember, but I think that maybe they're design wasn't ready when we needed to complete our model for "The Edge". Or it might have been poor communication. The Eye was designed at Walt Disney Animation - Japan. At any rate, we knew from the gamer folk that the Eye had metamorphic powers. But I wanted to be more specific. Yes, it would grant power, but it had to grant power that suited the legend of Odin's Eye. The Eye traditionally provided Mimir with the gift of sight. That easily translated to "insight" for me. Which is a kind of power in its own right. The Eye in the Gargoyles Universe would externalize and amplify a major trait of the wearer. And, yes, even then I had plans to eventually intro Odin himself and have him stick the thing back in his empty socket.

I think that shot from inside the elevator shaft when Fox smashes her way in is very cool.

Owen with an Elvis tribute: "Fox has left the building."

CONTINUITY
--The Eye of Odin, of course.

--Mr. Jaffe's poor grocery store.

--X's commando squad (including Bruno) is at the ready, yet still unprepared for the Werefox's fury.

--Since "The Mirror", Goliath is more open about his growing feelings for Elisa. She again defuses things by turning his concerns for her into a more objective statement about friendship.

--Goliath is back in the library. This time studying Werewolves. The information won't be useful, but isn't that just like him?

--Elisa immediately jumping to the conclusion that the were-thing is another of Xanatos' mutated victims like her brother.

HALLOWEEN - The trio are very excited to be able to stroll into the open. "No one'll know who we are." Better yet, "No one will know WHAT we are." The taste of conformity they got in "The Mirror" has opened a window on their need to be a part of something larger than the clan.

Another cool visual: Fox and Goliath circling each other, with Fox on all fours.

I love when Goliath tries to reason with Fox. "If Xanatos is your enemy, then believe me, WE are your friends." How little he knows. The Werefox immediately attacks him. Still conflicted. Throughout the story, Fox fights, but the Eye reasserts.

Time for Plan C. But Owen has noticed the flaw in Xanatos' usually stellar power of contingency. X claims that all he cares about is the Eye. But he's only setting things up so that the gargs will get the eye. Subconsciously, all he wants is Fox. But we have Goliath arrive and interrupt just at that moment so that neither X or the audience has time to focus on the contradicition.

X breaks down. Appeals to Goliath. He's out of control. Up to a point. ("Old habits die hard -- he still has the forsight to plant a bug on Goliath ala "Awakening, Part Three".

Gotta love Goliath's line: "Not a good night for you." It's great as a writer when you can legitimately turn the tables and give Goliath a Xanatos line.

HALLOWEEN 2
Broadway REALLY wanted to dress up as a Detective. So he's got a new trenchcoat and hat. Brooklyn, ever the swashbuckler, is a pirate. And Lex... hmm... what should we make Lex. We settled on a pilot, in keeping with his helicopter prowess, I guess. But it was never too clear what Lex would or should be, and I can't help thinking that Lex had trouble deciding on a costume too.

Of course, Goliath doesn't wear a costume.

Vinnie has a line here. Though officially, it's not Vinnie's first appearance, this one line of Jeff Bennett spoken dialogue "A costume over a costume." is the obvious inspiration for all that followed with the Vinster.

And I love Keith as that witch saying "That is a great, great costume." What a great, great line reading.

BEAUTY & THE BEAST. Finally, we get to hit the nail on the head. A moment so romantic (in a very romantic episode) that even the characters take note. Elisa lets her self go for a moment. Goliath just is. The kids are happy for them.

But "Things are not always as they seem". Goliath breaks the moment by attacking a guy in a werewolf costume.

Note: That Goliath now refers to Manhattan as "My castle, my city." A year earlier (more or less) he was calling it Xanatos' city. I love the notion that Goliath sees hope in Xanatos LOVING someone. And of course, he's right. Xanatos' love for Fox (and later Alex) will result in Goliath getting the castle back. Not war, but love.

