Shan writes...

I just got done watching "Double Jeapordy," and in it Goliath emphasizes to Elisa that he must stay on the rig and talk to/rescue Thailog because "he is (of?) my blood. He is my son."

However, later on he meets his daughter Angela, but doesn't realize the connection at first. After Sevarius clues her in about her biological parents (Goliath and Demona) and Angela starts pressing the point with Goliath, Goliath responds with something to the effect that children belong to the whole clan. It is not until Elisa's mother and Goliath have the heart to heart about children sometimes needing special attention that Goliath and Angela begin to bond more directly, if I'm not mistaken.

But with Thailog, Goliath wants to reach out and make a bond almost from the outset.

Is it the circumstances of Thailog's creation that make Goliath take more responsibility for Thailog from the get-go versus Angela, or is it (though certaintly not her fault) that the fact Angela is also Demona's child somehow alienates Goliath more at first? Is it something else entirely? I found the difference in attitudes striking.

KW Keller writes...

Well, I'm not Todd, but in response to the history of Excalibur, Geoffrey of Monmouth's "Caliburn" is thought by some to be derived from the Welsh "Caledfwlch" (Breton "Kaledvoulc'h"), or from the Irish "Caladbolg" or "Caladcholg." Caledfwlch appears in several Welsh Arthurian stories, especially "Culhwch ac Olwen." Caladbolg, "hard dinter," was the lightning sword of Fergus Mac Roth. Caladcholg was a similar sword owned by Fergus Mac Leti. Various people have argued at one time or another that the modern idea of Excalibur was taken from one of these sources.

Anonymous writes...

Who are Morgana's parents?
How can she beat Merlin? I mean Merlin is the son of Oberon who is one of the most powerful fay. Does that mean she also has a unique parentage like Merlin?

Anonymous writes...

What class of fay is Lady of the Lake? Power class?

Anonymous writes...

Does the Lady of the Lake have any biological children? Have you mentioned the name of any of her children on Askgreg?

Entity writes...

Hi Greg,

Don't let the death of Team Atlantis get you down, true brilliance is never recognized in its own time.

Anyway, I was wondering about your personal opinion on something: pop Arthurian Legend. First there was the "Merlin" miniseries, now there's another one on TNT called "The Mists of Avalon." Both take the traditional story of King Arthur and try to present its elements of magic to contemporary TV audiences in the guise of religion. Instead of accepting magic as a part of the legend, which I guess TV execs think is too "silly" or maybe even "controversial," they turn the Arthur legend into a morality tale about the old verse the new, Paganism verse Christianity, imagination verse logic, etc... take your pick.

What's your take? Do you think this is a constructive and innovative approach to telling the story, or a distracting and childish one?

Todd Jensen writes...

One question which I'll confess I've occasionally found myself asking about Arthur's quest for Merlin. Why does Arthur feel that he really needs Merlin by his side again? After all, in the traditional legends, he spent the majority of his reign without Merlin being there (Merlin's departure in the "Arthurian canon" took place almost directly after Arthur married Guinevere and set up the knights of the Round Table), and fared well enough on his own (not to mention that I don't think that Merlin could have seriously prevented the fall of Camelot even if he had been there, seeing that it was brought about through the one thing that his magic could not overcome, the human heart, as Macbeth pointed out in "A Lighthouse in the Sea of Time"). Furthermore, at least some versions of the legend (including T. H. White and Roger Lancelyn Green) indicate that part of the reason why Merlin left Arthur's court (ultimately to wind up in the Crystal Cave) was because Arthur needed to stand on his own rather than constantly leaning on the wizard for help.

So why does Arthur feel that he still needs Merlin's help? (Admittedly, he does seem in a rather vulnerable situation at present, given that he's now in a world that's unfamiliar to him and very different from 6th century Britain - and he hasn't had the advantage that Macbeth had of being able to watch it change gradually and adjust accordingly - it's all been thrown upon him at once, just the way that it was on Goliath and his clan).

Greg "Xanatos" Bishansky writes...

DrFaust> Oh come ON! You don't think Greg is going to say anything about that episode until it actually airs, do you?

