A Station Eight Fan Web Site
Ask Greg Archives
Weisman, Greg
Archive Index
: « First : « 25 : Displaying #210 - #234 of 401 records. : 25 » : Last » :
Posts Per Page: 1 : 10 : 25 : 50 : 100 : All :
Billy Kerfoot writes...
1) Oh Greg, one more thing I forgot! I've heard you were an English teacher once before. Who was your most memorable student and why? Where did you teach? And how come I wasn't selected to be in your class?
Greg responds...
I was a Shakespeare T.A. at Stanford. I also taught a literature class there, "The Mythic Hero in Modern Literature".
At U.S.C., I taught Freshmen Composition.
And through U.C.L.A. Extension I've taught a course on Writing for Television Animation.
Gerald Smith writes...
what else have you written? before and after gargoyles.
Greg responds...
My complete resume as of October, 2004:
GREGORY DAVID WEISMAN
EMPLOYMENT HISTORY:
4/83 - present: Emmy Nominated Freelance Writer / Producer / Story Editor / Voice Director / Development Guy. See credits below.
1/02 - present: Voice Instructor, SPECIAL DATA PROCESSING CORPORATION, Clearwater, Florida. Developed and gave seminars to telemarketers on how to increase sales by using their voice and acting skills as tools.
1/98 - present: Writing Instructor, UCLA EXTENSION PROGRAM. Introduction to Animation Writing, From Script to Cell: The Complete Writer's Guide to Television Animation. Designed and taught course on animation writing. Evaluated exercises and spec teleplays for both format and ability.
6/96 - 9/98: Writer / Developer / Producer, DREAMWORKS SKG TELEVISION ANIMATION. Developing series and video projects including Invasion: America, Steven Spielberg's Cliffhangers, Sword of the Shogun, The Avenger, Blackhawk, Madison & MON-Ro, Rain of the Ghosts, Tai-Fu The Series, Treasure Hunters, Inc., Small Soldiers: The Animated Series.
10/94 - 5/96: Creator / Supervising Producer / Supervising Story Editor, Gargoyles animated television series, WALT DISNEY TELEVISION ANIMATION. Created and developed series and characters. Writer/Producer on 66 half-hour episodes. Came up with overall story arc, and all 66 springboards. Managed four story editors; oversaw all premises, outlines, scripts and voice recordings. Voice directed an episode. Gave notes on storyboards, design work and timing direction. Supervised editing, sound mixes and video on-lines. Nominated for "Golden Reel," "EMA" and "Annie" Awards. Created and developed sequel series, Bad Guys, Pendragon, The New Olympians, TimeDancer, Dark Ages, Gargoyles 2198.
2/93 - 10/94: Director of Series Development, DISNEY TV ANIMATION. Developed new series for afternoon syndication and network Saturday morning. Including Marsupilami (CBS), Bonkers (syn), Aladdin (CBS & syn), Schnookums & Meat (syn), Timon & Pumbaa (CBS & syn), Quack Pack (syn), Mighty Ducks (syn), Gargoyles (syn) and Gargoyles: The Goliath Chronicles (ABC). Developed animated feature length idea, The Tempest.
2/90 - 2/93: Creative Executive, Current Programming and Series Development, DISNEY TV ANIMATION. Current Programming (including Talespin syndicated series, among others): managed staff of over fifty writers, story editors, development artists and script coordinators. Negotiated contracts. Gave notes on scripts, outlines, premises & storyboards. Supervised voice-recording sessions. Story Edited episodes of Duck Tales syndicated series. Series Development: developed new series for afternoon syndication and network Saturday morning, including Darkwing Duck (ABC & syn), Raw Toonage (CBS), Little Mermaid (CBS) and Goof Troop (ABC & syn).
7/89 - 2/90: Staff Assistant, DISNEY TV ANIMATION. Covered outside submissions. Read current programming; gave notes. Worked in development. Acting Creative Executive on New Adventures of Winnie the Pooh (ABC), Gummi Bears (NBC, ABC & syn), Chip N' Dale Rescue Rangers (syn) and DuckTales the Movie: Secret of the Lost Lamp (feature film).
8/88 - 5/98: Assistant Lecturer, UNIVERSITY OF SOUTHERN CALIFORNIA. Taught courses in Composition. Designed curricula and assignments; evaluated papers and examinations.
2/88 - 8/88: Food Server, Cashier & Soda Jerk, JOHNNY ROCKETS, Melrose Avenue, CA. Waited on counter; worked computerized cash register; made great shakes & malts.
3/87 - 7/87: Associate Editor, DC COMICS, New York, NY. Edited and developed new comic book series, including Young All-Stars.
3/86 - 3/87: Assistant Editor, DC COMICS. Trafficked comic art and stories; maintained schedules on over five monthly titles, including Teen Titans.
10/85 - 3/86: Editorial Assistant, DC COMICS, Distributed mail, photocopied, etc.
2/85 - 6/85: Teaching Assistant and Preceptor, STANFORD UNIVERSITY. Led discussions and evaluated student work including fiction, essays and quizzes for two courses. Shakespeare: Organized discussion sections for class of 140 students. Personally responsible for section of 15 students. The Mythic Hero in Modern Literature: Proposed, designed and taught accredited seminar of 11 students.