Brooklyn and Lex finally get to eat pretzyls. Remember that in Awakening, Broadway ate them all. Meanwhile Broadway eat's a hot dog and BELCHES MIGHTILY. This was really more about all of us indulging ourselves in low humor. We put the burp into the script. Bill Fagerbakke burped loudly. But our sound effects guy Paca Thomas, put in the burp to end all burps.

CONTINUITY AGAIN
--Lex gets very intense (briefly) and wants to go after FOX. He still hates anything or anyone connected to his Pack experience.

--The return of Brendan & Margot.

Gotta love Elisa's costume. Holster for a garter belt. Very sexy. Solved our nudity problem with Fox too. I'm amazed we got away with that.

In a larger sense, I'm amazed we got away with the entire episode. I was very nervous that the notion of X and Fox getting engaged would be rejected. But the BIG BOSSES didn't focus on the fact that the engagement might lead to marriage. And fortunately, they weren't paying attention when that engagement led to marriage, pregnancy and a kid. I don't think they would have allowed it.

I could have done without Broadway eating his hat.

Fox's internal conflict is visualized when she sees Elisa as herself and attacks to silence that human voice inside her once and for all.

When, in slow motion, Goliath intercepts Fox and saves Elisa (who's usually fairly self-sufficient) it may be the purest moment of Hero saving damsel we have in the series. The dress helps of course.

A little HIGHLANDER inspiration here with Fox and the exploding sign.

I love that Owen's right there with the helicopter.

X is still trying to interpret things to suit his old (and dated) world view. He thinks Goliath is trading the Eye for Fox, which of course he wasn't. Goliath doesn't think that way.

"Now you know my weakness."
"Only you would consider love a weakness."
"You've never looked more heroic."
"A momentary lapse, I assure you."

All great lines.

Let's go home.

And Owen, who signed on BECAUSE Fox and Xanatos were so interesting to the Puck, SMILES.

And now a word about the episode from Erin Sydney Weisman (she typed this herself):

I am most interested in this episode. And the episode I watched was a spooky episode. And I liked the episode, because it was a very enchanting episode.


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LSZ writes...

Who is Goliath's favourite author?

Greg responds...

Don't know. He has high-brow tastes though. And yet, Mark Twain comes to mind. But mostly, I don't think Goliath is the kind of guy who ranks his favorites.

I'm not either really.

Response recorded on November 02, 2000

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Sapphire writes...

What are Goliath's 5 favorite book titles?

Greg responds...

Don't know off the top of my head. Though GREAT EXPECTATIONS immediately comes to mind. Maybe we'll make a contest out of that when this monster is done.

Response recorded on November 01, 2000

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VF writes...

I really admire the patience and dedication of longtime fans and admirers (including yourself) of "Gargoyles." I only discovered the show for myself (with the help of my two young daughters) a bit more than a year ago, and I KEEP hoping that "some day" will come already and new episodes can be made.

Folks can say what they want about Toon Disney, but that's how my daughters found it and shared it with me, so the channel is at least providing the opportunity for a few new viewers to discover the show.

It's clear from watching the series, and then finding this Web site and learning more about the behind-the-scenes processes involved in its making, that there were a lot of thoughtful, creative, talented people behind it. Your ideas about characterization and story continuity have prompted me to post some thoughts and an inquiry here. (It's at the heart of one of the main reasons why I really lament that there aren't any more episodes being made ... yet.)

From a writing point of view, I think "Hunter's Moon, Part III" -- which I realize was a season finale -- would have served as a much better "final" finale for your involvement than "The Journey," which just left everything dangling for me like an unfinished book. Maybe I should say "like an unfinished chapter" because I don't want the book to end. At least in "Hunter's Moon," it ended with a bit of a payoff: an open declaration of mutual love between two main characters ("You know how I feel about you, right?" "How we both feel, yes." and even a kiss). It helped bring together a few loose strands that had been threading from almost the very beginning of the series without completely shutting it off from future development (far from it, actually).

