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ColdFusion writes...

Sorry if you didn't understand, I just meant Aunt May is mothering Peter in a way we haven't really seen before in other versions of the franchise. He's got the kind of "mom-troubles" that older-Peter doesn't.
It's one thing to juggle a social life with the life of a superhero, it's another entirely when, on top of that, you're underage and thus have fewer personal liberties, eh?

Greg responds...

Yeah. I think Pete (as the "man" of the house) has more freedom than most, but still...

Response recorded on April 18, 2008

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Man Mountain writes...

Hey Greg. First I want to say I love the comic, the artwork, and the story so far and hope it continues on and on. Second, same goes for Spiderman! You are hitting everything that IS Spiderman while still making it your own. Finally to my question, I don't know if you have any comments (or time), but could you comment on your Spiderman episodes as you do for Gargoyles? I always love behind the scenes insights. As always, thanks for your time and effort.

Greg responds...

I think it's too soon to be doing full rambles on Spidey. You (or at least I) need a bit of distance, hindsight, to make the rambles worthwhile. Also, I don't want to be dropping tons of spoilers, and I don't want to inhibit myself either. And time IS another factor. I still need to do two or three Gargoyles rambles. And I'm just swamped. But someday.

Response recorded on April 18, 2008

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Bill Rodebaugh writes...

Hello Greg,

I'm an animation fan....particular from the days when everything was animated in the US....such as the earlier Hanna-Barbara days or Filmation's cartoons. Has "Gargoyles" and the new animated "Spectacular Spiderman" animated overseas? Do you have direct input into all the stories that go or have gone into these series?

Sincerely,

Bill

Greg responds...

All the writing and voice recording for both shows are/were done in the US. On Spider-Man all of the pre-production and post-production as well. On Gargoyles, most of the pre-production was done in the U.S., but a few episodes were pre-produced at Walt Disney TV Japan, but under the supervision of myself and Frank Paur. All the post for Gargoyles was done in L.A.

The actual animation was/is done overseas. Gargoyles was about 1/3 Japan and 2/3 Korea (with a bit of China thrown in). Spidey is all animated in Korea at one of three studios: HanHo, DongWoo and Moi.

Response recorded on April 17, 2008

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Algernon writes...

I'd like to start by wishing a happy Easter to those who cerebrate it and to those that don't, have a great day anyway. Now lets talk Spidey...

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Market Forces

Another solid episode with a lot of different threads running through it. We start getting to know J. Johna Jameson and he's a lot of fun, I especially liked the whole hyperactive 'perpetually ten minutes to deadline' attitude they gave him. Interestingly this incarnation of ole Jolly Jonah doesn't seem to be particularly Anti-Spidey, I don't know if you've completely dropped it or if you're going to incorporate it later.

Also returning are Flint Marko and Alex O'Hirn AKA the future Sandman and Rhino respectively. O'Hirn's "ram him with a truck" move is a very Rhino-esque tactic, nice bit of foreshadowing.

When I first heard that Shocker wasn't going to be Herman Schultz I was a little weirded out but this episode erased all my doubts. Montana makes for a pretty charismatic villain with warped sense of honor. by the way, how weird is it to see the bad guy espousing the Moral of The Day(TM)?

We also meet Betty Brant and Robbie Robertson, I'd guessed that Randy from Peter's school was indeed his son but it's nice to have confirmation. big shout out to Phil LaMarr who managed to make father and son sound both reminiscent yet distinctive. Some nice interaction between Pete and Betty but is he trying to get the poor women tossed in jail.

Norman Osborn gets some nice development in this episode, teaming up with the Big Man to set up a sort of Supervillians'R'Us. That's what sets Osborn apart from Spidey's other rogues. Take away Vulture's wing and he's just a bitter old man. Take away Electro's lightning and he's just the school handyman. Take away Venom's symbiont and he's just a dweeb with a persecution complex. But take away Green Goblin's Glider and Pumpkin Bombs and he can still make your life a living hell as plain old Norman Osborn.

