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This is hard.
It's been a bit of a stressful weekend, as my father went into the hospital with chest pains. A stint that had been replaced last year had failed and was replaced again Saturday morning during an angioplasty. I've been concerned, worried. But the procedure seemed to go well, and he was set to go home today. We seemed to have dodged a bullet.
But there was a second gun.
I slept in today. I woke up to two pieces of news:
1. My dad was good. Solid. My sister picked him up at the hospital and took him straight to breakfast. (My mother was annoyed at not being included - but that's a whole other story.) He's home now. I've talked to him. He sounded cheerful. All good.
2. Ed Asner had passed away.
I spent most of the day doing laundry and other mundane tasks. Life goes on, right? It has to. But it's been difficult getting my head around the whole thing. I've gotten many calls and texts today, offering condolences as if I were part of the Asner family. Folks seem to know how close I felt to Ed. But I don't want to exaggerate. Ed was my friend. I hope he knew I was his, as well. But I haven't talked to him in at least a couple of years. (You can partially blame that on the pandemic, I suppose. There are a lot of people I've lost touch with. If anything, this is a reminder to GET in touch. And I'm going to make an effort to do that.) In any case, there are many, many people who knew Ed better than I did, who were closer to Ed than I was.
Nevertheless, at the risk of turning this post into my own self-aggrandizement, I am going to spend a few paragraphs here on the subject of the Ed Asner that I knew and loved.
I was a fan of Ed's long before I met him. Like many, many people, he first entered my awareness playing Lou Grant on The Mary Tyler Moore Show. (Later, I got a kick out of picking him out of reruns, where he usually played the heavy in such series as The Wild Wild West and others.) But as Lou, Ed was simply brilliant. One of the truly classic scenes in all of television is the scene in the TMTMS pilot, where Lou interviews Mary for a job. Do yourself a favor and view it here: https://www.youtube.com/watch?v=zj286uBKCu0
That scene had a major effect on me, even seeing it as a kid.
Now, having just rewatched it, the genius of the writing and the two performances still knocks me out. But there was something else about Lou and Mary. Watching their interactions was a bit like watching my parents. The connection in my mind between Lou and my dad was especially strong.
Ed and my father were two Ashkenazi Jews from the midwest. My dad was from Chicago; Ed, from Kansas City. They were gruff AND loving. They even had mannerisms in common. There was much more, I'm sure, that they DIDN'T have in common. But something connected the two men in my mind. And, meanwhile, my admiration for Asner as a performer knew no bounds. When I saw him in the Lou Grant series, in Rich Man, Poor Man, in Roots, that admiration only increased. When I learned of his activism - and the price he paid for it - that admiration shot through the roof.
Years later, when we had begun pre-production on GARGOYLES, I thought of Ed Asner - or of Lou Grant, at least - as the inspiration for Hudson. In fact, when we held auditions for the role, I wrote at the bottom of the character description that "Hudson hates spunk." This was, of course, a variation on Lou's classic line from the above job interview scene. Now, to be clear, I never imagined we'd get Ed to play the role. I figured he was way too big a star for us to land. But low and behold, a few days later, Ed came in to audition for the part. Later, he told me that when he read the character description, he was initially thrilled. The "Hudson hates spunk" line made him feel like he was a lock to land the role. Then a couple minutes later, he thought that if he didn't land the role it would really be awful. But of course, he immediately understood the character and nailed his audition... only for Jamie Thomason and I to throw him a curveball, asking him to do it again in a Scottish accent. He nailed that, too.
Working with Ed was a joy. He was fun and funny and so supportive. In addition to playing Hudson (and Burbank and Jack Danforth/Dane) on Gargoyles, I also cast him as recurring characters on Max Steel (Chuck Marshak), 3x3 Eyes (Grandpa Ayanokoji), W.I.T.C.H. (Napoleon the talking cat), Young Justice (Kent Nelson) and Rain of the Ghosts (Joe Charone). When casting Peter Parker's late Uncle Ben in The Spectacular Spider-Man, Ed was the only person I ever considered. He always brought so much to each and every role.
And more than that he was a great friend to me. After the first season of Max Steel, when I couldn't find a job for over a year and thought I might have to give up on my writing career, Ed was there, offering me support. We had lunch at Musso & Frank's. He looked at pictures of my kids out of my wallet and told me to laminate them. He introduced me to his son, Matt Asner, a producer. He didn't allow me to wallow in self-pity or to badmouth guys who I believed had done me wrong. He just reassured me that I had ability and would find my way through. He was, in essence, my work dad.
So today, as you might imagine, has been complicated. My dad is home and healthy. And Ed is gone. I'm grateful and sorrowful. And struggling. But life goes on. It has to, right?
Finally, I'm going to quote Hudson from Gargoyles. In "The Price," an episode that spotlighted the character, Ed as Hudson told Xanatos: "A friendly word of advice: True immortality isn't about living forever, man. It's about what you do with the time you have. When all your scheming's done, what will be your legacy, Xanatos?"
I think we all know that Ed Asner did amazing things with the time he had. And though we'll miss him dearly, his legacy is clear and shining.
So, since the askbox is closing soon to get a chance to catch up, I thought I'd finally send in an ask about one of my favorite bits of the new season - Terra's plotline. I'd been hoping to see a Young Justice take on Terra since s2, and when we started seeing the first trailers of the team going to Markovia, I got even more excited. And I was not disappointed! So often Terra is a flat character, a betrayer, a monster, a madwoman - if there's any sympathy towards her, it's usually in a vague tragic backstory of abandonment, or her having a moment of realization before the end and taking Slade down with her (and often with an implication that Slade is the more reasonable, understandable one in the equation.) It was so refreshing to see a take on her that remembered she had been a child, was [i]still[/i] young, and being manipulated and abused by a much older adult - and that made that abuse and manipulation [i]not[/i] a death sentence. Terra doesn't die, she lives, she chooses to face justice - and, in a note I'm particularly fond of, she does all of this not because she's fallen in love with a heroic boy, but because of her platonic and familial bonds - with Artemis, with her siblings, and with Halo. Seeing her finally get to turn her back on Slade, come clean, and [i]live[/i] made the entire finale for me. So thank you for that, and now some questions about Tara Markov herself:
1) Why did Bedlam originally have her kidnapped, then tarred, then sold off? Had Slade's 'rescue' of her been a scheme between those two?
2) How much time passed between her original kidnapping, tarring, and the 'rescue'?
3) Tara can be extremely reticent in the show, often holding back in large conversations (though her glances around, gestures, and expressions have been very interesting to keep an eye out for on my rewatches). When she chooses to speak she's generally very forthright and direct, even if she's not sparing with her words. How did you decide on this pattern for her, and how did you decide on when she'd speak up and when she'd hold back?
4) Tara seemed very reluctant to tell Slade when Gregor was visiting them in America - had she expected the coup to take place, and if so, how did she expect it to end? Once Slade ordered her to kill Gar, what had she thought would happen afterwards?
5) In the ending montage, we see Tara and Halo attending Happy Harbor High, after her trial at the Hague. Even if Snapper Carr smoothed over any legal issues, how did the other students, teachers, and parents react to finding out that a foreign princess assassin had been attending, and would continue to attend, public high school in Rhode Island?
1. DeLamb had learned he was a meta-human and wanted to see if his niece was, too.
1a. In essence, yes.
2. Tara was abducted on July 28th, of Team Year Six. She was meta-activated in early August of that year, and "rescued" by Deathstroke in Early September.
3. It seemed to work for someone who was keeping secrets.
4. Tara was conflicted - and so turned around that the notion of consequences had been blurred to non-existent in her mind.
5. It may have been overshadowed by Fred Bugg revealing himself as Forager. But basically, having two Outsiders at the school was largely applauded by the student population. Some teachers and parents may have been more reticent, but there wasn't any significant protest...
REALLY GLAD OUR VERSION OF TERRA WORKED FOR YOU! I MEAN IT!
Long time Gargoyles Fan, just started rewatching the series on Disney+
I was wondering where Elisaâs Cat, Cagney got its name?
Would she have named him (is it a him), after actor Jimmy Cagney, or more likely after fellow police-woman character, Chris Cagney, from Cagney and Lacey?
A little of Column A. A little of Column B.
Hmm, I haven't asked a question here in a while. So I figured I'd get one in before the temporary close.
Here's one for the timeline. Since I last asked, there have been two Radio Plays at CONvergence. I've watched them both on YouTube and loved them. Abby's singing voice as Miss Martian really impressed me, and Marina as Demona playing almost every character on her IMDB from Queen Bee to Hurrican Julia to Deanna Troi etc amused me greatly. And nobody but the Queen of the Impact Grunt herself could earn a Stunt-Grunter. ;)
Since we've had dates for every other Radio Play...
1. What happened in the Gargoyles Universe on July 2nd, 2016?
2. What happened in the Gargoyles Universe on July 7th, 2018?
I miss the Radio Plays and I cannot wait to attend and hopefully participate in one again.
I miss conventions in general, and CONvergence specifically.
1. No spoilers.
2. No spoilers.
Hey! I'm a recent gargoyles fan (and am currently obsessed), and I actually have a couple of questions about the comics.
1) If you were to ever adapt the comics into a cartoon or a comic dub/radio play, for the comic exclusive gargoyles, like Katana and Gnash, who would your dream cast be for their voices?