WRITING / PRODUCING / STORY EDITING / VOICE DIRECTING / DEVELOPMENT CREDITS:
2004 - Present: W.I.T.C.H., SIP Animation/Disney Channel. Supervising Producer & Story Editor of Second Season of Animated Series.
2004 - Present: Robotech: Mars Force, Harmony Gold. Developed new Animated Spin-off Series. Wrote Bible.
2003 - Present: Kidd/Hero, DAG. Developed Animated Series, writing bible and voice directing sales reel.
2002 - Present: The Bible for the Platinum Megaverse!, PLATINUM STUDIOS. Developed multiple series, characters, movies and stories for comic books, television and features. Writing Bible for their entire comic book universe, including encyclopedia, biographies, mini-bibles and timeline.
1997 - Present: Ask Greg, Maintained website at http://s8.org/gargoyles/askgreg/. Designed to keep fan interest in the Gargoyles television series alive.
2004: Alien Racers, MGA Entertainment. Wrote an episode of Animated Series.
2004: Robo-Sapiens, WARNER BROS. Co-created and developed original Animated Series. Wrote bible and pilot treatment.
2004: Mechromancers, DISNEY. Voice directed pilot for Animated Series.
2004: Super Robot Monkey Team Hyperforce Go!, DISNEY. Writer for multiple episodes of Animated Series.
2003 - 2004: The Batman, WARNER BROS. Writer for multiple episodes of Animated Series.
2002: Phoenix Force, HASBRO. Developed animated series based on the Action Man toy property.
2002: Kim Possible, DISNEY. Writer for Animated Series.
2002: Creature Force, DISNEY. Developed Animated Series. Wrote Series Bible.
2002: Spider-Man, SONY. Writer for Animated Series.
2002: Bionicle, LEGO. Story Editor / Consultant for Animated Direct to Video Feature. Shared Story Credit.
2002: The Mummy, UNIVERSAL. Writer for Animated Series.
2000 - 2002: Team Atlantis, DISNEY. Writer / Story Editor / Voice Director for Animated Series and Direct-to-Video Feature.
2000: 3 x 3 Eyes, NEW GENERATION PICTURES / PIONEER. Voice Director for Direct-to-Video Anime Series.
1999 - 2000: Max Steel, SONY. Developed Series. Producer / Story Editor for first season. Writer, multiple episodes.
1999: Macbeth, DREAMWORKS FEATURE ANIMATION. Writer.
1998 - 99: Roughnecks: The Starship Troopers Chronicles, SONY. Story Editor (10 episodes), writer (2 episodes), assisted on Post-Production (7 episodes). Series and Writer nominated for Best Animated Series Special Class Emmy.
1998: Justice League Giant, DC COMICS. Writer.
1998: Buzz Lightyear of Star Command, DISNEY. Writer (multiple episodes) for Animated Series.
1998: Big Guy and Rusty the Boy Robot, SONY. Writer for Animated Series.
1998: Roswell Conspiracies: Aliens, Myths and Legends, BKN. Developed Series. Writer / Story Editor on Bible and Pilot.
1998: Disney's Hercules, DISNEY. Writer for Animated Series.
1997 - 1998: Stargate: The Hunted, MGM. Developed Animated Series, wrote Bible.
1997 - 1998: Men In Black: The Series, SONY. Writer for Animated Series, multiple episodes.
1996: Gargoyles: The Goliath Chronicles, DISNEY. Developed series. Writer / Story Editor of pilot episode.
1994 - 1996: Gargoyles, DISNEY. Creator / Supervising Producer / Supervising Story Editor on 66 half-hour episodes. Nominated for "Golden Reel," "EMA" and "Annie" Awards.
1995: Gargoyles Comic Book, MARVEL COMICS, New York, NY. Writer. Supervised writing on all issues.
1986-1991: Captain Atom, DC COMICS. Reconceived and revamped character of "Captain Atom" with partner. Co-wrote 33 issues of comic book series, plus two annuals. As an individual, wrote 16 issues. Samples available upon request.
1990: Duck Tales, DISNEY. Story Editor on multiple episodes.
1983-1990: Secret Origins, among others, DC COMICS. Proposed, plotted and scripted many comic book stories. Also wrote text pieces published in Who's Who in the DC Universe, among others.
1989: The Artemis Choice, U.S.C. Two-act stage-play.
1988: Valley of the Vampire, INTERVISUAL COMMUNICATIONS, L.A. CA. Writer on Pop-Up Book.
1987: Jem and the Holograms, SUNBOW PRODUCTIONS, NYC, NY. Writer (with partner) for Animated Series.
* Multiple short stories also *
EDUCATION:
9/87-10/89: University of Southern California, Los Angeles, CA. Masters of Professional Writing (M.P.W.). Course work included fiction and screenwriting, with emphasis on playwriting. Produced and directed my own play, The Artemis Choice.
9/81-6/85: Stanford University, Stanford, CA. B.A. in English and Creative Writing. Course work included a broad Liberal Arts background specializing in Shakespeare, Faulkner and fiction writing.
9/84-12/84: Stanford-in-Oxford, Oxford, England. Studied Shakespeare and the English Novel. Wrote short story published in New Oxford Magazine.
MEMBERSHIPS:
3/92-present: Academy of Television Arts & Sciences.
2/95-present: N.A.T.P.E. International.
3/95-present: Museum of Television & Radio.
