A Station Eight Fan Web Site
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Hello, Mr. Weisman.
My questions today are more closely related to television programming. So here goes.
1. Have you viewed the new ThunderCats on Cartoon Network that debuted last year? Assuming so, what did you think of it?
2. Have you viewed any of the original episodes of the ThunderCats cartoon? Assuming so, what is your opinion of the old show, and how do you think it compares to the latest incarnation?
	3.The original ThunderCats cartoon met the 65 mark episode needed to go into syndication, and produced episodes beyond it. While many of the new episodes were entertaining, I could not help but notice, in my opinion, a decline in certain qualities of the show. One of the areas hit hardest, in my opinion, was the writing in the episodes. This seemed to manifest itself in terms of more predictable scenarios occurring, less creative solutions to the problems that arose and eventually lackluster storylines. ThunderCats wasnât the only show to suffer from this though. Cartoons like Captain Planets, which also surpassed the 65-episode mark, began to experience a bit of a lag, and lost many of the original voice actors/actresses who made their characters so exceptional.
	4. So my question is what exactly happens to a show behind the scenes after moving beyond syndication? Is a showâs storyline only plotted out for 65 episodes and not expected to pass it? Or does the writing team have to brainstorm an entirely new set of ideas for episodes beyond? Are new writers assigned to the program or the old ones retained? Are the initial voice actors/actresses replaced with new people, choose not to renew their contract or different causes altogether? 
Thanks for the time.
1. I haven't had time to see it, but I really like the people involved with it.
2. I did a long time ago, when I was working on a single script for a different reboot that didn't see the light of day. But you need to understand that I never saw it when it first came on, so I have no nostalgia for it.
3. I just have no opinion on this. I only saw a handful of episodes.
4. Every case is different. And obviously, I have no idea what went on with ThunderCats.
and another comment about "misplaced". that scene where zatanna/nabu says "no" to zatara's request to release her... it's been a long time since any animated show has made me go "wow". who storyboarded that shot of her? it was perfect from the tilt of her head to her stone cold eyes.
There's just no way for me to remember specifically, I'm afraid. But the credited board artists for 119 were: Charles E. Drost, III, Paul Harmon and Jeff Johnson, and the credited revisionist was Owen Sullivan. Throw in director MIchael Chang and Producer Brandon Vietti, and the odds are that one of those six talented people (plus the animators) gave you your "wow"!
YOUNG JUSTICE: INVASION: Episode #202: "Earthlings": Credits:
	Producers
	Brandon Vietti
	Greg Weisman
	Written By
	Nicole Dubuc
	Directed By
	Doug Murphy
	_________________________________________________________________________
	Line Producer
	David Wilcox
	_________________________________________________________________________
	Young Justice Theme and Music By
	Kristopher Carter
	Michael McCuistion
	Lolita Ritmanis
	_________________________________________________________________________
	Casting & Voice Direction
	Jamie Thomason
	_________________________________________________________________________
	Starring The Voices Of
	Logan Grove as Beast Boy
	Danica McKellar as Miss Martian
	Nolan North as Superboy
	Jacqueline Obradors as Alanna
	Morgan Shepard as Sardath
	Michael Trucco as Adam Strange
Based On DC Comics Characters
	Miss Martian Created By
	Geoff Johns and Tony Daniel
	Beast Boy Created By
	Arnold Drake
	Adam Strange Created By
	Gardner Fox
	________________________________________________________________________
	Production Manager
	John Diaz
	Assistant Production Manager
	Casey Sandin
	Animation Coordinator
	JJ Conway
	________________________________________________________________________
	Lead Character Design
	Phil Bourassa
	Character Design
	Dusty Abell
	Jerome K. Moore
	BG Key Design
	Jay Hong
	Cynthia Q. Ignacio
	Fedja Jovanovic
	Hakjoon Kang
	Gary Montalbano
	Nollan Obena
	Prop Design
	Dusty Abell
	Eugene Mattos
	_______________________________________________________________
	Storyboard
	Jay Baker
	Todd Demong
	Craig Wilson
	Storyboard Clean-up
	Jen Bennett
	Naz Ghodrati-Azadi
	Kathryn Marusik
	Animation Timing Director
	James Tim Walker
	Timing	Animation
	Richard Collado
	Jeff Hall
	R. Michel Lyman
	Checking
	Justin Schultz
	______________________________________________________________________
	Color Stylist
	James Peters
	Ink & Paint
	Matthew Bordenave
	Background Paint
	David McBride
	Craig Robertson
	Effects Animation
	Matthew Girardi
	_________________________________________________________________________
	Editor
	Jhoanne Reyes
	_________________________________________________________________________
	Supervising Dialogue/ADR Editor
	Mark A. Keatts
	Sound Reading
	Fred Salinas
	Wilson Martinez	
	Dialogue/ADR Editors
	Patrick Foley
	Mike Garcia
	Post Production Manager
	Scott Shinick
	Dialogue Recording Studio
	Studiopolis, Inc.
