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Greetings Greg,
	I've read that Angela and Broadway will/would eventually have three hatchlings of their own at some point in their future. Now, while I am VERY happy for the two lovebirds, I can't help but wonder if their different upbringings and views on parentage & child raising would prove an issue for them. I mean, Broadway was raised in the traditional Gargoyle way and never knew who his actual biological parents were, nor showed any interest in learning who they were, & I've even read that if he ever did find out Hudson is his dad it wouldn't really change anything between them (which is the norm for most garg clans). However, Angela was raised by humans and cares very much about her blood ties with Goliath & Demona, wanting her father to acknowledge their bond & rejoicing once he does & over time their bond deepens, & wishing to bring Demona back into the light because of her connection to her despite being aware of her dark & troubled nature. I guess what I'm saying is, Angela strikes me as someone who'd want to raise her children personally & form a strong mother/child bond with them whereas Broadway would likely treat them the same way any gargoyle of an older generation would treat those of a younger generation. So I guess my question is, would Angela's & Broadway's different upbringings cause some problems for them in their relationship & in raising their hatchlings? Or would Angela convince Broadway to form a real parental bond with the kids as Goliath has formed with her? I can't really see Angela NOT making her blood ties known to her kids while Broadway just keeps quiet about it. Hope my questions make sense, this is my first time doing this, & thankyou for your time.
Probably fewer problems than you think. They'd BOTH still behave as parents to all eggs hatched. How is that going to differ between them?
In any case, these are issues that will hopefully be explored in the years to come.
Hi Greg I'm sure you've heard this plenty of times but I am a huge fan of the gargoyles!! One day I'm hoping to become a film editor in the future, maybe even own my own movie set! So if your ever looking for an editor sometime in the future look me up, I would love to work with you! Also I been searching and I wasn't able to find this question so I hope you haven't been asked this yet. But I've always wondered I know it obvious that Elisa and Goliath will end up being together some how, but how does Angela feel about Elisa as possibly becoming a future step mom? Would she see her in that way?
I have answered this before, so you might check the archives for more detail, but basically Angela views Elisa as an older sister. That wouldn't change. But if you've read the comics, you know Angela ALREADY considers Elisa to be Goliath's mate (more or less).
Hi Greg,
Okay, I consider this the anti "What did Titania whisper in Fox's ear?" question.
In "Ill Met By Moonlight", towards the end, Oberon can be seen in the background talking to Angela while Tom the Guardian stands nearby. His lips are animated as moving, but we can't hear what he says, because the focus is on Goliath and Titania in the foreground discussing Oberon's trustworthiness.
My question is: What was Oberon saying to Angela?
If you wish to review, here is the clip. From approx. 5:25-5:29. http://www.youtube.com/watch?v=hcmHmG0cylg
Hah! Damn good question! Sharp eyes, Richard!
And I have no idea. I'd have to think about it. Pleasantries, probably, but...
I think we may have discussed this at a Gathering once, so forgive me.
We all know Demona holds Angela in a much higher regard than she has held anyone in, well, a very long time. Does the biological connection matter to her? I almost wonder if she would have gone through the trouble to turn Gabriel or Ophelia if either of them left Avalon with Goliath instead.
She did pause briefly in "Avalon Part Three" when Goliath pointed out that she was pointing a gun at her own children, after all.
But then, Demona has always been atypical of most gargoyles.
I think the biological connection does matter to her (though she'd never admit it). She's so human that way.
Hey Greg.
So a few years back we had talked about the two other beasts on Avalon (besides Boudicca) and how they are male and female and mates. We seemed to come to the conclusion that if the math is correct they should have already mated and laid an egg as of 1996, though it has not hatched yet. I believe you agreed the math worked out correctly, but didn't commit to the idea that this had actually occurred and put it tentatively in the canon-in-training category (which is how it continues to be labeled on the GargWiki).
I just want to get some confirmation from you that this has not happened after all. Since Angela commented in "Phoenix" that she had never seen a gargoyle egg before, I suppose the two beasts on Avalon have yet to parent one, right?
Also, as a side note, I find it interesting that during the time spent at Ishimura and ChacIxChel (and to a lesser extent London since Goliath and Co probably didn't visit Knight's Spur), Angela never got a peak of the Ishimuran or Mayan rookeries. Is this something private to a clan and not something they'd put on the tour or did it just not come up due to lack of time or whatnot?
Thanks, Greg!
Hmmm...
The latter question is easier to answer. I don't think there was time for Angela to see a rookery. And it didn't occur to her to ask for a special tour.
The former question... I guess she hasn't seen one.
Another question...
	When Elisa told (or admitted, however you want to look at it) Angela that it was true that Demona was her mother at the end of Sanctuary, was Goliath angry with her?  Did they discuss it at all later or did he just let it go?  Was he actually relieved to not have to be the one to tell Angela?
I'm sure he was angry, but she probably convinced him of the obvious: (a) it was obvious and (b) it would have come out eventually and it was better coming from them then from Demona herself. Goliath would have grumbled at first, but known she was right.
Hey there again. I have'nt found this so I'm asking. Is Demona so emotionaly attached to Angeala because shes HER daughter or because shes one of her rookery children. It seems like she values the biologic conection, and if thats true then it seems like a hipocrocy to be so bent on the "true" gargoyle and then do something so human, but thats just my misguided oppinion. If you could do something to guide it that would be most helpfull, thanks.
I'm going to stick with "All of the Above" at this point.
Have Angela, the Trio, and Bronx ever killed someone? I don't mean like in the show, but back in the 10th Century? With Hudson, Goliath, and Demona being as battle hardened as they are it's sort of obvious they've done the deed, but I've always been curious to the younger members of the clan.
Well, not Angela. But I think it's very possible that Bronx and/or the Trio might have. And almost definite that Brooklyn did at Rathveramoen.