DrFaust writes...

So what happened in Paris, 1920 that was so significant to the Atlantis and Gargoyles universes?

Greg "Xanatos" Bishansky writes...

I might as well jump on the bandwagon here.

1. What did Titania whisper to Fox at the end of "The Gathering"?

I know you're not going to answer this, but in four years of posting here, I have never asked this, and figured I might as well at least once. Personally, I like not knowing the answer, and filling it in for myself.

Greg "Xanatos" Bishansky writes...

Now that he has made peace with the Manhattan Clan, would Xanatos have continued to make use of the Steel Clan, or his Steel Clan exo-armor?

zakhur writes...

I'm confused about something. If in th Avalon Clan, there are three gargoyle beasts one is Boudicca, and there 2 more, one female and one male, if the male and female beasts are probably mates, shouldn't they have had a child together, seeing as gargoyle beast can mate one generation before gargoyles?

Aris Katsaris writes...

A couple weeks ago, you posted a ramble in an interesting exchange of ideas with Punchinello, about the subject of "sentience" and how it's used in science fiction and fantasy, about whether it's a wall or not, etc, etc...

I thought to chime in, contributing with the concepts that Orson Scott Card introduces in "Speaker for the Dead" (an excellent book btw - I encourage everyone to read it). There he uses different words to differentiate between different kinds of 'alienness'... Let me quote:

"The Nordic language recognizes four orders of foreigness. The first is the otherlander, or 'utlanning', the stranger that we recognize as being a human of our world, but of another city or country. The second is the 'framling' [...]. This is the stranger that we recognize as human, but of another world. The third is the 'raman', the stranger that we recognize as human, but of another species. The fourth is the true alien, the 'varelse', which includes all the animals, for with them no conversation is possible. They live, but we cannot guess what purposes or causes make them act. They might be intelligent, they might be self-aware, but we cannot know it."

Obviously here the most important concepts are that of the 'raman' and of the 'varelse'. These can be useful, over and beyond the concept of 'sentience', because they refer to how much of an understanding can exist between different species - unlike 'non-sentient' for a species to be 'varelse' doesn't necessarily make it "inferior"... Only non-understandable.

On the other hand I find these concepts also intriguing because they *do* carry a moral judgment within them, even if it's a more subtle one. To recognize an alien as "raman" is to recognize him as basically human, to recognize that his fundamental motivations are the same as yours. It's the beginning of understanding and tolerance...

Now in the gargoyles universe, it's clear that both gargoyles and fae (and Nokkar's people also) are all "ramen": Other species which despite all their difference with our own, we can recognize as fundamentally 'human'. I'd also go on to say that this is what people like Jon Castaway refuse to see. By declaring that all gargoyles are monsters he doesn't necessarily refuse them their 'sentience' - he does refuse though to see that they are 'ramen'... and as such he can say things such as 'they are all evil', 'they must be destroyed', etc, etc...

And with that let me conclude with another quote from the book:
"Since we are not yet fully comfortable with the idea that people from the next village are as human as ourselves, it is presumptuous in the extreme to suppose we could ever look at sociable, tool-making creatures who arose from other evolutionary paths and see not beasts but brothers, not rivals but fellow pilgrim journeying to the shrine of intelligence.
Yet that is what I see or yearn to see. The difference between raman and varelse is not in the creature judged, but in the creature judging. When we declare an alien species to be raman, it does not mean that they have passed a threshold of moral maturity. It means that *we* have."

Sorry for the length of this ramble... :-)

Andy Morrison writes...

How many stories is the Eyrie Building? (I hope I have the spelling right.)

Was there an episode that mentioned how many stories or is it a figment of my imagination?

If there was an episode, which one is it please?

Thanks for your help.

Ambrosia writes...

Hi, Greg!
*Greatly* enjoyed the radio play. Thank you so much!
So...
Did the cut scene of Hunter's Moon III between Elisa and Jason in the decimated clock tower actually happen in the gargoyles universe, just off camera?

zakhur writes...