9/98-present: Motion Picture Screen Cartoonists a.k.a. The Animation Guild
NOMINATIONS:
1994: Golden Reel Award Nomination for Outstanding Achievement in the Motion Picture And Television Industries for GARGOYLES, "Awakening, Part Five".
1995: Annie Award Nomination for Individual Achievement for Creative Supervision in the Field of Animation for GARGOYLES.
1996: Environmental Media Award Nomination for Children's Animated Television Program for GARGOYLES, "The Green".
1996: Annie Award Nomination for Outstanding Achievement in an Animated Television Program for GARGOYLES.
2001: Emmy Award Nomination for Best Animated Series - Special Class for ROUGHNECKS: THE STARSHIP TROOPER CHRONICLES.
10/11/04
Haleigh Costantino writes...
I am a digital imagery student and freelance artist in Arizona. I wanted to know how you got started working and if you can tell me about any companies that accept freelance artists for concept art, etc. And please keep the idea of that Gargoyles movie going!
Greg responds...
All the animation companies go through phases of hiring and not hiring. You posted your question in early 2003, and I'm answering in late 2004, so I assume you haven't been waiting on me to pursue your goals.
My oft-repeated story is elsewhere in the ASK GREG archives under "Weisman, Greg". But the short version is that I've wanted to be a writer since grade school. I eventually got professional work as a freelancer at DC Comics. From DC, I transitioned to graduate school. While at graduate school, I interviewed at Disney and eventually got a junior executive position at Disney TV Animation. I developed and supervised numerous series for TVA, including, finally, GARGOYLES, which I then moved over to produce.
Frank White writes...
i am a great fan of your work. i know that gargoyles finished along time ago, but i was wondering if there was anything you will be working on in 2003 for disney or anybody else. also could you please give a brief description
Greg responds...
Thanks, Frank.
Of course, it's 2004 now. Here's a sample of how I've been keeping busy:
I worked a bit on "Bionicle: Mask of Light"
I wrote a number of episodes for "The Batman" and a couple for "Super Robot Monkey Team Hyperforce Go!", plus one for "Alien Racers".
Right now, I'm working on the second season of W.I.T.C.H. (But I had nothing to do with the first season.)
Little things...
It's amazing how nothing major has changed in my life.
It's also amazing how many little things have changed.
I'm up VERY late. I generally work until midnight and then try to wind down from 12am to 2am. I try to go to bed around 2, but often I'm up until 3am or later.
All of this was time I used to spend with Norman. Beth and the kids were long asleep. Sure the cats stopped by occasionally, but Norman was my constant companion. He'd be on the floor or on his old recliner chai (the one he commandeered when Beth wouldn't let him on the new couch). I'd pet him some, but mostly it was just his presence.
Now his hair-covered blanket is off the chair. It makes it available for human seatage -- but I'm not that big a fan of humans, and in any case there are none around at those hours. So I'm just alone at my desk. Or alone on the couch. And it's just strange. And very lonely.
Erin and I walked into Larchmont yesterday. (Saw Matt Dillon, by the way.) It was weird not having Norman on the leash, our walking smile-magnet. And every dog we did see on someone else's leash kinda broke our hearts.
Beth said she's been hearing him at the back door, crying to get in. So I open the door occassionally.
We see Bassetts on tv ALL the time. Two just on the "er" episode I recorded the other night. (One on a commercial and one in the actual show.)
We can now leave chalah out on the kitchen table. Cause he's not there to swipe it.
And I can leave the front door open when I bring the groceries in from Beth's car, because he's not there to bolt out into the middle of the street.
And when the doorbell rings, he doesn't bark and howl like a lunatic.
But mostly, he's not waiting in the living room window when we get home anymore.
No. Mostly, he's just not there on his chair at night.
It's the little things. Not the big things. There are no big things, frankly. Our lives haven't changed. (Less pooper-scooping, I suppose, but I'd be lying if I said we missed that.) School, work, etc. Life goes on, of course.
Nothing has changed.
But nothing is quite the same either.
I really miss my dog.
Air Commander Bentley Norman
Our Basset Hound, Norman, died today. Beth and I were with him as he was put to sleep.
He had lymphoma, which came on quickly and was only discovered while he was recuperating (or rather failing to recuperate) from his last ear surgery. He was completely deaf and nearly blind. He couldn't eat, couldn't drink, couldn't walk or even stand. I carried him out to the yard -- which only a few weeks ago would have been impossible, but he's lost so much weight that it was depressingly easy -- but he couldn't even go to the bathroom. His stomach was hard as a rock. He was having a lot of trouble breathing. He had stopped barking and howling completely. He could barely wag his tail.
So it was time. But it was very hard.
He was truly a joy of a dog. And dashingly handsome. I'm really going to miss him.
The Nique writes...
Happy Birthday Greg. Did you get the $1000 check I sent in the mail?
Greg responds...
Uh, no. But it's the thought that counts, darn it.
TakariFreak writes...
Gee, it's already 9/28 AGAIN? well then, Happy B-day Greg!
*Bows down before Greg's greatness*
Greg responds...
Thank you, but please. Get up. Get up!
Lynati writes...
September 28th again already?
Happy Birthday, Greg!
Greg responds...
Hey, it's only September 14th.
Oh, wait, you meant 2002....