In "The Journey," there is an aborted, sort-of date with very little discussion between Goliath and Elisa about what is really happening between the two of them or that very significant exchange between them from the previous episode. Also, from the information shared in this site, it seems you knew this was your farewell episode in many respects. So I would be interested to learn what you intended to have at work between Goliath and Elisa in this episode because I'm not sure that I "got it" all. I think an argument could be made that the episode, coming immediately in sequence after "Hunter's Moon," implies that a relationship between the two is A-OK with them without any internal conflicts.

Did you really want to make things seem less defined between them and let some time pass before they actually had The Talk about their relationship, specifically to help sustain fans' interest at a time when you may not have known what the future held for the series and their story?

Sorry to ramble on, but I don't want to appear as though I'm sorry you stayed on for one episode too many (again, far from it!) I'd like to learn your thoughts about the episode from a story/character development perspective.

Thank you.

Greg responds...

Well. I was trying to play fair, I think. I was leaving, but the series had 12 more episodes that I was at least supposed to advise on. Most of my positive (try this) advice was ignored, though some of my negative (hey, don't do that) advice was taken. I wanted to give ME some closure, but I wasn't trying to give the series closure.

Specifically, what I was saying was that the journey would continue. That the adventure would continue. That even Japan had gargoyles, and Vinnie (or Greg Weisman) would never be totally out of the picture. That no matter what hassles Goliath and Elisa had ahead of them, that they would still have each other as companions on the journey forward.

This was not to imply that Elisa was all copecetic about loving the gargoyle. But that she knew that she did. That she would never abandon him. And vice versa.

Does that help?

Feel free to ask more specific questions, if I haven't covered it for you.

And by the way, cuts or no cuts, "Deadly Force" or no "Deadly Force", I'm still glad that Toon Disney's airing the show.

Response recorded on November 01, 2000

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Aris Katsaris writes...

Greg, where the adoption is concerned, no, you had never used the word "convenient". In response to a question uou did refer to it as more "conventional" than magical or scientific alteration.

Hmm, so far you have avoided answering to my questions about the species or the gender of the kid... Let's see if you'll answer one about age... Do you see the kid being adopted while still an infant, or when at an older age (able to talk for example)? There are obvious story possibilities in both...

Greg responds...

Have I ever definitively confirmed adoption at all?

If so quote me and reask the question.

Response recorded on October 26, 2000

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Vilija writes...

Hi again!
Did you develop Goliath's character with a contrast in mind? or did it happen over time throughout the show...He'll be sitting there in one episode, reading, or thinking to himself, and in another episode we see this crazy temper. (For example-maniacal laughter in "Macbeth," and threatening to kill people in "Hunter's Moon."
I guess these circumstances would get me pretty angry as well. What do you have to say?

Greg responds...

I'm not sure I understand what you're asking. We developed him to be a complex character. Capable of sensitivity, intelligence and -- when pushed -- great rage. Is that what you mean?

Response recorded on October 20, 2000

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Maria writes...

Another silly Question from Silly Maria: ^_^
Why is 'adopting' for Goliath and Elisa more convenient?
I obviously have a very different thinking pattern. I guess I feel that if someone really loved someone else they would be willing to make some sort of change. So that's why I find it hard to believe that Elisa or Goliath can't make a magical change or something. In my mind, just because you change your form doesn't necessarily mean you are changing who you are. It can change a PART of who you are, but it doesn't change everything about you. You are who you are inside. And that includes your SOUL. Your soul is who you are. That's why we are able to differentiate between right and wrong because GOD gave us that gift. We just abuse it sometimes or ignore it, because we are down here on earth to learn. And from circumstance and learning different behaviors, we sometimes become what we were not in the beginning.
So, why would it be so inconvienient? (Bad spelling. . . :P) I mean, I am probably WAY off base. But that's just the way I feel . . . if that's all right.