2) Also, have you ever thought about adding onto the comic series after "Phoenix", or do you feel like the Clan Building arch is good where it was left and it would be good to move on to a new chapter of the Gargoyles saga?
1. I've learned not to answer that in advance of actual casting. You can't always get the person you're thinking of, and I prefer not to make the actor who actually helps bring the character to life to feel like a second choice.
2. I've been DYING to make more Gargoyles comics and have been trying to sell Disney on the idea ever since.
This question isn't for Greg, but if he can please pass this on to Edmund Tsabard?
Oh, Edmund... when will you bring back Last Tengu In Paris?
Edmund Tsabard was one of the few human beings, EVER, who actually LOST MONEY doing porn. Until or unless he can find a way to reliably monetize his work at Blue Mug Productions... well, let's just say Tsabard isn't altruistic.
Hi Greg. I have a few questions:
1) Why was Jade so absent in season 3?
2) Was there any problem with Kelly Hu?
And since in episode 325 Lian said something like "we need to find Cheshire for Daddy" (if I'm not mistaken):
3) Does Lian know that Cheshire is her mom?
4) In fact, does she even know or remember who her mom is?
And last but not least:
5) Did Will actually believe what Jade said about being a soccer mom and all that?
1. Was she? Did she get significantly more time in Seasons One and Two? If so, I guess the answer is that story drives the use of our characters, as always.
2. No. She was great, as always.
5. Believe? I don't understand.
Hi Greg. There are a few things related to the anti-life equation that I am still unclear on following season three.
1)What was the original purpose of Granny's machine? I ask because it seems to me the only thing it was good for was inflicting pain - without Halo to provide the anti-life equation.
2)I'm still not sure how Halo = the anti-life equation. Could you please try to explain it to me?
3)Thank-you for treating Kirby's anti-life equation seriously. In Kirby's fourth world mythology, the equation was something very specific. Some other depictions depict it very vaguely. You didn't. You did your homework. Thanks.
4)What did you think of the Hunger Dogs as an ending to Jack's Fourth World saga?
5)How are you?
1. It created the ability to spread the Ghost Dimension ad infinitum.
2. Halo does not equal the anti-life equation. She's part of its mathematical formula. Watch the episode again. Granny spells it out mathematically with a lot of clarity.
3. We try.
4. I try to avoid offering up those kinds of reviews on DC Comics stuff, as I don't want people to tie my opinions to what may or may not happen on Young Justice.
5. Can't complain. (I mean I do complain all the time, but really I shouldn't.) I'm employed (at least through early November), and everyone in my family is healthy. So, really, I'm doing great. Thank you.
Hello. I'm the anonymous 7 posts back who asked about Icon not being at the big meetup in Nevermore, and I realized that I just missed his name in Guy's list. Whoops.
I'm also the anon who asked about the A-series designations between Tye Longshadow and Dolphin. As was the case with that question, I assume I'm gonna get a big old "SPOILER REQUEST" for most of this, but maybe you're in a sharing mood.
1. Did El Dorado and Cyborg receive B-series designations upon their joining the Outsiders?
2. On the Young Justice backpack that was given away at SDCC 2019, some characters had designations listed with their names. Should the ones not used in the show be considered canon? (I'm thinking specifically of the Z-series for "Batman, Inc." and Stone, Victor G-08.)
3. If Vic is G-08, and Halo is G-03... care to reveal who are G-04, G-05, G-06, and G-07? The only possible option I can come up with is Dr. Jace.
4. There are three Z-series designations missing on said bag (Z-03, Z-04, and Z-06). Should I assume they are Plastic Man, Hardware, and Metamorpho (in that order or another)?
5. Long shot time. Will you reveal the League designations between Aquaman 27 and Steel 36?
Thanks for your time!
2. They are accurate (if now, as of the end of Season Three, outdated).
3. No spoilers.
4. No spoilers (but you're two-thirds right).
Dear Mr. Weisman,
First off, big fan of Gargoyles, even though I was born after the show ended. I only have one question I would like to ask you, if that's alright:
1. Is there an official backstory for Jeffrey Robbins? I wrote a fanfiction featuring him, and couldn't find an official backstory to him from before the start of the show, so I made one up about him and his family. However, I was wondering if there was an actual timeline or something with his history.
That's basically all I have to say. Have a great day, and thank you again for your time!
I'm not sure what you mean by "official backstory". We know he served in Vietnam and was blinded there, teaching himself to read braille and becoming a successful novelist after. Anything beyond that (or other details already revealed in the series) is basically a spoiler.
Well I don't think my questions are very interesting but I'm curious, so:
1 - What are the names of Arsenal's parents? And how did they die?
2 - What is the name of Zatanna's mother? And how did she die?
3 - What are the names of Rocket's parents and husband?
4 - What are the names of M'gann M'orzz's parents?
Some of this stuff you can probably look up in old comics, but otherwise, I'm just going to lay out a big NO SPOILERS to all of this.
Hey greg, I have a question Regarding time skips. I'm not complaining, just worried. The skips are fine if Young Justice remains as the only earth 16 show, but if any spin offs get made, don't you think we are missing a lot of content and getting a lot of spoilers?
As a fan of your work I've noticed that you tend to avoid making characters immortal. In one answer you said that even the third race of Gargoyles might just be extremely long lived. And you removed Wonder Woman's immortality outside of Themiscyra.
So I'm guessing you are planing to long term retire some characters.
If you got hired to write a Captain Marvel (Shazam) show, well Billy is 18 by season 3, so we basically missed all of his childhood adventures. He is traditionally a kid, isn't he?
If you got hired to do a Superman tv series, and you started from the beginning, we already know he ends up with Lois and even has a son with her up until season 3, so that throws out any tension out of the window.
This applies to all characters, introduced in season 1,2, and 3 that could get spinoffs I think. You would need to start early in their timelines (with people entering spoiled from their fates), or start late Like billy being 18 ( and miss the charm of a kid superhero that made him famous)
Not complaining, just worried. Do you have any contingency for that?
Your question is so EXTREMELY hypothetical that I just can't worry about it. Brandon and I need to make the best version of Young Justice that we can make. In the extremely unlikely event that somewhere down the line WB asks for an Earth-16 spinoff, we'll deal with that then.
Hey Greg I got a question regarding Batman on earth 16.
I know the real-life answer is just that they are different characters and giving superpowers to Batman doesn't fit him, but, still, I've always wondered why no empowering entity ever chose Bruce Wayne as a champion.
Say Why didn't SHAZAM chose Bruce Wayne Over Billy? Bruce already had the training, maturity, and skills, and instead, he decided to empower an orphan kid.
Same for other people giving powers like the guardians of the universe (or is it the ring that chooses?) going over people like Guy over Bruce.
Have you thought of an explanation for that?
I could say that Billy has a purity of heart that Bruce doesn't have. That Hal, John and Guy have a greater ability to overcome fear with willpower. But really, the premise of the question doesn't work for me. There are billions of people on Earth. Why assume that Bruce is the be-all/end-all of humanity?
1) So are the titles of the series just meant to be meaningful? Like for example, in Young Justice: Outsiders, Beast Boy's team is called "The Outsiders" even though Black Lightning, Halo, and Geo-Force are the original Outsiders.
2) Is it like a metaphorical title about characters feeling like outsiders?
1. I'm not sure I understand the question. The Outsiders from the comics are an influence, but this is Earth-16 continuity. The Outsiders refer to a state of mind, a social phenomenon and, ultimately, a new team of heroes, founded by Beast Boy.
2. That's part of it.
In the Young justice episode Overwhelmed when Super boy took Forager to Geranium city some thoughts crossed my mind 1. What do Benny, Erin, Kraig, and Karen all do for a living in geranium city? 2. What do each of the human disguises of the aforementioned Genomorphs look like? 3. Do thay each use the real names when outsiders are in town or fake names like Dubbilex does? 4. Are there any other secret Genomorph cities besides Geranium city?
1. No spoilers.
2. No spoilers. For now, what you see is what you get.
3. They use their real first names and have adopted surnames.
4. Not at this time.
Q1)I wanted to ask regarding the castings for Young Justice Outsiders, How did you and the crew decide to give the roles of Geo-Force, Terra, Halo, Forager,Cyborg and Darkseid to Troy Baker,Tara Strong,Zehra Fazal,Jason Spisak, Zeno Robinson and Michael Leon Wooley?
Q2)And for replacments decide on David Kaye and Greg Cipes to be Vandal Savage and Beast Boy, i know regarding Greg as Beast Boy u did not cast him in the initially because u did not want any Teen Titans reprisals at the time so what change your mind instead of picking another actor because Logan Grove was unavailable for S3?
Geo-Force - Brandon had worked with Troy Baker before and knew he was a good candidate to play Geo-Force/Brion Markov. We did have him audition (against no competition) just to confirm he could do the Eastern European accent without it sliding into Boris Badenov territory. He could. So we cast him. And he's been great as Brion and other characters ever since.
Terra - We held auditions for Terra/Tara Markov, and Tara Strong just nailed it.
Halo - I knew I wanted to cast Zehra Fazal as Halo / Violet Harper / Gabrielle Daou, and basically wrote the part with her in mind. Brandon and Jamie and I went to see her in a stage play, where she played multiple roles, so that they could confirm just how great and versatile she was.
Forager - With Wally West largely out of the picture, we knew we wanted to find something else to keep Jason Spisak in our cast. Brandon thought Forager would be a good bet and talked about the character with Jason, who loved the idea. We hired him without any try-out, and he was instantly great.