	Recording Machine Operator
	Jeff O. Collins
	Sarah Baluch
	Post Production Sound Services
	Audio Circus, Inc.
	Online Editor
	Steven White
	_________________________________________________________________________
	Animation Services
	MOI Animation, Inc.
	Animation Director
	Sangyong Um
	Background Director
	Jung-Ho Park
	Production Manager
	Young-Soo Yoo (Director)
	Min-Sung Park
	Su-Mi Beck					
	Production Coordinator
	Hyosun Ryu
	Seongmi Park
	__________________________________________________________________
	Layout Artist
	Yeonghwan Lee
	Color Stylist
	Jinmi Kim
	Composition
	Byoung-Ryul Kim (Director)
	Hyo-Yoon Beck
	Kyoung-Hee Kang
	Sung-Ho Jo
	Model Checkers
	Gidoeok Park	
	Key Animation
	Eun-Jung Kang
	Eun-Hee Yang
	Jong-Jin Park
	Bong-Geun Kim
	Seong-Joon Kwon
	Soo-Jin Lee
	Han-Young Lee
	Young-Chae Kim
	Yun-Ho Choo
	Sang-Young Uhm
	3D CGI
	Gyu-Han Yoo (Director)
	Gyu-Sung Oh
	Final Checker
	Gyunho Hahn
	________________________________________________________________________
	Production Administrator
	Nicole Martin
	Production Accounting
	Luisa Guzman
	Debbie Lindquist
	Maral Simonia
	Athena Wingate
	Production Support
	Vivian Hernandez
	Audrey Kim
	Tamara Miles
	Kira Tirimacco
	Renee Toporzysek
	Janet Yi
	Executive In Charge Of Music
	Niki Sherrod
	Business And Legal Affairs
	John Michael Beach
	Lori Blackstone
	Sharmalee Lall
	Bonnie Negrete
	Joulene St. Catherine
	Casting Administrator
	Liz Carroll
	_________________________________________________________________________
	Production Supervision
	Bobbie Page
	Production Management
	Ed Adams
	_________________________________________________________________________
	Executive in Charge of Production
	Jay Bastian
	_________________________________________________________________________
	Executives In Charge Of Production For Cartoon Network
	Tramm Wigzell
	Brian E. S. Jones
	_________________________________________________________________________
	Executive Producer
	Sam Register
	_________________________________________________________________________
	This motion picture is protected under the laws of the United States of America and other countries.  Any unauthorized duplication, copying, distribution, exhibition or use may result in civil and/or criminal prosecution.
	© 2012 Warner Bros. Entertainment Inc.
	ALL RIGHTS RESERVED
Country of first publication United States Of America
YOUNG JUSTICE and all related characters and elements are trademarks of and © DC Comics.
	Warner Bros Animation Inc. is the author of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto.
	_________________________________________________________________________
	There are, as always, a bunch of people who ALSO helped out but don't receive credits on screen for various (legal and precedent) reasons.
	A handful (in no particular order) include...
	Curtis Koller - Talent Coordinator
	Eric Lewis, CAS - Dialogue Sound Mixer
	Ryan Johnston - Assistant Engineer
	Otis Van Osten - Sound Supervisor
	Ron Salaises - Sound Effects editor
	Carlos Sanches - Re-Recording Mixer
	Stacy Michaels - Foley Mixer
	Alex Ulrich - Foley Walker
	John Wells - Research
	Aris Katsaris - Atlantean Translator
	I know I'm probably forgetting some folks, and I REALLY apologize! If you send me a reminder, I'll pimp you in another post!