I guess the problem for us Goliath and Elisa fans is we REALLY want Goliath and Elisa to have a child. Yet, contradictorally, we understand that ethnically, it would be impossible. And yet we hope for a miracle. I guess in my frame of mind, seeing them raise a family of their own would be like some kind of resolution. Strange, isn't it?
Anyway, enough of my rediculous ramblings. I probably don't make any sense - though I try to. It's just hard sometimes to put my thoughts into words. And they don't always come out the way I want them too. So for that I apologize. A hard life has let my communication skills go to par. ^_^!
Well, if that wasn't too - ridiculous - I'll take off now. TTFn. Ta Ta For Now!! :)

Greg responds...

There's nothing wrong with the way you feel.

But it's not the way I feel. I am a secular, at times Pagan, Jew. And yet, I would not convert to another religion for anyone. Not for "love", certainly. If my "love" couldn't accept me for who I am, why would I want her? Most of my life, I dated non-Jews. It's theoretically possible that I might have married one. But I still would not have converted. As it turned out, I did marry a Jew who "practices" the religion more than I do. I haven't gotten "more Jewish" because of her. I've fundamentally stayed the same. And yet, being Jewish is part of who I am. Part of what made me who I am. Same with being short. Same with being nocturnal. Same with being a guy. A heterosexual. A storyteller. I can't change any of these things (or a bunch of other things) without fundamentally changing my identity. Who I am. Who I want to be. I'm not talking about changing breakfast cereals. I'm talking about fundamental factors to my identity in THIS LIFE. Maybe I was someone entirely different in another life, and maybe my "SOUL" is an unchanging light that shines through the prism of each new life. But the prism matters to me. And I think it matters to Goliath and Elisa too. And by the way, I don't see why ADOPTION is any less legitimate a way to share their love with a child than spitting a kid from one's combined loins.

But did I use the word "convenient"? If I did, what was the context? Because the decision was not based on convenience.

Response recorded on October 19, 2000

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Emmlei writes...

original post and reply:Emmlei writes...
ok, i vaguely recall a while back a few questions as to Elisa and Goliath basically raising a child together. a bunch of questions tended to whether it was biological, and if it came about through magic or science. just to get this off my mind, what about adoption?

Greg responds...

What about it?

repost: would adoption be more likely than having a biological child (even if it's through magic or science)?

Greg responds...

It's certainly more conventional.

Response recorded on September 30, 2000

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Emmlei writes...

ok, i vaguely recall a while back a few questions as to Elisa and Goliath basically raising a child together. a bunch of questions tended to whether it was biological, and if it came about through magic or science. just to get this off my mind, what about adoption?

Greg responds...

What about it?

Response recorded on September 26, 2000

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Gengar! writes...

what happened to Goliath's mother

Greg responds...

Which one?

Response recorded on September 25, 2000

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Gengar! writes...

How old is goliath

Greg responds...

We just posted those ages. Check the archives.

Response recorded on September 25, 2000

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Gengar! writes...

What was goliath like as a baby

Greg responds...

Purple.

Response recorded on September 25, 2000

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White writes...

I was always curious to know if you had created Goliath's biological parents. And if so, what would they be like ( Biologicaly and phsycologicaly )
An other thing I was curious with is, Goliath recongnized Angela as his bioligical daughter, could he have recongnized his parents as well ? ( Although I do not think he would have considered them more importent than his other rockery parents )

Thanx in advance ;)

Greg responds...

I'm not that interested in Goliath's bio-parents specifically. And frankly, I only think Goliath "recognized" Angela because Elisa called it to his attention. (Then he started to dwell.)

Response recorded on September 25, 2000

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Vashkoda writes...

1) Has Demona already used all the spells available in the pages she tore from the Grimorum?

2) Did Elisa or the others do anything special with that page from the Grimorum with the spell that enchanted Goliath? If Goliath must obey anyone who holds it, couldn't someone say, "I negate the last command", and have Goliath fall right back under its spell? Even if that isn't the case, I would think that the possibility was enough that they would take certain precautions with it. Just wondering.

