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CON-ODYSSEY: GATHERING & CONvergence - Sunday, June 29, 2009
1am - Returned to my room and ate an apple.
2am - Went to sleep, which for me is early.
8:30am - Wake up call.
10am - Had the Gargoyles and Bad Guys panel with Karine. Fewer questions about Gargoyles #9 then I would have thought, but it was fun.
11:30am - Gargoyles Biology and Culture panel w/Lynati & Kimberly. A perrenial favorite of mine. Not sure anything quite as revelatory as last year in Tennessee, but it was fun.
1pm - Spidey panel w/Keith, Thom and Jennifer. Again, no major revelations, but I like talking Spidey. Next year we're probably going to do a series of Spidey panels at the L.A. Gathering 2009.
2:30pm - Went for stir fry lunch with Sammy, Jennifer, Thom, Adam and Laurean. Good stuff. Afterwards, a couple of us went to Jamba Juice.
4pm - Though we were told we didn't need to get back to judge the Iron Artist competition until 4pm, by the time we arrived it was all over. The medium was macaroni and the theme was the Ultra-Pack.
4:30pm - Sat down to watch the end of the auction, and then we had our signing.
6pm - Banquet: Salad, roll, Chicken, potatoes, carrots, asparagus, tart. I sat with constaff mostly: Nikki, Seth, Sammy, Susan, Jennifer, Karine, Patrick, Greg, Rebekkah. During the Trivia Contest, Matt led his table to victory.
9pm - Masquerade. Fewer entries every year. I hope we can reverse that trend. But what was there was pretty cherce:
	Best Canon:
	1st: Hunter/Aaron
	2nd: Shari/DTaina
	3rd: Archmage+/Chip
	Best Original:
	1st: J.W./Jennifer Rynmoor
	2nd: Gypsey/Noel Leas
Cutest Couple: Ranmaru & Arazia
Thom Adcox Memorial Award: Justin as Odin
No Gorelisa award this year.
Best in Show: Patrick Fisher as the Tourist Gargoyle
Also, Karine had a kick-ass Hunter costume.
There was dancing next. I even swing-danced Jenn-Bob right off a table.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Saturday, June 28, 2009
2:00am - Back to my hotel room.
4:00am - Finally went to sleep.
8:30am - Wake up call. I showered, etc., and went down to the ConSuite, where I had a Danish and OJ at the tail end of the staff meeting.
10:00am - We held our second set of auditions.
11:30am - Over a catered lunch of a French Dip Sandwich, Broccoli Soup and fruit, Keith, Thom, Jennifer and I cast the Radio Play.
2:00pm - I was interviewed for an article by Alan.
3:00pm - The Gathering Players had their one and only rehearsal.
5:00pm - The Radio Play. This year's script was a chronological retelling of Chapters VII, VIII & IX of Clan-Building (i.e. "The Rock", "Rock & Roll" and "Rock of Ages"). I think the performers were terrific, but I don't think the script worked chronologically. Oh, well... A highlight was the massive rainstorm that nearly overwhelmed Shari's storytelling. Here was the cast:
	THE GATHERING PLAYERS - 2008 Edition
	NARRATOR - Greg Weisman
	MACBETH - Erik Mambu
	SHARI - Jennifer L. Anderson
	COLDSTEEL - Eric Tribou
	LEXINGTON - Thom Adcox
	STONE OF DESTINY - Justin Summerhill
	HUDSON - Jordan Mann
	DAVID XANATOS - Jaret Morlan
	ARTHUR PENDRAGON - Patrick Fisher
	CONSTANCE/COCO - Laurean Leigh
	STAGHART/AMP - Seth Jackson
	GRIFF - Chip
	THAILOG - Keith David
	COLDSTONE - Revel
	COLDFIRE - Sarah the Great
	GOLIATH - Keith David
	COYOTE 5.0 - Jaret Morlan
	PEREDUR - Seth Jackson
	COLDSTREAM GUARD - Chip
	ELISA MAZA - Phoenix Talon
	JAY SATO - John/Flanker
	BLANCHEFLEUR - Laurean Leigh
	CUSTOMS OFFICIAL - Patrick Fisher
	BROOKLYN - Jae
	DUVAL - John/Flanker
	FOX - Phoenix Talon
	BROADWAY - Lucas McClain
	HOLY GRAIL - Lucas McClain
	LUNETTE - Phoenix Talon
	VINNIE GRIGORI - Jae
	AIRPORT INTERCOM - Lucas McClain
	OWEN BURNETT - Jae
	MAGGIE THE CAT - Sarah the Great
	TALON - Revel
	SCOTTISH PATRIOT - Jordan Mann
7:00pm - Dinner at Pete's, w/Josh, Susan, Nicole, Eric, Greg, Rebekkah, Patrick, Laurean, Keith, Thom, John, Sammy, Seth, Jennifer, Nikki, Karine and me. Fantastic meal: Iceberg wedge salad, amazing bread, NY Strip Steak, Garlic Mash Potatos, Creamed Spinach, mushrooms, Berries. Raced back to be on time for...