You know, normally I don't do this, but this recent answer about Xanatos and Norman Osborn tickled me on a fanboy level:
"I think he would have been appalled at Norman's parental approach. He'd of course have to admire his business acumen and respect his machiavellian bent. But I find it hard to imagine the two has friends. "
The comparisons between Xanatos and Osborn are obviously easy. But comparing and contrasting Demona and Osborn seems to intrigue me a little more... especially on a parental level.
Now, I don't think it's a stretch to say that both of them love their children... albeit in a twisted, almost possessive way.
This is almost tough since we've gotten really only one episode of Demona and Angela ("The Reckoning") and several episodes of Norman and Harry... not to mention forty three years of comic books delving into them. But, for now, I think I'll stick to "Spectacular" in this topic.
Up front, one key difference is that Demona never got to be a parent. She met Angela for the first time when Angela was already an adult. Contrary to Norman, who raised Harry since birth but was never a good father to him.
Both Norman and Demona are willing to commit unspeakably horrible acts and rationalize them by saying they're in their children's best interests. In Demona's case, she cited protecting Angela in "Hunter's Moon Part Three" and Norman justified framing Harry because if he'd been sent to prison, who'd have made a man out of Harry.
Would Demona risk herself to protect Angela? We know she would. We've seen her do it. Would Norman risk his life to protect Harry? In the current comics, the answer is definitely no. In SSM, I'm... not sure. I'm really not.
I tend to think that both of them see their respective children as property. There are several instances of Norman treating Harry like property. And Demona did use the phrase "she belongs to me" when Thailog threatened Angela.
I definitely think Demona loves Angela more than Norman loves Harry (Hell, Norman doesn't even like his own kid). But even there, Demona was more than willing to risk Angela's life at the end of "Hunter's Moon Part Three" to escape... there was no guarantee Goliath would have been able to catch that vial.
Now, I realize I'm answering a lot of my own questions and I have my own interpretations here, but I'd be curious to read your thoughts here?
It still feels a bit like Apples and Oranges to me. Let's face it: Demona is really f***'d up. Norman isn't. He knows his options and is doing exactly what he wants, is being exactly who he wants to be.
As for parenting, Norman rationalizes... a little. Demona's entire life is a rationalization, with Angela being only a part. If Angela could meet the Demona that Demona and Goliath met in "Vows", we might see a very different dynamic. But at best now, D's playing catch-up.
G2009 Radio Play - Act Two
BIG MAN STANDS.
	247.	NARRATOR
	Act Two. The Big Man of Crime enters his offices, but finds heâs not aloneâ¦
	248.	BIG MAN
	You spend so much time here, Iâll need to buy you your own chair.  So youâll stay out of mine.
Green Goblin STANDS.
	249.	GREEN GOBLIN
	Surprised to see me?
	250.	BIG MAN
	Not particularly.
	251.	GREEN GOBLIN
	Then you wonât be surprised to learn Iâm still running thingsâ¦
	252.	BIG MAN
	If you can run them from a hospital bedâ¦
	253.	NARRATOR
	Catching Gobby off guard, Lincoln punches him right through the windowâ¦
	254.	GREEN GOBLIN
	<impact grunt>
	255.	NARRATOR
	The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.
PUMPKIN BOMB STANDS.
	256.	GREEN GOBLIN
	Ever the gracious host.  And ever the gracious guest, the Goblin must show his appreciation.  Here.  I brought a gift.
	257.	NARRATOR
	Gobby throws his âgiftâ, but Goliath swoops in, catches it and throws it back.
Goliath and Spider-Man STAND.
	258.	PUMPKIN BOMB
	<shriek>
	259.	GREEN GOBLIN
	<impact>
	260.	NARRATOR
	Not far awayâ¦
	261.	SPIDER-MAN
	No, no, no, no, no⦠ I was hoping Iâd never hear that trademark Pumpkin Bomb shriek againâ¦
	262.	NARRATOR
	Spidey swings in to find Goliath and a recovering Gobby togetherâ¦
	263.	SPIDER-MAN
	So thatâs what these gargoyles are⦠more of the Goblinâs Halloween creationsâ¦
	264.	NARRATOR
	Spidey swings into action against Goliath.
	265.	GOLIATH, SPIDER-MAN
	<ad-lib battle sounds>
	266.	GOLIATH
	The Bugle was right about you: you are a threat and a menace!
	267.	SPIDER-MAN
	Wait, you can talk?  And read?!  And what you read is the Jolly Oneâs editorials?!
	268.	GREEN GOBLIN
	I know I should assassinate Mr. Lincoln.  But Iâm so enjoying the show.  Really, someone should make more Gargoyles.  I know: Iâll call Walt Disney.
Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.
	269.	NARRATOR
	Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklynâs son Nashvilleâ¦
	270.	ANGELA
	Thatâs great, Nashville.  This time try the axeâ¦
	271.	BROADWAY
	Wow, Angela looks so adorable playing with Gnash.  I mean, Gnash is cute tooâ¦
	272.	BROOKLYN
	Thanks.  I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardoâs Rookery parentsâ¦
	273.	BROADWAY
	Weâd be honoredâ¦
	274.	LEXINGTON
	I still canât quite take it all in.  I go to Britain for a few weeks, and everything changesâ¦
	275.	BROADWAY
	At least you were gone for weeks.  Try adjusting in forty seconds.
	276.	BROOKLYN
	Hey, I had forty years to get ready for this, and itâs still strangeâ¦
	277.	LEXINGTON
	But, dude.  Youâre so⦠old.
	278.	BROOKLYN
	Thanks.
	279.	LEXINGTON
	Older than Goliath.
	280.	BROOKLYN
	Yeah.
	281.	LEXINGTON
	Almost Hudsonâs age.
	282.	BROOKLYN
	I get it.  Iâm old.
	283.	LEXINGTON
	Itâs not that.  Everything about you is different.