Greg responds...

1. All but one.

2. They burned it.

Response recorded on September 21, 2000

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Todd Jensen writes...

In Puck's "Future Tense" illusion, was he attempting to use guilt as a weapon against Goliath to break him down, as well as shock and grief? Brooklyn and Lexington both berated Goliath severely for "running away" and leaving the clan and Manhattan defenceless against Xanatos, making it clear that in their eyes, it was all his fault that the city was in the condition that it was. Lexington also implied (at least, how I saw it) that Goliath's "abandoning" the clan was a reason for his turning evil. So, was Puck attempting to fill Goliath with guilt to weaken him all the more?

Greg responds...

Yep.

Response recorded on September 21, 2000

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Maria Destine writes...

I probably did mis-quote you. Oh well.
Anyways I was wondering if Goliath would ever get to know his grandchildren? Wouldn't he still be alive long enough to spend some time with them? And how well off would the clan be by the time he died? You had mentioned that maybe not everything would be exactly perfect by then concerning gargoyle/human relations. So, just how would situations have been?

Greg responds...

I'm not going to answer that now.

Response recorded on September 16, 2000

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Knight-errant writes...

Goliath had his name in 994? No way. 1)Are you sure? Of course, you're sure. I can't believe no one noticed. 2)Who was story editing? Give them a stern talking to.

Greg responds...

1. No one noticed in 994? I think you're wrong about that. The Captain has a whole big speech about his name in the dining hall.

2. Michael Reaves, but I don't see what you think he did wrong. Cuz I don't see a problem.

Response recorded on September 16, 2000

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Melissa writes...

Hey Greg,
This question might sound confusing but I'll try my best to make it comprehensible.
I don't expect you to remember, but you responded to a question (by Charles) on July 30 about Elisa and Goliath's double date. The question was mainly about Elisa's response how Goliath had chosen to take Delilah. You responded by saying "Elisa was pressuring him. She had to live with the consequences of her choice."
So my question is: I always was under the impression that E & G mutally decided to go on this double date. But by the way you responded, it sounded more like Goliath wanted to date Elisa but she rejected the offer. Was this the case? Am I totally off? If you had any input on this, it would be greatly appreciated.

Greg responds...

The notion of "dating" doesn't really come naturally to Goliath.

As I've said before, after years of pussy-footing around, we'd have finally made E&G have an actual DISCUSSION about the status of their relationship. Goliath would "allow" Elisa to drive the conversation, but they would BOTH come to the inevitable conclusion that any relationship between them would be impossible. (Of course, they were kidding themselves.)

Elisa would then attempt to proactively prove that they were moving on to a more common sense approach to romance by having both of them date within their species. She would accept a Halloween invitation to go out with either Morgan or Jason. (To this day, I still haven't decided which.) She would pressure Goliath to take Delilah. Delilah is eager, and for obvious reasons, physically attractive to Goliath. But I'd say Goliath was reluctant for equally obvious reasons, but he agreed to appease Elisa. Then we have this whole action story going on, of course too, which I won't get into here.

But anyway, the result is that they both realize that they are meant for each other. They have to apologize to Morgan/Jason & Delilah, with mixed results. And they then have to figure out just what their relationship, now that they know it's inescapable, is going to be.

How's that?

Response recorded on September 09, 2000

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Maria writes...

You had mentioned that gargoyles don't generally kiss. They use a caress which in some ways for them mimics the kiss. But, considering the fact that Elisa surprised him by kissing him, what would be his reaction later? Would he ask questions about it and she would explain that she kissed him because she loved him? And, would he become curious enough to try kissing her? Would he enjoy it?
I can almost envision a silly face showing that he liked it, kind of like in the scene in Tarzan where Jane kisses an unsuspecting Tarzan. But then, that might not even happen. But it might be cute and inoccent if it did.
Anyway, thanks before hand for replying, and my apologies for some of my earlier more stupid posts. Just curious about that stuff mostly, I guess.

