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Hello mr.Weisman.
I'm a huge fan of your creations, your espetcially The Spectacular Spider Man, thanks to this show I'm right faith in you found!
I do a huge fan of Marvel, especially I love spider man! And your the spectacular Spider Man was just manna from heaven, even when it began to show on the Disney XD, it was at that time the highest rating in the history channel!
But when your show is canceled, all dedicated fans mourned as I.Ultimate Spider Man did not meet my expectations and hopes. Show was not bad, but not for a modicum of revolutionary as yours. It does not matter watched it or not, A true insult to even little kids who watch it. The show is SO dumbed down and tries too hard to be funny. There's nothing worse than forced "humor".
We understand you do not want to because it was all over with your TV series, we remember that you told us that Sony returned the television rights "The Spectacular Spider Man'' Marvel back. But why sony retained ownership and all production elements, making for a show: the character designs, story lines????? They that film rights about Spidey was a little???? MR.Weisman What do you think?? - I do not see any sense!Disney's not guilty and Marvel, too, I think that Sony, even if they would have given all that is connected with a the spectacular man on film rights had no effect (and it is on the film rights they totally focused right now, and even threw a television and did not touch )! Disney and Sony are no longer competitors. I think you will not knowingly repeat your show on the Vortexx,and the ratings-your show does not become obsolete, and I think and believe that the show has a chance to be reborn. Well, I believe in your upcoming series of Star Wars Rebels and will definitely be watching!
Please Answer!!
And May the Force be with you and your chance to revive the animated series about Spidey!!!
(I'm from Russia, and sorry if what I have written is not so!)
Larin, I'm honestly not clear what you're asking.
But as I've said over and over, Sony can't do Spectacular Spider-Man, since they no longer have the animation rights. And Marvel/Disney can't do Spectacular Spider-Man without paying Sony for the rights to do THAT version of the property. And that's NOT going to happen, because they can do their own version without paying anyone.
Have you read this analysis of Eddie Brock?
http://inquisitivewordsmith.tumblr.com/post/60611499239/tssms-eddie-brock-a-nice-guy-or-a-nice-guy
If so, any thoughts?
I hadn't. I have now. I'm not sure about the terminology, but I agree with the gist of the post.
Bruce Timm and I (and others) were interviewed for a cool little article on adaptation, here:
I am fortunate enough to have been invited to be a spotlight guest at WonderCon this year at the Anaheim Convention Center in California from Friday April 03 - Sunday April 05. Here's my schedule for WonderCon 2015:
FRIDAY, APRIL 03, 2015
SIGNING
ARTISTS ALLEY - Table A-31, 11:30am - 12:30pm.
As usual, I will sign anything you bring for free. But I will also be signing and selling copies of my two novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM. ($10 per book, cash only.) If you purchase both books (signed and personalized for $20 cash total), you get a FREE copy of Kuni Tomita's original development artwork designs from when we developed RAIN as an animated series back at DreamWorks in the '90s. I will also be signing and selling copies of my animation and radio play scripts (from GARGOYLES, MEN IN BLACK, STARSHIP TROOPERS, TEAM ATLANTIS, W.I.T.C.H., THE BATMAN, THE SPECTACULAR SPIDER-MAN, DC SHOWCASE: GREEN ARROW, BATMAN: THE BRAVE AND THE BOLD, THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES, YOUNG JUSTICE, BEWARE THE BATMAN, GARGOYLES MEETS THE SPECTACULAR SPIDER-MAN MEETS YOUNG JUSTICE and KIM POSSIBLE). Each signed and personalized script is $20 cash. I'll also be giving away #RainoftheGhosts AudioPlay postcards for free!
WORKING IN THE STAR WARS UNIVERSE
Room 207 04:00pm - 05:00pm
I'm moderating this panel with panelists: Kevin J. Anderson, Sam de La Rosa, Braden Lamb, Mike Mayhew, Rebecca Moesta & John Ostrander.
SIGNING
ARTISTS ALLEY - Table A-31, 5:30pm - 07:00pm.
SATURDAY, APRIL 04, 2015
SPOTLIGHT ON GREG WEISMAN
Room 213, 11:30am - 12:30pm
Gary Mierianu interviews me about Gargoyles, Young Justice, The Spectacular Spider-Man, Star Wars Rebels, Star Wars Kanan: the Last Padawan, Rain of the Ghosts (novels and AudioPlay) and more. Plus we'll open it up to an audience Q&A at the end.
SIGNING
ARTISTS ALLEY - Table A-31, 1:00pm - 02:30pm.