Cyborg - We held auditions for Victor Stone/Cyborg under the false flag of a pretend show with a fake character name. Zeno Robinson was our clear favorite for the role. We brought him in for a callback (with no competition), mostly to see if he had the versatility to play any other roles (such as Steel). We decided then and there that he was our Vic, and seeing Brandon and I in the Control Room, he had already begun to suspect whom he might be playing. We told him he had the role and confirmed he was playing Cyborg, and he practically BURST right in front of us. It was great fun.
Darkseid - We had already discussed a number of potential people to find YJ's version of Darkseid, when Brandon remembered Michael Leon Wooley's performance of the character from Batman: The Brave and the Bold. Jamie and I listened, and immediately Michael had the job.
Vandal Savage - We held auditions to see who could do the best job performing in the giant shoes that the late, great Miguel Ferrer had left behind. David Kaye was the clear favorite.
Beast Boy - When it became clear that Logan Grove was not going to be available to us, we talked with Jamie about who might be able to take his place. After we described the character's journey in Season Three, Jamie suggested Greg Cipes, knowing that we might not go for it, but feeling like Greg'd be perfect for the part. I'd worked with Greg on W.I.T.C.H. and agreed, but our upper management had been pretty adamant about us not using Titans' lead actors to play the same roles they had played on Titans. (Other Titans' actors were kiboshed for certain parts for that reason.) It was something Brandon and I initially agreed with way back in Season One, but by this time, we felt YJ had established itself as its own thing, and we were less afraid of comparisons. And for whatever reason, TPTB were fine with us casting Greg as Beast Boy.
So I know you've answered this a number of times over the years, but rather than I asking the nth time, I've spent a while thinking about the "how".
So Macbeth and Demona cannot die but by their own hand and although there are situations that seem like they could die by another's (beheading, smashed stone, etc), these situations cannot happen because of the spell the Wierd Sisters placed on them. It protects them from assured fatal injuries that normally would kill mortals (again beheading, smashed stone, etc). The spell basically would manipulate events to ensure that Macbeth and Demona would always get out of such a situation (Macbeth getting caught in the French Revolution and is scheduled to be beheaded but some mishap with the dungeon keys delays it, buying him time to escape or Demona is forced to roost elsewhere instead of her normal spot because of some freak storm preventing her in getting back, thus sparing her from being smashed by the Hunters one morning).
They would have uncanny luck in avoiding death situations that would otherwise be assured.
I guess you're basically right, but I would recharacterize it. The Sisters may not have magically enforced this "manipulation," as you put it, so much as they magically predicted future events.
Watching Young Justice season 3, and was shocked by the appearance of designations A41 and A42. Given that the highest known A-series designation prior to this is A20 (Tye Longshadow), it seems like a lot has happened in the two-ish years between Endgame and Quiet Conversations.
I know you are loathe to reveal designations in an off-screen environment, so I won't ask who the missing twenty names are (or even the still-unrevealed A08, A09, and A14), but do you know exactly who those numbers are?
On another note, in Away Mission, the computer reads a designation as "Pierce comma Jefferson G01". But in Humanity, it reads a designation as "Zatanna Zatara A03". Is there any rhyme or reason to which designations are last-name-first or first-name-first?
1. I do know exactly who the numbers are for. But, no, I won't be revealing any of that here.
2. The A-Designations are first name first. The G-Designations, hacked into the system by Dick Grayson are "[Last Name]-comma-[First Name]-G-[Two-Digit-Number]"
Pretty much the entire main cast of Gargoyles have popped up in some way or another on "Young Justice." But there are just a couple who have not quite shown up as of yet. Will there ever be a potential role for Salli Richardson, Frank Welker or Jonathan Frakes?
Without going into specifics, Jamie and I have talked about bringing more ex-Gargoyles actors to YJ when the role seemed to fit. Sometimes we didn't have the right role. Sometimes the actor wasn't available at the right time. But there's literally no one (living or dead) from Gargoyles that I wouldn't love to get on YJ.
Hey, thanks for hours of entertainment through your shows. I just recently finished watching the canon run of Gargoyles on DVD through the library (Me and a friend greatly enjoyed the journey, and had a lot of fun watching it!) after growing up on your other shows, like Young Justice and Spectacular Spider-Man. So, thank you, and as Iâm new here, Iâd figure Iâd try and put a question that isnât quite so... obvious.
Did Elizaâs palate change much after the Avalon World Tour?
Hey Greg I'm a newbie who just started watching your show on disney+ and first off wow! How did miss this? Now that gargoyles is on a exclusive streaming service is there any new possibilities for it to come back? -also while typing this would you be open to a kingdom Hearts crossover or a gargoyles video in general?
We're trying to get everyone to #KeepBingingGargoyles over and over again on Disney+ - because we DO think there's a possibility that Gargoyles might be able to come back, if fans prove to the company that there's an interest.
I don't know much about Kingdom Hearts, but I'm certainly open to including Gargoyles. That's been discussed in the past, but never happened - to my knowledge.
And I'd love to do Gargoyles in ANY medium, if given the chance.
The thing to keep in mind is that it's not up to me. But the fans (collectively) have more power than they think, if they understand how to exercise it.
Hey Greg, got two questions for you
1. How did you meet Brandon Vietti?
2. I ask because I'm a big of the DCAU, how did Rich Fogel get involved with the series?
1. Brandon and I met a couple times when I was at Sony and when I was freelancing for WB. But, honestly, we really didn't meet for real until Sam Register teamed us up to develop a new series for WB Animation. (That series was a Green Lantern series that was never made, followed by a Space Ghost series that was never made, before we finally were assigned to Young Justice.)
2. Rich and I go way back to my Disney days. He and Mark Seidenberg were partnered up, editing Gummi Bears. We've kept in touch, on and off, over the years. And more recently, we were both staff writers on Shimmer & Shine. I truly loved the Shimmer & Shine writing staff (Stephanie Simpson, Dustin Ferrer, Kevin Hopps, Cisco Paredes, Andrew Blanchette and Rich), so when YJ started up again I tried to get everyone to write an episode for Season Three and/or Four. Stephanie and Dustin haven't had the time, but the rest have all pitched in for an episode or two. (Of course, Kevin was already a YJ writer.)
Hello Greg, In YJ, what is the thought process behind each season's time jump, how do you and the creative team decide the length of each jump and how do you believe they add to the characters and the overall narrative?
Again, this has been covered in the ASK GREG ARCHIVES multiple times. But generally, we think it allows us to show the growth and maturation of our young characters.
The length of the time jump is generally determined by both what we want to hide (and later reveal) about our characters and when in the timeline does the story fall that we want/need to tell.
Hey Greg, how do you plot seasons and specific episodes, do you set end goals to achieve in the story or do you begin to plot and see where the story flows naturally?
Um, both. Go through the ASK GREG ARCHIVES for more detailed responses. But we use index cards with events marking tent poles in our stories, and then fill in with more index cards until every season, every episode, every scene is fleshed out fully.
Hey Greg, I've noticed in the credits for Outsiders, all of the Milestone characters are credited as "Created by Milestone Media." Are there any specific reasons why Dwayne McDuffie and the other Milestone creators aren't individually mentioned?
Thanks for a great season.
It's a legal decision that's way above my paygrade to credit the creation of all Milestone characters to the Milestone company. That's all I know. But I don't think it began with Season Three. Didn't we do the same thing in Seasons One and Two?
I'm not certain if this has been asked.
What are the "cursing" equivalents from Macbeth and King Arthur's times compared to modern day "cursing"(sh*t, F**k, B*tch, etc.)?
I imagine the "olden times" curse words/expletives and similar expressions would be considered quite "tame" and even silly compared to modern stuff. Though I suppose they could potentially be taken up as "alternative curses" by modern day generations.
It's something that's made me wonder.
I'd have to research that. I may have known the answer at some point, but it's just been too long.
I decided to reread "Clan-Building" as well, after rewatching the first two seasons of "Gargoyles" on DVD, starting with Chapters One and Two ("The Journey)).
The "hunting" analogy continues even past "Hunter's Moon" with Vinnie stating that he hunted a gargoyle down, and Castaway mentioning it (both specifically use the word "hunted").
In my "review comments" on "Hunter's Moon", I noted how it ended, in its final scene at the castle, on what went well for the gargoyles (they're back in the castle, they've made peace with Xanatos, etc.), with their being revealed to the public not mentioned. "The Journey" opens with it being made clear that their problems aren't that over after all, with the public's alarm, the foundation of the Quarrymen, and even Brooklyn raising the question of whether Xanatos really has changed that much. I think his sardonic "Welcome home" establishes the "It's not so happily ever after, after all" tone - in contrast to the way Elisa said "Welcome home" at the very end of "Hunter's Moon".
It was nice to finally be able to do my version of "The Journey" - as opposed to the reedited piece that was used in The Goliath Chronicles.
Rewatched "Hunter's Moon" yesterday (Sunday) on DVD - all three parts.
I've mentioned before spotting a lot of mentions of hunting, usually applied to humans going after gargoyles with hostile intent, and it struck me that this made it appropriate that the Hunters would be the gargoyles' adversaries in the finale. (Well, the Disney Afternoon finale/Season Two finale.)