Greg responds...

By the time Elisa kissed him, Goliath had witnessed plenty of kisses. He knows what it means. And after trying it, I'd guess he liked it. If the right person kisses him. Which she did.

Response recorded on August 23, 2000

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shaun writes...

Is there somethimg between Goliath and Elisa,does the rest of the clan know about it?

Greg responds...

Yes.

Yes.

Response recorded on August 23, 2000

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Todd Jensen writes...

I recently watched my tape of "Upgrade", and that prompted a fresh question on my part. In this episode, Goliath finally fills the SIC position, left vacant ever since Demona parted ways from the clan in "Awakening". What interested me was that Goliath took so long to finally think about appointing a second-in-command. "Upgrade" is 25 episodes after "Awakening Part Five", and in terms of the series' internal chronology, probably over a year later, but only now does Goliath finally get around to start looking for somebody to fill the second-in-command slot, after Hudson tells him that he needs a designated successor in case some enemy of the clan does kill or permanently incapacitate him.

So why did Goliath take so long to start looking for a new SIC? Was it anything to do with the fact that Demona had been the last one?

Greg responds...

Not really. Mostly, I don't think that anyone was qualified at first. Brooklyn emerged as a leader. He didn't start out as one.

I think Goliath was de facto counting on Hudson to be his second.

Response recorded on August 23, 2000

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Demona Taina writes...

It's me again! RUN! [laughs]

I was looking through the archives and I noticed the "Hudson put a spell on Hudson" typo. [snickers] You even quoted it! Should I be honored? [laughs] Well, what can I say? [laughs] I edited the post so many times I mixed up the sentence so badly that I ended up with two Hudsons. :P

[laughs some more, then clears throat] Okay, I've been wondering this for a very long time now. In the episode "Eye of the Storm," Goliath puts on the Eye of Odin because he had no choice. If he wouldn't give the eye to Odin, then he could just forget about Elisa. If he handed it over, then Odin would be powerful enough to "destroy" them.

Back to the main question. When Goliath ripped the eye from his neck, he immediately passed out. Yes, he could stand for a few seconds, but then he lost his balance and.. THUD! I thought it was pretty cool, because I had never seen Goliath actually PASS OUT. Sure, he's been knocked out, put to sleep, but never actually lost consciousness without a physical blow or drugs.

So here are my questions. :)
1. How long was Goliath passed out when he took out the eye?

2. How did Angela and Elisa carry Goliath back to the cave?

3. How tall was Goliath when he had the eye on? Under more normal circumstances, he'd be seven feet tall. Nearly as tall as my house. [giggles] But with the eye, the little kid's head barely reached his knees!

4a. What are the names of the two humans? Erm, people. [laughs] I think it's Eric and Gunther.. but I'm not sure.

4b. I know that the father mentioned his second name, but I didn't quite catch it. In fact, I didn't even understand it. :P What's his second name?

5. Silly question, but I'm a big fan of Goliath and I can't resist. [snickers] Why did Goliath rub his head when he regained consciousness?

6. Why did he look for the eye on his chest after he woke up? Didn't he remember that he ripped it off?

7. Erm.. [can't think of anything else] How are you today? :p

Let me say that this is one of my favorite episodes. A pity the USA Network cut out the scene of Goliath hugging Elisa with his wings.. [grumbles] I don't even know what he said to her in English. [grumbles] And it was such a romantic scene..

[scrolls up] Ooh. Long post. :P So, that would be all I guess. [chuckles] Thank you for your time. :)

Greg responds...

1. Not too long.

2. With difficulty. And Odin may have helped for all I know.

3. Very Tall.

4a. Yeah.

4b. Sturlusson -- but I may have mispelled it. I don't have my references here at home.

5. It was sore.

6. He was looking to see if it left a mark.

7. Tired, but fine.

Response recorded on August 22, 2000


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