dph writes...

Was either Fang, Claw, Maggie, or Talon in Manhattan during present-day events of City of Stone?

dph writes...

Banks (and other businesses) usually have security cameras running during their normal office hours and throughout the night recording footage in case of a robbery. During City of Stone, assuming nothing happened to those cameras, the cameras would have caught people turning to stone on film. What happened to those video tapes showing evidence of Manhattan's human population turned to stone?

dph writes...

Could you give us approximate dates for the present day events of City of Stone?

Vaevictis Asmadi writes...

Question about the gargoyle clans

You have said the Wyvern Clan was about 80, before it split, when the last rookery was laid. Is that 80 adults, or 80 total members, including children?

The reason I ask is this: that last rookery was 36 eggs, which means there were 72 gargoyles and garg-beasts of egg-laying age. If 72 of the 80 clan members were of egg-laying age, then ALL the children and older gargoyles in the entire clan (like Hudson and the Trio) only added up to 8 at that time. This seems very strange to me. Did something happen to them?

I know that you don't like numbers questions, but this seems important.

Gerin writes...

I have two questions about statements that Goliath makes in "Awakening":

1) In Part I, Goliath states that Demona-to-be is his best warrior. Is his assessment correct, or is he trying to flatter her, or is his judgment clouded by the relationship?

2) In the final showdown in Part V, Goliath tells Demona: "There is good and evil in all of us, human and gargoyle alike. You should know that more than anyone."
That sounds as if Goliath had a specific incident in mind that should have taught Demona this, but I've never been able to figure out what Goliath is refering to. Is it a story that's never been told? Is it a story that popped up during the series and I just didn't catch it (and if yes, which one)? Or does he refer to nothing specific?

Adam writes...

Hi Greg. I have a question about Demona's clan that she gathered after the massacre at Wyvern. In the archives, you said that that clan had at most 20 members and most were male. You also said that you were not sure if they had a rookery. But did they have any gargoyle beasts? Thanks.

TiniTinyTony writes...

I searched the archives and didn't find an answer so I'd figured I ask.

When Renard offered to take the Gargoyles and Elisa back to Manhattan and relieve them from their fated quest, hypothetically do you think bad things would have happened as a result? Would Tom end up having to go out and find them again once the threat of Oberon appeared and end up on the quest again anyway because Avalon would send them where they need to be?

Anonymous writes...

What years were Titania and Oberon's children (with each other) born?

Brigadoon Traveller writes...

Okay, in anticipation of my copy of Gargoyles #3 (still in the post) I wrote a review of Gargoyles: Nightwatch over at Amazon; I thought I might as well post (an edited) version here.

"And so it begins - Gargoyles chapter 2; or is it chapter 3? I've lost count." ~ Brooklyn "Hunter's Moon III"

And so it begins again indeed - after a 10 year absence the Gargoyles are back and their adventures continue in these brand new canon adventures.

And what a way to come back - I have to say that I was at first a bit unsure about the series continuing in comic book form (one aspect of the show that I loved was the voice acting; I had some reservations that the stories just wouldn't play the same without the talents of Keith David, Salli Richardson, Marina Sirtis and the rest of the gang).

Onto the story - at first again I have to say that learning that the first issue or 2 would cover "The Journey" disappointed me as it meant that I had to wait longer for new stories. However, regardless of that this first issue "Nightwatch" shows "Gargoyles" in a medium new to the series, and like the world that the gargoyles themselves have now found themselves in

But even so we get wonderful new of scenes that were dropped from "The Journey". I loved the scene with Art and Goliath; seeing the response to the gargoyle threat by the common man on the street is something that I think TGC lacked greatly (especially considering that the Quarrymen in TGC were all basically hired muscle).

The other new scene between Chavez and Matt; it's nice to see the clock tower being rebuilt and Chavez in a cast and crutches; like Elisa with her crutches (in 'Enter Macbeth') and Owen with his stone fist these continuities are central to "Gargoyles" and I'm glad that they aren't explained with any back story.