And it struck me that the Hunters were the most dangerous opponents that the gargoyles faced in modern times, judging by results. They blew up the clock tower, destroying the gargoyles' home, and then exposed them to the public. The former was partly undone by the gargoyles getting their old home (the castle) back by the end of the episode, but not the latter - now the gargoyles are facing an alarmed public (even though they're safe at the end - for the moment). None of the gargoyles' other adversaries in modern times have been able to inflict that much damage on them. To top it, you'd have to go back to 994 and the Wyvern Massacre.
A few things that struck me this time around:
Goliath and Elisa are actually openly speaking to each other and even sharing a brief embrace on board the passenger train, just after foiling the robbery; fortunately, the passengers apparently didn't notice that.
Hudson greets the returning gargoyles as "lads" - then quickly adding in "And lassie, of course", for Angela. It reminded me of his use of just "lads" for the younger gargoyles in "Possession" that I mentioned in my post on it - apparently he's getting more adjusted now to Angela's presence in the clan.
The trio's clash with Demona in Part One seems the last "trio action" in the series; they're increasingly split up (or else acting with the rest of the clan present) after this.
Lexington and Brooklyn's shared uneasy glances when they return to the clock tower with Goliath near the end of Part Two seemed all the stronger when I realized "the audience knows that Robyn and Jon survived Goliath's fight with them, but Lex and Brooklyn don't - from their perspective, Goliath had apparently killed those two."
Jon Canmore's cry about the gargoyles when he's facing Jason at the end, "They killed dad!", struck me as a sign of how (even before shooting Jason) he was losing it; it was Demona who killed Charles Canmore, none of the Manhattan clan were even present at the event, and Jon was there so he knows it.
Broadway shows how much his attitude towards reading has changed since the start of "A Lighthouse in the Sea of Time" when he's talking to Angela about how great the castle library is (and we'll see them there together in "The Journey").
This story really does seem like a good conclusion for the series in so many ways - the gargoyles are back in the castle again, their war with Xanatos is (seemingly) over, they'd defeated Demona's big scheme to wipe out humanity, Elisa finally admitted her feelings for Goliath and even kissed him. Except there's a big loose end with the gargoyles' existence being made public, and most of the New Yorkers aren't too happy about it. (Brooklyn's "And so it begins" remark does also support the feeling that the story could continue past this spot.) But it certainly makes a good season finale.
Oh, and I counted the number of "claw-mark transitions" in the entire two seasons during this review - 28 in all.
We were pretty happy with it.
in nevermore why did the light wanted garfield dead
For the effect it would have on the League, Team and Outsiders - and because they felt they could leverage his death into creating a super-hero registry, which they could then exploit.
New thoughts and observations on "Possession", which I also rewatched on DVD today.
Coldfire and Coldsteel's bodies are initially covered by cloths; while it serves the function of keeping their nature secret from the audience at first, it also does a good job of echoing the "Frankenstein" tone of Coldstone's introduction in "Re-Awakening".
When Goliath and Hudson return to the clock tower from patrol, Hudson initially says "lads" - and just that, with no mention that there should be a "lass" among them as well. We get an echo of this, I recall, in "Hunter's Moon Part One" when he addresses the clan as "lads", then remembers Angela and adds "lass" in; this moment brought that scene to mind.
Coldstone's line near the end about how "we truly lived again" echoed Goliath's "we live again" words in the opening narration, though I don't know if it was intentional.
It's a pretty safe bet that most everything is intentional. (Or that I will intentionally take credit for it.) But seriously, we were very aware of pushing call back moments throughout. I do that on every series I produce.
I watched "Turf" on DVD yesterday as well, but don't have anything new to say about it, so my new thoughts on "The Reckoning", which I watched with "Possession" on DVD today.
In Act I, Hudson warns Angela that her mother "is capable of anything". Angela later uses those exact words when confronting Demona in Act III.
Elisa gets bitten by a mosquito while in the Labyrinth; I wonder if that was the moment when Sevarius and Thailog acquired her DNA for Delilah; it'd certainly be a "playing fair with the audience" moment.
While Demona professes outrage over Angela's claim to be her daughter, her eyes aren't glowing red - and later we learn that she'd known Angela to be her daughter all along. The "eyes not glowing red" part makes a good hint to the audience that she was feigning anger and disbelief.
That mosquito is exactly when Elisa's DNA was taken for later use in creating Delilah.
Rewatched "Vendettas" today - this time around, I spotted what looked like a small village in the opening shot (near the former site of Castle Wyvern). A minor detail, I know, but I liked the discovery of a village or small town in the area.
Yep. Especially one that the Vikings haven't sacked for a century or ten.
You like Ghost Rider, right? since they have the ability to amplify and boost anything they ride on, what kinda things would you ever want to see one ride? I kinda like the idea of Johnny or another Rider Riding, and therefore Boosting, either The Hulk, or the Helicarrior...
Um... how about a motorcycle? Is that too radical?
Rewatched "The Gathering" (both episodes) on DVD today. A few new things I noticed about it.
A minor detail, but which I find touching: when Renard learns about Anastasia's remarriage,, he sadly clasps her hand.
The letter X is prominent among the Xanatoses: Xanatos, FoX, and AleXander. And then I thought of LeXington, who isn't one of the family, but who's close to Alex, and who became Xanatos's secret successor in "Future Tense". (And there's that bit, also, in your "Gargoyles 2198" piece, about the Lexington-Xanatos Corporation.)
Goliath's homecoming makes a lovely contrast with "Future Tense", as he warmly embraces the overjoyed Brooklyn and Lexington (the two members of the clan who'd been bitter towards his late return in "Future Tense") and Hudson says "I knew you hadn't abandoned us." (While Broadway hugs Elisa, tying in with his being the closest to her among the trio, ever since "Deadly Force".)
One feature of Goliath's pondering the possibility that Avalon sent him to Manhattan to stop Oberon from taking Alex away; if his speculation was correct, that means that Avalon was, in a way, going against its lord and master. Though that made sense when I thought about it; without going too deeply into hypotheticals, I suspect that things would have not gone well for Avalon if Oberon *had* spirited Alex away (no way would his parents have accepted that), and Avalon would be sparing itself and its lord and master a lot of potential trouble in thwarting him.
You mentioned once that you wanted to have Puck break the fourth wall, but the rest of the production team objected to it. I noticed that he does come close, though, when he turns towards the camera while saying "I'm on a roll". (And when somebody *did* break the fourth wall, it was Brooklyn instead.)
At the very end, Broadway turns to stone shortly before the rest of the clan does.
Interesting observations. Thanks for all these, Todd.
Rewatched "Future Tense" on DVD today. Things I noticed this time on it.
Bronx looks sad when Hudson's death is revealed; given the bond the two had showed throughout the series, I thought if both fitting and touching (even if it's not really Bronx).
Goliath tells Brooklyn "we thought our odyssey was fated". I thought "odyssey" an appropriate term, since Odysseus spent twenty years away from Ithaca, and Goliath supposedly spent forty years away from Manhattan - and since gargoyles age at half the speed of humans, twenty years for humans would translate to forty years for gargoyles. (I'll admit I'm reaching here - and it feels odd to be linking Goliath to Odysseus when I'd normally think of comparing a different "Gargoyles" character to Odysseus - a fellow Greek trickster....)
The Xanatos Program's intention of using the "World Wide Net" to download itself on every computer marks one of the extremely few occasions I can think of where the Internet was alluded to on "Gargoyles"; the only other example that comes to mind was Sevarius receiving his instructions for "kidnapping" Thailog via "electronic mail". (It also got mentioned in one of the Goliath Chronicles episodes, but that doesn't count.) The near-absence of the Internet from the series certainly makes it appear
technologically dated" from today's perspective.
I think "odyssey" is a particular apt word. And though Goliath and Odysseus don't have a lot of character traits in common, I do think the comparison here was intentional. And they are both big, strong heroes.
The absence of something like the internet is less of a problem for me - in terms of dating the series - than, say, the brick-sized cellphones that Xanatos and others occasionally use.
Rewatched "Ill Met By Moonlight" today.
I spotted more hunting allusions in it (though this time, the gargoyles' "hunter" isn't a human); Titania's incantation to temporarily restrict Oberon's abilities includes the line "Till hunt be done", and Oberon says, after defeating Goliath, "And so ends the hunt". (He also evokes hunting imagery when he says "the rabbits would face the fox" - though I couldn't help thinking when he said it, "Technically, they're facing the fox's stepfather, though the audience isn't supposed to know that for another two episodes.")
Rewatched "Cloud Fathers" on DVD yesterday.
This time while watching it, I wondered how Bronx left Beth's apartment. Goliath and Angela glided off without him, and I didn't see him going out the door with the Mazas (which wouldn't have been an option in any case, for obvious reasons).
We get another bit of hunting "verbal imagery", though one of the rare occasions where it's not directed at gargoyles, when Xanatos refers to Coyote the Trickster as his "true quarry".
Coyote the Trickster disappearing when he got the Mazas to look away for a moment reminds me of the tradition about how, if you look away from the faerie-folk for even a moment, they can vanish.
Don't really remember Bronx's exit without rewatching. But mightn't he have just walked down the outer wall of the building.
My other question is Tim smarter than Dick in Young justice, since he is the smartest and the best detective out of all the robins.
I guess. I'm not big on quantifying these things. But Tim is very smart.
Rewatched "Bushido" today (I rewatched "Sentinel" yesterday, but had no new thoughts on it).