10:00pm - The Blue Mug. Fairly raunchy this year. (Though not with every single question.) Teased Blue Mug Productions a bit. At some point, I took a bathroom break. Discovered that the self-flushing urinals in the hotel SCREAMED like the Green Goblin's pumpkin bombs! Freaked me out! Later Nikki gave me a colored sketch of a Green Goblin screaming urinal.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Friday, June 27, 2009
10:30am - Wake-up call gets me up. I slept for nearly twelve hours. Guess I was tired.
11:30am - I head up to the con to collect my box of RadioPlay scripts. Say hi to some people. Tour the dealer's/art room, which is a work in progress at this point.
12:00pm - My first panel of the con(s). Thom and I hold the Voice Acting Seminar that we've done in previous years. Phoenix gets up to play Demona and does a great job. We also do the Griff, Leo, Una, Goliath scene and a couple different runs at a Peter Parker, Spider-Man, Symbiote, Uncle Ben scene. Everyone does pretty darn well.
1:30pm - First round of auditions for the Radio Play, w/Keith, Thom, Josh and Jennifer helping with the casting and Sammy manning the door. Vox stops by to give me the crochet'd Goliath she made for me. It's pretty amazing, as is the Hunter she's made for Karine and all the rest. Tthe one that makes me laugh the most is the Owen... which was the last to sell. No accounting for taste.
3:00pm - Mug-A-Guest. I remember having fun, though none of the questions stand out in my memory at the moment.
5:00pm - Opening Ceremony. (It's been pointed out to me that it's a Ceremony not multiple Ceremonies.) We opened with a full hour plus of music videos. Susan then stepped up to offer opening remarks and intros. Jen pitched G2009 in Los Angeles (check out gatheringofthegargoyles.com). Susan thanked her staff, including Nikki, Jennifer, Greg and Patrick (who am I forgetting?). Then I went up to do my schpiel and show the now-familiar pieces: the pitch, the promo, the New Olympian and Dark Ages pitches, the Bad Guys reel (much of which is now canon thanks to the comic) and "The Last". The fans have made great progress on "The Last" - but there's still more work to be done. If you're interested in helping, contact Vashkoda.
After opening ceremony, it was time for a Blue Mug Productions Dinner. Edmund Tsabard, was out whoring, so I sat in with Jennifer, Mara and Karine (who has since had to bow out of the project, much to our sorrow). We got a lot done/decided in preparation for the Monday panel. Plus the food was great: Edimame, Rangoon, Dumplings, Miso soup, Shrimp Pad Thai. Then a stop at Ben & Jerry's after dinner for a Banana/fudge/Cherry Garcia sundae.
I stopped by my room to call home, then came back downstairs to the bar (Indigo... I think the restaurant I mentioned yesterday was called Blue or something). Later a small group of us (Susan, Jen, Mara, Karine, Seth, Sammy, Rebecca, Gore, BrooklynX, Patrick, Thom & John) went up to Susan's room to hang out and laugh.
MORE TO COME...
CON-ODYSSEY: GATHERING & CONvergence - Thursday, June 26, 2009
5:00am - I stop watching Dexter with three episodes left to finish the season. (Still have one left as I write this.) Time to start my day and take a shower.