	284.	BROOKLYN
	Oh, come onâ¦
	285.	BROADWAY
	No, heâs right.  The way you talk.  The way you move.  All those weapons you carry now.  Itâs like youâve outgrown us.
	286.	BROOKLYN
	Thatâs not fair.  I canât tell you how much I missed you both.
	287.	LEXINGTON
	We get that.  And weâre not mad.  Butâ¦
	288.	BROOKLYN
	Look, this isnât all on me.  As I recall, things were already changing.  Broadway spent all his time with Angela.
	289.	BROADWAY
	Not all my time.
	290.	LEXINGTON
	Uh⦠pretty much.
	291.	BROADWAY
	Yeah, well, youâre practically on the internet non-stop.
	292.	LEXINGTON
	Itâs addictive!  Do you know they have porn on that thing?  Thereâs this one website, Blue Mug Prodâ"
	293.	BROOKLYN
	I donât wanna know.  The point is weâve all gone through some changes.  Thatâs just life.
	294.	BROADWAY
	I guess our Three Musketeer days are overâ¦
	295.	LEXINGTON
	Yeahâ¦
Zafiro and Obsidiana STAND.
	296.	ZAFIRO
	Gargoyles of Manhattan!
	297.	OBSIDIANA
	We need youâre help!
	298.	NARRATOR
	At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone.  Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.
	299.	ZAFIRO
	Mierda.
	300.	OBSIDIANA
	Nuestro cronometraje apesta hoy.
Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.
	301.	NARRATOR
	Across town, Goliath also turns to stone.
	302.	SPIDER-MAN
	What the heck?!
	303.	GREEN GOBLIN
	Well, that was⦠unexpected.
	304.	SPIDER-MAN
	All right, thatâs enough.  I know youâre not the real Gobby.
	305.	GREEN GOBLIN
	Yes, yes, âItâs not the voice; itâs the words. Not the tech, but the moves.â  Iâve heard it all beforeâ¦
	306.	SPIDER-MAN
	Then I know exactly who you really are: Chameleon!
	307.	GREEN GOBLIN
	That would ease your conscience, wouldnât it?  To think Iâm Chameleon â" and not the ghost of the man you killed!
	308.	SPIDER-MAN
	I donât believe in ghosts.
	309.	GREEN GOBLIN
	Then maybe youâd prefer I was the Spawn of Goblin.
	310.	SPIDER-MAN
	Oh, youâd just love to shift the blame to Harry.  Sorry, Gobby â" I mean, Chammy â" but weâve been there, done that.  Besides, no matter who you are, there hasnât been time for the Globulin Green to kick in and truly Goblify you.  So Iâm gonna take you down now while youâre still just a cheap imitation.
	311.	GREEN GOBLIN
	You could do that⦠or you could save stoneface over there.
	312.	NARRATOR
	Gobby throws a pumpkin bomb at Goliath.  Instinctively, Spidey webs it awayâ¦
	313.	PUMPKIN BOMB
	<shriek>
Pumpkin Bomb and Green Goblin sit.
	314.	NARRATOR
	By which time, the Goblin is gone, leaving a confused Spidey perched on Goliathâs headâ¦
	315.	SPIDER-MAN
	So in hindsight, Iâm thinking maybe you werenât part of the Gob-Squad, right?
	(beat)
	Fine.  Stonewall me.
May STANDS.
	316.	NARRATOR
	That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.
	317.	MAY
	Peter, are you awake.
	318.	PETER
	Uh, sure Aunt May.  Just getting dressed.
	319.	MAY
	Well, hurry up.  Iâm⦠âconferencingâ with all the other parents.
Robbie, ROSIE THOMPSON and George STAND.
	320.	ROBBIE
	Are you sure you donât mind, Mrs. Parker?  Cuz I gotta say, what youâre proposing would be my worst nightmare.
	321.	MAY
	<laughs>  Oh, I donât believe that for a minute, Mr. Robertson.  Itâs a joy to be around Peter and his friends.  And I wonât be alone.  Anna Watson and Mrs. Osborn will be with me.
	322.	ROSIE
	Emily?  Sheâs so⦠odd.  I donât think sheâs ever said one word to meâ¦
	323.	MAY
	Well, I donât know her very well, Rosie, but Harry is Peterâs best friend â" no offense to your Eugene â" so she must be doing something right.
	324.	ROSIE
	May, you never change.  Always seeing the best in people.
	325.	MAY
	Iâll take that as a compliment, dear girl.
	326.	GEORGE
	In any case, Iâm glad to get Gwen out of Manhattan for a few days.  The streets are looking pretty grim right about now.
	327.	MAY
	Oh, Iâm sure your officers will have things under control in no time.
	328.	PETER
	Aunt May, whatâs going on?
	329.	MAY
	Oh, didnât I tell you, Peter.  Iâm chaperoning your trip to Miami Beach!
	330.	PETER
	Wow.  Great.
Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.
	331.	NARRATOR
	Meanwhile, back at L. Thompson Lincolnâs officeâ¦
	332.	BIG MAN
	And how can I be of help, Ms. Destine.
	333.	DOMINIQUE
	I think I can help you, Mr. Lincoln.
	334.	BIG MAN
	What makes you think I need any help?
	335.	DOMINIQUE
	Oh, little things.  The shattered window, that unusual statue on the ledge outsideâ¦
	336.	BIG MAN
	Point taken.  How about you cut to the chase?
	337.	DOMINIQUE
	Fine.  Tony Dracon.  Tomas Brod.  Silvio Manfredi.  All in jail.  Hammerhead.  Sable Manfredi.  On the run.  This gives you a unique opportunity to reclaim what was lost.
	338.	BIG MAN
	Iâm sure L. Thompson Lincoln has no idea what youâre talking about.  But go onâ¦
	339.	DOMINIQUE
	You have three problems.  Green Goblin, Doctor Octopus and the government watching your every move.
