Derek writes...

Is Demona smarter than Lexington?

Derek writes...

Who's the smartest member of the manhatthan clan next to Lexington?

The One Known As Mochi writes...

So... Last week, I finally managed to pick up #6 (the corrected version), #7 and Bad Guys #1. I knowingly overdrew my checking account getting these issues (don't worry, I won't do that again...$30 overdraft charges aren't always fun to deal with...) and I was eager to catch up with everyone else. I'll briefly share my thoughts on these issues.

Gargoyles #6
I almost laughed when Goliath, Elisa, Bronx and Angela ended up in a huge pot of...whatever was boiling in there... Bronx looks good in a sherpa (it is a sherpa, right?). It seems Avalon has sent them to find Coldstone and reunite the clan. They end up waking up upon a lake and whether or not they were successful has yet to be known. Coldsteel working for Xanatos... That's surprise for me. It made me wonder what Coldsteel had been doing since he disappeared after being seperated from Coldstone's body.

Gargoyles #7
Now I see why all those dates and times were withheld. Lots of skipping around in terms of time. Made for interesting reading I have to admit. I'm wondering if issue #8 will reveal what happened on the morning of November 15... Fox is shopping for shoes...and curiosity as to why is killing me a little. Shari is quite a story teller. Perhaps her knowledge is why she ranks high in the Illuminati? I'm wondering what Xanatos has planned, especially since the Stone of Destiny might be involved... The page with Macbeth waiting for Lexington and Hudson to wake up was funny. I know jetlag is not a fun thing to experience... I noticed Angela whispers something to Broadway... Perhaps it's alluding to something that will be revealed later? Wow...Macbeth tried to steal the stone back in 1950. Very interesting... Another Coyote and Coldsteel...helping Xanatos... Definitely lots of foreshadowing present in this issue. "...and normalcy is over-rated." So true... So very true... It's good to see Goliath and Elisa patching up things. Maggie is pregnant! Yay! Is she getting a baby shower? King Arthur! Good to see him make an appearance, although having him hold a sword to Macbeth's neck has me wanting to read #8 to see what happens. The London Clan makes an appearance too. Again, can't wait for #8 to be released...

Bad Guys #1
After reading through it the first time, I found myself having mixed reactions from the content (it's not that bad though). I liked seeing Matrix with a boombox. It seemed very apropos for him. Hmm...I'm curious as to who attacked the group... The Tazmanian Tiger was something I wasn't expecting. I'll admit, it's something new, but it didn't distract me too much. In a way, he looked like Batman in a tiger suit...at least that's what first came to mind when I first read through it. I'm glad there was a panel that shows where Dingo was being "inserted." Otherwise, I would've had to imagine where...and it would be very, VERY awry just to think about that... I liked Dingo's reaction to it though. The song lyrics... I'm wondering if that's alluding to some foreshadowing... Perhaps I'm reading too much into it? I won't know until the next issue... Nicely written lyrics, by the way... So far, I think it's off to a good start and I hope it gets better from here.

I guess I should mention now that I'll soon be a proud owner of the Season 1 DVD box set! I haven't ordered it just yet, but I will be after Christmas. In two weeks, Season 2 Volume 1... I can't wait!

Bryan writes...

When the Toa Mata were finding the masks why did they get the noble style masks that the turaga had not the great version. Like the Noble Huna that Turaga Vakama had instead of the Huna that Toa Vakama had?

simon jardine writes...

are there any homosexsual Gargoyles, if not is it posible for there to be any?

dab writes...

Was the structure of Gargoyle clans (in particular, children in common) at all influenced by Plato's ideal society in the Republic? Similarly, from where did Gargoyles derive their prediliction for protection? Sounds an awful lot like the Platonic guardians. Is this true, and if so, was it intentional?

More generally, what sorts of philosophical streams most strongly influenced your idea of the ideal gargoyle society?

Thanks!!

The Tigress writes...

My review for issue #7.

I won't cover every little thing since I don't have the time, but I will address the things that stuck out at me the most.

I was able to pick up issue 7 from a comic shop in Seattle and I have to say, what a fantastic issue! So far I think this is my favorite, with issue 5 being a close second. I've been a huge Gargoyles fan since the 6th grade and I'm so happy that the series is being continued in a new format with all new canon.

-I'm really thrilled to find out that Dr. Sato is indeed someone to trust and has allied with the Gargoyles and mutates. You also did a really good job showing the readers that although he's more than willing to help them, but also that finding out about the Gargoyles and the mutates has been very taxing on him mentally.