6:20am - Jennifer, Rebecca and Thom Adcox arrive to pick me up. They're early and I'm not quite packed. But I hussle and we head to the airport. In the parking lot we meet up with Seth and Sammy and take a shuttle to the airport, where we meet up with Josh Silver... and my kids Kindergarten teacher Mrs. Leakley (how weird is that?). I buy a water and a Snickers and a can of Pringles, saving the latter for the plane.
10:00am - The plane leaves for Chicago a mere half hour late. I have tomato juice and Pringles on the plane. I read the L.A. Times, and then continue reading THE ARCHER FILES - The complete short Lew Archer stories by Ross Macdonald, edited by Tom Nolan. Good stuff. I'm sitting with Jennifer and Thom and across from Rebecca and Mrs. Leakley. Josh, Seth and Sammy are further back. Thom sleeps through most of the plane ride.
4:00pm - We land... but are kept aboard waiting for a gate for an hour.
5:00pm - We finally disembark, meeting up with Keith David (who was flying in from New York) in baggage claim.
5:45pm - I didn't check any bags, but others did, and it takes 45 minutes for the bags to come out. We meet up with Patrick, Susan and Rob outside and pile into three cars. I think Josh and Keith went with Susan. Jennifer, Sammy and Seth went with Rob. Thom, Rebecca and I went with Patrick. Traffic was a nightmare.
7:30pm - We finally arrive at the lovely Hotel Orrington in Evanston, Illinois, just outside Chicago. This is a great area for a con, with lots of walking distance food nearby. I go up to my very nice room, where cheese and grapes are waiting for me. Then it's back downstairs for Dinner at the hotel's restaurant (Indigo?). I'll probably forget someone, but I think it was me, Karine, Jen, Greg Bishansky, Thom, Keith, Maelee, Josh, Dionne, Ruby, Susan, Rebecca, Patrick, Seth and Sammy. Also saw Ellen, Fan, Nikki, Jenn-Bob, etc. I had Sushi, Tempura, pork dumplings, Beef asparagus rolls and a couple cokes.
10:00pm - I went back to my room, leaving dinner early, exhausted. I called home, did just a bit of channel flipping, and...
11:00pm - Crashed.
MORE TO COME...
And so begins my conjournal, which I'll serialize over the next few days...
I was gone for nearly two weeks to attend two terrific conventions. I had a great time at both, and really the best aspect of both was just hanging out with people, fellow pros and fans. I'll try to be complete, but I'm bound to make mistakes, skip over some people, etc. So I beg your forgiveness and indulgence in advance.
	Wednesday, June 25, 2009
	Still a work day for me... as I tried to frantically get everything done and ready for my trip.
10:30am - I had an Attended Edit of Spectacular Spider-Man episodes 125 and 126 with our editor Terry over at Studiopolis. This is the point where we take our voice recordings and edit it into a natural pause tape that the board artists and timers can use to get the feel of the flow of dialogue. Last two episodes of the second season are now completed on the writing and voice side before I leave. (Note: I find out today 7/9 that the board artists and directors never got these dialogue reels. GRRRRRR.)
12:00pm - I arrive at my office at Sony's Apple Building, i.e. the grim warehouse where we produce Spidey. I'm trying to clear the decks, since I don't plan on bringing my computer on the trip and/or checking e-mail.
7:00pm - I stop by Golden Apple to pick up a few comics before I go. Some Amazing Spider-Man (Brand New Day) and Justice League, which I buy for work-related reasons and Angel, which I buy for Whedon geek-out reasons.
8:00pm - I get home and sleep for a couple of hours.
10:00pm - I say good night to the kids and Beth. Then I do some more prep work for the conventions. Printing out my itinerary, etc. Then I watch a bunch of episodes of Season Two of Dexter (even better than Season One). No point in going to sleep tonight - I have to get up too early...
MORE TO COME...
I posted this in the comment room, but Todd suggested I repost it here...
RADIO PLAYS...
Sometimes I just don't have anything Gargoyles for us to do. And I'm not sure if just doing old episodes is all that interesting. And the other things have been fun... at least it seemed that way to me.
Here's a history of the works of the GATHERING PLAYERS...