	340.	BIG MAN
	And you have the solutionâ¦
	341.	DOMINIQUE
	I have the manpower.  Three⦠âsuper-villainsâ to take down the competition and Dominic Dracon to use as a figurehead.
	342.	BIG MAN
	The old man?  I heard he was shy a few brain cells.
	343.	DOMINIQUE
	Itâs easy enough to spread the word he was faking insanity to avoid prosecution.  And easy enough to assign him a keeper.  Meanwhile, heâs a Dracon.  And that name still carries weight, I believe.
	344.	BIG MAN
	It does.  But what would you want in exchange?
	345.	DOMINIQUE
	Nothing extraordinary.  Just the services of the Tinkerer.
	346.	BIG MAN
	I believe that can be arranged.
	347.	DOMINIQUE
	Lovely.  But letâs not allow the moss to gather.  Youâll want to move fast.  Before the Octopus retrieves his armsâ¦
Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.
	348.	NARRATOR
	The weather has turned cold.  At the Silver Spoon, three men in trench coats and hats wait for their coffee.
	349.	SILVER SPOON MANAGER
	Sixty-nine!
	350.	VULTURE
	Yes.  Here.
	351.	NARRATOR
	Vulture sits down with Electro and Doctor Octopus.
	352.	DOCTOR OCTOPUS
	Thank you, Adrian.  Now.  My arms?
	353.	VULTURE
	In an OsCorp vault.
	354.	ELECTRO
	At Rykers?!
	355.	VULTURE
	<shhhhh>  Not THE Vault.  A vault.  Still very high security, and the police are bound to expect our arrival, butâ¦
	356.	DOCTOR OCTOPUS
	Indeed.  <sigh>  OsCorp.  Even in death, Norman Osborn torments me.  But it cannot be helped.  I must have my arms.  We go in under cover of darkness tonight.
Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.
	357.	NARRATOR
	The three men exit through one door.  Two teenagers enter through another.
	358.	SILVER SPOON MANAGER
	Seventy!
	359.	MARY JANE
	Try to understand, Tiger.  I just canât do that to Gwen.  Sheâs really become my best friend at Midtown.
	360.	PETER
	But itâs not like weâd be making out or anything, right?  Uh, right?
	361.	MARY JANE
	Right.
	362.	PETER
	Right, right.  Weâd be going as friends.  Hanging out when the couples were ⦠you know, coupling.
	363.	MARY JANE
	And that would be great.  But look at it from her point of view.  She took all the risks, and you still wound up with Liz.  Thereâs no way, sheâd see me as anything but a threat.  Wait, that sounded really conceited.
	364.	PETER
	Have you looked in a mirror?  Not conceited.  Just fact.
	365.	MARY JANE
	Ooh, nice one.  Such a player.
	366.	PETER
	Yeah, right.  The worldâs loneliest player.
	367.	MARY JANE
	Stop it.  I know you donât want to hurt Gwen either.  Not after all the two of you have been through.
	368.	PETER
	Yeah⦠ I wonder if Ms. Brant likes Miami.  Kidding, kidding⦠ Wow, pretty good.  That was practically the Look.
	369.	SILVER SPOON MANAGER
	Seventy-One!
SEYMOUR OâREILLY stands.
	370.	PETER
	So youâre just not going?
	371.	MARY JANE
	Oh, Iâm going.  Itâs 48 degrees outside and 82 in Miami.  I asked Tiny to be my plus one.
	372.	PETER
	Tiny?!  Tiny McKeever?!  The guyâs got the brain of an amoeba.  He makes King Kong look like a genius.  Hell, he makes Flash look like Stephen Hawking!
	373.	MARY JANE
	(shrugs)
	Heâs cute.
	374.	PETER
	<argggh>  I just wish I could skip the whole thing.  But Aunt Mayâs going, and after her heart attack, I really think she could use some fun in the sun--
	375.	SEYMOUR
	Sorry to interrupt.  Couldnât help overhearing.
	376.	PETER
	Oh, hey, Seymour.
	377.	SEYMOUR
	Just wanted to let you know Harry invited me too.  And Iâm totally going stag.  I mean who wants a ball and chain when Miami Beach is full of hotties, right?
	378.	PETER
	Uhâ¦
	379.	SEYMOUR
	Just donât expect to hang out, okay.  Youâd fully cramp my style.
	380.	PETER
	Of course I wouldâ¦
	381.	SILVER SPOON MANAGER
	Seventy-two!!
Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.
	382.	NARRATOR
	Meanwhile, the Tinkerer arrives at the Destine Mansionâ¦
	383.	DOMINIQUE
	You have the devices?
	384.	TINKERER
	Five was all I could put together on short notice.  Unless you want to bring Mysterio in�
	385.	DOMINIQUE
	Our stage is crowded enough.  And five should do quite nicely.
Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.
	386.	NARRATOR
	Later that afternoon, Harryâs rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway.  A very prepared May Parker has a clipboardâ¦
	387.	MAY
	All right, we have three adults and sixteen children â" sorry, sixteen teenagers.  Thatâs nineteen sojourners bound for Florida.  So why did my headcount come to twenty?
	388.	MARY JANE
	I think you counted the bus driver, Mrs. Parker.
	389.	MAY
	Oh, that I did.
	390.	BISHANSKY
	Hey, twist my arm!  Iâll go to Miami with you guys!!
	391.	SALLY
	Was anyone talking to you?
	392.	BISHANSKY
	Uh⦠no.
	393.	SALLY
	Then eyes front.
	394.	BISHANSKY
	Eyes front.
	395.	GWEN
	Harry, are you all right?
	396.	HARRY
	I dunno.  All this stopping and starting.  My stomachâs a little queasyâ¦
	397.	KONG
	Dude.  Does this bus rock or what?!
	398.	RAND
	âScool.
