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When you were writing the "Gargoyles" comics for Slave Labor Graphics, did you ever mentally associate any of the scenes you wrote with the different musical themes from the television series? (I thought of this question after I realized that I was mentally linking Brooklyn's words when he returns from his Timedancing, "Forever... forty years... forty seconds... however you keep time, the dance is finally done" to the music that played in "The Gathering Part One" when Goliath was talking about how Avalon had finally released them from its quest and now they were home.
Honestly, I'm not sure I did.
Is there a soundtrack with the full themes of the show available anywhere?
Not currently. But hopefully someday...
I have a question do you are going to ever release a soundtrack or the little music in the background of each episode in a disk because I love the sounds that you put? sorry if the question is silly or stupid I could`t contain myself to ask.by the way my brother and I love your show.
I don't think it's a dumb question at all, and there's been some discussion about it. I have nothing concrete to report at this time, but if/when I do, believe me I'll be pimping it here. (I assume we're talking about YJ, right?)
What the names of the songs of Rigoletto featured in SSM "Gangland"? The only ones I recognized were:
"Ella mi fu rapita...Parmi veder le lagrime"
"Duca, duca!"/"Scorrendo uniti"
"Cortigiani, vil razza dannata"
"La donna Ã¨ mobile"
By the way, I thought it was BRILLIANT of you to use that score diegeticly and extra-diegeticly and extra-diegeticly. It just proves that ANY kind of music can score a fight sequence, not just rock or techno.
How did you think of it?
Will you do some alike in YJ?
1. I'm afraid I don't have access to my old Sony SpecSpidey files here at my WARNER BROS. Young Justice office, and I just don't remember exactly which songs we used.
2. "diegeticly"? Did you mean digitally? I'm not sure what you mean here...?
3. I think that one inspiration was clearly the Godfather movies.
4. SPOILER REQUEST. NO COMMENT.
1) Are Zatara and Zatanna celebrities, since the former doesn't seem to have a secret identity or disguise who he is in any way? Are they well known to the people of New York?
2) Why is it that Michael McCuiston, Kristopher Carter and Lolita Ritmanis always compose each episode's music together? When they worked on Justice League, Justice League Unlimited, Teen Titans etc, each one of them tackled a different episode, an approach that I felt worked extremely well. Would you ever consider letting them compose individual episodes on their own, 'splitting duties' as it were?
3) Is Zatanna attracted to Robin?
4) Not to be pedantic or anything, but shouldn't "Homefront" and "Coldhearted" be "Home Front" and "Cold Hearted"? Homefront and Coldhearted aren't actual words to my knowledge.
5) Do the other members of the Light find Klarion annoying?
6) Was Paula Crock ever married?
7) How did Harm's parents die? Did he kill them?
8) Since Garth and Tula were referred to as Tempest and Aquagirl on the Comic-Con playing cards, can that be taken as an indication that they will assume those aliases in the near future on the show?
9) Which was your favourite season 1 episode to write?
10) Why hasn't Artemis's crush on Superboy been touched on in episodes other than "Infiltrator" and "Secrets"?
1. Zatara is. Zatanna has been out of the spotlight largely
2. We're not enforcing anything. But as long as I've worked with them, i.e. since SpecSpidey, this is how THEY have chosen to work.
3. What do you think?
4. They are, actually.
5. Not generally. I certainly don't.
6. Yes. See issue #7 of the YJ companion comic book.
9. My mind doesn't work that way. They're all like my kids. Even the ones I didn't write. But I'll admit, I was pretty proud of the synergistic elements within "Misplaced".
10. It has. It's just subtle, I suppose. It's also been in the comics. Ultimately, there's only so much screen time, though, I guess to focus on it.
Hi! It's me again, and wow, we've had some great episodes since "Terrors." "Home Front" and "Alpha-Male" really served to underline one thing I think is really great about this show: the bad guys aren't go to show the heroes mercy, just because they're teenagers. If these people can stomach killing civilians, they will definitely use lethal force to get rid of a few meddling kids.
...and then there was "Revelation," which blew my already high expectations for this show right out of the water.
It's not just that I think this show is nine kinds of amazing; the thought that keeps crossing my mind is, "This is the definitive animated version of the DC universe." This coming from someone who loved Batman: the Animated Series, and watched Teen Titans, The Batman, and the vast majority of DCAU material. Maybe it's because I'm not as young anymore, and I need a more mature, more plausible, more "complete" world; but while that's certainly a weighty factor in why I like Earth-16, I really think the level of writing and design seen on this show just hasn't been surpassed by any animated DC material that I've seen yet.
Anyway, sorry about that rant of praise. I'm sure you get a lot of it. I do have a few questions:
1. I looked through the archives, and there have been a lot of questions about Robin's - or, more specifically, Dick Grayson's age and grade level. I get that he's thirteen, and a freshman; he's definitely smart enough to have skipped a grade somewhere down the line. My question is this: if he is a freshman, and therefore new to Gotham Academy, why does its gym have his math prizes before he starts going there?