	1998 - RAIN OF THE GHOSTS (an unproduced pilot I wrote)
	1999 - THE ROSWELL CONSPIRACIES (a rejected pilot I wrote)
	2000 - ROUGHNECKS: THE STARSHIP TROOPERS CHRONICLES (the last arc of the series, which I story edited, half of which was unproduced. Written by me, Jon Weisman Lydia Marano, Cary Bates and Michael Reaves.)
	2001 - GARGOYLES: "Hunter's Moon, Part Three" (Note: this was the first time that we actually did something gargoyles related for the radio play. This included scenes that were cut for time from the original. Written by Michael Reaves.)
	2002 - TEAM ATLANTIS: "The Last" (Unproduced episode featuring Demona and Fiona Canmore, written by me)
	2003 - GARGOYLES: "The Reckoning" (Performed in honor of Gary Sperling, who co-wrote the script with Lydia.)
	2004 - GARGOYLES: "The Journey" (my uncut version of the script)
	2005 - DOC SHAKESPEARE (An unproduced pilot written by myself and Sam Bernstein)
	2006 - GARGOYLES: "The Mirror" (written by Lydia Marano and Brynne Chandler Reaves)
	2007 - GARGOYLES: "Clan Building, Chapters III, IV & V: Invitation Only, Masque & Bash" - (from the comic, premeiring chapter V before it was published. Written by me...)
	2008 - Geez, I should probably figure this out soon...
	Anyway, you can see that traditionally, we've only done something gargish about half the time. For me it's fun to get to see my unproduced work performed, and it does give the fans a little insight into the biz. In any case, I've never heard any complaints from the folks who attended.
	Greg Weisman
	OFF TO CHICAGO... ON A WING AND A PRAYER...
As many of you know, perhaps my favorite television series of all time is HILL STREET BLUES. A couple years ago, the first season was put out on DVD. There was no marketing that I noticed... but there was a bit of publicity. A year later the second season came out. This time no marketing and no publicity. Also, I'm GUESSING, not much in terms of sales -- as the third season isn't on the schedule. I've signed up at Amazon to be notified if-and-when it is released...
SOUND FAMILIAR?
I bring this up, since it allows me to do a few things:
1. SPREAD THE WORD! I encourage you all to buy the first two seasons of Hill Street Blues. This was one of the truly seminal shows in television history, brilliantly written and acted and directed and a HUGE, HUGE influence on Gargoyles. Like Gargoyles it created a tapestry, a world of characters. Very much worth your time and disposable income.
2. CREATE A REALITY CHECK. For those of you who STILL seem to feel Disney is doing something unusual (let alone nefarious) in its treatment of Gargoyles, this is one of just many, many, many examples that demonstrates it's not. We can all sturm and drang about how business should be done, with marketing and publicity galore for every product, with a guarantee that once a company starts a project they must finish it (whether or not the economics justify it), etc. But the gnashing of teeth doesn't change the reality. Companies -- even companies as huge as Disney have LIMITED resources and must deal with the notion of OPPORTUNITY COST. So one company takes a flier on a Gargoyles DVD set, another takes one on Hill St. Both do fairly well in their first season releases, despite limited or no marketing and limited or no publicity. Both fair poorly in their second release. Both don't seem to rate a third release. It's sad. But it's life.
3. ENCOURAGE YOU TO SPREAD THE WORD! The best thing any one of you can do to help get the next release of ANY show you love -- short of spending your own money -- is to help us Spread the Word! About the DVDS, the comics, the Gathering. Oh, and about Hill Street Blues. (See, I practice what I preach!)
With that in mind, I depart in less than 48 hours for Chicago and my 12th Annual Gathering, followed immediately by a trip to Minneapolis for ConVergence (http://www.convergence-con.org/). I won't have internet access while I'm gone, but when I return I'll post my conjournalx2. I encourage all of you who are attending the Gathering to post/cut&paste their conjorunals, diaries etc. here to ASK GREG. It creates a central place where I can refer ignorant PTB-types. Also, if you see me at either con, please come up and say hello. I am notoriously bad with names, and I admit (with some embarrassment) that it often takes me two or three conventions to really nail a name down. But I do want to meet you, and I do want to get to know you. I'm not much at small talk, but I can talk about animation and comics and pop culture in general ad nauseum (just ask my wife).