	399.	FLASH
	Damn right itâs cool.  Wouldnât mind taking this baby all the way to Florida.
	400.	SALLY
	Excuse me?!  Itâs a bus.
	401.	LIZ
	Sallyâs right.  Weâre not ditching the private jet for a bus.  Right, Jason?
	402.	JASON
	Uhâ¦
	403.	SALLY
	Right.
	404.	PETER
	It really is a very nice bus though.
	405.	BISHANSKY
	Hey, Iâm not offended.  I still canât believe the Osborns hired me again.  The last time, I got in two-- <impact grunt>
	406.	SEYMOUR
	Dude, you totally rear-ended that guy at the tollbooth!
	407.	BISHANSKY
	Not againâ¦
	408.	SALLY
	Wonderful.  Now, weâll be stuck here forever!
	409.	MAY
	Everybody stay calm.
	410.	HARRY
	Ah, man, gotta use the johnâ¦
	411.	KONG
	<laughs> I think Osbornâs gonna hurl!
	412.	SALLY
	Oh.  My.  God!  If my hair starts smelling like vomit, Iâll sue you for bus-driver malpractice!!
	413.	BISHANSKY
	Sorry, sorryâ¦
Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.
	414.	NARRATOR
	The sun sets.  At the castle, the gargoyles awakenâ¦
	415.	BROOKLYN, BROADWAY, LEXINGTON
	<awakening roars>
	416.	BROOKLYN
	You must be Zafiro.
	417.	ZAFIRO
	How did you know?
	418.	BROOKLYN
	Strong family resemblance.
	419.	ZAFIRO
	¿Perdón?
	420.	BROOKLYN
	Long story.  Time travel.  The future.  A whole other spin-off.  Two actuallyâ¦
	421.	OBSIDIANA
	We donât have time for your âspin-offsâ.  ¿Donde esta Goliath?
	422.	BROADWAY
	He didnât sleep here.
	423.	LEXINGTON
	But Iâm sure heâll be back soon.
Elisa STANDS.
	424.	ELISA
	Heâd better.  We have trouble.  Demona trouble.
	425.	OBSIDIANA
	Elisa!
	426.	ELISA
	Hi, Obsidiana.  Iâm betting you have trouble tooâ¦
Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.
	427.	NARRATOR
	And while the clan awaits Goliathâs returnâ¦
	428.	KRAVEN
	It is time, Calypso.
	429.	CALYPSO
	Yes.  The forces gather.  We can make this one our own.
	430.	CURT
	I demand you let me go!
	431.	KRAVEN
	Hold your tongue, American dog.  Or Gulyadkin will hold it for you.
	432.	GULYADKIN
	<low lion growl>
	433.	CALYPSO
	Calm yourself⦠ This change will not be difficult.  The primitive bound within is barely skin-deepâ¦
	434.	CURT
	I-- I donât know what youâre talking about.
	435.	CALYPSO
	I think you do.  You see my companion.  The details may have been created in a laboratoryâ¦
	436.	KRAVEN
	But the soul of the Hunter â" the beast inside â" was always my own.
	437.	CURT
	What are doing with that doll?
	438.	CALYPSO
	Turning it inside out.
	439.	CURT
	Listen to me, please.  Even if you can release the âbeast insideâ, you donât want to!  It canât be controlled.
	440.	KRAVEN
	<laughs>  Nyet.  Not by you perhaps.  But my Calypso is not so easily trifled with.
	441.	CALYPSO
	It is timeâ¦
	442.	CURT
	Noooo!!!!  <transformation scream>
	443.	NARRATOR
	Curt Connors is transformed by Calypsoâs magic into the Lizard.
	444.	LIZARD
	<roar>
	445.	KRAVEN
	Now⦠to the Hunt!
Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.
	446.	NARRATOR
	Back at the Castle, Goliath has returned, and the entire clan has gathered.  Elisaâs revealed what she knows about Demona.  Now, itâs Obsidianaâs turnâ¦
	447.	OBSIDIANA
	It came from somewhere further south.  Two human smugglers carrying an object of great power through the Greenâ¦
	448.	ZAFIRO
	My mate is sensitive to these things.  We tracked them, but they boarded a jet airplane and were soon out of our reach.
	449.	OBSIDIANA
	Pero still I could sense great forces gathering.  I asked Jade and Turquesa to teach us the way to Avalonâ¦
	450.	ZAFIRO
	Gabriel says hello, by the way.
	451.	ANGELA
	Oh, I miss him.  How is he?
	452.	ELISA
	Angela, honey, letâs stay on point.  I take it Avalon sent you here.
	453.	OBSIDIANA
	Yes.  We nearly achieved the totem, but a ridiculous human dressed in red and blueâ"
	454.	ELISA, GOLIATH (UNISON)
	Spider-Manâ¦
	455.	OBSIDIANA
	He did spin webs like a spider.  Though from his hands, not hisâ"
	456.	ZAFIRO
	Focus, mi amor.
	457.	OBSIDIANA
	Lo siento.  This Man-Spider, he interfered.  The smugglers escaped again.  Now, power builds on power, rising to a crescendo.
	458.	BROADWAY
	And thatâs bad, right?
	459.	NARRATOR
	Elisaâs cellphone rings.
Matt STANDS.
	460.	ELISA
	Maza.
	461.	MATT
	Itâs Matt.  Somethingâs going down at the OsCorp vault off the Expressway.  Most of the Taskforce is already here.  Stacy and his men too.  But Iâm thinking we might need⦠âback-upâ.  Lots and lots of back-up.
	462.	ELISA
	Weâre on our way.  Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?
	463.	BROOKLYN
	Of course.
	464.	ELISA
	Good.  Because otherwise itâs all hands on deck.
Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and OâNeil STAND.
	465.	MATT
	Okay, Captain.  The rest of the Taskforce is on its way.