When I first heard that Keith David would be replaced as the Big Man I was rather disappointed but I was very impressed by Kevin Michael Richardson's performance. he really nailed the part, so much so that I wouldn't have noticed the change if I hadn't heard about it before hand.

All in all another job well done.

Greg responds...

Keith did a great job in Episode One, but then he headed out to New York to play OBERON in Central Park. (Still can't compete w/Shakespeare.) Kevin stepped in and I think did an admirable job. He's really made the part his own without making it a different character.

Response recorded on April 17, 2008

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Todd Jensen writes...

Saw the fourth episode of "The Spectacular Spider-Man" this morning, and enjoyed it. In fact, I laughed several times during it, including at the J. Jonah Jameson scenes (yep, that's definitely him all right), and Peter/Spider-Man's difficulty getting rid of the garbage smell.

The Shocker was a great villain, and truly felt like a menace to Spider-Man. I also liked the touch about his remark about carrying out his responsibilities hitting home to Peter, fitting in with his abandoning Harry and his worries about Aunt May.

And we see an alliance formed between the mysterious unseen boss and Norman Osborn, something that could lead to some big episodes ahead.

Keep up the good work.

Greg responds...

We're trying, believe me. Even as I type this we're trying.

Response recorded on April 16, 2008

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Greg Bishansky writes...

MARKET FORCES

Another terrific episode. I really enjoyed Greg's take on the Shocker, and making him Montana really works in the context of the series. As I've said before, who is Herman Schultz? Who cares?

Lots of pipe laying here. Sandman and Rhino both, plus a lot of foreshadowing on where Norman Osborn is going.

The Big Man is no longer voiced by Keith David, unfortunately. Kevin Michael Richardson is a decent substitute, but I can't help but miss Keith. There's a certain quality to his voice work that Richardson can't quite capture.

Aunt May wants to introduce Peter the neighbor's niece, Mary Jane Watson. She has a "wonderful personality". Naturally, Peter shudders.

Norman Osborn was great in this episode, telling Harry to "cowboy up", take responsibility and do what he has to do. Like Halcyon Renard. An evil, cold, sadistic, borderline insane version of Halcyon Renard...

... actually, I got kind of a Tony Soprano vibe from Norman's little pep talk. "What happened to Gary Cooper? The strong, silent type. That was an American. He wasn't in touch with his feelings. He just did what he had to do."

Peter finally landed a job at the Daily Bugle, working for jolly J. Jonah Jameson. But, don't fret. JJJ is a decent man deep down. Mariana's trench deep. Dante's Ninth Circle deep.

"Don't go emo on me, bro."
- Eddie Brock to Peter. I'm guessing Eddie's seen "Spider-Man 3"

Greg responds...

I'm sitting here at a Mix for Spider-Man episode #7 and I just asked everyone if there's an emo ref in S-M3. We had to talk about it to figure out what you meant. But I think we get it now.

It's the eye-liner, isn't it?

Response recorded on April 16, 2008

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Moe writes...

Hey Greg! I'm really excited about the Spectacular Spider-Man series and the direction its taken so far. I seriously haven't been this into an animated series since back when I was a kid. At first I was a bit skeptical about the decision to make the character designs more simplistic, but I found it to work quite well with the speed of the animation and the story line in general. Can't wait to see the next episode, and I hope there will be several seasons to come :).

Greg responds...

Me too, Moe!

Response recorded on April 15, 2008

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CanusShamus writes...

Hey Greg! Long-time reader, first time writer </cliche>

Well, typically Entertainment Weekly waits for the first three episodes of a new series to come out before they write a review, so I thought I'd do the same. Short version: I liked it.

I'll admit I was skeptical at first, since WB's new Batman show not only didn't live up to movie, it wasn't even better than the 90s TV show. I am, however, one of the few who despised the Spider-Man movies, and going back to the 90s Spider-Man, I realized it didn't hold up too well over time, so I would tentatively say your version surpasses both of them.