-Finding out that Maggie is pregnant is very interesting and I look forward to see how this develops. (no pun intended) It's funny because I was actually very curious if Talon and Maggie were able to produce offspring/or were going to have offspring in the future. (Searched the archives one time and didn't find much info on that)

-When Goliath mentiones that he is "healed but not whole", I'm assuming that he means mentally he is not quite healed yet but that his physical injuries are fully healed by now. Since I'm on the topic of Goliath, I absolutely loved the Goliath/Elisa scene at the end of the comic. That almost gave me tears of joy to see. I also noticed how you wonderfully had the beginning set up to parallel the scene from issue 3 where Goliath and Elisa are sitting very far away from each other on each side of the castle balcony. I liked that. It actually made me nervous about the conversation, but then once I read through, I got this very good feeling of joy being able to see that Elisa indeed re-affirmed her change of heart and the end of issue 5. I've been pro "Goliath/Elisa" since I started watching the series in middle school. Props to Hedgecock for bringing out the great emotion and facial expressions of Goliath in those last panels.

-Loved the designs of the new London clan gargoyles we saw towards the end. I especially give you props for having a female gargoyle who isn't the stereotypical "elegant and beautiful" type. Not that I think the other females have that problem, in fact I always have been happy that most of the female gargoyles have a bit of musculature to their bodies and that they are just as capable of being great warriors as the males. This new female boar gargoyle expands even further on this.

-The art is quite decent in this issue for the most part. Hedgecock has improved quite a bit since issue 3 in terms of being on model, although there are still a few errors here and there. Most noteably is that he sometimes makes subjects heads too large for their bodies. I think someone else might have pointed this out before but I'm not sure. The coloring looked fantastic. I really love what Bobby Bevard brings to the table.

-It was also very nice to see Hudson and Lexington in a main role so to speak. The jetlag issue was briliant, and it perfectly explains what was going on in the cover of this issue. Pretty good trick there. :P

-Macbeth is becoming more and more interesting as the series goes on. It's good to see him on the side of the good guys now. I look forward to seeing what happens between him and King Aurthur in the next issue.

I know there's many more elements in this issue I could cover, but I am running out of time, however I'd like to say that I really hope Gargoyles stays alive for a long time to come, whether it be through comics/dvds/anything else. I purchased season 1 and season 2 volume 1 dvds, and all of the comics including Bad Guys 1 up to this point to help support Gargoyles. Sad about Season 2 volume 2 but I am not giving up hope on it, and will buy it first thing if they ever decide to release it.

Keep up the great work!

Benji writes...

Hi Greg, I've written to you a couple of times, you've always given me great answers on things, there was something I was just thinking about today that I was wondering about? You were the creator of Gargoyles, so I was just wondering how did you come up with the idea of the series? I think the plot lines for the series were often better than that of a Disney film that made it to Theater's. I just think it was a cool idea, and I really like good writing. If you can show me a good story you'll have my respect, and you Greg most definitely have my respect, not that you'd care,hahahah just saying. What episodes did you write?? I know there were some you wrote that were awesome!! I never really heard the story on what happened to Gargoyles in Season 3?? Howcome it was changed from Gargoyles, to Gargoyles The Goliath Chronicles? I know you worked on The Journey, (which is the best episode of that Season by the way) but there was a different crew working on the rest of the season. And a lot of fans hated it, and that's what ultiumately killed the series aside from the comics. I don't think it was as bad as a lot of people make it out to be, but I do agree that was the weakest season, and the show was better with you in the picture. What happened that made you leave??

Lenny writes...

Oh and one other thing about Gargoyles The Goliath Chronicles was the Gargoyle hate fanatic John Castaway actually John Canmore one of the hunters from "Hunters Moon"? in the last epsioded Goliath mentions an ancient hatered he had.

Lenny writes...

Hey Greg, I always wanted to know did the plan to have Gargoyles The Goliath Chronicles continue a second season? or was it just ment to last 1 season? i always considered it the 3rd season so i guess if it had gone on it would of been season 4 ect..

Vaevictis Asmadi writes...

Bad Guys Reactions
I hope it is acceptable to post two reviews in a row. I'm a little behind reviewing and I with the comics coming once a month now, there is a lot to review!
============SPOILERS===========
So Bad Guys is one of the Spin-offs I'm least interested in, but I still enjoyed this issue and look farward to more, especially the stories about Yama and Fang being recruited. I especially hope we get to see more of the Ishimura clan in the second issue!