SIGNING
Mysterious Galaxy Booth 908, 03:00pm - 03:45pm.
MARVEL: NEXT BIG THING
Room 300AB 04:00pm - 05:00pm
I'll be talking about Star Wars Kanan: The Last Padawan, but other panelists will include Sam Humphries, Will Moss & Rick Remender, talking about their stuff.
SIGNING
ARTISTS ALLEY - Table A-31, 5:30pm - 07:00pm.
SUNDAY, APRIL 05, 2015
WARNER ARCHIVE MORE THAN SIDEKICKS!
Room 300AB 01:00pm - 02:00pm
I'll be talking Young Justice and other sidekick stuff with J.M. DeMatteis, D.W. Ferranti, Loren Lester, Gary Mierianu & Matthew Patterson.
SIGNING
ARTISTS ALLEY - Table A-31, 2:30pm - 05:00pm.
That's it. If you're in the area, stop by and say hello!!!
From where did you get the idea for Electro's origin in The Spectacular Spider-Man? Was it the story team's original idea?
I ask because in The Amazing Spider-Man 2, Max Dillon turns into Electro almost the exact same way (gets electrocuted and falls into a vat of special electric eels). I'm interested if the movie blatantly ripped off from the show or if there is some comic book/other source material that you would have gotten this origin idea from.
Thanks - I'm a big fan of your shows, and Star Wars: Rebels seems like it will be pretty great.
We came up with it - probably inspired to some degree from the origin of the mutates in Gargoyles - to fit our Biology 101 theme for that particular arc. But I don't consider what they did in the movie to be a rip-off. Marvel and Sony own everything that was done in The Spectacular Spider-Man, so they can't rip-off themselves. Frankly, I'm glad they liked it. Though I do wish that if they liked it that much, they would have hired me to write the movie. ;)
Hey there. I'm a huge fan of The Spectacular Spiderman and I've spent time trying to find out how I can contact one of the writers about a question I have for the show. For the Daily Bugle newspapers on the show, I've noticed they are are the same message but have parts cut off. I've spent my evening trying to figure out the full article but it seems I have hit a dead end.
This is what I have:
"In the opinion of this unassuming and civic-minded publisher and humanitarian, the question is not whether the so-called Spider-man is a hero or vigilante. The question is whether he is a THREAT or a MENACE! How a civilized society can allow a glory-seeking, masked scofflaw to swing through our city - littering it with his sticky leavings - with no fear of the repercussions is beyond the intellect or your humble servant, J. Jonah Jameson. Is it not a fact that criminals like the Vulture, Electro, the Lizard, Shocker, Sandman, Rhino, Green Goblin, Doctor Octopus and Venom did not exist until the presence of the Web-Head created a void that summoned them forth like a plague into our fair town, striking terror into the hearts of our citizenry? Does Spider-man make our city safer? Balderdash. Humbug. Nonsense. Spider-man creates the danger threatening our lives, liberties, and pursuits of happiness. Banish the Web-Slinger, and with him you banish those who seek to knock him from his web - making us all quantitatively safer. As for heroes, we have plenty to inspire us, if only we are willing to seek beyond the showy primary colored carnival suit of the Spider."
I can't figure out the rest from here and I was wondering if you wrote this or know who did and can give me a lead on the full thing. Anything would be appreciated, thankyou.
I wrote it, and I think you got most of it:
In the opinion of this unassuming and civic-minded publisher and humanitarian, the question is not whether the so-called Spider-Man is a hero or a vigilante. The question is whether he's a THREAT or a MENACE! How a civilized society can allow a glory-seeking, masked scofflaw to swing through our city - littering it with his sticky leavings - with no fear of repercussions is beyond the intellect of your humble servant, J. Jonah Jameson. Is it not a fact that criminals like the Vulture, Electro, the Lizard, Shocker, Sandman, Rhino, Green Goblin, Doctor Octopus and Venom did not exist until the presence of the Web-Head created a void that summoned them forth like a plague upon our fair town, striking terror into the hearts of our beloved citizenry? Does Spider-Man make our city safer? Balderdash. Humbug. Nonsense. Spider-Man creates the danger threatening our lives, liberties and pursuits of happiness. Banish the Web-Slinger, and with him you banish those who seek to knock him from his web - making us all quantitatively safer. As for heroes, we have plenty to inspire us, if only we are willing to seek beyond the showy primary colored carnival suit of the Spider. One need but cast a glance toward the policeman, the fireman, the soldier overseas. The astronaut and the crusading publisher-journalist provide legitimate role models for our children and ourselves. What need have we of the cursed arachnid? A deadline should be set - sixteen seconds seems appropriate - for the Web-Head to end all activity in New York. After that, he must be apprehended and placed in Ryker's alongside the "villains" he claims to have defeated. On this point, I'm sure we all agree. The Spider-Man must go!
