Anonymous writes...

For some reason, Man-Wolf is a very cool villain to me. I loved what you were doing with John in the show. Did you have a plan to make him Man-Wolf? It seemed like Professor Warren was going to be the perfect catalyst/enabler for that transformation.

Also, you once said that even if one didn't like the transformation of Kraven, to bear with it because you had some really cool plans extending from that. Would you be able to give us an idea of what those plans were?

Laura 'ad astra' Sack writes...

one last question:
In response to my appreciative ramble on your portrayal of Flash Thompson in the cartoon you answered that you had specific ideas about when and why Flash stopped liking Peter and being friends but you were on the fence about revealing them. Similarly on when he transitioned to actually tormenting Peter and whether all this took place before or after Peter’s parents’ deaths. If you have come off the fence in whole or in part I’d love to hear more.

You also said that Flash’s well timed hauling of Peter over the coals for his bad treatment of others was the reason he was went to the hospital and not to visit Aunt May. (Though I suppose he may have visited as well.) If despite all the animosity he believes he justly holds towards Peter he still came and did that, it speaks all the more highly of him. Also kudos to the animators for giving him that annoyed look that fits very well with: ‘I have to be doing this right thing here, but you really don’t deserve it’.

Laura 'ad astra' Sack writes...

This is touching on the type of theoretical questions you hate, but I’ll attempt it…

Are there any shows you watch that you wish you were involved in? Any shows you are glad you weren’t involved with because you wouldn’t want it any other different than it is? Any shows you didn’t enjoy, but think you could have made the concept shine? I don’t necessarily mean something you worked on and it didn’t work out, (like when you wrote the series bible to Roswell Conspiracies or the like), I mean even seeing a cartoon as an adult that you enjoyed as a child and thinking ‘if I were doing that…’. That creative itch that sometimes hits when watching a show and really wanting to play in that sandbox.

I figure either you'll hate this question or one or two examples will suddenly spring to mind.

Laura 'ad astra' Sack writes...

I read an interesting article arguing that Ditko walked away from Spiderman because of an affront to his Objectivism principles. Specifically that he was setting up Norman Osborn to be Peter’s mentor and an exemplar of Objectivism. I was wondering what your thoughts were on the theory, and if there was ever a thought about it when working on Spectacular Spiderman?