What most struck me this time around was the parallel to "Awakening", with Taro as like a less-serious version of Xanatos. The two specifics I noticed were the gargoyles' awakening in the theme park, which reminded me of the clan's first awakening in Manhattan, and their wondering if someone had moved the temple, which evoked Xanatos moving the castle to New York.
Those parallels were very intentional.
Rewatched "The Green" today.
I might be reading too much into this, but I noted that the ones responsible for the theft of the Mayan Sun Amulet and the deaths of most of the Mayan clan were called "poachers" - a term for illegal hunters. Given the recurrent theme about gargoyles being hunted and facing danger from hunters that I've been paying close attention to in the 25th anniversary reviewing, I thought that an apt word choice.
This episode featured five "clawmark" transitions, the most I've noted to date in any individual episode of "Gargoyles". (I've been keeping track of those during the silver anniversary reviewing, and counted fifteen up to this point, of which five were in this episode - one-third, in other words.)
Wow. That's a lot of claw wipes. But we also had more location transitions from Manhattan to the Green and back.
Rewatched "The New Olympians" on DVD today.
Continuing the "hunting" theme in "Gargoyles" that I've paid closer attention to this time around, I noticed that Ekidne described the New Olympians' ancestors as "hunted". (I also spotted a New Olympian extra who looked a lot like traditional depictions of Artemis/Diana, the goddess of the hunt - though I think I'm reading too much into that.)
Goliath's words to Angela about how they cannot wage war on an entire city remind me of his words to Demona in "Awakening Part Five" of how he cannot wage war upon an entire world.
Also intentional. I love those kinds of callbacks.
Rewatched "Eye of the Storm" on DVD today.
I noticed, this time around, that after Goliath rescues Elisa from Odin, Odin cries "This isn't over!" - the same words that Hakon used after his initial attack on the castle was turned back at the start of the series. It struck me as appropriate, since they were both "Old Norse". (I don't know if that was intentional, though, or just a fortunate coincidence.)
Rewatched "Pendragon" on DVD yesterday. A few observations from this time around.
Hudson recognizes the wind that heralds the arrival of King Arthur and Griff; I suspected that there's an interesting story behind that and how he came to know it. Most likely something that would be told in "Dark Ages".
Griff refers to Westminster Abbey as "my abbey" when initially confronting King Arthur - for me, it evoked Goliath speaking of "my castle" when confronting Elisa back in "Awakening Part Three". Evidently part of the gargoyles' territorial nature manifesting itself.
Macbeth immediately recognizes Griff as a gargoyle, though all his on-stage encounters with gargoyles up till then were with the Scottish variety. (Of course, most of the things that went on during those nine hundred years of wandering in his life, we don't know about - only his fighting at Bannockburn on the Scottish side, and taking part in the 1950 removal of the Stone of Destiny from Westminster Abbey.)
I really like the term "rookery poem" as a gargoyle counterpart to "nursery rhyme".
Someone should write a book of rookery poems...
Well I thought it's been a decade since I last asked this, I am however taking a way different approach to this. Yes it's probably the single most asked question "What did Titania whisper to Fox. This however isn't my direct question. (Well not for this decade, as it seems that you won't give the answer as it could and most likely would be anticlimactic.)
My question is, what Titania whispered to Fox, did that come to fruition or hinted at, in a later story or plot point in the series? If so would you be willing to tell which episode or comic issue? And to cover my basis What episode or comic issue would it be?
But valiant effort...
Rewatched "Mark of the Panther" on DVD today.
I've mentioned before how I've noticed a strong "hunting" motif running through "Gargoyles" during my reviewing it; this episode included more of that theme, though, for a change, it didn't involve humans going after gargoyles. Instead, it was the Panther Queen and, later, Fara Maku, hunting for Anansi, and then Tea and the poachers hunting panthers.
Elisa lists the body parts of panthers that poachers are after as skin, teeth, and claws. When Diane Maza tells the story of the Panther Queen shortly afterwards, her description of the Panther Queen stresses those same three attributes (well, fur rather than skin, but it's close enough), but now focusing on their beauty, rather than the monetary worth that motivated the poachers. (And when Anansi turns the Panther Queen into a human, the story stresses the Queen's loss of those same attributes.)
Goliath's explanation to Diane, when they're trapped in the pit, that he can only glide, not fly, echoed (for me) his explanation to Elisa on the ledge back in "Awakening Part Three". Like mother, like daughter....
Rewatched "The Hound of Ulster" yesterday, but I didn't have any new thoughts on it, so I skipped it over - and "Walkabout" today.
Things that struck me about "Walkabout" this time around:
I'd noticed this before, but Bronx growls at a kangaroo near the beginning. I wonder what he dislikes about them. (I also spotted a koala up in a tree - that I *hadn't* seen in past viewings.)
I was amused by Elisa's description of Dingo as "not one of the good guys" - since that could so easily be tweaked to "one of the bad guys". I don't know if you'd come up with the name for that spin-off at the time, of course.
Goliath at one point says "Aye, for now" - probably the one occasion where he says "Aye" - he usually leaves those Scottish-toned words to Hudson.
During the battle with the Matrix in the Dreamtime-world, Goliath imprisons it briefly within a dome that looks a lot like the domes it was producing in the waking world, and conjures up a shield with a sun-design upon it - a strange emblem for a gargoyle to bear.
Maybe Bronx just had never seen a kangaroo before...
Why wasn't Gargoyles included in Kingdom Hearts 3? The more I binge Gargoyles from Disney+ the more I think of how it would have been just the perfect world for a DLC add on. It's just a shame it's not included and I really want to know why.
Then you are asking the wrong guy. I have no idea.
Being an ENORMOUS Dracula fan, I always thought the vampire would be interesting to see in Gargoyles and am delighted to see that he is in line to enter the storyline. Some questions:
1. Do you have someone in mind to play Dracula?
2. Is this Dracula in fact Vlad Tepes (the Impaler) as popular lore has it?
1. No. Not yet.
2. No spoilers.
I am really curious why Gotham appears to be Bridgeport, Connecticut, in an episode of Young Justice.
I have a simple question, who were the artists that did the concept art for the show? I have searched extensively but couldn't find much in detail, even after searching the archives.
I found Dennis Woodyard, Kazuo Terada and Hiroshi Ohno but not much in terms of concept art. Maybe it's because there wasn't social media platforms to share them to back then when the show aired.
From context, I assume you're talking about Gargoyles. This is all in the archives, but I don't mind mentioning their names again:
Rewatched "Grief" on DVD today.
The only new observation I have is that, this time, I noticed how Keith David did the "aged-up" Goliath; his voice sounded, while recognizably Goliath's, much older. I thought it another "mark of honor" for the "Gargoyles" voice cast.
Yeah. Keith - and our whole cast - were just amazing.
Rewatched "M.I.A." today. One detail stood out to me this time; the human Londoners grouped in the background at the very end are the same ones we saw in Act I staring at the gargoyles in shock and alarm, when Leo and Una are confronting Goliath outside their shop. It made a pleasant touch, I thought, to see that those people have now recognized (judging from the way they were shown at the conclusion) that they didn't need to be scared of the gargoyles.
Rewatched "Sanctuary" on DVD today. New observations.
Elisa writes Macbeth's name as "MacBeth". Not quite as serious as the infamous "Servarius" error in "The Cage", but still a bit unfortunate.
I was amused to note that Demona barely even registers Elisa's presence in the middle of her fight with Macbeth, even though Elisa's calling out to both of them - until just before Elisa shoots her. She does finally spot the detective and aim at her, but Elisa takes her down before she can do more than that. Apparently her feud with Macbeth tops even her hatred for Elisa.
I felt a sense of near-horror, though, as I noticed how Demona and Macbeth's fight was damaging the library, with several books apparently getting damaged or destroyed.
And the silhouette of a gargoyle against the moon in the newspaper photograph bears an uncanny similarity (obviously coincidental) to the Bat-Signal.
Those typos drive me nuts.
I rewatched "Golem" on DVD.
Not many new observations or insights, but I was impressed by the late Robert Culp's performance, the way he switches the tone of Renard's voice when he's in the Golem's body. It still sounds like Renard, but tougher, more vigorous.
I don't know if I've mentioned this before, but I found the scene where Janus was petting Bronx on the head charming. (And all the more impressive, given that he's just encountered his first gargoyle beast only minutes before. He clearly picked up on Bronx's nature quickly.)
Bronx is very lovable.
Hello. Is it possible to buy signed copies of your work; whether it be comics or possible artwork? Hope youâre having a great week
I AM having a great week. Thanks. My grown-up "kids" are both in town, which is wonderful.
I'm not really in the mail order business business. And, of course, I'm not an artist, so I don't have original artwork. If we ever - post-post-pandemic - get back to doing conventions, that's really the best way to get signed copies.
Rewatched "Monsters" on DVD today. (Appropriate timing, I thought, since November 30 is St. Andrew's Day, dedicated to the patron saint of Scotland - and on that day, I was watching Scottish gargoyles encountering Scotland's most famous monster.) A few fresh thoughts on it.
When Elisa describes herself to the man at the souvenir stall as "not really the adventuring type", I found myself thinking of her statement in "High Noon", "I'm no hero; I just do my job". Certainly, whatever her incliations, she's had plenty of adventures.
I wondered whether Elisa's remark about theme parks doing "robot Nessie-type" stunts five times a day was Disney poking a bit of fun at itself - we'd see something similar in "Bushido".