My folks, Beth and the kids went to see a truly wonderful performance of "Big River" yesterday at the Los Angeles County High School for the Arts. "Big River" is of course based on "The Adventures of Huckleberry Finn". Now keeping in mind that this is a show I've seen at least three times before, and that Huck is a book I've read at least four times, it stunned me that I NEVER noticed this fact before...
The girl that Huck has a huge unrequited yen for is named "Mary Jane Wilkes". And one of the women who takes Huck in at the beginning of the book is named "Miss Watson". It seems nearly impossible to think that the name "Mary Jane Watson" from Spider-Man wasn't lifted (consciously or otherwise) from Twain... I assume by Stan Lee (though possibly from someone else working at Marvel in those years).
How did this get by me?
___________________________________________________________________________
	The Spectacular Spider-Man
	Ep 113: "NATURE VS. NURTURE"
	Main and End Title Credits ___________________________________________________________________________
	Main Titles
	Executive Producers
	STAN LEE
	CRAIG KYLE
	ERIC S. ROLLMAN
	___________________________________________________________________________
	Developed For Television By
	VICTOR COOK & GREG WEISMAN
	Created by
	STAN LEE & STEVE DITKO
Opening Credits
	Card #1
	Supervising Producer and Story Editor
	GREG WEISMAN
	Card #2
	Producer and Supervising Director
	VICTOR COOK
	Card #3
	Producer
	DIANE A CREA
	Card #4
	Written By
	KEVIN HOPPS
	Card #5
	Directed By
	VICTOR COOK
	___________________________________________________________________________
	__________________________________________________________________________
	Closing Credits
	Card #6
	Starring
	JOSH KEATON as PETER PARKER / SPIDER-MAN
	__________________________________________________________________________
	Card #7
	Also Starring
	CLANCY BROWN as GEORGE STACY
	LACEY CHABERT as GWEN STACY
	GREY DELISLE as  SALLY AVRIL, ERIN
	BEN DISKIN as  EDDIE BROCK / VENOM
	DORIAN HAREWOOD as  DOC BROMWELL
	PHIL LAMARR as  RAND ROBERTSON 
	_______________________________________________________________________
	Card #8
	Also Starring
	JOSHUA LEBAR as  FLASH THOMPSON
	VANESSA MARSHALL as  MARY JANE WATSON
	KEVIN MICHAEL RICHARDSON as  TOMBSTONE
	DEBORAH STRANG as MAY PARKER
	ALANNA UBACH as  LIZ ALLAN 
	Card #9
	Voice Casting and Dialogue Director
	JAMIE THOMASON
	__________________________________________________________________________
	Card #10
	Music by
	LOLITA RITMANIS
	KRISTOPHER CARTER
	MICHAEL MCCUISTION
	___________________________________________________________________________
	Card #11
	Associate Producers
	ERIC VESBIT
	WADE WISINSKI
	___________________________________________________________________________
	Card #12
	Staff Writer
	KEVIN HOPPS
	Apprentice Writer
	RANDY JANDT
	Card # 13
	Storyboard Artists
	JOAQUIM DOS SANTOS
	SAHIN ERSOZ
	JAY OLIVA
	DAVE PRINCE
	ROBERT SOUZA
	Storyboard Revisionists
	PAUL HARMON
	JEFFREY S. JOHNSON
	Card #14
	Lead Character Designer
	SEAN "CHEEKS" GALLOWAY
	____________________________________________________________________
	Card #15
	Character Designers
	PHILLIP BOURASSA
	DANA LANDSBERG
	THOMAS PERKINS
	GREG GULER
	JOSE ZELAYA
	Assistant Character Designers
	JOSH BISHOP
	WALTER GATUS
	JEFFREY S. JOHNSON
	JOEY MASON
	KAY PARK
	Card #16
	Background Supervisor
	VINCENT TOYAMA
	Background Designers
	KENNY McGILL
	ART MORALES
	BOB KLINE
	TED BLACKMAN
	Prop Designers
	TAE SOO KIM
	ANDY CHIANG
	ART LEE
	Card #17
	Background Painters
	JOEY MASON
	MIKE INMAN
	WEI ZHAO
	FRED WARTER
	LIN HUA ZHENG
	Color Stylists
	PAMELA LONG
	DAVID SVEND KAROLL
	CRAIG CUQRO
	NANCY ULENE
Card #18
	Supervising Timing Director
	GORDON KENT
	Timing Directors
	BRIAN HOGAN
	RICK LEON
	RANDY LUDENSKY
	SWINTON SCOTT
	JUNG JA KIM WOLF
	Animation Checker
	SANDI HATHCOCK
	__________________________________________________________________________
	Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
	__________________________________________________________________________
	Card #20
	Associate Producer for Marvel
	JOSHUA FINE
	Production Coordinator for Marvel
	ADAM TOOTLA
	__________________________________________________________________________
	Card #21
	Recorded at
	STUDIOPOLIS, INC.