I can't believe I'm still TWO YEARS BEHIND.
But thanks for the well-wishes! Much appreciated!
puck 2000 writes...
Dear Mr. Weisman
You said in a ramble that you went to Stanford University. I wanted to know, what kind of high school grades are needed to get accepted. I looked at many internet sites, but couldn't find anything.
Thanks for your time.
Greg responds...
Well, I had an A- average way back in 1980 when I applied. But obviously that was over twenty years ago. I can't possibly be the best source of information on this subject.
Allexander writes...
As the creator of Gargoyles, what exactly did you do, did you write stories? Draw pictures?
Greg responds...
Isn't this old news? Anyway, to toot my own horn yet again:
I headed the development team that created the series and came up with many of the characters and concepts myself.
I came up with all 66 original springboards (i.e. the story ideas for the first two seasons + "The Journey"), though many people contributed nuggets of ideas.
I supervised all the writing. In essence, I story edited the story editors.
I also wrote and story edited one episode myself ("The Journey").
I supervised all the voice recordings. And I voice directed one episode ("Vendettas"), plus a few pick-up and phone patch sessions. I even performed the voice for one of Xanatos' Goon Squad (the guy who says "Nice Mask!").
I had input on all aspects of design and direction
I co-supervised all post-production, except the tele-cine process, which involves aspects of color too subtle for my color-deficient eyes.
I was the one person involved with the show from it's inception through the end of the third season, though my involvement in the third season (after "The Journey" was voice recorded) was limited to consulting work. And much of my consultations were ignored.
I have no credit on the television version of the pilot 5-parter because I was still an executive when those were posted, and at the time executives did not receive credit. I do have a Co-Producer credit on the Movie/VHS version of the pilot, because I supervised the post-production on that.
My official credit on the rest of the first season was "Co-Producer".
My official credit on the second season began as "Producer". Later it became "Supervising Producer" when two of our directors were promoted to Producer.
I'm also the credited "Writer" and "Story Editor" on "The Journey" and the credited "Voice Director" on "Vendettas".
I was supposed to receive a credit on the third season, but I waved it because it seemed dishonest as much of my advice wasn't taken.
Having said ALL THAT, Gargoyles was the work of literally hundreds of talented people, all of whom contributed to making it the success that it was. I think of it as my baby, and I'm often credited as it's creator. But I never lose track of the fact that it was a team effort.
The Cat writes...
Subject Make-A-Wish, Nov. 1999
Hey Greg.
Okay I this isn't exactically the best place to ask this but I'm not going to see you at The Gathering this year and by the time the next Gathering rolls around I'll probably have forgotten the question.
Anyway, my mother was telling me that _you_ asked her whether or not what was said about the road kill in Texas was true when we met ya'll back in November of 1999 through Make-A-Wish. However, I don't seem to remember you asking that. Then again my memory has gotten rather faulty lately.
What I want to know is were you the one that asked that or was it someone else?
Okay, another thing(more like a personal ramble on what was said that day) after we got finished taping the mock episode of Turf ya'll are all signing pictures and my script. Thom says something about his character Lexington and about Sheena Easton(I had no idea who she was then, but not long after that day I saw her on the Home Shopping Channel.)
Thom: Sheena Easton always said "The wee one is playing with his...weewee." I can't think of the word that she used though.(Something to that effect.)
Jeff(quickly supplies the word): Willyad!
All the while I'm thinking:'Tippickle men. Obsessed with that part of their anatomy! Well,I'm tired I'm not going to say anything. I just want to get to the hotel and fall into bed.' (That wasn't exactly what I was thinking, but there might be little kids out there that their parents do not wish them to know such things just yet.)
Anyhow, you get the idea. By the way in case you were wondering how I was capable of remembering that little chat between Jeff and Thom. It's because my mother accidently filmed it. If those two were a little more conservitive I might be tempted to use that darn tape as blackmail.
Well as they say down here, Adios Amigo. The Cat.
Hmm, curiousity is suppose to kill The Cat, I wonder how many of my nine lives I've wasted this time around.
Greg responds...
I don't even know what this Road Kill comment is in reference to. It doesn't sound like even the kind of topic I'd raise.
And I doubt you could blackmail Thom with something THAT tame.
Lord Sloth writes...
Do you know what your son Benny meant 2 years ago, when he said:
"I want to say that Mama likes Bigtime and Iggy and I like them, but I shoo them. And I'm sorry about that."
I don't believe this riddle had anything to do with the post it came with, which was asking about a connection between Owen's role as an assistant compared to Robin Goodfellow's role as housekeeper, but you never know. Perhaps you could ask him if he's around at the moment.
And is he perchance, referring to Iggy Pop, or to Iggy the lovable power generating rat?
I'm sure there's some profound meaning here, but I just can't comprehend it.
Greg responds...
He's referring to our two cats, Iggy and Bigtime. When you have that piece of information, I think his comments make more sense. I don't know how profound they are, but they do speak to a profound (or at least momentary) sense of regret.
Jacob writes...
Hi all. Hello Greg.
Nice to see you doing all these rambles, they make some forgotten memories come up to my mind again. I would do some, too, if I got a chance to watch the episodes again. But neither are their re-runs here (I've asked my way through: they want to spend the money on new things, though I always see "Doug", "Darkwing Duck" and so on), nor is my internet connection fast enough to download the episodes (if there are any to download) and a faster connection is by now too expensive. But after all the years without Gargoyles I do still remember some things that I liked or liked not that much.
