Anonymous writes...

1. Besides being a butler for the Wayne family, what else is known about Alfred’s early life before he became a butler?

2. In the film Batman Begins, there was a line spoken by Rachel Dawes, a childhood friend of Bruce Wayne. I can’t remember the exact words, but I think she said, “It’s not about who we are, but what we do that defines us.” Given what happened on “Usual Suspects,” was the lesson you wanted us to learn from that episode was loosely based on that quote from the movie?

kitty writes...

1- Are you a fan of the x-men and if you are who´s your favourite character,writer and story arc?

Miten dama writes...

Have you seen batman year 1 and if you
have what did you think of the movie

Codeman1992 writes...

Hi Mr. Weisman, I just wanted to give you props on developing one of the most interesting and creative superhero series on television. Young Justice is one of the greatest superhero series I've watched. I put it up there with the great Batman The Animated Series and all the Timmverse Shows. So, like I said before, I give you props and you are a extremely well versed writer and it's proof in your work. With the new Spider Man movie coming out soon, I've noticed it's very reminiscent of The Spectacular Spider man. At least in the case of turning Gwen into a potential love interest in High School, who both her and Pete intern somewhere. That's my first question, have you noticed that? My second question is regarding The Spectacular Spider Man. I'm in my Spidey Obsession phase and always turn to your show whenever I'm in that phase. Since there's not gonna be a Season 3 of the show, can you drop any potential storylines or where the show was gonna go after the finale of Season 2? I know this is really long, but I'm a huge fan and hope I can be as great of a writer as you are one day. Thank You Mr. Weisman for your time.

EXALT writes...

1)Have you seen any of the movies of the Marvel Cinematic Universe (Iron Man-The Incredible Hulk-Iron Man 2-Thor-Captain America: The First Avenger)? If yes, what do you think of them?
2)Have you seen Joss Whedon's The Avengers (It's not out yet, but it'll probably be when you'll answer this)?

Clark Cradic writes...

Is there any character from a comic, book, movie, or other form of media that you just don't like but everyone else seems to?

Megen writes...

So this doesn't really have anything to do with Young Justice (which is soooo good, definetly in my top 5 favorite tv series, and thats saying something cause i watch a lot of tv. xD ) but are you a Dr. Who fan? It's a stupid question, i know, but i think that i saw that you were somewhere..... Whose your favorite Dr.?? Mine's the 11th! :)

Blizzard Sprite writes...

Hello, Mr. Weisman.

My questions today are more closely related to television programming. So here goes.

1. Have you viewed the new ThunderCats on Cartoon Network that debuted last year? Assuming so, what did you think of it?

2. Have you viewed any of the original episodes of the ThunderCats cartoon? Assuming so, what is your opinion of the old show, and how do you think it compares to the latest incarnation?

3.The original ThunderCats cartoon met the 65 mark episode needed to go into syndication, and produced episodes beyond it. While many of the new episodes were entertaining, I could not help but notice, in my opinion, a decline in certain qualities of the show. One of the areas hit hardest, in my opinion, was the writing in the episodes. This seemed to manifest itself in terms of more predictable scenarios occurring, less creative solutions to the problems that arose and eventually lackluster storylines. ThunderCats wasn’t the only show to suffer from this though. Cartoons like Captain Planets, which also surpassed the 65-episode mark, began to experience a bit of a lag, and lost many of the original voice actors/actresses who made their characters so exceptional.
4. So my question is what exactly happens to a show behind the scenes after moving beyond syndication? Is a show’s storyline only plotted out for 65 episodes and not expected to pass it? Or does the writing team have to brainstorm an entirely new set of ideas for episodes beyond? Are new writers assigned to the program or the old ones retained? Are the initial voice actors/actresses replaced with new people, choose not to renew their contract or different causes altogether?

Thanks for the time.

Blaise writes...

Hey Greg! It's been a while. Glad to see you busy, and "Young Justice" is great!

Anyway, I just saw in one of your answered questions that you're a fan of "Doctor Who."

I've actually been working my way through the ENTIRE series (both Classic and New) in airing order for a while now, thanks to a friend of mine who is a HUGE "Doctor Who" fan (mostly of the classic series). So that's why I find myself asking the following questions:

1) Are you more familiar with the New series (2005-present), or the Classic series (1963-1989)?
2) Do you have a favorite/preferred Doctor? If so, who?
3) What appeals to you most about the show?

Thanks!

Zach Baker writes...

Hey Greg!

I recently saw this line from an interview with Steven Bochco in the early 80's, talking about Hill Street Blues (which currently has its first two-and-a-half seasons on Hulu Plus, by the way):

"Maybe the biggest problem with Hill Street, in terms of popular success, is that it is a show that demands to be watched. And most people do not watch television. They simply are in its presence."

I love that quote. What an insightful way to encapsulate about what was essential and great about Hill Street Blues, without going into all the details of what made it so outstanding. Just leave at this: unlike nearly anything before it, in many ways it was a show that demanded to be watched. I think that characteristic also applies to Gargoyles as well, no doubt due to the major influence Hill Street Blues had on the show (as you've often mentioned).

Nowadays, that quality, of being a show that "demands to be watched," is characteristic of so many excellent shows that appear on HBO, Showtime or AMC (before hitting DVD boxsets and iTunes), places where popular success isn't the one and only yardstick. And again and again, we've seen how this kind of series can flourish in the atmosphere of creative freedom offered by these outlets.

Can viewers hope that someday soon, that kind of environment will produce an animated serial drama that has the same level of quality, complexity and acclaim as these channels' current headline series? If so, what might it take for that to happen?