Did you happen to see the reinterpration of famous comic covers on CBR today? There is one that was just amazing which you may appreciate.
http://goodcomics.comicbookresources.com/wp-content/uploads/2014/05/line5-16-9.jpg
I did, yeah. It's flattering... and a little ominous.
Of course, the reason listed for YJ's demise isn't quite right. If I had to (oversimplify and) pick only one cause, it was the failure of the toy line.
1) Would you be open to work on other new shows that focus on characters you've already worked on? For example, if you were approached by Disney to work on a new Spider-Man show that isn't in the same continuity as The Spectacular Spider-Man, would you accept? Or would you rather move on to different characters?
Everything is situational. I'd love to do Spider-Man again in almost any form. (I wrote one issue of Amazing Spider-Man that wasn't in continuity with Spectacular, and would be happy to write more.) But the question's almost too hypothetical to answer. Readers familiar with this site know I'm not big on hypotheticals.
Hey Greg, did you guys ever plan to give Kenny Kong a more significant role in The Spectacular Spider-Man, or was he already given one without the audience knowing? I ask this because to me he seemed considerably downplayed compared to his Ultimate counterpart.
As with all the supporting characters, we had additional plans for him. But Pete/Spidey was always the lead.
I'm leaving in a few minutes for Magic City Comic Con in MIAMI at the Miami Airport Convention Center!!
Here's my schedule:
FRIDAY, JANUARY 16, 2015
SPOTLIGHT Q&A 02:30pm - 03:20pm
Ballroom 1.
ADAPTING MEDIA FRANCHISES FOR COMIC BOOKS 04:00pm - 05:00pm
Ballroom 2 w/Mike W. Barr, Terry Cronin, Dan Slott.
SIGNING 05:00pm - 06:00pm
Booth #???? - 900 Aisle
AUTOGRAPH SESSION 06:30pm - 08:00pm
Celebrity Autograph Area,
West Hall - Exhibition Room.
SATURDAY, JANUARY 17, 2015
SIGNING 10:30am - 11:30am
Booth #???? - 900 Aisle
GET YOUR ACT TOGETHER AND WRITE YOUR
FIRST NOVEL 11:45am - 12:45pm
Ballroom 2 w/Mike W. Barr, Terry Cronin, Philip Lee McCall II.
AUTOGRAPH SESSION 01:45pm - 03:00pm
Celebrity Autograph Area,
West Hall - Exhibition Room.
WRITING SPIDER-MAN 03:15pm - 04:15pm
Room 210 w/Dan Slott.
WRITING: FROM TV TO COMIC BOOKS
Room 202 05:15pm - 06:15pm
w/Mike W. Barr, Terry Cronin.
SIGNING 07:00pm - 08:00pm
Booth #???? - 900 Aisle
SUNDAY, JANUARY 18, 2015
SIGNING 10:30am - 11:20am
Booth #???? - 900 Aisle
LEGACY OF GARGOYLES 11:30am - 12:30pm
Room 210
WRITING BATMAN 01:45pm - 02:45pm
Room 210 w/Mike W. Barr, Francis Manapul.
AUTOGRAPH SESSION 03:15pm - 04:30pm
Celebrity Autograph Area,
West Hall - Exhibition Room.
THE BUSINESS OF ANIMATION
Room 210 05:30pm - 06:30pm
w/Christy Karacas, Chris Prynowski, Melissa Warrenburg.
I will be selling personalized signed copies of my two novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM for $10 in cash each. If you buy both books, you get signed copies of the original development artwork by Kuni Tomita from when we attempted to sell RAIN as an animated television series back in the 90s.
I'm also selling signed copies of my animation scripts for $20 in cash each from series including GARGOYLES, THE BATMAN, BEWARE THE BATMAN, ROUGHNECKS, MEN IN BLACK, TEAM ATLANTIS, KIM POSSIBLE, DC SHOWCASE GREEN ARROW, W.I.T.C.H., THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE and more - including scripts from a couple of convention radio plays.
Autographs from me and photos of or with me are always free.
If you're in the Miami area, I urge you to stop by and check it out!