The best line has to be "There'll be no more ~inserting~!" I laughed so hard at that! XD Apparently Matrix has absorbed Dingo's old armor because it isn't there anymore. And I'm sure that his original power armor didn't involve any "inserting," since he was trying to avoid that sort of thing in Upgrade. Heh, poor Dingo. And then Matrix refuses to attach to him anymore! Dingo does soften his objection when it comes to fighting without his armor on. But I think that that link, and the ability to feel pain (and emotions?) will be quite important for any character development of Matrix.

I wonder where that guy got a hold of thylacines. And I hope there are more wherever they came from! Thylacines are one of the more interesting and unique (and tragic) rare/possibly extinct animals. I like the idea of them being alive in the Gargoyles Universe, and they were drawn very well. They looked fairly accurate to me, except for having legs a bit too long. They can jump like... and they've got teeth like...! I'm glad that Dingo had the sense not to hurt them. But what did Matrix put around their necks and muzzles? He left them tied up when Dingo flew away, so are they attached to the tree by abandoned nanobots? o.0 That'll puzzle the police, for sure. :) Hopefully the police will put those two thylacines in some place where they can be protected and taken care of and maybe, the species can be revived. It was a nice touch to name one of them Benjamin.

I agree with others that the Tazmanian Tiger is a corny villain. The Pack were cheezy too, but children's television superheroes often are. This Taz guy, I wonder what his issue is. Ordinary persons don't commit crimes with the help of rare/extinct, even if they are fearsome. That is especially a bizarre costume to be comitting crimes in. He's the sort of person who would be featured in a magazine like Time, as a curiosity of "look at this weirdo!" (Time actually does do that.) However, he is no weakling, and clearly he has unusual resources.

Dingo is obviously enjoying being a superhero, because he's using lots of cliches. Or rather the comic is. It's a bloody missile!

Matrix looks funny (in a good way) listening to a boombox. Which turns out to be part of him. Apparently he can pick up radio waves? I wonder if he has any appreciation of music. Does he listen to the patterns in it?

Yama has a katana. Heh.

No funny jokes from Fang, but he is drawn very well. I look farward to the humor from this guy in future issues. He's such a fun character.

Strange that Matrix can be disabled by an em pulse. And when it's wrapped around Dingo, he's effectively disabled as well. That's quite a weakness! But the Matrix needed a weakness to balance its abilities, and this is an appropriate one. I didn't understand it until the others in the Comment Room explained that it is a common weakness of technology, to be disabled by em pulses.

If we didn't already know the basic plot of Bad Guys, I'd be very concerned by that talk of tengu hunting! Especially coming from Robyn. I've yet to see any indication that she's changed her genocidal attitude toward gargoyles, so it'll take a lot of character development before I like the character (as a person). But I am liking Dingo and the unnamed shaman. (And it's great to see the word tengu used in the canon.) Matrix doesn't really have a lot of personality yet, but as much as it does have, I like.

The art in this issue was excellent, I love Karine's work. Of course I'd love it more if it was color, but it is still great as it is.
============SPOILERS===========

Vaevictis Asmadi writes...