	Dialogue Recording Engineer
	ERIC LEWIS, C.A.S.
	Dialogue Editor
	TERRY REIFF
	Track Reading
	SOUND BYTE, INC.
	__________________________________________________________________________
	Card #22
	STUDIO POST PRODUCTION SUPERVISOR
	JHG BOYAN
	Editors
	RALPH A. EUSEBIO
	BRUCE A. KING
	Assistant Editors
	MYRA OWYANG
	CHUCK SMITH
	Digital Effects Supervisor
	ULYSSES ARGETTA
Card #22
	Music Engineers					MARK MATTSON
	MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
	Re-Recording Mixers					MELISSA ELLIS
	FIL BROWN
	Card #23
	Main Title Theme by
	THE TENDER BOX
	Main Title Directed by
	VICTOR COOK
	Main Title Storyboard by
	PHIL WEINSTEIN
	Main Title Color by
	JOEY MASON
	Main Title Animation Production by
	HANHO HEUNG-UP CO. LTD
	___________________________________________________________________________
	Card #24
	Animation Production by
	MOI ANIMATION CO. LTD
Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
	"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
	All Rights Reserved.
	Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
	Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
	15(2) of the Berne Convention and all national laws giving effect thereto. 
	___________________________________________________________________________
	END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
___________________________________________________________________________
	The Spectacular Spider-Man
	Ep 112: "INTERVENTION"
	Main and End Title Credits ___________________________________________________________________________
	Main Titles
	Executive Producers
	STAN LEE
	CRAIG KYLE
	ERIC S. ROLLMAN
	___________________________________________________________________________
	Developed For Television By
	VICTOR COOK & GREG WEISMAN
	Created by
	STAN LEE & STEVE DITKO
Opening Credits
	Card #1
	Supervising Producer and Story Editor
	GREG WEISMAN
	Card #2
	Producer and Supervising Director
	VICTOR COOK
	Card #3
	Producer
	DIANE A CREA
	Card #4
	Written By
	GREG WEISMAN
	Card #5
	Directed By
	DAVE BULLOCK
	___________________________________________________________________________
	__________________________________________________________________________
	Closing Credits
	Card #6
	Starring
	JOSH KEATON as PETER PARKER / SPIDER-MAN
	__________________________________________________________________________
	Card #7
	Also Starring
	ED ASNER as  BEN PARKER
	LACEY CHABERT as  GWEN STACY
	ROBERT COSTANZO as  SULLIVAN EDWARDS
	JIM CUMMINGS as  CRUSHER HOGAN
	BEN DISKIN as  EDDIE BROCK / VENOM
	DORIAN HAREWOOD as  DOC BROMWELL
	_______________________________________________________________________
	Card #8
	Also Starring
	JOSH LEBAR as  FLASH THOMPSON
	VANESSA MARSHALL as  MARY JANE WATSON
	KEVIN MICHAEL RICHARDSON as  TOMBSTONE
	KATH SOUCIE as  MARTHA CONNORS
	DEBORAH STRANG as  MAY PARKER
	ALANNA UBACH as  LIZ ALLAN 
	Card #9
	Voice Casting and Dialogue Director
	JAMIE THOMASON
	__________________________________________________________________________
	Card #10
	Music by
	LOLITA RITMANIS
	KRISTOPHER CARTER
	MICHAEL MCCUISTION
	___________________________________________________________________________
	Card #11
	Associate Producers
	ERIC VESBIT
	WADE WISINSKI
	___________________________________________________________________________
	Card #12
	Staff Writer
	KEVIN HOPPS
	Apprentice Writer
	RANDY JANDT
	Card # 13
	Storyboard Artists
	IRINEO MARAMBA JR.