New York is reeling from the revelation that these nocturnal gargoyle creatures are no longer myth or urban legend, but in fact real living creatures; previously the gargoyles have long stayed hidden from local inhabitants and the media (though not without close calls - often with precarious results) but are now thrown into the limelight as New Yorkers try to make sense of their new neighbors. And from the ashes of the feud with the Hunters grows a new threat - the Quarrymen headed by ex-hunter John Castaway.

This issue sees Goliath voice his fears for his clan and their future in a world filled with humans prejudiced against his race; I like how you nicely juxtapose Goliath's worries with Castaway's recruitment hate speech. Hopefully you can incorporate some life into Castaway's Ku Klux Klan, unlike TGC certainly failed to do. I actually am looking forward to what plans you have in store for Castaway and the Quarrymen. However, even in this the first issue, we can see the Klan being fleshed out; Castaway aims his racist views at a frightened populace - directed at faces we can recognize as background characters from the original series (such as 'Billy and Susan's Mom' from "Thrill of the Hunt"). These people (unlike the mindless thugs of the Chronicles whose only real reason to join was to "pummel some gargoyles") have real fears and worries that Castaway plays.

If that wasn't enough the gargoyles now have to live an uneasy truce with a former foe; David Xanatos has invited the gargoyles back to their ancestral home Castle Wyvern. But can the clan trust him not to destroy them whilst they sleep? And how will he react once the Illuminati Society learns he's harboring Manhattan's Most Wanted? All budding questions that set up future stories for us to wait for. Nice.

Greg Guler gives us a gorgeous front cover. The interior artwork, despite the negativity that has been surrounding it, I thinkis growing on me. When I first saw the preview pages of this issue online (I think almost a year ago) I was shocked at the art. I didn't like it then. But having seen it for real and having re-read the issue several times, I'm starting to like the art. It's unique and different from the series but in the same vein it manages to capture the original feel of the series. On some pages some of the characters do look off-model and completely different; but did not the animators make mistakes at least once in most episode? I'm sure they must have.

The Hedgecock/Terrell duo paint a gloomy and oppressive world which couple's stunningly with Goliath's depressive outlook on his clan's future. The gargoyles look stunning, majestic and seemingly blend beautifully into this bleak world that they now have to adjust to.

Despite being a re-hash of the first half of your final episode, "Nightwatch" plays out as a brilliant introduction to the Gargoyles universe; I really cannot wait until I get the rest of the issues.

"Nightwatch" and jump starts Gargoyles with a jolt! It brilliantly sets us up with the well awaited return of our favorite winged heroes. In the nonchalant words of Travis Marshall: "Welcome Back!"

Purplegoldfish writes...

Now you can't get rid of me...
So, watching through my tapes of the later episodes, and I just watched "The Green," one of my favorite world tour eps.

I remember when I first saw the scene after Goliath's and Elisa's argument, when Goliath turns around to glare at Elisa, and thinking 'What was that all about?'
I never felt he did that because he was simply angry at her for her point of view. All the other arguments that we've seen the two get into usually ended with either him agreeing with her, or just shrugging her off (or screaming in her face heh)-typical male ;)

So the way Goliath just stops in his tracks and slowly and deliberately turns to stare at her for a good five or six seconds suggests more to it-as if a realization about her just hit him.

So here's my theory: I think it just kind of hits Goliath how human Elisa really is. There's not just physical differences, but cultural ones as well. He realizes they're going to clash on many things because of their respective instincts and upbringings. Maybe he's thinking of his growing feelings for her-perhaps there's some human prejudice mixed in with those feelings as well-as if he realizes their vast differences and wishes for a moment that she were born a gargoyle and not a human.
And the way Elisa looks back at him suggests that she probably knows what he's thinking and is most likely sharing those same thoughts.

So am I on the right track or totally off?

Gantros writes...

I've been hearing about the Team Atlantis voice track that featured Demona and has been played at Gatherings. I've been unfortunate at being unable to hear it myself. Do you intend to post it on the net? If it's a matter of attracting people to Gatherings, you could commission the comic artists to create something like a Powerpoint slideshow or simple storyboards set to the voice track that's exclusive to Gatherings, while those of us that can't afford to travel to the Gatherings can hear it on Station 8 or wherever.

Aldrius writes...