#7
I finally found a comic shop semi-near my apartment and figured out how to get there by bus. It's kinda creepy standing alone at a totally unfamiliar intersection after dark, but I got my comic the day it came out. And the store only had 2 left when I got there, that same day.

~~~~~~~~~~SPOILERS~~~~~~~~~~~
So yes, this is pretty hard to follow, it's hard to review the story when we don't have #8 and #9, but all that Withheld stuff will be useful now. Even though... we have the times right there in the comic. Here's my initial thoughts:

*I am happy to see Macbeth, and being friendly with the clan. He's my favorite 'antagonist' in the series. "Don't you have minions for this?" is a great line.

*Goliath has healed very nicely, there's not even a mark.

*Brooklyn wants to stay in NY to get a break from seeing Broadway and Angela holding hands and being all "OMG WE'RE IN LOVE!!" when they wake up in the evening. Then they decide to stay too. Poor Brooklyn. And I wonder what Angela whispered. I wouldn't feel sorry for Brooklyn because he is being jealous, except he still feels like there are no more females of his species left. Does he not realize there is a whole clan in England? I would have expected him to want to meet them, especially after he asked Goliath "When do we get our World Tour?"

*Jetlag and gargoyles, interesting. It is a nice way of demonstrating (like Broadway underground in the animated series) that gargoyles have a biological clock, that they don't just react to sunlight. And there's Macbeth, drinking lots of coffee to keep himself awake, and looking bored. He should have brought a book. I was wrong about thinking Lex was cold when he woke up, thanks for clearing that up. I'm not surprised they feel lousy.

*Hey look, its the little green guy from Demona's clan. I liked that character design. And there's Gruoch and Demona, too. But no Lulach.

*Maggie is pregnant! I guessed it from the way Dr. Sato says "condition" and the way she and Derek are looking at each other. I'm surprised it happened so soon. Are they going to get married then? Or at least have a ceremony, since the legal benefits won't be useful in the Labyrinth. It is nice to see Dr. Sato becoming an ally of both NY clans. I wonder how Maggie will explain all this to her folks in Ohio, though, because we haven't seen her contact them yet. And I'm eager to learn what their offspring will look like. Human, mutant, half-human and half-mutant... it could be anything.

*The conversation between Goliath and Elisa is interesting. The same panels and poses from #3 are deliberately repeated, the contrast is good. And I like her conclusion. "Normalcy is so overrated." She's thinking about Derek and how he seems to be gaining happiness in spite of not having a normal life. And she touches his hair, so he kisses her. :)

*Shari's watching Thailog take a bath!? Also, he has a surprisingly modern-looking computer for 1996, but what with all the cyborgs and super-robots and nanobots running around the Gargverse, I guess Thailog's rich enough to afford something "futuristic."

*I do wonder if the stories told of the Stone are true or not. Probably they are, but how did a handful of Greeks and Egyptians conquer all of Ireland? If that Stone is a Child of Oberon (as you once suggested it might be), it seems to be very patient with sitting around for long boring stretches of time being a rock. Then again, I don't think you intend it to be a Child of Oberon anymore, since it isn't at the Gathering.

*I wonder what are Thailog and Brentwood looking for, and where are they? Maybe we'll find out in #8.

*The new Coyote robot is one of the uglier ones in my opinion, though not as ugly as 4.0. Generally I think the one in Cloud Fathers (5.0?) was the sleekest-looking. That's not a critique of the penciller or the character design, but a critique of whoever (Xanatos?) designed the robot itself.

*I'm not surprised to see King Arthur, but I am surprised to see him do ~that~. Guess he and Macbeth have some more issues to work out yet! I wonder why he's so mad at Macbeth. And his motivations... it would be so bizarre if he was an antagonist in this story arc.

*New gargoyles! Plus Griff is back, I really like Griff. I am happy to see new gargoyles, as I've been very curious about non-Scottish clans, but I admit to being very disappointed with the new character designs. I am sorry to tell you this, but I dislike them. It doesn't make any biological sense that each one's heads just happens to ~exactly match~ his/her feet, when they aren't mammals nor related to those particular animals at all. I'm still very happy to see new gargoyles, though, but I was hoping for gargoyles that looked like they could have evolved, instead of like they were designed to look ~exactly~ like specific mammals. I still think that "chameleon genes" in general are plausible, and I ~love~ the variation in the other clans, but the London clan is no longer plausible for me (except Griff, who has mixed-together body parts). Each other gargoyle has his or her specific feet and tail cherry-picked to match ~perfectly~ his or her specific head, so that he/she looks like a winged, anthropomorphic/mutate version of one single, specific mammal, instead of a gargate that happens to remind humans of some animal. The white male has the face of a deer, and also antlers and a deer's cloven hooves (not horse-like hooves like Una), and they all match. The brown female has boar's hooves and a boar head to match. You have said that evolution and creation are supposed to be equally possible origins for gargoyles, but so far each London gargoyle (except Griff) is designed to look exactly like a single animal. I hope this isn't an indication that the rest of the clan will all be like this. They all live together and mate each other. Wouldn't offspring inherit a mix of their parents' traits?
But other than that, it is interesting to see the combination of wing-claws with the feather-like surface. Also surprising that some London gargoyles have the leathery wings instead. And that female has neat clothing. I agree with others who are happy to see a female who isn't thin or attractive by human standards.

Although the new gargoyle character designs bother me a lot, I'm still happy with lots of information and events, and I like this issue. TONS of teasers, and an intriguing storyline of which I look farward to learning more. Overall, the format is a confusing way to tell the story and I wonder why you are telling it this way, surely not only to mess with our heads (though I'm sure you enjoy that too!). Perhaps the next two issues will reveal the reason for the unusual format. As for the art, David Hedgecock is much better than before and this is the best colorist to be paired with him yet; Thailog's not black anymore, and the Mutates are tailless again. But Broadway is still off model in almost every panel and it bothers me. Everyone else looks really great, though, especially Goliath, Elisa, and Angela. It is true that sometimes Goliath's head is too big, but I didn't notice until other reviews pointed it out. I like this issue's art better than #6. I hope you guys stick with this art team from now on, Hedgecock is looking good and Robby Bevard brings out the best in his inks.
~~~~~~~~~~SPOILERS~~~~~~~~~~~~~~