2. Belle Reve seems to hold many criminals who do not actually have any super-powers. Why are they held there, and what do their collars actually do, besides shock them? (I'm thinking more particularly of Riddler - though I know there's a question about him pending - Abracadabra, Ojo, and, with the exclusion of Killer Frost and Icicle Jr., the ice villains).
3. How do the power inhibitor collars have any effect on Mammoth and Blockbuster? Not only is their strength in their muscles (and therefore not a "supernatural" effect that can be canceled unless the collars generate some kind of gravity field - and then they wouldn't be able to move), but the Brain's collars don't seem to do anything to his enhanced animals.
4. How old is Wotan, and *what* is he?
5. How old is Black Adam, and why are his ears pointed?
6. When Atomic Skull blasts the flash, why does he not sustain severe radiation burns?
7. I really, really liked the way you re-introduced the Helmet of Fate. The entrance on that amazing low drone singing. The ethereal, solemn sense of power that created really served to demonstrate that Fate isn't just some hero - he's the physical manifestation of a cosmic entity. Anyway, my question: did you get a singer to vocalize that, or was it done digitally somehow?
8. Speaking of - I'm curious about the music in animated TV shows. Do you record real musicians playing the tracks (orchestras, rock bands, etc.), or is it all done digitally? And if it is all digital nowadays, might you know when the switch was made?
Thank you so much. Looking forward to more great episodes!
I'll always take rants of praise. Never get enough. Yes, I'm just that shallow.
1. ASKED AND ANSWERED. (It's a six year school. 7th-12th grades.)
2. Riddler's collar does nothing but potentially shock him and keep him in line. But any "super-villain" who could easily escape a standard prison can be housed at Belle Reve, whether they have innate super-powers or not.
3. Brain's collars weren't designed to inhibit, just to maintain discipline (which is another function), so that's an apples and oranges argument. As for Mammoth and Blockbuster, the collars inhibit their muscles. Not 100%, but clearly enough.
5. I've never understood why his ears are pointed. But they are. Black Adam is also old.
6. When did he blast the Flash?
7. I'm pretty sure it's digital.
8. Well, every series is different. Most - but not all - of the YJ music is synth. But of course, "real musicians" did record the synth . But for example, on Spectacular Spider-Man, guitar was such an important element of our score, that although most of the music was synth, the guitar work was always the genuine article.
The Gargoyles had very moody and powerful orchestral score, fitting very well into dark athmossphere which show embodied. Batman: The Animated Series had similar alike score(aside sharing some of its, writers/co-workers working on both of the shows).
However, Batman Beyond, although following in same timeline as Batman, taking place in dark future, had much more techno-metal soundtrack. Some themes similar to those heard in previous serie,s were also sometimes used, although in different instruments. Although liking of this change had been little bit mixed among fandom, i personally enjoyed this change, giving refreshing and differencing mood from it predecessor.
Somehow, i always envisioned that Gargoyles 2198, if ever reached to level of becoming animated series, would use similar kind of musical change: after all, in this spinf-off technology had expaned even beyond what we had seen in original Gargoyles, and we,ve would be seeing, thanks to Space-Spawn, alot in and out in our solar system: somehow i personally hear music like Static-x or Matrix soundtrack when thinking what this new enviroment would look like.
Do you think score would remain similar to Gargoyles, or would its future spin-off take futuristic change in not just visual but also sound?
I do understand that you dont usually like hypotethical questions, and i also try to avoid them, but this simply has been rolling in my head alot...
Score-wise, I don't think we shared any personnel with Batman: The Animated Series. Carl Johnson was the Gargoyles composer. Shirley Walker did Batman with a number of composers, but I don't think Carl was one of them, though I might be wrong.
I'm sure we'd incorporate certain Gargoyles themes, while striking out in a new direction, but I'm not interested in defining that direction now in any way.
This question is a bit strange.
Why does Speedy gets his own theme tune?
Also I would like to say this, after watching YJ, I really prefer Speedy's seriousness over Robin's seriousness anytime. Plus Crispin Freeman is the best Speedy voice actor in my opinion. Keep up the good work.
We're not really thinking about it that way.
1.When coming up with the theme song for spectacular spiderman, how many bands and how many versions of the song did you have to go through? Did you n Victor Cook have much input into selecting the ulimate song?
2.Do you know what Victor Cook is currently working on?
1. We listened to about seven or eight submissions. Four of those, including the Tender Box song you're all familiar with, we liked a lot and wanted to use on the DVDs, but couldn't afford to. And, yes, Vic & I picked the song, though of course we needed approval from a whole bunch of folks at Sony, Marvel and KidsWB. Fortunately, everyone agreed with our choice without reservation.
2. Yes. Scooby-Doo, plus he's guest directing episode 20 of Young Justice.
Have you guys made any intro/theme song for Young Justice ?
Find out on Friday.