I think you once hinted that you 'didn't get enough episodes' to do a musical episode of The Spectacular Spider-Man. Was a musical episode part of your 5 season plan? And if so, which season did you plan to include it in: 3, 4 or 5?
I don't think I ever hinted that. Coming up with a legit story excuse to do a musical episode is usually the biggest challenge. Puck would have made a great excuse on Gargoyles, but it's harder to figure out how to do that on SpecSpidey. Nevertheless, we had an index card on my board for the run of the show that said, "Spectacular Spidey - The Musical". It was mostly a joke, but if I could have figured out a solution...
How was it working with Peter MacNicol? What brought him to mind when it came to playing his characters from Young Justice & The Spectacular Spider-Man? Do you plan to work with him again when possible?
I love working with Peter. He's a consummate professional, who makes constantly interesting choices. I've been a fan of his since Dragonslayer, and have loved his various T.V. work. Though I had never worked with him before, I suggested him for Doctor Octopus in Spectacular Spider-Man, because I thought he could capture both sides of the Doctor Octavius we were creating, i.e. the shy, nervous man we first meet, and the megalomaniac he becomes. That worked out so well, that I knew he'd give us a great Professor Ivo on Young Justice and a great Tseebo on Star Wars Rebels. I'd work with him again in a heartbeat. Just need a show. ;)
Hi Greg,
I noticed that, in one of your previous posts, you answered a fan question by including a schematic of your "pie-in-the-sky" fantasy for the Spectacular Spider-Man (including how you wanted to do movies, certain numbers of seasons, etc. to tell your intended story with a specific road map) and I was wondering if you would do the same for Young Justice (I'm not asking for spoilers or specific details, just information such as how many seasons you would have done, if you would have, like with Spider-Man, done movies or spin-offs, etc.).
We didn't have the same kind of "Business Plan" for YJ as we had for TSS-M. But we had definite plans for a Season Three and many, many, many story lines for either the show or the comic.
Hi Greg, I know that one of your goals on The Spectacular Spider-Man was to increase the ethnic diversity in Spidey's cast of characters.
With that in mind, why did you change Rhino from (presumably) eastern-European (since his name in the comics was Aleksei Sytsevich) to American (or Irish-American, since his surname became O'Hirn)?
I felt like it went against what you were trying to accomplish by mixing things up with characters like Liz Allen and Ned Lee(ds).
We felt we had enough Russian villains without adding Rhino. At some point you gotta wonder why all these Russian natives hate Spidey. It made sense in the Cold War context that Spidey - and much of his rogue's gallery - was created in. Made less sense in a modern context.
The O'Hirn name came from the comics; we didn't create it. I seem to recall it was an alias Rhino used at some point.
For good or ill, it had nothing to do with my desire to add diversity. Again for good or ill, all I did was trade one caucasian male for another. A wash.
First of all, I'd like to thank you for two great seasons of Spectacular Spiderman. I haven't loved an animation this much since BTAS; the character development, story and animation were all of a high standard.
Now onto the questions.
1. In regards to Spectacular Spiderman's cancellations due to complications, did you or anyone part of the creative team attempt to ask Sony or Marvel to reconsider their decision?
2. With the upcoming Bluray release of all 26 episodes of Spectacular Spiderman, do you think sales and new reception may be able to persuade Sony or Marvel to continue production for a Season 3, and perhaps more?
3. Did the ratings and/or toy sales for Spectacular Spiderman impact its eventual cancellation or was it purely based on specific ownership rights?
I really appreciate you and your partner's work on Spectacular Spiderman, and your contribution and willingness to interact withe community.
Thank you.
1. Yes. But at the time, it was almost corporately impossible.
2. I think it's unlikely. But I hope I'm wrong. And certainly if it sell poorly, that'll doom it for sure.
3. Mostly the latter. Our ratings were stellar during Season One on Kids WB. Less stellar during Season Two on Disney XD, though I believe there were extenuating circumstances to explain that. Toy sales were okay but not great, which didn't help either. But mostly it had to do with Marvel having the rights back to make an animated Spidey series, but Sony still holding the rights to the specific Spectacular version.
1. In the spectular spider-man what would've been the legal status/civil rights of mutants?
2. Did you have any idea for magneto backstory in the spider-man story?
1. Early days in the Spectacular version of the Marvel Universe. First someone would have had to have heard of mutants.
2. Nothing specific. There were no plans to bring him in back in the day. Did have plans for Professor X, Cyclops and Beast.