	466.	GEORGE
	My men are deployed.
	467.	OâNEIL
	And just in time!  Cuz we got Gobby and his Pumpkin-Heads at 12 oâclock!
Green Goblin and Pumpkin Bomb STAND.
	468.	GREEN GOBLIN
	Playtime!
	469.	PUMPKIN BOMB
	<shriek>
	470.	MORGAN
	And a gargoyle at 3 oâclock!
	471.	GEORGE
	Thatâs not a gargoyle.  Thatâs the Vulture!
Vulture STANDS.
	472.	VULTURE
	You were right, Otto.  The police were waiting.  And the Goblin is here too.  You donât think it could actually be Osborn, still alive, do you?
Doctor Octopus and Electro STAND.
	473.	DOCTOR OCTOPUS
	Do not get distracted by old grudges, Adrian.  It hardly matters who wears the Green.  His intent is still to prevent me from regaining my arms.  You must keep the Goblin and the authorities occupied.
	474.	VULTURE
	Of course.
	475.	DOCTOR OCTOPUS
	Now, Electro.  Open the vault.
	476.	ELECTRO
	Roger that, Doc!
	477.	NARRATOR
	Electro, already inside, short-circuits the vaultâs electro-magnetic lock.
Tinkerer and Demona STAND.
	478.	TINKERER
	Electroâs breached the vault.
	479.	DEMONA
	So predictable.  Send in your operatives.
	480.	NARRATOR
	Tinkerer opens a burlap sack, releasing his five âoperativesâ.
HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.
	481.	HOMUNCULUS #1
	Homunculi to the rescue!
	482.	HOMUNCULUS #2
	Dirty work to be done!
	483.	HOMUNCULUS #3
	Peach Cobbler!
	484.	HOMUNCULUS #4
	Uh oh, somebodyâs language systemâs off-line again.
	485.	HOMUNCULUS #5
	You know it, girlfriend!
Calypso, Kraven and Lizard STAND.
	486.	NARRATOR
	And down in the sewerâ¦
	487.	CALYPSO
	It is right above us, my love.  The Power and the Glory.  The very keys to the Kingdom.
	488.	KRAVEN
	And Kraven will lay them all at your feet.
	489.	LIZARD
	<lizard roar>
	490.	NARRATOR
	Up top, a stretch limo skids to a stop outside the vault.  Dominic Dracon and Fancy Dan emerge.
Dracon and FANCY DAN STAND.
	491.	DRACON
	All right, boys.  Get me those jewels!
	492.	FANCY DAN
	I think what the boss means is⦠Destroy the competition!
Carnage, Colonel Jupiter and Venom STAND.
	493.	CARNAGE
	<evil chuckle>  Carnage time?
	494.	FANCY DAN
	Yeah.  Go.  Kill.  Whatever.
	495.	COLONEL JUPITER
	Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!
	496.	FANCY DAN
	Knock yourself out.  But what are you waiting for?
	497.	VENOM
	Someone worthy of our hate.  But we have faith⦠ Heâll comeâ¦
	498.	GREEN GOBLIN
	My, my, the fieldâs getting crowded.  Letâs thin the herd.  Pumpkin-Heads, release the hounds!  <ahem>  That was a metaphor.  Throw your pumpkin bombs already!
	499.	PUMPKIN BOMB
	<multiple shrieks>
Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, OâNeil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.
	500.	MAY
	Goodness, what was that?
	501.	PETER
	Something The Bugle will want pictures of.  Open the door.
	502.	BISHANSKY
	Uhâ¦
	503.	MAY
	Peter Parker, I am not letting you off this bus in the middle of the expressway.
	504.	PETER
	Aunt May weâre at a complete standstill.  And you donât have to worry.  Iâll use my telephoto lens.  I wonât be anywhere near the action.
	505.	MAY
	I suppose it is your job⦠ Open the door.
	506.	BISHANSKY
	Yes, maâam.
	507.	PETER
	Thanks, Aunt May.  You rock!
	508.	FLASH
	If Puny Parkerâs going, Iâm going too!
	509.	MAY
	Eugene Thompson, you sit your backside down in that seat right this minute.
	510.	FLASH
	Yes, maâam.
	511.	KONG
	<laughs>
	512.	SALLY
	Whatâs he going to take pictures with?  I saw his camera get blown up two months ago.
	513.	MARY JANE
	Peteâs a professional photographer, Sally.  Iâm sure he has more than one camera.
	514.	GWEN
	Harry⦠ Are you all right in there?
	515.	HARRY
	<vomit noise>  Ugh, donât come in.  It really isnât pretty.
Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.
	516.	NARRATOR
	The clan alights on a rise overlooking the battlefield.
	517.	BROADWAY
	Whoa, what a messâ¦
	518.	GOLIATH
	We will split our forces.  Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.
	519.	BROOKLYN
	Shouldnât I lead the other contingent?
	520.	GOLIATH
	I need your experience and your weapons at my side.
	521.	ANGELA
	Donât worry, Brooklyn, weâve got it covered.
	522.	NARRATOR
	Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.
	523.	BROOKLYN, BROADWAY (UNISON)
	Be careful!
Angela sits.
	524.	ELISA
	You know Iâm going with you.
	525.	GOLIATH
	Not this time, Elisa.  You must join your fellow officersâ¦
	526.	ELISA
	Butâ"
	527.	GOLIATH
	When all is settled, we shall need your help to cover our retreat from this conflagration⦠ You know this is true.
	528.	ELISA
	(defeated)
	Yes.
Elisa sits. Spider-Man STANDS.
	529.	NARRATOR
	Elisa makes her way down the hill.  Goliath and the others glide to the Vaultâs roof.  Spider-Man lands there at the same time.
	530.	SPIDER-MAN, ZAFIRO (UNISON)
	You again!
	531.	GOLIATH
	Hold, Spider-Man.  I have a friend who knows your Captain Stacy.
