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I noticed in another series of children's books called The Sisters Grimm that the author, Michael Buckley, also had Puck as a main character, only he has the form of a 12 year old and seems to have the mindset of one. He also has a pair of pink insect wings (despite still being a shape-shifter) that he isn't ashamed of at all.
He's written in a way that makes me believe he could have been your version of Puck at a younger age, though he is considered in that series to be the literal child of Oberon and Titania (Oberon's children, haha).
What's more is that King Oberon and Queen Titania live in Manhatten, New York City. I can't help but wonder if there's some of the Gargoyle show's influence at work here.
1. Were you aware of this series and its similarities?
2. Did you ever exchange words with Michael Buckley?
3. Do you think it's possible he watched your show, Gargoyles, or more likely that it was a coincidence?
3. I have no idea.
Your rendition of Puck really rekindled an interest of fairy lore in me, especially since I love tricksters and their amoral personalities that make them so complex. I love how you never know if they'll do something 'good' or 'bad' to someone else simply on a whim, and you portrayed that so well.
I read a previous answer of yours to someone else that said you didn't want to label Puck, Oberon, and Titania as 'faeries' because of the pejorative connotations that the word has. I realize and empathize with you about how fairies are often thought of as nothing more than pretty little girls with butterfly wings or something to that effect, who wave magic wands to grant wishes and always do good. Makes me sick.
1. Is that why you didn't have Puck, Oberon and Titania portrayed with fairy wings despite their status in their original play?
2. If so, why bother to have Puck fly around at all, let alone with fairy dust trailing behind him?
There's a show I recently learned of called Durarara!! in which a Dullahan (technically a sort of fairy) comes to Tokyo to find her missing head, taking the form of a black-wearing motorcyclist and transferring her headless horse's spirit into a pitch black motobike. To hide the fact she has no head, she wears a full helmet and tries to blend in with the city, acting as a transporter and courier for gangs and info brokers, forcing fans to reconsider their initial mental image of a typical fairy.
I think if you had recognized that Puck and the others were Fae, it just might have saved the Fae's tainted, modern day reputation, considering how well-known and admired the Gargoyles show is. However, I understand respect the choices you made, and it was pretty much obvious who they were in the long run.
1. "Despite"? Most of the versions I've seen are wingless.
2. Uh... it looked cool?
I don't recall saying no to the words "faery", "fairy" or "fae" because of perjorative connotations. I think the point I was making is that Oberon and Titania were "larger" than that. The Children of Oberon include those creatures traditionally associated with the "fae" but also various pantheons, etc.
Hi first time questioner, long time fan so here we gp
1)Does Titania still have feelings for Renard?
2)When Oberon sent all of the third race into the human world to learn humailty, what he was he doing for that time. Was he in the human world aswell?
3)Oberon said that they golaith could have killed him with the iron bell. If he had died what would have become of his children?(so to speak)
1. Feelings, yes. Romantic feelings - not much.
3. They'd probably become Titania's Children for the short term. Beyond that, I'm not to big on hypotheticals.
The question in the last queue about whether Fox and David can vote after getting out of prison, and my own thoughts about the Third Race and Oberon's Law against interfering with mortals, has led me to this question: What does the Law of Oberon prevent and what does it allow, in terms of Oberon's Children participating in human politics? Do Anastasia Renard and Owen Burnett have U.S. citizenship, or if not could they get it if they wanted it? Can they vote? Can they get any more politically active than voting? (Leaving aside whether they actually want to do any of these things.)
My I-won't-be-held-to-this answer for the moment is that as long as they are living AS humans, they can PARTICIPATE in human affairs. They can eat lunch with other humans. They can see movies made by humans. They can conduct business with humans, and so, it follows, they can vote as humans vote... as long as they're not using magic to alter things.
I have another question regarding Oberon and Titania. Before the beginning of the Gathering and Titania offered to be his wife again was Oberon considering asking her to marry him?
One assumes they had had some conversations about this before, with him asking her, and she demuring...
One thing I am curious about is your view of the events in Shakespear'es Midsummer Nights Dream. After seeing the play, I had always been more sympathetic to Titania than Oberon, yet from your responses, in the Gargoyle Universe,you seem to set the actual event as more sympathetic to Oberon. What caused your decision to take that route?
I'm not sure I'm more sympathetic to Oberon AT ALL. I think he has some positive qualities in the play and some extremely NEGATIVE qualities, and my theory that he's the (illegitimate) father of the changeling boy born of a young virgin he therefore must have seduced before she died in childbirth, doesn't per se make him sympathetic, though I do think it makes his actions more understandable. Admittedly, if your interpretation was that he wants the boy for sexual purposes, he's a monster, and I sound like a sympathetic revisionist/apologist/jerk by comparison. But if you don't attribute that horrific interpretation to the play, then all I've done is motivate his actions with something specific.
Did the events of a Midsummer Night's Dream happen in the Gargoyles Universe? And if so did they happen as Shakespeare wrote them or differently?
Events occurred, but I'm not going to go into it at this time.
Now i noticed and a may be wrong but Titania seemed less effected by iron as did puck then Oberon himself. I was wondering if maybe this was because they are less Allergic to it being his children, and is Titania just less effected in general?
They're not LITERALLY his children. And I'm not sure why you say they were less effected?
This day in Gargoyles' Universe History....
The Weird Sisters track down Oberon in his mortal identity. They inform him that mortals have infested Avalon. Oberon decides that the time of the Gathering is indeed at hand and sets out to find his former queen, Titania.
Wow, I had no idea Bad Guys was already out. It's been a busy month. But I got a lot of thinking time since I've been on medical leave and I came up with these little gems.
1. OK, in the case of Owen/Puck you've said that Owen is fully human and can't do magic unless he's Puck (as far as I know anyway) and that rule applies to all Faeries. However, Fox is the offspring of Titania as a human and Reynard but she and her son are able to cast spells. I've read a few things about the differences between human and faerie magic but the only times we've seen magic in humans is through an object of some sort i.e. the Grimoire, the Eye of Odin, the Pheonix Gate ect. So what kind of magic do Fox and Alex (and presumely Merlin) use? If human why don't they need an object; if Fairy how?
2. I'm a HUGE fan of Midsummer's Night Dream but there is one thing that has irritaed me even when I was 10 years old. You switched the roles of Titania and Oberon. In the play Oberon was the consort though he was King of the Elves, Titania was the Queen of Fairies. What made you switch their roles?
3. I know you'll hate this question but is Mab plotting the destruction of Titania and Oberon or is she just gonna destroy us all outright?
Thanks for the answers!
1. Mortal sorcery doesn't enter into it. Owen is a mortal construct, able to do no magic except transform into Puck. Fox is half-human/half Child of Oberon. Alex is 3/4 human, 1/4 Child. Merlin is half and half. What isn't clear about this?
2. I've read and seen Midsummer easily 100 times. In what way did I switch their roles? Are you sure you're not allowing your interpretation of the play to influence your interpretation of what we did on the show?
3. I don't hate the question, but I have no intention of answering it at this time.