Me again. (You remember me of course. *Shifty glance* *Ahem*)

My question is this, how do you think the environment of the comic book will allow you to address the... uh... 'issue'(?) of Lex's sexuality. Will it be easier to reveal than in the TV show? Not as easy? As I'm betting on the former, will it still be difficult due to disney's need to check every issue?

Or is it just something that we'll all find out when the time comes?

I hate yes/no questions, so I'll submit a bit more intellectual question asap!

Dr.Don't writes...

In "Revelations" we learned that by joining the Illuminati they get good dental care. So the question I'm asking you is this: What other benefits are there to joining the Illuminati? How about the Quarrymen?

Jonny Modlin writes...

Hi Greg,
Where is Buena Vista Home Entertainment located in? Thank you.

Kaylle writes...

Way back in October 2005, the day they released the cover art for the second DVD set, I watched a bunch of episodes instead of doing my homework and typed up my musings on them (mostly on Hunter's Moon and the Goliath/Elisa relationship) in my livejournal. Today I'm *still* trying to avoid my homework, and the queue is open again, so I thought I'd dig up those old musings and get your opinion on them (I may have posted something like this in the CR once as well; my apologies if you happened to catch it there). So here they are. I wrote:

"At the end of HM3, Elisa and Goliath finally get some "resolution" to their relationship. The infamous kiss it took us (and them) 65 episodes to get to. I hate to call it resolution at all because it doesn't really resolve anything; their relationship is still in a pretty uncertain place and kissing hardly changes that. But it's the first time they both admit what's going on between them and do something, however small, about it. And it provided some small measure of satisfaction for the fans, who were just beginning to realize that was all we were going to get. I remember being so hopeful, so excited, 13 years old, watching in awe as finally, *finally* the two of them "got together." I hadn't realized it was the season finale, although really it was pretty obvious (I didn't know cartoon shows *had* season finales). And I certainly hadn't realized it was, for all intents and purposes, the end." [Of course, I know now what I didn't know in October 2005-- it wasn't the end! We have a comic book!]

"But I digress. Anyway, I noticed two things today. First, in HM1, during the scene on the subway: after he dispatches the muggers, Elisa goes to Goliath, lays her head down on his chest, and says, "Nobody messes with my best friend." I always thought that was kind of a dangerous thing to say in public, although sweet. But I noticed today the way that Goliath reacts to it. Maybe I never noticed before, or maybe I just don't remember, but he reaches to touch her hair and then stops himself, grimaces, and pulls away. It happens so quickly it's easy to miss it. But something about that aborted gesture of affection really intrigues me.

"Did he stop because he thought she wouldn't appreciate the sentiment? Haven't we seen him touch her that way before? It's hard to remember because the two of them get so very few explicitly affectionate moments. There aren't a lot of episodes that deal with them. (The most obvious is The Mirror, but that was so long before this that it's hard to use it as an indication of their relationship now. Although there is that moment, while Demona and Puck are spying on them via the mirror, when Elisa sort of nuzzles her face into Goliath's shoulder. I'd love to know what the conversation was that led her to do *that*...) Their relationship is very clear to the viewer, but it's also very understated. Any romantic moments like that are part of some larger scene, some larger conversation, etc. (I was half-convinced, when I was a kid, that it was because Disney didn't want to deal with the xenophilia aspect. Now I can see that it's in character for them to act that way; both of them know what's going on but they can't admit it, can't act on it because they're certain there's no future in it. But when you're 12-13 years old you miss some of the subtler points <g>.) So, while I can think of romantic moments between Goliath and Demona, MacBeth and Gruoch, etc, Goliath and Elisa are much more subtle than that.

"So then I went picking through episodes looking for Goliath/Elisa moments. (Aren't they cute in Eye of the Beholder, dancing in their Halloween 'costumes'? Even the trio notices. "They should have Halloween more often.") As early as Awakenings 5, we see Elisa take his face in her hands. The closest embrace I can find is in Heritage, after Elisa's disappearance. They both look pretty happy to see each other there, and she doesn't show any reluctance to touch him or be held by him.

