Greg responds...

Counting or not counting his wings?

(That should delay this question for another couple years at least.)

Greg responds...

It's a fair question. And I think she would have reacted similarly with any of the "eggs"... but I do think that three factors gave Angela a little extra oomph for Demona.

1) Angela treated Demona as her mother. "I'm told there's a resemblance." The others might not have, without the bio-connection, given Demona's history.

2) Demona has spent a 1000 years around humans. Despite herself, some of it may have rubbed off.

3) Demona was not around to comunally raise the eggs. So she has less emotional connection to the other gargs then she normally would have had.

Ultimately, however, I think it still comes down to the same kind of thing that Diane Maza pointed out to Goliath in "Mark of the Panther": "[Angela] is the only one of your children with you."

Normally, I don't like hypotheticals, but this was a pretty good question.

Greg responds...

SPOILERS:

Eventually.

Greg responds...

Sigh. If you need to know that badly, suggest an answer that works for you, and I'll see if it makes sense to me too.

Cuz the honest truth is... not something I dedicated any mental time to.

Sorry.

Greg responds...

I wish I knew how to "become" a good artist. I'd love to be able to draw. But I don't have that talent, so I'm not the greatest person to answer that question.

As to how to "make things that people really like"? I usually start by trying to make something that I really like. If I'm not passionate about it, how can I expect anyone else to be?

Greg responds...

Sure. Look up.

Greg responds...

Uh.... all of the above, really.

There was a time when clearly Gargoyles was actually a liability for me on my resume. Thankfully, that time has passed, at least for now, and it is once again my biggest selling point and calling card. In part, this is because a new mini-generation of execs has surfaced. The group that I was part of respected my work on the show. But then a slightly younger group came in that didn't know the show and didn't care about it. Now we've got a group that remember it fondly from their youth.

Yes, I'm just that old.

But frankly, my "Resume" is GIGANTIC, and I think the mass of it is impressive to people who value experience and good credits. To people who are intimidated by those who might know more than they do, I think it's a roadblock.

Obviously, everything depends on the job at hand. The folks at Disney (but not SIP) were nervous about hiring me for WITCH because they were convinced I wasn't funny enough. It occured to me that they might not have read my comedy scripts, and so I sent a couple of them over. Having read the stuff, I was funny again -- and hired for the job. So the work itself can help. When asked to submit script samples, I have a ton to choose from. So it becomes a guessing game. I try to get a sense of the project or kind of project they're interested in me working on and then choose scripts that seem to fit ... in tone at least. But you never know if you're sending the right material or not. And sometimes they don't bother to ask for it.

It also truly helps to be able to talk a good game. I give good meeting. I have off days, but I generally do pretty well in a room. That helps. It's ironic, because I'm shy and lousy at small talk. But ask me about creative stuff, and you pretty much can't shut me up -- as anyone who's attended a GATHERING can attest to, including, I'm sure, you, Vash . I am also a pretty consumate bullshitter... and yet not afraid to admit that I haven't figured EVERYTHING out yet.

I think that covers the basics.