First the things that I did not like: though there was a continuing plot, sometimes it was all too much the same. In short and very sarcastic: "It was a nice evening. The birds were singing and everyone liked each other. Then suddenly a dark cloud brought evil to our main characters. But after a short and hard fight the evil was defeated and everything got back to normal." That's why I like the "Awakening", "Avalon" or "City of stone" parts. These eps were so interesting because there was enough time to create a very interesting story and a really cool atmosphere - BTW City of stone was my first touch with Gargoyles. I saw the scene where the weird sisters speak as statues of children with Goliath and later crush as Brooklyn touches one of them (I hope I'm not mixing something up). My brother thought it was stupid and switched it off and I pretended that I thought it was stupid, too (Hey, I was just a child which did not want to argue). But I guess I liked the characters and the whole atmosphere. - Of course I don't want to say that the whole series should be one continuing show, but I had liked to see more five-parters.
But of course there are things that I liked very much. Most characters do change during the show and keeps being surprising. Everyone is part of a complex story (sometimes it was too complex for me, but after seeing it the second time I knew what was going on. But unfortunately some eps were mixed up so that suddenly we saw Angela, though the world tour was not even started). One of the things I like most are the fantasy elements (BTW Was the dragon we saw in "Pendragon"(?) a real dragon or just brought to life by magic??) Time travel, magicians, fae and of course the Gargoyles (clear why Fang said "I love this body"!!)
I just hope the new episodes will go on air someday. Maybe until then I can watch a few re-runs.
p.s.: some things might sound meaner than they are meant. I'm not good in being polite when I am writing in a language that I don't use often enough.
And sorry about any mistakes:)
p.p.s. Anything new about the real life movie?
What are you by now working on?
Greg responds...
The dragon in "Pendragon" was animated by magic.
The live-action movie has been shelved for the time being.
Right now, I'm working on "The Batman" for Warner Bros.
FEELING CHATTY...
Hey gang,
Just letting everybody know that I'll be stopping by the Station 8 Chat Room (http://s8.org/chat/gargs/) on Thursday, February 5th, 2004 from 4pm-6pm PST (that's 7-9pm Eastern).
Hope to see you all then.
XeniaG writes...
Here I've been...a fan of yours due to your work on Gargoyles and I never knew you had previously worked on Jem and the Holograms until today. I absolutely loved that 80s cartoon show and I wish they had conventions for it. It was a unique show for its time...with fun and well-thought out story-plots. I was just wondering if you would like to share your brief experience with that show.
Greg responds...
Sure. And it was brief.
I was working at DC Comics in New York. I was an Associate Editor there working on books like INFINITY, INC., ALL-STAR SQUADRON, TALES OF THE TEEN TITANS, JUSTICE LEAGUE, YOUNG ALL-STARS, etc. I was also co-writing a book called CAPTAIN ATOM with my friend and partner Cary Bates (whom many of you know as a Gargoyles story editor and writer).
Cary had some friends, former comic book writers, working in animation. So as partners we pitched premises on a number of shows, including TRANSFORMERS, etc.
We only sold one premise: "Video Wars" to JEM & THE HOLOGRAMS.
The premise was approved and we wrote the outline, which was approved to script. I wrote the first draft and Cary wrote the final draft.
I had literally no contact with the people at Jem. Cary did all that.
But that episode was the first time I saw my name on TV. I've still got it on tape.
Alfred Manifesto writes...
Yo
Long time watcher, first time question asker, I happen to be doing a research paper for colege concerning the literary references within Gargoyles (shakespeare and mythology). I was wondering what comments you might have concerning the way which you used these works. For example, your re-telling of McBeth in city of stone parts 1-4 is very different from the play. This makes sense because the play is an altered versain of the actual historical story to make it more entertaining as well as aceptable to the king of england. As i intend on focusing a majority of my paper to Mcbeth I was wondering how you went about combining history, shakespeare, and your own storyline. If you could make any general comments or speak about mythology in any way would be greatly apriciated. I ask not only because it would help my paper, but also it would be a personal thrill to even get a responce. I've known about this site for a while, but this is the first time i've had a decent question. Lastly, I know its quite possible this has been answered before, but i have not yet read all of the entries in the archives, you are creator and producer of one of my favorite cartoons of all time, how does one find themself in that possition of creater and producer? thanx for your time
Greg responds...
Well, unless your paper wasn't due until 2004, I guess I'm too late to help you there.
Macbeth (with an "a" and a lower case "b") the play was indeed a major influence on our version of Macbeth, but we chose to follow the less-told tale that was the true (or truer) history. But we kept the Weird Sisters in it, and even a few lines of Shakespeare where possible. Plus of course we added the gargoyle race, weaving Demona in and out of Macbeth's story. Or rather, we weaved Macbeth's story into the tapestry that is the Gargoyles' Universe.
As to my background, I'd suggest checking the FAQ and coming back here if you have more specific questions that the FAQ didn't answer.
Zarok writes...
Hey Greg I hear your writing a novel, if so…
1) what's it called?
2) What's it about?
3) And most importantly where can I get it?
Greg responds...