If I had to pick the show's strongest point, it would be the animation. When Spider-Man fights Lizard on the train their fight technique is all one fluid motion, and each comes back from a hit right away, using the momentum for their next strike. It reminded me of a martial arts film, and was better looking than all the CGI that was dumped into the films. Also, I liked how Peter's tag is always sticking out of his shirt; it's a subtle thing, but it works great to play up the 'nerdiness' of his everyday persona.

Another development i enjoyed was the characters. I'm interested to see where you're going with Brock (especially after the animosity he showed at the end of episode 3), and I think not bringing in MJ right away was the smart thing to do (personally, I hope she doesn't show up for a good long while; it will make it seem more significant when she does). My only complaint is Gwen: not that I don't love the way she's written, it's just...well, as any Spider-fan knows, it's Gwen's destiny to die, and the fact she may do so before she even leaves high school just seems unbearably bleak. But you never know; she could go the distance after all.

Summing up, I haven't had occasion to watch ANYTHING on Saturday morning for a good long while now, but you can bet I'll be coming back for Spider-Man. Heck, the average fan would probably prefer this to the "Brand New Day" storyline that's going on in the comics right now.

Oh, and since this is a Q&A column: are there plans for any crossover episodes with other Marvel characters, such as Spider-Man teaming up with Daredevil or fighting against Dr. Doom?

Thank you for taking the time to read my comments. Hope to hear from you soon.

P.S. I thought I was so clever for catching the Broadway cameo, but I apparantly completely missed the Hudson one. Blerg.

Greg responds...

No current plans for crossovers.

Response recorded on April 14, 2008

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Michael N writes...

How about asking Cary Bates to write the intro for the next trade paperback. It'd be a nice tie-in to your early comic book work on Captain Atom and he's certainly had a hand in shaping Gargoyles to what we know today. If nothing else it'd be nice to hear his take on Gargoyles.

I'm really enjoying Spider-Man so far. I think there's a lot of smart storytelling in the show; the same thing that attracted me to Gargoyles. I like that stereotypes are skin-deep. For example Flash fits the jock stereotype nicely, but you see some of his jock friends definitely don't. Likewise not all geeks are, well, geeks. That'll make Eddie's turn especially hard to watch.

I think you're a great match for the job of writing/editing Spider-Man. It's filled with characters that are neither "bad" or "good", but all sorts of in between. You've got an annoying (but in a good way!) habit of developing those sorts of characters in ways that make it hard to hate them and root for the "good guy". Xanatos awakens the gargoyles to use them for his own purposes like they're just tools. Then he tries to "discard" them. Then he helps them. Then he gives them a place to stay and helps to protect them. I want to hate him. I know he's going to try and (ab)use the gargoyles again. They know it as well. But I can't hate the guy. It's damn frustrating (but in a good way!) and Spider-Man is going to give you more opportunities to do that with other characters. You've already started doing that with Electro and Vulture.

My understanding is Electro was "created" when Max was struck by lightning. Was the change in his creation a nod to Gargoyles with respect to the creation of the mutates or was that more coincidence than anything else?

Thanks Greg!

Greg responds...

No, Electro's change of origin was designed to (a) make it feel more real to a 2008 audience and (b) make it fit into the arc it was a part of.

Response recorded on April 14, 2008

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Charisma82 writes...

Okay, I hadn't planned on giving a review for each Spidey show that came out, (& I'm still not planning on it as of right now) but I had to give you and all the people who worked on the episode "Natural Selection" props. I feel this has been the best episode so far, and hey, this is only the 3rd one. I really felt for Spidey at the end of the episode, having to look like a coward in front of his friends so he could keep his Spiderman secret. I guess I'm just a sucker for characters who save the day and never get the recognition they deserve, and even worse, look like they wimped out when they really didn't. The whole story was great, and I can't wait to see more.

Thank you for your time and all that you do.

-Charisma82

Greg responds...

Thank you too!

Response recorded on April 10, 2008


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