Hi Mr Weisman
Out of curiosity, given your response about handling Spectacular Spider-Man's school term timeline here: http://s8.org/gargoyles/askgreg/search.php?qid=19596
One of my favorite things about Spectacular was the approach to episode names (along with everything about the show), each individual episode serving as the "Lesson Plan" for a "Subject". Biology 101, Economics 101, Psych 101 etc.
Since you were planning on factoring M³'s scheduled breaks and other holidays into the show, if more episodes had been possible would they have factored into the name scheme as well as other or "Advanced subjects"? As an example if the movie hadn't gone through would season 3 have started with "Spring Break" before moving onto the next subject? And later on would there have been "Winter Break" or "Fathers Day" episodes in between Peter's senior year subjects?
The short answer is yes. I like title schemes. I wouldn't have abandoned this one.
So I asked Jeph's assistant about what went down. Would Sony have been able to negotiate Spider-Man's animation rights had they shown evidence to Disney that the show had a viable audience and keep the show on the road? I mean did Sony even try to appeal on that matter or did they just outright give them up.
I don't pretend to know what went on behind closed doors at a level WAY above my paygrade. All I know is that Sony gave the animation rights to Spider-Man back to Marvel. Sony, however, retains the rights to the specific version of Spidey that we did on the show (those stories, those designs, etc.). Marvel was never likely to pay Sony to do a show with MARVEL's signature character, when Marvel had the resources (and desire) to do their own version. Add in the fact that Marvel was purchased by Sony's competitor Disney, and the problem is exacerbated.
Hi Greg, How are you? You may know me from twitter as I tend to have converstations with you at times.
1. Spectacular Spider-man has gotten me into Spider-man. Other than Stan Lee's run, what Spider-man stories do you recommend? I have Kraven's Last Hunt, Death of Gwen Stacy, and all of Lee/Ditko, and will get the rest of Lee's run with Romita soon. Just wanted to get your thoughts on which Spidey stories to buy as you are a big Spidey fan.
2. Did you like the Peter/MJ relationship from the comics? I ask because some writers accuse that relationship as causing sales and quality of Spidey titles to drop, so I wanted to hear your opinion.
3. Since you said you are now working on the third book in the Rain series, did you get the green light for the third book or are you just working on it, in hopes it will be greenlit?
Thanks and hope everything is well!
1. I can't pinpoint things for you. Might have been able to when I was in the thick of writing/producing SpecSpidey, but that was years ago. I always start at the beginning and work my way forward.
2. I like how some writers/artists/editors handled it. Didn't like how others did. It's all about execution.
3. I have not gotten a green light from St. Martin's Press on Masque of Bones (i.e. Rain of the Ghosts, Book Three). And I have NOT started writing it. I have begun doing some of the research.
I am meeting with Kaitlin Dahill Jeph Loeb's assistant. Anything I can say which would help the Spectacular Spidey cause in any way?
I doubt it.
Marvel Entertainment has its own Spidey show now, which is doing VERY well. They don't need Spectacular. Plus they couldn't do Spectacular without paying Sony for the rights to it. And you can imagine how enthusiastic they'd be to pay Sony to do Spidey.
Hi Greg, I am a huge fan of spectacular spider-man. I'm not sure if you've ever heard of a companies called telltale games, if you haven't maybe take a few seconds to check out their work. I think a game developed by them would be the perfect way to continue the series, seeing as this is a little to none possibility, hypothetically would you ever consider continuing the show in that way?
I'd be interested, but you have to understand that it's not up to me. I own neither Spider-Man (obviously) or the rights to The Spectacular Spider-Man series.
Spider mans usually 5'9"/5'10" yet in your series he's around 5'6". Was your intention to have him eventually get to this height as the years progressed?
I'd question the premise of your question to begin with.
In any case, he'd have gotten a bit taller, but I personally think it's a mistake to make Pete a big guy. That seems to miss the point.
This has been bothering me for a while, but, in regards to Rhino in SSM, how does he use the bathroom with that suit grafted to his body?
I've answered this before. (Checking the archives gets your question answered faster.) Plumbing is built into the suit. The results are voided through the bottom of his feet.
In anticipation of my FIVE panels at Long Beach Comic Con, here's a nice little article/interview on 13th Dimension:
http://13thdimension.com/greg-weisman-from-gargoyles-to-young-justice-to-novels-and-more/
How old is Adrian Toomes in Spectacular Spider-man?
If I ever set a specific age for him, I don't recall. I did not create an entire timeline for The Spectacular Spider-Man the way I did for Gargoyles and Young Justice. Mostly, because SpecSpidey was more contained and easier to keep track of.
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