And when Elisa says at the end how some legends need to stay that way, she looks in Goliath's direction as she speaks, making me wonder if it was just the Loch Ness Monster she was talking about. Certainly Elisa's been zealous about preserving the gargoyles' secrecy - maybe too zealous, in light of "Revelations" and "Mark of the Panther".
She wasn't just talking about Nessie.
What's the largest Gargoyle clan in the world by the early 21st century (present day)?
I've now rewatched "Heritage" and "Kingdom" on DVD. No new thoughts on "Heritage", but I still really enjoy the gargoyles bringing Cagney to the clock tower to look after him in Elisa's absence. I thought it appropriate that it was Broadway who found the kitty (he's the one of the four left behind gargs who's closest to Elisa). And I liked Hudson's rapport with Cagney, while missing Bronx. Including Cagney rubbing affectionately against Hudson - he's got no problems with gargoyles (though Maggie's another story).
I found myself wondering how that containment unit was still functioning after Fang ripped the cables apart to transport it. (To make up for it, I noticed this time around - and really liked - the way they did Talon's voice while he was stuck in there.)
As you pointed out in your ramble, Xanatos's security system does far more damage to the castle than to the gargoyles - I cringe as I see it blowing pieces of the castle apart (small wonder that, by the time of the Double Date story, Owen was getting fed up with all those repairs!) - but Xanatos's lines made up for it.
Xanatos is just so much fun...
A postscript thought I had on "Shadows of the Past". Both it and "Future Tense" - the first and last episodes in the Avalon World Tour respectively - have Goliath being beset by terrifying magical illusions, but at last realizing that they're not real and confronting the person or people behind the illusion. I don't know if this was intentional or not, but I think it gives a great element of symmetry to the World Tour.
It was indeed intentional.
Rewatched "Shadows of the Past" today.
Bronx was definitely not enjoying the wild boat ride through the stormy seas - his response put me in mind of the "series Pitch"'s description of him as angst-ridden and not fond of adventures.
I really enjoyed the little animation details in this episode - Elisa cautiously climbing up the path from the shore, grabbing hold of the stone wall at one point to steady herself, or Bronx slipping a bit when he starts climbing up the cliff.
The entrance to the rookery looked different than it did in "Awakening Part One" - apparently those doors and the gargoyle-like face over them were removed by Xanatos to New York, along with the rest of the castle. The depiction of the now castle-less cliff - with a huge gap - brought home just how much of it Mr. X had removed.
I really like the illusory Demona's words to Goliath "Join me in the dark" - it's an illusion of her, of course, but those words capture so well in metaphor what she's been trying to get him to do (when not simply trying to kill him).
This time around, looking at the giant skull-like shape left over from the Archmage's battle with the gargoyles in "Long Way Till Morning", I tried to work out (but wasn't certain) whether it was a real skull (if so, it belonged to something really huge) or just part of the cave sculpted into the likeness of a skull. I'll have to pay closer attention to it, the next time I watch "Long Way Till Morning".
The animation on that episode was just lovely..
Rewatched the "Avalon" triptych on DVD today. A few new observations.
The Magus's lyre in the "flashback on Avalon" scene looks a lot like Merlin's lyre in "A Lighthouse in the Sea of Time". Obviously not the same one, but evidently both wizards share a common taste in musical instruments.
Princess Katharine and the Magus's telling Elisa "Little is known of the Sleeping King" struck me as all the more appropriate since in 995, nearly all the major works on King Arthur had yet to be written (Geoffrey of Monmouth's "History of the Kings of Britain", the oldest extant start-to-finish account of Arthur's life, wouldn't be written for over a hundred years). There were one or two, like Nennius's "Historia Brittonum", but that was about it.
A detail that I hadn't spotted before: a couple of gargoyle-like sculptures were "guarding" the bridge leading to Arthur's resting-place within the Hollow Hill.
King Arthur and Goliath have both used a mace while fighting Macbeth (Goliath did so in "Enter Macbeth") - one of a few points in common they share (others are awakening in the modern world from a long enchanted sleep, and having scheming illegitimate sons).
The Archmage's boast that he could destroy Goliath with "just a word" struck me as apt, since all the "enhanced Archmage"'s spells were one-word ones ("Vessel", "Revert", "Ice", etc.).
It's difficult not to smile at Elisa's "Souvenirs" question after Season One of "Young Justice". Fortunately, she was asking it in a lighthearted tone.
Certain elements run through my work, I suppose...
It is with great pleasure that I see Gargoyles is now available to binge on Disney+. With that in mind, I wanted to ask a question concerning the Goliath Chronicles. I know that, with the exception of Episode 1, the Chronicles season is not canon. I'm also aware that, in your comics, you made a nod to one of the Chronicles episodes, where Jeffrey Robbins discovers that Hudson is a gargoyle. At the time you said that you echoed this interaction from the series an a nod to the creators for "getting it right."
My question is this: Apart from "The Journey" and "The Dying Light," (featuring Hudson and Jeffrey Robbins,) are there any Goliath Chronicles episodes that you recommend watching? Do you have any particular opinions on the Chronicles season, as it is displayed on Disney+ alongside the first two canon seasons of Gargoyles? And, in supporting Gargoyles as a whole, should fans watch the Goliath Chronicles as well as the other two seasons?
It is a real joy to see the excitement that has resurged around the series. I hope that it does finally get the renewal it so fiercely deserves!
Thank you for reading my question.
Wishing you all the best,
I don't really recommend any episodes of The Goliath Chronicles, per say, including "The Journey". Think of the comics as my personal official third season, and my adaptation there of "The Journey" as my official version of that story.
I think it's okay to watch Chronicles on Disney+ or NOT watch 'em. Whichever you prefer. I'm just hoping that, at minimum, folks keep binging the first two seasons over and over. #KeepBingingGargoyle.
Rewatched "The Price" on DVD yesterday.
This time around, I noted the Macbeth-robot's "trophies" line, and how that continued the "hunting" imagery I'd been paying close attention to in the series during my 25th anniversary viewing. Because trophies are one of the reasons why someone would be hunting. (As far as I can tell, it's the only time that was given as a motive for hunting gargoyles - and, of course, it doesn't count, since it was all part of the misdirection tactic.)
This is less a question than a comment, since I know you won't give out spoilers. :)
I've noticed that a lot of writers, especially in TV shows, either can't or don't want to write established relationships - either the courtship is dragged out until the final episode, or the couple gets together mid-series only to fall into an endless cycle of break ups and make ups. And while Gargoyles is one of the few TV series that I think had legitimately good reasons both for the long courtship and for the breakup in the comics, which both made sense with the characters and were compatible with them having a long-term healthy relationship... I also really hope that this won't become a recurring phenomenon, and that their relationship will continue to progress, however slowly. While I know that no relationship lasts forever, if nothing else because no one lives forever, I really really hope that Elisa and Goliath will have many long years ahead of them to function as a healthy couple, and that we the audience will get to see at least some of it. *crosses fingers for Gargoyles coming back in some form*
I don't disagree with you.
1) What sort of hobbies does Elisa have outside of work?
2) Did she have any human friends prior to meeting the gargoyles?
2. Of course.
Hi Greg, I was wondering if you could explain how the Glamour Charm works, since Season 2 is over(I am guessing Glamour Charm-related questions weren't answered due to spoilers)?
It seems pretty self-explanatory in the show. What seems unclear?
in Upgrade Hudson called Wolf a Forest Demon, was that just an insult or did Hudson actually battle a Forest Demon in the pasts.
Followup Question: are demons real in the Gargverse?
Rewatched "The Cage" on DVD today (and "Protection" yesterday, but I had no new thoughts or observations on it).
I noted, this time around, Elisa's joke about webbed feet during the family dinner scene at the start, followed by Peter Maza's "and a great duck impersonation" line followed by a quacking sound, and wondered if that might have been intended as a tribute to the Disney Afternoon's "duck shows" - both "Duck Tales" and "Darkwing Duck".
It's not NOT a tribute.
Why are Goliath and his took brothers so much bigger than the next generation of gargoyles
They're older? (I assume you meant "rookery" brothers.)
The shows that you do, are they in different languages? Like French, Spanish, Russian, even Chinese? I ask because I like to use cartoons as a language learning help (also because I love cartoons in general)
Like Gargoyles, there's a French theme some, are there also French episodes?
I assume so.
Rewatched "Upgrade" today.
Continuing the "animals/beasts/hunting" terms used for gargoyles - I noticed Dingo's remark to Wolf "I hope you're not planning to eat your catch" and Hyena's I wonder if gargoyles taste like chicken." This is the first time anyone was actually suggesting eating the gargoyles - they'd hunted them for other reasons - control, sport, revenge (I found myself suddenly comparing Gillecomgain's vengeful pursuit of Demona with Captain Ahab's pursuit of Moby-Dick - in both cases, to get back at the quarry for a lasting physical injury, whether facial scars or a missing leg), but this is the first time anyone seemed to consider eating the gargoyles. And, naturally, it'd be the Pack who'd be the ones to consider that.
Hyena also addresses Lexington as "flying rat".
When Broadway foils the most crimes, saying "You just gotta know where to look", I thought again of his detective interests in "The Silver Falcon" - and which resurfaces again in "Protection", the very next episode.
Not just the Pack, but Hyena specifically. Not sure the rest of the Pack has her appetite.
I rewatched "Double Jeopardy" today - a few new thoughts.