1. Anyone who was at G1998 could probably guess.*
2. Ditto.
3. No where right now. I'm about halfway through the second draft. And it's not like I've got a publisher lined up. But believe me, when I'm ready I'll let all of you know.
*Note: that's a not-too-subtle hint that great and wonderful things happen every year at the Gathering. I reveal and show things there that I don't and won't at any other time. So check out...
http://www.gatheringofthegargoyles.com/
and find a way to get to Montreal this August. You won't regret it!
The_Souldier writes...
I didn't come across this anywhere in the archives so, how did you decide to name your cat Iggy? I'm really just curious, I can't really say it's a stupid name or anythig, because here we have a cat we call Mr. Cat, a cat named Monkey, and a lizard we simply call Stinky.
Greg responds...
Iggy is short for Igthorn, as in Duke Igthorn from the Gummy Bears tv series. The Dukey was always a favorite of mine.
Another favorite was Bigtime Beagle from DuckTales, and our other cat is named Bigtime.
Our dog is Norman, named after Norman from Marsupilami. Not sure he was one of our favorites, but we wanted to use a Disney villain name, and no other name fit our dog.
Lacy writes...
Hi, actually this is more of a general ramblin fan letter than a question.
I love gargoyals, and even after all this time I still do.
OH! Though one good question just came to mind (and likely has been asked a million times) Do you plan on ever re-releasing gargoyals as they were in the first two seasons? (not that stupid farce that ABC mangled.) Do you have to wait for any wavers of contracts or has Disney totally bought out all rights to the show so that we never have hopes of seeing it anywere unless they deside to grace us with it (like that would ever happen)
I also noticed that Aladdin the series was in your list of series you did, that was surprising to me, but then again not really, now that I think about it the series had alot of the same feel as gargoyals. (GO MOZENRATH! chee, I'm such a sap for the bad boys)
Gargoyals still holds a strong place in my heart and was definately the first series I ever did fan art, as well as stories about. (Hey I can read,just said I did it, not giving nothing here, nor do I want to. They just fun stuff for me personally anyway.)
Puck is definately my favorite charactor, and it was a huge disapointment to me, my little sister and our circle of friends who are all fans when he wasnt even given an apearence in that chronicals series. (well other than as Owen) So much got crammed and cliche'd in that series, BLEH gotta get off it >.<
Anyway, love the details and developement of the charactors, they all were so believeable and real. The series touched imagination and feeling as no show has, it wsn't just animation as america treats it, but a true series, like Babyalon 5 and StarTrek series. It is the exsample I use most often in arguements for animation used as another form of filming rather than just entertainment for children.
I really hope to see more someday.
OH!!!! End question!!! Did you ever write out how you planned the series to go? If so, did you ever put them to the web? If so... CAN I SEE?!!!!!
Greg responds...
I'm glad you liked the show.
I worked on developing Aladdin for television -- though that wasn't exactly rocket science -- but had nothing to with its production. I'm sorry if that was unclear.
Disney ALWAYS owned Gargoyles outright. Bringing it back is not up to me, though I'd like to and I continue to hold out some hope.
I have a master plan and tons of ideas in my head, going forward and backward. A fraction of that plan is on the web, and can be accessed by checking the ASK GREG FAQ.
Random stuff...
Random ramblings before I go on vacation...
*I am DYING to see "LORD OF THE RINGS: Return of the King". I can't believe how much I want to see this movie. It has been ages since my geeky self has been this desperate. I literally can't remember the last time I so NEEDED to see a movie.
*I bought both extended DVDs for the first two films. (The first one, a year ago of course.) Honestly, what I really can't wait for is the Extended version of Return of the King, but since that's a year off, I'll settle for seeing the "short" version on the big screen. All I can say is that I hope to hell that there's a movie theater on Marco Island, and if so it damn well better be playing ROTK. (And that's right. I'm cussing! Oh, don't look so shocked.)
*I'd like to see a music video featuring Demona to Dido's
"White Flag".
*I'd like to see a music video from Goliath's POV -- but featuring Elisa -- of "Amazing". (I think that's the title. I'm not sure who the artist or band is.)
*I've seen an interview with Peter Jackson saying that originally -- a long time ago -- he wanted to make "The Hobbit" but found that the rights were a mess. He wanted to make "The Hobbit" to demonstrate that he could do "Lord of the Rings". But discovered that the rights to the latter were free and clear, so switched his ambitions to the LOTR, which he wanted to make as TWO films, as he felt he couldn't do justice to the story in one film. Thank God, he got to make three. And, yes, I'm desperately hoping that after "King Kong" (which I'll trust him on, since he's earned that trust, but if ever a movie did NOT require remaking...) he'll do "The Hobbit" as a prequel with the Ians and JR-D and Serkis.
*I can personally vouch for the rights to Hobbit being a mess. When I was a development exec at Disney -- and again, later, at DreamWorks -- we looked into acquiring the rights to do a new animated Hobbit Movie. The rights were hopelessly mired. I understand it isn't quite as bad now. But at the time, a huge number of people/groups had a claim (some more legitimate than others) to the thing. After looking into the situation, my boss wouldn't touch the thing with a ten foot pole.
*I'd really love to do a WWII Blackhawk movie someday.
*Last week, I saw a short film based on William Faulkner's short story, "Two Soldiers". This is my all time favorite short story EVER. I highly recommend it. HIGHLY. And the movie was pretty darn good too. The kid was amazing.