Hello my frist qustion here writes...

hello Greg ,I was doing some research for my finals
and I had to look son zoidack symbols. so any way I notice that the star sings
have a color that is appealing to those borne under that specific sign.
anyway here is my question do you think the people borne under the sign of Scorqpio (fond of dark colors. dark reds ,blacks .ect )
would be more tempted to favor brooklyn, as a character, and or fiend him Physically attractive.
(hope I did not sound to perverted)

thank you for tacking the time to read this

Greg Bishansky writes...

Just a silly little question. Obviously, Thailog makes his residence in the Nightstone building. So far we've seen a throne room, and we've seen a jacuzzi. Thailog is quite the hedonist, isn't he? Doesn't surprise me, he always came off as one to me. My question is, are these new? New as in, since "Hunters Moon"? Or were they there when Demona was running the place, if so, did she make use of them? The throne doesn't seem her style, she's never come across as all that much of a hedonist to me.

zuher writes...

greg i dont know iff u will read this ortake it seriously ur great and im not just sayin that i have all the episodes where did you get the inspirtion for this samrt idea?

Vicky82 writes...

Greetings from England

Got Gargoyles 7 from Midtowncomics.com (2 copies) on Wednesday and I love it,

*********************SPOILERS******************************

Wow can't beleive it Maggie's pregnant, I'm guessing that Maggie due sometime in July 1997 but i got a feeling this aint going to be a easy pregnancy

Goliath chooses Brooklyn, Broadway, Angela and Lex to go to England with Macbeth but Brooklyn chooses to stay behind I guess to avoid Angela and Broadway but after Angela whisper something to Broadway (I love to know what she said) they stay behind too which Brooklyn doesn't seem happy about it.

I hope Brooklyn gets over Angela Choosing Broadway because I got this feeling he could get himself into trouble by doing something stupid before he goes on his Timedancing Journey.

Anyway Hudson goes with Lexington to Englan to help Macbeth

Elisa and Goliath kiss again (squeals)

As I live not far from London (30 miles north of London)It's great to see the Gargoyles in England

which Airport did you use was it Gatwick or Heathrow as they are the 2 main Airports just outside London, I wonder if Hudson and Lex are going to glide up the M1 next (thats one of our main Motorways)

Funny that I live in England but don't really know that much about the Stone of Destiny or the transporting it from London to Scotland in 1996 (14 years old at the time)

Interesting story about Gathelus and Scota that Shari is telling Thailog.

I like the 2 new Gargoyles.

Can't wait till issue 8 but first Bad Guys 2

Ed Reynolds writes...

GARGOYLES #7

Amazing issue.

I love how jam-packed each of these comics are. Some comics you've got all there is to get first read-through; this gets better and better with each successive reading. The non-linear structure flummoxed me first off, but now I'm completely in love. It's got a rhythm completely of its own. (Piecing together the Ask Greg clues to work out where the missing parts of the story are made it doubly fun so thanks for that 'Easter Egg'!). I'm really curious about the inspiration for this. Obviously in literature there are plenty of books which disassemble time but usually to mirror consciousness. 'Memento' is the only film I can recall which is this fragmented, but again there's a strict order. (Sometime, not while the story's still running necessarily, but eventually, I'd be interested to read about the thought processes behind this structure.)

Here, we're really dotting around but it gives the impression of a patchwork of themes: sibling rivalries (Jacob/Esau, Brooklyn/Broadway, Othello/Iago) particularly stand out. Perhaps also lineage -- never has the interconnectedness of man been so apparent than seeing the links from Egypt to Portugal to Ireland; and in modern times, we have the Maza family expanding into new boundaries, with Elisa & Goliath and Talon & Maggie's child. And of course, we have all these dark mirrors to our leads: Xanatos and Coyote, the ColdTrio and the Angela triangle, Lex/Brentwood, and as has been mentioned, Thailog/Shari who look very Goliath/Elisa in some panels.