	RICK MORALES
	KI HYUN RYU
	ADAM VAN WYK
	Storyboard Revisionists
	PAUL HARMON
	JEFFREY S. JOHNSON
	Card #14
	Lead Character Designer
	SEAN "CHEEKS" GALLOWAY
	____________________________________________________________________
	Card #15
	Character Designers
	PHILLIP BOURASSA
	DANA LANDSBERG
	THOMAS PERKINS
	GREG GULER
	JOSE ZELAYA
	Assistant Character Designers
	JOSH BISHOP
	WALTER GATUS
	JEFFREY S. JOHNSON
	JOEY MASON
	KAY PARK
	Card #16
	Background Supervisor
	VINCENT TOYAMA
	Background Designers
	KENNY McGILL
	ART MORALES
	BOB KLINE
	TED BLACKMAN
	Prop Designers
	TAE SOO KIM
	ANDY CHIANG
	ART LEE
	Card #17
	Background Painters
	JOEY MASON
	MIKE INMAN
	WEI ZHAO
	FRED WARTER
	LIN HUA ZHENG
	Color Stylists
	PAMELA LONG
	DAVID SVEND KAROLL
	CRAIG CUQRO
	NANCY ULENE
Card #18
	Supervising Timing Director
	GORDON KENT
	Timing Directors
	BRIAN HOGAN
	RICK LEON
	SWINTON SCOTT
	JUNGJA KIM WOLF
	Animation Checker
	SANDI HATHCOCK
	__________________________________________________________________________
	Card #19
Storyboard Production Manager BRIAN G. SMITH
Production Art Supervisor JOHN DIAZ
Production Coordinator SHERRIAN FELIX
Episodic Casting Supervisor MATTHEW C. OTOSKI
Production Assistant BEN MALONEY
Post Coordinator GEORGE COX III
Post Production Assistant JENNIFER L. ANDERSON
Production Accountant NATHAN HARAMOTO
	__________________________________________________________________________
	Card #20
	Associate Producer for Marvel
	JOSHUA FINE
	Production Coordinator for Marvel
	ADAM TOOTLA
	__________________________________________________________________________
	Card #21
	Recorded at
	STUDIOPOLIS, INC.
	Dialogue Recording Engineer
	ERIC LEWIS, C.A.S.
	Dialogue Editor
	TERRY REIFF
	Track Reading
	SOUND BYTE, INC.
	__________________________________________________________________________
	Card #22
	STUDIO POST PRODUCTION SUPERVISOR
	JHG BOYAN
	Editors
	RALPH A. EUSEBIO
	BRUCE A. KING
	Assistant Editors
	MYRA OWYANG
	CHUCK SMITH
	Digital Effects Supervisor
	ULYSSES ARGETTA
Card #22
	Music Engineers					MARK MATTSON
	MAKO SUJISHI
Post Production Sound Services ADVANTAGE Sound Services
Sound Designer ROBERT POOLE II
Dialogue Editor ROBBI SMITH
Foley Artist CRAIG NG
Foley Mixer MARY ERSTAD
Digital Audio Transfer ROBERT PRATT
	Re-Recording Mixers					MELISSA ELLIS
	FIL BROWN
	Card #23
	Main Title Theme by
	THE TENDER BOX
	Main Title Directed by
	VICTOR COOK
	Main Title Storyboard by
	PHIL WEINSTEIN
	Main Title Color by
	JOEY MASON
	Main Title Animation Production by
	HANHO HEUNG-UP CO. LTD
	___________________________________________________________________________
	Card #24
	Animation Production by
	HANHO HEUNG-UP CO. LTD
	___________________________________________________________________________
	Card #25
This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.
	"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
	All Rights Reserved.
	Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."
	Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
	15(2) of the Berne Convention and all national laws giving effect thereto. 
	___________________________________________________________________________
	END LOGOS
MARVEL ENTERTAINMENT CULVER ENTERTAINMENT
SONY PICTURES TELEVISION
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