*Saw Clancy Brown again today at a recording session. He kicked ass, as usual. I'd love to tell you what he played, but I honestly don't know if it's confidential or not, and I don't want to get in trouble. Hopefully, I can talk about it soon. I'm not sure he remembered me though, which was a little depressing.
*Saw George Segal walking down the street in Beverly Hills. He didn't seem to remember me either. Of course, we've never met.
*Saw Diane Lane and Christopher Lambert tonight at my daughter's school "Winter Program". They're kid goes to the same school. I've never met them either, but I'd love to ask them what it was like working with Sir Laurence Olivier ("A Little Romance") and Sir Ralph Richardson ("Greystoke"). I wonder if it would bug them that the movies I'm MOST interested in are more or less the first one's each of them ever made.
*I realize I'm intentionally name-dropping. And I also realize it's kind of obnoxious. But, hey, I live in L.A. and I work in the biz, sort of. So I might as well go all out. I also met Steve Harris ("The Practice") and Ming Na ("e.r.") at the Recording session today. And I saw Rino Romano (Johnny Rico from "Roughnecks: Starship Troopers"). Rino, at least, remembered me, thank god.
*The funny thing about LOTR and my passion for the movies is that I'm not a massive Tolkien fan. I read the Hobbit and the Trilogy when I was in my early teens. And I liked them all right. But I wasn't rabid about it. And I could never get through the Silmarillion, though I tried at least three times. I reread the Hobbit to my kids about two years ago. And again, I liked it. But I TOTALLY LOVE THESE MOVIES. Totally obssessed!
*I ate way too much candy at the recording session today.
*It's been a long time since I really rambled on this site. It's been fun. Have a great holiday, guys.
Seeya soon,
Greg
Art Carney (1918 - 2003)
Growing up and living most of one's life in Southern California makes having a number of so-called "Brushes with Greatness" inevitable.
Sunday, I saw Tony Shaloub in Larchmont Village, but since I had recently seen him at Los Angeles International Airport AND spoken with him at Logan International Airport, I refrained from accosting him again, lest he think I was stalking him or something.
And just yesterday, I rode up an elevator with Florence Henderson, who looks great, by the way.
So the fact that I once met Art Carney is, in and of itself, not particularly remarkable. But his passing seems an appropriate time to relate this story.
In the mid-seventies, I was in Junior High. I read a LOT. I had somewhat eclectic, and geek-leaning tastes, but most of what I read were mystery novels, especially mystery novels that were part of on-going series. One such series was Harry Kemelman's Rabbi David Small mysteries. (This is a series that I highly recommend. The more recent books aren't quite as strong, but the original seven are terrific.) Each book's title began with the day of the week. And the first mystery was called, "Friday the Rabbi Slept Late."
One day, I came home from school and found that my street was, as they say, "bustling with activity". An army of humans and trailers and equipment had descended on Queen Florence Lane. In the seventies, in the San Fernando Valley, this was still something of a rarity. But in any event, I was fascinated. They were filming a movie in and around the house directly across the street from ours.
Soon, I discovered that the movie was a telefilm called, "Lanigan's Rabbi". It was an adaptation of "Friday the Rabbi Slept Late." I'm not sure how I managed this, other than persistance and the chutzpah that comes with not knowing anything at all, but I kept telling people that I had read the book that the movie was based on. At some point someone grabbed me and introduced me to the director. I have no idea if he was humoring me or truly interested, but he asked me a number of questions about the original novel, claiming that he -- and that in fact NO ONE on the set -- had actually read the thing. There were, I was told, certain things in the script that weren't tracking for him. So I answered his questions and told him how the mystery played out in the book. He took it all in and seemed grateful for the insight.
In any case, he then did something fairly astounding. He let me hang out. That's it. But I was allowed to watch filming. I was allowed to get food from the catering truck. I was allowed to sit with the actors and talk with them. Now, this couldn't have gone on for very long. It's not like I was employed by the movie company or anything. I didn't follow the shoot to its next location. But they spent at least three or four days in the cul-de-sac where I lived. They gave me a copy of the shooting script, which I then had autographed by the movie's two leads.
One of those leads was Stuart Margolin, who's probably most famous for playing "Angel" on THE ROCKFORD FILES. "Lanigan's Rabbi" wound up spinning off into an on-going series, and for some reason Margolin didn't end up playing Rabbi Small in the series. But he was terrific in the movie. And he was an extremely nice guy, who didn't seem to mind chatting with a thirteen-year-old, who was hanging around the set.
But the part of Police Chief Lanigan was played by Art Carney. Now Art Carney is a certified genius. Emmy winner. Oscar winner. Of course his performance as "Ed Norton" in THE HONEYMOONERS is nothing short of brilliant. His on-screen teaming with Jackie Gleason, a match-made in sitcom heaven. Among other things, Ed Norton was the clear inspiration for any number of cartoon characters, ESPECIALLY "Barney Rubble". People often forget, however, what a wonderful dramatic actor Carney was. How he brought a touch of humanity to every role he played. Rod Serling knew this. Art is unforgettable as a drunken department store Santa in "The Night of the Meek" episode of THE TWILIGHT ZONE. A part that Serling wrote especially for Carney. He is also truly wonderful in a number of movies: "Harry & Tonto" and "The Late Show", among others.