"So anyway, it could be because he thinks she won't appreciate the gesture. She has shied away from discussing their relationship in the past. Or it could be because they're in a train full of people (although, again, she's pretty much given them away to everyone on the train already).

"Or it could be because he doesn't want to let himself touch her? Because letting himself caress her hair (the gargoyle equivalent of a kiss, even if Elisa doesn't necessarily know that) means pretending, if only for a moment, that they have a relationship? And because he can't stand doing that to himself over and over again? Something to think about, anyway.

"The other thing that I noticed was that, although Goliath saw Elisa kiss Jason and heard what she said about her feelings, she doesn't know that. As far as she knows, nothing between them has changed since HM1. Obviously they're both happy to see each other after Jason rescues her (although Goliath is probably "happier" than Elisa is; at least, she didn't think he was dead). But nothing has happened, to her knowledge, to bring things between them to a head. So why does she finally decide to admit her feelings to him? Her dialogue doesn't really tell us anything, either. He says, "So... Things have come full circle," and Elisa replies, "Somehow, they always do. You know how I feel about you, right?" She brings it up apropos of nothing. (He doesn't seem startled by it, either. Why is that? I sure as heck was!)

"Is it her relationship with Jason? The realization that, even when presented with someone human who seems to be everything she's looking for (at least at first), she still wants Goliath? When offered the normal life she thinks she wants, she still chooses Goliath and the clan, and all the uncertainty and upheaval they imply. Is that it? Of course, they've had a traumatic couple of days, and that could be a reason all by itself."

At that point I decided that I'd spent way too much time analyzing things and that I really ought to be doing work, so I stopped. But I'm still intrigued by it all. I guess if I had to distill it down into a few questions, they would be:

1) Is there a reason for Goliath's gesture (or lack thereof) on the train, or am I thinking too hard/paying too much attention to tiny details?

2) Does Elisa know that touching hair is the gargoyle equivalent of a kiss? (Maybe not in so many words, since I doubt the gargoyles think of it in terms of how their gestures of affection are equivalent to human gestures, but does she realize the sort of underlying meaning of a touch like that?) And if so, how does she know? Just from observation and intuition? Did someone tell her?

3) Why does Elisa finally speak up at the end of HM3? What changes her mind about keeping quiet?

Thanks for listening to me ramble on a bit, and for taking the time to answer our questions. It's only out of love that we analyze every aspect of things :)

Derek writes...

Considering the Labyrinth clan is being "raised" by the mutates will they have more "humanly" customs than Gargoyles custom's i.e will they use rookeries, will they mate for life. Are these gargoyle customs taught or genetic?

Brigadoon Traveller writes...

First off I want to say that I am enjoying the continuation of Gargoyles in the new SLG comics. My copy of #3 is still in transit (and has been for the past two weeks - hopefully it'll have made its way across to this side of the Atlantic once you get this - the waiting is agonising!) once I get my copy I'll be sure to post a review of it here first thing. I have to admit that at first I was a bit wary about the series continuing as a comic, as I'm not really much a of a comic book reader (but then again I'm not much of an animation buff either). But nonetheless the series is really going quite well so far and I am looking forward to the new spin off series "Bad Guys".

Anyway onto my question; when you first announced the release of the SLG comic along with the set-up of Creature Comics, you gave us some of the events leading up to the sign up with SLG. When you hit your first hurdle with Disney (i.e. lack of money) you mentioned that you guys at Creature Comics (after becoming CreatureComics.com) were prepared to release stories using your own original properties.

My question is how far did you guys get with the production of these properties (if you did at all)? And how much did Gargoyles play a part in influencing any of the characters and worlds you came up (assuming you got that far)?

Anyway thanks for your time.

Tony writes...

1) Is it too late to reconsider the decision to have the "Bad Guys" comic in black and white? I know the economic decision behind it, but I find that certain comics and webstrips that have action in black and white are very hard to follow. I just hope the action isn't hard to follow in "Bad Guys". I believe this spin off will become a great success, and I'd love to see it at full potential which would be having it in color.

2) What is the potential price point for the "Bad Guys" comic?

3) If the first six are successful, will possible future releases remain in black and white?

4) Is the plan for "Pendragon" also black and white?

Thank you for your time.