I was just reading the Toonzone interview with the late Dwayne McDuffie (http://www.toonzone.net/news/articles/36545/toonzone-presents-an-interviewtribute-to-dwayne-mcduffie) and he describes the difference between Story By credits and Teleplay By credits on Justice League, and how there may be a lot more writing done by uncredited main writers on the show. Is this similar to how you work on your shows?
Yeah, more or less.
Are there any more servants in the Wayne household, or is Alfred the only one?
Just Alfred.
How old is Professor Ivo?
He's 62 at the end of Season One.
I hate to post twice in a row, but this question *definitly* can't be included with the last one, and I don't trust myself to remember this another day.
I know you've been reading the "Buffy" season 8 comics. Do you have any plans on ever updating your "Buffyverse Geek-Out" to reflect any changes that have occurred since season 7?
No. One of these days, time allowing, I'd love to sit down and read all of Season Eight in one sitting. But it's not a high priority, I'm afraid.
Hi Greg! First off, I'd like to thank you for posting all those old production memos from "Gargoyles". I love reading 'behind the scenes' stuff, and seeing the way the story develops over time. It kind of reminds me of Christopher Tolkien's "History of Middle-Earth" series, albeit on a smaller scale.
Now, I have a few questions that I hope can be considered to all fall under the general category of "series development". A couple of them might be stretching it a bit, but I think it'll be okay (and if not, you'll tell me).
1. You started posting production memos for your "Re-Awakening" ramble. Are there any surviving memos from "Thrill" to "Her Brother's Keeper"?
2. When you wrote "The Journey", did Scott Thomas send you a prod. memo?
3. Are there any memos from "Spectacular Spider-Man"?
4. One thing that really struck me when reading some of the notes from early '92 was just how early the Pack came along in the development. Which got me to thinking about another early villian. Was Tony Dracon's involvement planned all along, and he just happened to first appear in "Deadly Force", or was he created specifically because "Deadly Force" needed a new villian? (Awkward sentance, I know, but I can't seem to get this phrased quite right. Do you get what I'm saying?)
Thanks for taking the time to answer these. We will now return to our regularly scheduled "Young Justice" questions.
1. I'm sure there are. But there are difficulties in posting them, including but not limited too: (a) not enough hours in the day (b) most of those memos were only preserved as documents - not electronically, so that it's not as simple as cutting and pasting (c) most of those documents are at my private office in Beverly Hills, and I'm almost never there, since producing YJ here in Burbank keeps me pretty busy.
2. No.
3. Very few. Those were mostly done via e-mail, and I didn't keep a record of that. Also, I was personally story editing SpecSpidey, so I wasn't writing memos to my story editors, as I was on Gargoyles.
4. I get what you're saying, but I honestly can't remember. My vague guess is that we always knew we'd need a "crime boss" of some kind, but that we probably didn't develop Tony until we got to his episodic premiere.
1. In Homefront how did Kid Flash and Superboy get encased in metal?
	2. How long has Wonder Woman been active as a heroine?
	3. Could you give a translation of the spell Kent Nelson used to protect Kid Flash from Klarion?
	4. Are the designations of the Light based on the order they joined?
1. Molten metal, i.e. Superboy's motorcycle, heated by Red Inferno and rapidly cooled by Red Torpedo.
2. ASKED AND ANSWERED.
3. "Certe toto sentio nos in kansate non iam adesse!" I don't have the exact translation from the Latin here with me, but it's more or less along the lines of "Toto, I've a feeling we're not in Kansas any more."
4. Yes.
Do you know why the scene in "Misplaced" where two hoodlums are spray painting on the school, and are stopped by Miss Martian were cut from the broadcast version of the episode, but included in the digital releases, such as iTunes?
Length issues. We had to trim time from a handful of episodes that originally posted BEFORE we had an official length for DC Nation (which is shorter in order to make room for the shorts).
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