I knew almost none of this at the time. I didn't even know Ed Norton. In New York, the Honeymooners has probably NEVER been off the air, but Los Angeles was and is an I LOVE LUCY town. It would be nearly a decade before I would move to New York and learn to appreciate Ralph and Ed and Alice and Trixie.
What I knew at the time, all I knew at the time, was that this was a big time star -- in the middle of shooting a movie -- who spent time with me. Time by the catering truck. Time on the set. He explained how things worked. He explained why things were done the way they were done. He was just so damn nice -- nice enough that as ignorant as I was -- I didn't take it for granted. It impressed me even then.
A few days later, they were gone. Stuart, Art, all of them. The movie finished shooting in my neighborhood and moved on. Some time later, the movie went on the air. We didn't have a VCR back in those days, so I don't have a copy. I followed along on my shooting script and took note of all the little changes in it. It seemed to me (though I might have been seriously kidding myself) that the final version of the film leaned a bit closer to the original novel than the shooting script in my hand. I was certainly kidding myself when I took credit for that somewhat dubious conclusion. And without a doubt the coolest moment was watching Rabbi Small and Chief Lanigan (Stuart and Art, as I called them) walking down the hill of my street and turning a corner and suddenly being at the Rabbi's Temple. There was no temple around the corner from Queen Florence Lane, but the transition was so seamless, it seemed miraculous. A true bit of movie magic before I understood movie magic. Before I was even vaguely jaded.
I just now spent a half hour looking for that shooting script. I couldn't find it. I hope it turns up eventually. I'm sure I wouldn't have thrown it out, but there's a good chance it was in one of my boxes that was in my parents' basement, part of my past which was destroyed by a flood caused by the Northridge Earthquake. I hope not. I haven't thought about any of this in years, but now it's something I'd like to revisit in more detail.
I wrote about Bob Hope a couple of months ago, when he passed, and I suppose this is a very similar kind of tribute. Others will, I'm sure, write more important, more personal and more informed things about Art Carney in the next few days. But I wanted to add my bit.
Not just for the incredibly talented performer, a loss we should all feel, though not too intensely as he has achieved a meta-Xanatosian immortality through the many great performances we will always have to rewatch time and again. And not for the friend and/or family member, because he was none of these things to me, and I was none of these things to him.
But oddly, I wanted to write a tribute to the stranger. To the nice man, who was patient with a dopey know-it-all kid. He was warm and funny and made me feel welcome.
And for that I am truly grateful. Thanks, Chief.
George writes...
So, Greg , what type of series are you currently working on your own besides Gargoyles and Redemption Squad, a.k.a. BAD GUYS, Max Steel, Timedancer and all of those other Gargoyles Spin-offs?
Greg responds...
For starters, of course, Max Steel is not a Gargoyle Spin-Off. It was a show on Kids WB, produced by Sony and based on a toy from Mattel. I developed it and worked on the first season in 1999. Since then, I've had no involvement.
I have never stopped trying to bring back Gargoyles or one of its Spin-Offs in some way, shape or form, but in the meantime I still have to earn a living.
I've worked on a number of shows as a freelancer since Max. A non-comprehensive list would include: 3x3 Eyes (English dub), Atlantis: Milo's Return (direct-to-DVD/Video), The Mummy, Kim Possible, Bionicle: Mask Of Light, etc.
I've also been working more recently for a number of companies in development, including Platinum Studios, Warner Brothers, DAG and Hasbro. (All in addition to various spec projects on my own and with partners that I/we hope to sell some day.) I'd love nothing more than to talk about this stuff, but it's both bad luck and bad business to talk about a project before it's sold.
Finally, most recently, I've been writing for a new Warner Brothers animated series for Story Editor/Producer Duane Capizzi (of "Men in Black" and "Jackie Chan" fame). Again, I'd love to talk about it, but I don't know if Warners has announced the series yet, and I definitely do NOT want to be the guy who let the cat out of the bag.
Sorry.
julio writes...
greg I was wondering what is your favirote gargoyles episode or you really don't have a favriote gargoyle episode
Greg responds...
I've answered this before.
I am fond of all the episodes, but I believe our multi-parters are particularly strong (AWAKENING, CITY OF STONE, AVALON, THE GATHERING and HUNTER'S MOON).
If I had to pick a single episode that turned out the best on every level, I'd choose THE MIRROR.
Wolfram Bane (wolfram_bane@hotmail.com) writes...
Weisman, Greg
Given the 'everything is real' concept, does Greg Weisman, gargoyle scholar, exist within the Gargoyles universe?
Greg responds...
I never said that "everything is real".
The Weird Sisters believe that "All things are true".
There's a huge difference in my mind.
As to whether there's a Greg Weisman in the Garg Universe, I honestly haven't given it any thought. Which in and of itself seems strange, don't you think?
I've thought about me being transported to the Garg Universe. And after seeing "Galaxy Quest" (directed by Dean Parisot, a dad in my kids' Indian Guides and Indian Princess Tribes), I thought about what would happen if the gargs actually showed up at the Gathering, but I haven't thought about whether or not I have a parallel version over there.
And now I can't because you just submitted it as an idea.
Oh, well.
: « First : « 25 : Displaying #210 - #234 of 401 records. : 25 » : Last » :