	532.	SPIDER-MAN
	Really?
	533.	GOLIATH
	This policeman believes in you.  So I choose to believe in you as well.
	534.	SPIDER-MAN
	Says the eight-foot tall medieval monster.  But I get it.  Weâre on the same side.  So letâs go kick some Pumpkin-Butt!
	535.	ZAFIRO
	¡Idiota!  That battle is a mere distraction.
	536.	OBSIDIANA
	The true danger lies withinâ¦
	537.	SPIDER-MAN
	All right, all right, you had me at âIdiotaâ.
	538.	NARRATOR
	The gargoyles rip open the rooftop.  The seven heroes descend, but someone watchesâ¦
Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.
	539.	VENOM
	And there goes our Broâ¦
	540.	FANCY DAN
	You going in?  That wasnât the plan!
	541.	VENOM
	And how do intend to stop us?
	542.	FANCY DAN
	Fine, go.  But if you see my Ricochet suit, bring it out!
Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.
	543.	FOSWELL
	See, J.J.  The tip from Draconâs old chauffer was right on the money.
	544.	JONAH
	Whaddaya want, a fershlugginer medal?!  Letâs get in there!
	545.	ROBBIE
	Slow down, Jonah.  I promised Joan I wouldnât let you lose your head, figuratively or literally.
	546.	JONAH
	Forget my head!  Who cares about my head?!  My boy needs me!
Ned and Colonel Jupiter STAND.
	547.	NED
	Looks to me like your boyâs doing pretty well, Chief!
	548.	COLONEL JUPITER
	Take that, miscreants!
	549.	ROBBIE
	Ned, how did youâ"
	550.	NED
	Tip from one of the pumpkin-heads. Foswellâs not the only one with sources.
	551.	JONAH
	You two can naked mud-wrestle over whoâs the biggest brown-noser later.  For now, Robbie, if you donât let go of me in zero-point-zero seconds, Iâll dropkick you to next Season!  And thereâs no guarantee thereâll be a next Season!
	552.	NARRATOR
	Jonah breaks away from Robbie, but his path is blockedâ¦
Elisa STANDS.
	553.	ELISA
	Get back!  You want to wind up street pizza!
	554.	JONAH
	But thatâs my son up there.
	555.	ELISA
	Yeah, well, at least heâs fighting on the right side.
	556.	COLONEL JUPITER
	Nothing stands against the might of Colonel Jupiter!
	557.	ELISA
	Does he always talk like that?
	558.	ROBBIE
	Bombasticism runs in the family.
Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.
	559.	NARRATOR
	Jupiter takes down Pumpkin-Heads right and left.  Hudson squares off against Vulture.
	560.	VULTURE
	Why do I get the old guy?
	561.	NARRATOR
	Youâre old.  Heâs old.  Itâs parallelism.  Get over it.
	(beat)
	Coldstone and Coldfire isolate Carnage.
	562.	CARNAGE
	No fair!  These two donât spatter at all!
	563.	NARRATOR
	Angela and Katana take on the Goblin.
	564.	GREEN GOBLIN
	Oh, goody.  Gobby likes getting down and dirty with the hotties.
	565.	ANGELA
	Oh, you did not just say that.
	566.	NARRATOR
	And little Gnash goes after Fancy Dan.
	567.	FANCY DAN
	Admit it, you gave me the kid because Iâm short?
	568.	NARRATOR
	Even Detective Bluestone gets into the act.
	569.	MATT
	Freeze, Dracon!
	570.	DRACON
	Youâre confused.  Iâm G.F. Benton, a certified public accountant.  I think Iâll be going nowâ¦
	571.	MATT
	Yeah.  Back to Ravencroft, you old nutter!
	572.	NARRATOR
	But inside, things are a bit more seriousâ¦
Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.
	573.	ELECTRO
	Got your arms, Doc!
	574.	DOCTOR OCTOPUS
	And my Megalo-Pack?
	575.	ELECTRO
	Youâre Mega-what now?
	576.	DOCTOR OCTOPUS
	My power-source, Maxwell.
	577.	ELECTRO
	Right, right.  No.  Thatâs not here.
	578.	DOCTOR OCTOPUS
	What?!
Homunculus #1, Homunculus #2 and Homunculus #3 STAND.
	579.	HOMUNCULUS #1
	Gotta get the true treasure!
	580.	HOMUNCULUS #2
	Bring it back to the big Smurfette!
	581.	HOMUNCULUS #3
	Blunk hates getting wet!
	582.	NARRATOR
	Three Homunculi fly deeper into the vault to retrieve Demonaâs prize.
Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.
	583.	ZAFIRO
	What are those things?!
	584.	SPIDER-MAN, LEXINGTON (UNISON)
	Robots!
	585.	LEXINGTON
	And I got one!
	586.	HOMUNCULUS #5
	Leggo, you big bully!
	587.	LEXINGTON
	<ugh> What an annoying voiceâ¦
	588.	HOMUNCULUS #5
	(aside to audience)
	Look whoâs talking.
	589.	LEXINGTON
	â¦But I might be able to use it to take control of the others.
	590.	SPIDER-MAN
	I think I can help.
Venom STANDS.
	591.	VENOM
	Youâll be a little too busy for that, Bro.
	592.	GOLIATH
	Friend of yours?
	593.	SPIDER-MAN
	Once upon a time.  Not so much now.
	594.	VENOM
	Die, Spider-Man!
	595.	VENOM, SPIDER-MAN
	<add-lib battle sounds>
	596.	SPIDER-MAN
	A little help?
	597.	NARRATOR
	Brooklyn blasts Venom, who collapses.
	598.	VENOM
	<vibrating scream>
Venom sits.
	599.	BROOKLYN
	Sonic Cannon.  Circa 2198.  Guess my weapons do come in handy.
	600.	LEXINGTON
	Just cover me until I can get this workingâ¦
Demona and Tinkerer STAND.
