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In the scene where Dudley disappeared before Billy's eyes at the start of "Misplaced", was the girl playing on the street outside (the girl whose mother disappeared) Mary Bromfield?
Honestly, that never crossed my mind. I'd have to look at the model again to see if that made sense.
You were previously asked about the religious practices of the members of the Team, but left out B12-15 and B24-26 because at the time the identities of those characters were still unrevealed. I thought the insight into the possible religious backgrounds of the Team members was interesting and neat, so I was wondering if you could take a stab at telling us what the religious practices of B12-15 and B24-26 would be, please?
Well... I don't want to spoil anything or go into too much detail that would tie my hands, but, sure, I'll say that with the (possible) exception of Troia, they were probably all some denomination of Christian. As for Troia, I'm not saying anything one way or another because any answer might reveal or suggest something about what version of her origin we were choosing.
1) When exactly were the founding members of the Team given their designations? The first time we heard the computer announce any Team designations was at the beginning of "Welcome to Happy Harbour", but all 5 founding members were seen in the Cave at the end of "Fireworks" - had designations B01-05 already been programmed into the computer at that stage (I'm assuming so, otherwise surely the Cave's security system would detect intruders)?
2) Were designations B01-05 ranked in the order that the character in question became active as a superhero (so Robin first, Miss Martian last)?
1. Yes. They would've heard their designations announced when they entered - without necessarily (with the exception of Robin) known the significance.
Regarding Troia and Sergeant Marvel, did you and Brandon Vietti go as far as figuring out how they were received by the other members of the Team during the time skip (as in, who they may have been great friends with, who they may have not got on so well with etc.)? Just curious to know if you have an image in your mind of the form their interaction with the other Team members would have taken.
I wouldn't say we worked out every detail, but we had the basics on what we saw as the key dynamics.
If you could sum up Troia's personality (while on the Team) in one or two words, like you did when you described Aquagirl as 'competent' in a previous answer, what would that word (or those words) be? Feisty? Level-headed?
I'm not going to do this. Sorry.
Thanks to the joys of TiVO my daughter and I have discovered and been watching Ben 10.
(Mini review: The theme song is right up there with Spectacular Spiderman and the characters are fun and endearing. That said, at least as far as we've gotten, I have noticed a lack of, (for lack of coming up with a better word), 'depth' plotwise: They stop the bad guy at the nuclear power plant, but they don't explain where all the workers went. The rescue the three kids at a sleepaway camp overrun but space fungus, but don't explain whether the rest of the camp ran away or were captured and consumed. Etc. I noticed that the show was structured with one season of standalone plot stories mostly showing Ben, Gwen and the grandfather adjusting and interacting in their new situation. The second season starts having plots of Plumbers, and Forever Knights and aliens groups, but mainly having them appear in standalone stories. Starting the 3rd season I presume they'll start putting together all these parts into more of a greater mythology. Or so I guess from the fact they have multiple follow-up series.)
I noticed that you wrote the episode I most recently watched, Ben 10,000. It was very good. It made me wonder- it seems to be the most 'overarching plot' based so far. Beyond showing us future hero Ben, future magic caster Gwen, future society etc- it seems to tease the direction of the series. Leading me to my questions:
1- Were you approached to write this particular episode because you are know for working on shows with detailed overarching mythology, or was it more random of that episode being available, or you choosing from a list and it appealing to you?
2- In the other direction, when you are choosing none regular writers for your own shows, do you choose specific writers with their track record in mind to match certain types of stories? Do you offer them to choose among several none claimed upcoming plot whether or not it matches what you think of as that writers specialty, or what writing he or she did that impressed you?
3- What type of preparation do you do/expect for none series writers? Watch all the previous episodes? Read synapses of all? Prepare a list of representative episodes to back up the plot of the episode to be written and its tone? Just take detailed instructions from the show runners and expect tremendous edits to cover the adjustments to continuity?
Laura 'ad astra' Sack
(As apposed to the 'as astra' I accidentally autofilled into my last 12 postings;)
1. So long ago... As I recall, I think story editors Tom Pugsley and Greg Klein approached me because they knew I liked Time Travel stories. I had done one for them on THE MUMMY.
2. Generally, I assemble a writing 'staff' at the beginning of each season. '(Staff' is in quotes, because these days, in fact, the 'staff' is all freelancers.) In choosing a staff, I generally am choosing from an embarrassment of riches. There are a ton of talented writers who can handle the kind of show I tend to do. I have a few individuals that I've worked with many times before, who are familiar with the way I work and are very good. So I tend to go back to them over and over, assuming they're available. Sometimes, on rare occasions, I push a specific story on a specific writer. More often, I've got three or four and - schedule allowing - I let the writers fight it out for which they'd prefer. (It's never much of a fight.)
3. I'm not clear what you mean by "none series writers". Even assuming the "none" is a typo for "non," I'm still not sure. As for prep, I expect them to have done their homework. We rarely have the footage for them to look at episodes, but I do expect them to keep up with reading the final outlines and scripts.
Hey Greg... DanM again...
No stories just questions now.
1 - In Rebels is the Producer title of yours a Glorified Title once more or are this the real deal?
2 - In developing characters. Do YOU ever consider how a character name would sound in another lenguage, when you are in the process of naming them? (I ask this because of Count Dooku. Here in Brasil he was renamed Count Dookan, 'cause phonetically speaking it sounds to us as "From a**h*le").
3 - About the toyline. Do the show producers have any say in the development of the toy line? (Like approve or not the design, number of articulations, etc.. That kinda stuff...)
4 - Have you ever considered making a podcast about the show production, while producin it (now, that would be Rebels)?
Thats it for now.. Thanks again for your time
1. I'm an Executive Producer on Star Wars Rebels. I'm not sure I know what you mean by "once more". I don't think any of my producer titles were "glorified" from my point of view. I did the work; I earned the credit. Sony and Warner Bros may not have needed me to truly produce either SPEC SPIDEY or YJ, but that doesn't mean I didn't produce them.
4. That's beyond my technical capacity. And I doubt that Lucasfilm would approve anyway.
1)Does Angela know the role that Demona played in the Wyvern Massacre?
2)Does Demona think that Angela is more, let's say, justified in her position about humans because she was raised and therefore "corrupted" by them?
What's your opinion on the allegation that CN cancelled YJ because too many girls watched it?
I don't buy it.
1. Are members of the third race physically stronger than humans or gargoyles?
2. Can members of the third race increase their physical strength by casting spells?
1. Not necessarily. Depends on their form.
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