Elisa's again driving along a lonely road by the coast, far from Manhattan, just as she'd done in the immediately preceding episode ("Revelations") - but this time, we know why she's out there (a warning about a power plant emergency - actually a hoax, courtesy of Thailog).
Broadway tells Elisa, as he and Lexington head off to Gen-U-Tech, "We're on the case". His way of phrasing it invokes again his interest in detective work (cf. "The Silver Falcon").
All the dates on Sevarius' video documentary about Thailog are written in the "British format" - i.e., "15 NOV", with the day first, then the month. Something you don't often see on American television.
Dates are hard.
In the fourth volume of the Young Justice tie-in comics, we follow Artemis as she attends Dick's birthday party. Notably, we didn't see Wally, although it would be expected for Dick's best friend to be attending his birthday party. Assuming he wasn't there but not shown, Why is this?
This was for DICK GRAYSON's Gotham Academy friends. Wally - in those days - wasn't supposed to know that Robin was Dick Grayson.
Here's a dumb question: Do Martians find dragons and other such fire-breathing mythological creatures of Earth terrifying?
Also, side note, what happens to a Martian if they are hit with fire? Do they burn faster than humans?
1. On Earth-16, I wouldn't think they'd find them any more terrifying than we do.
2. They aren't invulnerable to fire. But no, they don't burn any faster than we do. They are more vulnerable to heat than we are.
Hello MR Greg, I wanted to ask you a big question about Mars: What is the biology of Mars? As in, the animals, plants, people, and etc. I would love to know more about Mars's biosphere, especially since we see so little of it in the show and comics.
I was wondering if I could ask some questions about the biology of the Bioship, if these questions aren't too spoiley:
1) What exactly IS the Bioship? A plant? An animal? A bacterial colony???
2) Does it have a symbiotic relationship with the Martians? How did that relationship form?
3) How do Martians get their Bioships?
4) How can Bioships do all the things it can do, such as camouflage, fly at incredible speeds, adapt to most environments(including hot ones that would incapacitate a Martian), and etc.?
5) Are Bioships sentient? Or are they more like a companion?
2a. No spoilers.
3. No spoilers.
4. Adaptability and a breeding program.
How would Magic change in 2198 and would it be more widespread in the future?
Magic doesn't change. Whether it would be more widespread is a spoiler.
Rewatched "Revelations" on DVD.
The "creatures/beast" theme: Mace Malone describes Goliath as "a majestic beast". (The evidence, though, indicates that he recognizes Goliath as a sentient being rather than a mere "beast".)
This time around, when I saw Mace Malone's fate, I found myself thinking of the depiction of his ex-partner Dominic Dracon in the "Religion 101" radio play, searching everywhere for those diamonds in a way that indicated that he'd suffered a severe mental shock at the end of "The Silver Falcon". Though I recognize that the radio play isn't canon, I'd felt that it did seem like a probable consequence for DD, after discovering that those diamonds had never been in the Silver Falcon - and Mace Malone's own fate, frantically trying every door, convinced each time that this was the one which would get him out of the Hotel Cabal and to freedom, felt like a parallel to it.
I like that observation.
My thoughts on rewatching "Outfoxed".
Not much new to say about it, but I spotted two things. First, just after Goliath heads off in pursuit of Fortress-Two, we get a shot of it flying towards the Twin Towers. From a hindsight perspective, an unsettling moment.
I noticed, also (continuing my examination of the "monster/beast/creature" terminology used by humans towards gargoyles during this rewatch) that both Renard and Vogel call Goliath "creature". Renard, of course, soon recognizes that Goliath's a sentient being, capable of understanding him when he speaks about the importance of taking responsibility for your actions. I'm not so sure whether Vogel came to the same realization, though.
Ultimately, I think he did.
I rewatched "High Noon" over the weekend. ("Outfoxed", as well, but I'm giving it a separate entry.)
What struck me most about this episode this time around was that it was almost a "Shakespeare villain team-up" - Macbeth (and Demona, whom you could describe as a "Lady Macbeth" analogue) team up with Iago (more accurately, a gargoyle analogue for Iago, who's only called that in the voice actor credits). I doubt that Shakespeare should have objected to that, since he'd written at least one crossover himself ("A Midsummer Night's Dream", which blends Greek mythology with English fairy-lore).
I still like the touch of Hudson and Broadway learning to read from the newspaper - poor Broadway's still finding the word "right" a challenge (cf. "The Silver Falcon"). Again, I'm going to have to look through some books on the history of the English language to find out how so many words which sound like "-ite" came to end, in written form, with "-ight". It's probably one of the biggest challenges to someone learning written English.
Broadway's excited cry, as he and Hudson enter Macbeth's library, "Look at all these books!" struck me all the more, when I thought that, to someone who'd been born (well, hatched) and grown up in the 10th century, a library that size would indeed seem miraculous. What a difference the printing press has made!
"Iago"'s cry as "Othello" and "Desdemona" recover control of Coldstone, "I am besieged!", grabbed me this time around - such a dramatic way of describing the struggle within.
And this time, I also noted Coldstone's statement that, as long as "Iago"'s trying to recover control, "no *living* gargoyle" (emphasis mine) is safe from him. It brings home, I think, his awareness that he's now an "undead gargoyle".
Glad you liked it, still, after all these years.
Has Barbara Gordon retained her B-16 designation since taking on the identity of Oracle, or did she switch to a new designation as soon as she adopted this alias?
As we've seen many times over - starting when Speedy changed his name to Red Arrow - changing your alias doesn't change your designation number.
Iâve been watching Gargoyles on Disney plus, (third run through) and I saw that the Eyrie building isnât too far off from the Chrysler building. The placement seems to change depending on the scene. From what I can tell itâs by the 70s or 80s, east side, where would the real life location be?
As I recall, the Eyrie Building is on Central Park South.
Unlike the majority of fans whom I've seen talking about it, I'm assuming that the more controversial parts of "War of the Spark: Forsaken", such as erasing Chandra and Nissa's romantic relationship and putting Vraska back where she started as a character, were decision made by Wizards of the Coast and not by you. Given familiarity with your past work, it would be out of character, and fans often forget how you're beholden to the directives of the company that hires you to write the book. Any official confirmation of this would be welcome.
I've signed an NDA that prevents me from confirming much beyond what I wrote here: https://www.s8.org/gargoyles/askgreg/search.php?rid=1231. That statement was carefully worded, as it had to be vetted and approved by both Wizards of the Coast and Del Rey Books.
But I think it should go without saying that all END RESULTS had to be approved by Wizards of the Coast before being published.
How long have Dick Grayson and Barbara Gordon been together on Earth-16?
No spoilers. But it also depends what you mean. You might look at our companion comics for hints.
Hello again Mr. Weisman, here are 2 separate questions for Gargoyles I have for you if you don't mind!
1. I'm guessing Xanatos had the PACK's Show Produced before the Gargoyles Woke up, but do you know How Long Exactly Xanatos had been putting the PACK Together as Both TV Stars AND as his Mercenaries? a Year? 2 Years? Or More or Less?
2. Is there a Particular reason why there was Never a Real Christmas Episode of Gargoyles, Or was it simply because you just didn't come up with one?
1. At least a year or two. It was a separate project.
2. It wasn't a priority. We had some ideas, but they never quite raised up to being the top ideas in our arsenal at that time.
As a live action film producer/director, Iâve often thought some ideas might be created as an animated series. What guidance would you give to someone looking to branch into animation? Assume I have no existing relationships.
Your best bet is to go through your agent, who should be able to get you meetings with animation execs.
Rewatched "City of Stone" today (all four episodes). A few things that stood out to me this time.
Continuing the "gargoyles being called beasts" thread: the granary guards in Part One call Demona's clan "filthy beasts". Gillecomgain doesn't use the term "beast" for Demona, but does call her a creature and a monster.
(By contrast, the "breastplate gargoyle" comments about their old home, after Demona and her clan have to abandon it following Duncan's attack, "The hunting there was good" - probably one of the few occasions where gargoyles are talking about being the hunters rather than the hunted.)
Demona's clan uses nets twice in this multi-parter - once against the granary guards in Part One, once against Canmore's army in Part Four. The nets being in Parts One and Four gave a nice sense of "bookends".
A detail that I can't believe I missed before: Demona was bearing the Hunter's mask at her belt, as if a trophy, after the battle with Duncan. (The young Canmore grabs it from her during his attack upon her.)
Demona calls Bronx "my pet"; I looked up your remarks on gargoyle beasts in the archives and found that gargoyles don't see gargoyle beasts as pets, but as equals. Maybe another sign that Demona thinks far more like a human than she'd admit (or than it would be safe to tell her)?
I like the touch of the various new kings (like Macbeth and Lulach) being hailed as "High King of Scotland" - the "high king" part conveys all the more a sense of Scotland as a collection of recently-united chiefdoms (which it would have been at the time in actual history).
We tried to get a feeling for the actual history into the piece.
I finished reading "War of the Spark: Forsaken" today.
While "Magic: the Gathering" is still a "foreign country" to me, I rather liked this book. I got a few big surprises out of it (such as the revelation about Mistress Blaise near the end), and was also amused to note the "lettered plans" gag (evocative of "Eye of the Beholder") and another use of the "Reason not the need" line from "King Lear". Plus a battle with gargoyles in a room filled with clockwork (even if it probably wasn't a clock tower). But the part that most stood out to me was the book opening with an Epilogue and ending with a Prologue. It felt almost as if it was living backwards, like T. H. White's Merlyn.