We know by City of Stone part 4, that MacBeth's son Luach is dead, probably even killed by Canmore himself. My question is even though there were circumstances that made them enemies, they were still very good friends when they were young, didn't that make Canmore at least think about not killing his cousin?

Demoness writes...

1. Are there any other Oberon's Laws besides the "non-interfernce", "forking over talismens willingly", "Avalon Clan can stay" and "Goliath's Clan's immunity"?

2. If yes to above, what are a couple of those other laws?

3. Were there any placed before Oberon became King?

4. What are a couple of those?

Demoness writes...

In "Future Tense" at the end of the illusion Elisa yells "No, not now!" and the illusion disappears and she becomes Puck. So my question is:

1. What was Puck referring to when he said that?

b. Was it Oberon's Law because Goliath realized that what he was experiancing was an illusion and the law dictates that Oberon's Children can not interfer in mortal lives and thus so forced the illusion to end?

c. Or was it another law that has to do with mortals willingly handing over talismens to Oberon's Children, kinda saying that if your intentions are discovered the game ends?

Demoness writes...

I just watched "Heritage" and I just noticed something. I know you've said before that your colored blind and sorry to bringing up colors again...but I'm curious.

1. How come in "Heritage" Raven and Grandmother glow a blue aura when using their magic while others glow a green aura? Such as Oberon, Titania, the Wierd Sisters, and Puck.

I think Odin glowed white, Anasi-blue, Banshee-white, Anubis-black, and Lady of the Lake-blue.

2. Does this coloration have anything to do with their connections (meaning Anubis=death)?

3. Does it have to do with positions in their culture? Like warriors in the warrior caste, tricksters in the tricksters caste, royalty, servents, etc etc?

matt writes...

wow, its beginning to feel like the time when i first found this site and asked strings of questions daily! anyway:

when the eggs of a generation hatch, does the clan keep the hatchlings in the rookery for awhile or are they generally let to run around outside the rookery with the rest? all these infants and youngsters running around at once seems to me to be quite a handful! how do they deal with this?

do you suppose that the kids of Bronx's generation were in the rookery during the Viking attack and thats why we didn't see them?

like maybe gargs make them sleep outside so they can get their solar energy, but at night they stay in the rookery, maybe?

just seems dangerous to have all these winged, horned and taloned toddlers running around the castle! geeez!

matt writes...

in the Wyvern years, was the Trio kinda outcasts or loners of their generation? it seemed to me that they generally just stuck together with Bronx and didn't interact much with their siblings. am i right about this or did we just not really see their relationships with their siblings due to lack of time?

matt writes...

didn't the various gargoyle clans feel wary or even angry that humans were building their castles and fortresses over garg rookeries for free soldiers? i mean, it seems to me that the humans are like, "we're going to build our castle here, if you want to stay, fine, but you have to help protect our castle." if i were a garg i'd have been angry, Demona and Othello were right, not only were the humans totally asses to them, but they were also using them! why do the old garg clans put up with this?

now, obviously i know that the humans would make the deal of protecting the gargs during the day, but did they just move in or did they ask the gargs first? i'd imagine that most humans generally wouldn't bother to ask "animals" permission. what are your thoughts?

Patricia writes...

Hi Greg!

In response to the Tootsie Pop commercial: I've seen it within the past year on TV, so.. it's still making its rounds on TV. And yes, I know the commercial, but.. I'm an early 80s baby (born in the early 80s). And that response fit with the question, very much so.

I'm running out of things to say.. whee.. ahem...

Oh! I found a quote or a poem or something about the "Hobgoblin of Little Minds," but I've forgotten where I put the paper that has it.. hmmm Maybe (hopefully) when I find it, I'll remember to type it up for you.. and see if that's what you're talking about.

Ok, general question that isn't really on Gargoyles or any of your other projects, but you might know.

What's the plural form of series? Is it series or seria? Or none of these? If it's not one of these, then what is it?

Thanks.

P.S. I can't wait for the next Contest to begin ;) Though I respect if you take a break, I just want to see how well I think I can do in them.. hehe... Umm.. yeah. Boy this covered alot of ground...