	601.	DEMONA
	Whatâs wrong, Tinkerer?  Why havenât they returned?
	602.	TINKERER
	Someoneâs trying to counter their programming.  He wonât succeed.
	603.	DEMONA
	He had better not.
	604.	LEXINGTON
	My hackâs being hacked!
	605.	TINKERER
	Heâs overriding my override!
Homunculus #4 STANDS.
	606.	HOMUNCULUS #4
	Go right.  Go left.  Go right.  Go left.  Blow up!
	607.	NARRATOR
	Homunculus #4 blows up.  But so does Homunculus #5 in Lexingtonâs hands!
	608.	LEXINGTON
	<pain cry>
	609.	BROADWAY
	Lexington!
Homunculus #4 and Homunculus #5 sit.
	610.	DOCTOR OCTOPUS
	This is madness!  Grab my arms and get me out of here!
	611.	ELECTRO
	Workinâ on it!
	612.	NARRATOR
	Electro blasts away, until he and Doc Ock are blindsided byâ¦
Kraven, Gulyadkin, Lizard and Calypso STAND.
	613.	ELECTRO, DOCTOR OCTOPUS
	<impacts>
	614.	BROADWAY
	Look, itâs Claw.
	615.	KRAVEN
	<roar>
	616.	BROOKLYN
	Thatâs not Claw.
	617.	BROADWAY
	Well, itâs sure not Maggie.
	618.	GULYADKIN
	<lion roar>
	619.	LEXINGTON
	(recovering)
	Is that an actual lion?
	620.	LIZARD
	<lizard roar>
	621.	SPIDER-MAN
	Lizard, too?  Seriously, this is way over the top.
	Homunculus #1 and Homunculus #2 STAND.
	622.	HOMUNCULUS #1
	Got the gizmo!
	623.	HOMUNCULUS #2
	Homunculi never fail!
	624.	NARRATOR
	Two homunculi fly past, carrying a sealed container down a dark corridor.
	625.	CALYPSO, OBSIDIANA (UNISON)
	The totem!
	(pointing at each other)
	Donât let her near it!
	626.	KRAVEN
	Go, Calypso!  Leave them to us!
	627.	ZAFIRO
	¡Vaya, mi amor!
	628.	BROOKLYN
	We got your back, Goliath!  Go!
	629.	SPIDER-MAN
	Think Iâll tag along tooâ¦
Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.
	630.	NARRATOR
	Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.
	631.	KRAVEN
	Lizard, take the reptile!
	632.	ZAFIRO
	¡No soy ningún reptil! ¡Soy un Gárgolo!
	633.	ZAFIRO, LIZARD
	<ad-lib battle sounds>
	634.	KRAVEN
	Gulyadkin attack!
	635.	GULYADKIN
	<pounce roar>
	636.	NARRATOR
	Gulyadkin and Kraven attack Lex and Broadway!
	637.	LEXINGTON
	Hey, get him off me!
	638.	BROADWAY
	Kinda busy at the moment!
	639.	GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
	<ad-lib struggles>
	640.	NARRATOR
	Brooklyn steps in and pulls both cats off his rookery brothers.  They turn on him.
	641.	BROOKLYN
	Uh oh.
	642.	BROADWAY, LEXINGTON (UNISON)
	All for one!
	643.	NARRATOR
	The two gargoyles return the favor, knocking Kraven and Gulyadkin aside.  Then Brooklyn blasts them both.
	644.	BROOKLYN
	And one for all!
	645.	KRAVEN, GULYADKIN
	<blast impacts>
	646.	LEXINGTON
	Some things never change.
	647.	NARRATOR
	Zafiro throws Lizardâs unconscious body on top of Kravenâ¦
	648.	KRAVEN, LIZARD
	<oofs>
	649.	ZAFIRO
	We should follow Obsidianaâ¦
	650.	ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
	<electrocution scream>
	651.	NARRATOR
	The four gargoyles are dropped by Electroâs blast.
	652.	ELECTRO
	Still want out?
	653.	DOCTOR OCTOPUS
	Indeed not.  My curiosity is piqued.  Letâs see where this leadsâ¦
Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.
	654.	NARRATOR
	Electro and Octopus head down the corridor⦠ In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container.  Inside⦠is a crown of thorns.
	655.	DEMONA
	The Crown of Thorns!
	656.	NARRATOR
	Demona removes her tiara.
	657.	DEMONA
	Place it on my headâ¦
	658.	HOMUNCULUS #1
	Placing, placingâ¦
	659.	HOMUNCULUS #2
	Homunculi aim to please!
	660.	NARRATOR
	The Homunculi gently lower the crown onto Demonaâs head before disappearing back into the darkness.  The thorns bite into her brow, drawing blood.  Calypso, Obsidiana, Goliath and Spidey come rushing in.
Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.
	661.	DEMONA
	My Kingdom come.  My Will be doneâ¦
	662.	SPIDER-MAN
	Friend of yours?
	663.	GOLIATH
	Once upon a time.  Not so much now.
	664.	DEMONA
	On Earth as it is in Heavenâ¦
	665.	CALYPSO
	Too lateâ¦
	666.	OBSIDIANA
	Too lateâ¦
	667.	DEMONA
	For MINE is the Kingdom and the Power and the Glory for ever and everâ¦
	668.	CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
	Amenâ¦
	669.	NARRATOR
	Light radiates outward from the Spear.  Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona.  Octopus and Electro enter and likewise fall to their knees.  The light reaches the outer vault.  Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees.  And still the light advancesâ¦
Obsidiana and Calypso sit.
	670.	GOLIATH
	What sorcery is this?!
	671.	DEMONA
	The most powerful human sorcery ever created, Goliath.  This is humanityâs Armageddon.  Their entire raceâs final act.
END ACT TWO
NEXT: ACT THREE...
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