I became particularly fond of "Rat", whom I understand was your creation instead of a pre-existing figure.
Glad you liked it. The idea was for it to work for folks who had no background in Magic: the Gathering. And I'm particularly fond of Rat, as well. Or, you know, VERY FOND of Rat.
Rewatched "Vows" today. A few new things that came to me.
I was hesitant about mentioning this, in case it comes across as an idea, but - from the way Goliath addressed Demona as "my angel of the night" at Prince Malcolm's wedding, I wondered if this was the first time he'd called her that.
When Xanatos referred to his getting the old coin that was the foundation of his fortune as "ancient history", I thought, "well, medieval history, to be precise".
I wonder how Prince Malcolm and his court must have perceived the Norman Ambassador's departure - he rides off just before the wedding, not staying to see Princess Elena, whom he'd escorted to the castle, wedded (even though he'd presumably be the closest thing to a representative of her father there). At least it doesn't appear to have caused a diplomatic incident between Scotland and Normandy.
The Archmage addresses Demona as "you stupid beast", continuing the pattern of unfriendly humans using such terms for gargoyles, that I've been paying close attention to this time around.
Brooklyn is the one most vocal about going to Goliath's rescue at the end; I wonder if Demona's involvement and his feelings about her had a lot to do about that.
I still think it's a pity that the original ending got onto the DVD; I hope that the Disney + version uses the corrected ending. (That's the main thing I miss from my old "Gargoyles" tapes.)
<sigh> That damn ending...
Where did Demona get her Tiara from? Did someone give it to her or did she steal it?
Really good question.
I don't know if this site covers my question, but I have no other way to maybe get in touch with you, so ...
I just read War of the Spark: Forsaken, I don't know what to say. Many aspects pleased me, others made me think "what ?!"
I think overall I can say I liked it. Well, my question is: will you write more books from Magic: The Gathering?
The ending of this last one was very open, there is still a lot to happen and I think you should bring this ending.
Besides, you have all my support to make Liliana and Jace happen.
There were plans for me to continue on with the quartet of Kaya, Teyo, Rat and Liliana. But MtG's plans changed, so it isn't happening - which was a big bummer for me. But whatchagonnado? Ain't my property, and I knew that going in.
Rewatched my DVD of "Eye of the Beholder" today. I didn't find as much new to notice with this one, unfortunately, though I was delighted to note the moment where Xanatos placed his hand on Goliath's shoulder while pleading for his help at the castle - meaning that he had an opportunity (which he used, obviously) to plant that tracking device on him. I'm glad that the episode played fair with that.
Brooklyn's eyepatch as part of his pirate costume seems all the more appropriate after the ending of "Clan-Building".
Goliath echoes "Re-Awakening" when he speaks of Manhattan as "my castle, my city".
Lots of echoes in this one - backwards and forwards...
Hey greg â" Adam Barnhardt here. Iâm a reporter with ComicBook.com and a massive fan of Gargoyles. Iâve been covering the show for the site and thereâs certainly a platform for more content â" especially if we talk about the #KeepBingingGargoyles movement.
Any chance youâd have a chance to speak with me on the phone or via e-mail in the coming days about all things Gargoyle? Would help provide some serious media coverage for the movement.
You can reach me at email@example.com â" look forward to hearing from you.
I believe we spoke in 2020: https://comicbook.com/movies/news/gargoyles-movie-reboot-jordan-peele-greg-weisman-involvement/
Bit of a click-bait title to the article, but otherwise, I thought it came out well.
New observations from rewatching "The Silver Falcon" today.
One line of Broadway's dates the episode: he mentions that Lexington and Brooklyn "have dibs on the VCR". I wonder how many of us remember VCRS, and how many of us have forgotten them thanks to DVDs and Blu-Rays.
Elisa's line about Broadway "living out a movie fantasy" brought "Deadly Force" to my mind this time (of course, it helps that Dracon's back in this episode). Fortunately, Broadway's wish to do that has less disastrous results this time.
I also spotted, this time around, the parallels between Matt's entering the remains of the Silver Falcon night club and Broadway and Elisa's later arrival - and how both Broadway and Elisa say "I've had better nights".
And this episode continues "A Lighthouse in the Sea of Time" , showing us that Broadway's begun to learn how to read, and has progressed enough to be able to read Mace Malone's note (and correctly figure out its meaning). In "Lighthouse" he'd initially been drawn to reading because of its ability to take you to other places and times; now he finds that it can be used to convey useful information. (And the poor guy has the word "right" in that note, though he manages to figure it out. It got me wondering - and I'll have to look it up - how so many English words which rhyme with "ite" are written "-ight" - bright, fright, fight, flight, night, sight, knight, tight, etc.
Even DVDs and Blu-Rays are losing ground to streaming...
I always thought that for a new reader - which I can't quite remember being - words with the -ight formation would be tough. So would "tough".
English is not my mother tongue, so I wanted to ask you 2 questions
1. in Earth 16 Superboy is the best friend of the third robin Tim Drake and Kid Flash / Bart Allen as is the case of the new Earth and Young Justice Rebirth?
2. the fourth season in which month of 2020 will it leave?
1. I think for Earth-16, what you see on screen is what you get. Conner is friendly enough with Tim and Bart, but they were in a younger class, and he's closer to/with the folks he came up with.
2. I think you asked this already, so I'm not sure why you're asking it again. I know English is not your first language, but I'm not sure what you mean by "leave". I can't tell if you're asking me an in-universe question about when the show is set, the answer to which would be NO SPOILERS - or a question about when the series will drop in 2020, the answer to which is obviously that it didn't and was never, ever going to be ready in time for 2020. Granted, you wrote this in 2019, so if you would want me to update the question for 2021, the answer is that the show will drop when HBO MAX decides it wants it to drop. And they haven't announced that yet.
Rewatched "The Mirror" today. A few new thoughts and observations.
I saw Demona's snarl at the "Dracula's daughter" in a new light this time. Dracula was a human before he became a vampire - and, naturally, Demona's going to regard any suggestion that she's related to a human - even a human who's become another "mythical creature of the night" - as the ultimate insult.
Not on the scale of Coldstone or the "Hunter's Moon" scheme, but Puck engages in a bit of "blending science with magic" when he uses the satellite dish and the television antenna atop the Twin Towers to help him turn all the humans in Manhattan into gargoyles and back again.
Bronx gets turned into an Irish wolfhound (or close to that kind of dog) - appropriate, in light of "The Hound of Ulster".
Rewatched "A Lighthouse in the Sea of Time" - a few fresh thoughts.
I remember your mentioning that you'd intended to have Goliath list a few specific books about Merlin, with Mary Stewart's "The Crystal Cave" as one of them, but weren't able to clear the rights for that. It recently struck me as particularly unfortunate you couldn't mention "The Crystal Cave", since it was published in 1970 and "Lighthouse" first aired in 1995. Goliath could have given it a 25th anniversary tribute.
Continuing the "'beast and monster' terms used for gargoyles" thread that I've been paying particularly close attention to for "Gargoyles"' own silver anniversary viewing, I noted that Macbeth addressed Broadway as "beastie" (evocative of Robert Burns, though Broadway's definitely not "wee, sleekit, cow'rin', timorous" and there didn't seem to be any panic in his breastie) and Goliath as "monster".
I spotted a drawing of a Celtic cross at the top of one of Merlin's Scrolls, when it was unrolled and the writing was visible.
Yeah, I wanted to acknowledge some of my influences, but Disney legal said no.
I rewatched "Legion" today.
When Goliath and Lexington were reunited with Coldstone near the start, I suddenly found myself thinking of your mention of a (rejected) outline for a live-action adaptation of "Gargoyles" you'd written which had Goliath, Lex, and "Othello" as the gargoyles who'd be awakened in the modern world.
This time around, also, the Xanatos Program felt like a foreshadowing of "Future Tense".
I also wondered (just a wondering, not a question) whether the ivied balcony in Coldstone's memories (where he's standing while Iago's "pouring poison in his ear" about Desdemona and Goliath) was supposed to be an actual feature of Castle Wyvern before the massacre, or just a symbolic construct.
Yeah, one thing I'd have loved to do was to better integrate the Coldtrio into the early episodes.
I think maybe the castle might have had some kind of ivy. Maybe. Guess I'd have to research that.
I rewatched "Metamorphosis" today. A few things that struck me this time around.
When Derek and Elisa had their "Xanatos as the reincarnation of Snidely Whiplash" exchange, I thought "No, he's a lot more dangerous than that."
I noticed the pigeons clustered around Goliath just before he awakened; you'd think they'd be staying well away from the clock tower by now. (Though they do fly off in a hurry once the gargoyles wake up.)
I spotted a few animals in cages in Sevarius's lab that I don't think I'd noticed before, though I'm not certain what they were; they were too small to be jungle cats, and the wrong shape for bats.
I'd have to look at the episode again to see if I could remember what they were.
Rewatched "Leader of the Pack" on DVD today. Elements that particularly stood out to me this time:
We see all the gargoyles awakening from their stone sleep, one by one. An appropriate way, I thought, to re-introduce them in the first episode of the second season.
Hudson displays his tracking skills in examining the traces of the fight between the Pack and Lexington, Brooklyn and Bronx at Pack-Media Studios. In fact, I've noticed him using that skill a lot - all the way back to "Awakening Part One", where he notes that the Vikings' horses' prints are too light.
Yep, Hudson was our experienced tracker.
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