I love the scene of Thailog & Shari playing chess though -- more Fox & David. I wonder if the bathtub scene is meant to suggest how Sevarius would like to spend his nights. Shari is by far my favourite new character so far. She's utterly fascinating. And while we have no evidence there's anything between them, they certainly seem pretty intimate. And whatever their relationship is, it fits that while Goliath & Elisa's life is based on protecting and serving, Thailog & Shari's seems to be about knowledge and power.

Although this is another story on a huge scale, I'm really glad the clan is proactive at the centre this time. I love, adore, the big, eclectic 'Gargoyles' cast, but more than that, I love our core guys. And Macbeth. Broadway and Angela seemed kind of mean to Brooklyn -- I hope this is in aid of them intervening to resolve their issues. Lex and Hudson taking centre stage fills me with joy.

(Oddly, I was in central London in November 1996. My brother was in Great Ormond Street getting his cochlear implant and it was around this time that we'd recently discovered 'Gargoyles'. I know he watched 'A Lighthouse in the Sea of Time' on television with his ward; and also I remember looking for 'Gargoyles' figurines in a London toy shop and coming out with a Lexington one for his Christmas. It's one of my most vivid memories, but it gives me a real kick to think that the 'real' Macbeth and Lexington would have been running around about the same time only a few miles away.)

The cover -- bit of a quiet one. I don't mind covers that don't reflect the inside too well (#1 and #3 are probably my favourites to date and have no real relevance to the interior), but this one attempts to find a hook from inside and comes up with something pretty mild. I still love Greg Guler's covers though. Will be very interested to see David Hedgecock on #8 but I hope Greg sticks around.

The art -- Really gorgeous. David Hedgecock has received some flak for his model work, but I have to say... I grew up on lisenced books. Spidey and X-Men were all too convoluted to get into, but Turtles, Sonic, Bucky O'Hare -- this stuff I knew where I was. And I know being 'off-model' is considered a pretty heinous crime by people who read these kinds of books. But my favourite artists, and often the most popular artists, were never the most on-model. Often the artists who tacked closest to the models produced characters who looked just a little plastic, a little too perfect, a little dead behind the eyes. David's model work is decent given the scores of characters he has to master each issue, but more than that, we really get a sense of the characters' intelligence and purpose, of momentum and fluidity. It's good, compelling art and I'm so glad he's having a good run at it. (My only hope is that if it is necessary to switch artists for a future issue that we can have the same person working on a sequence of stories -- this was what felt a little jarring about #3-5, though it was for entirely understandable reasons).

The colours -- Rich, atmospheric, true to the original, but really dramatic and bold as well. I particularly appreciate London on the last page looking like the late 20th century and not the late 19th -- alive with light. Often I'll see American presentations of London -- including in 'M.I.A.' where admittedly there was probably pressure to reuse the same backdrops for the 1940s and 1990s sections -- where it feels somehow dated. And of course, parts of it are historic. But growing up in London, all this seemed normal to me and so presentations which really honed in on the ancient aspects always startled me a bit. The Shari/Thailog colours are especially splendid. (Although -- being ultra-pernickety -- stars can't turn up in front of the shadowy portion on a crescent moon!).

I'm thrilled King Arthur is turning up, the London clan look amazing, and the details about the history of the stone and the naming of Portugal really stand out for me. I'm completely psyched to see where this goes next.

Big thanks to Greg, David, Robby, Greg G and the guys at SLG!

Ed Reynolds writes...

Hiya Greg. The comics take a while to reach me and I don't always manage to get the reviews in before the queue closes, but the comic's really going from strength to strength. Anyway, my BG #1 review...

BAD GUYS #1

'Bad Guys' doesn't instantly grab me. I love the universe and I trust the creators, but I don't yet feel close to the characters. I care about Hudson and Demona and Macbeth because we've been through so much with them, and with these guys we've known them for a long time but relatively shallowly. I'm really excited for the comic to peel back the layers on the characters in the same way the original series has done with the 'Gargoyles' leads. Glad to see Dingo used as a starting point for this reason; he's already the most familiar, and the most intriguing (though my favourite is Fang!). The Harry Monmouth tease is lovely. I got into 'Gargoyles' first off because of the 'A Midsummer Night's Dream' characters so I can't wait to see this angle developed.

I'd be lying if I said it didn't take a while to adjust to the lack of colour. Nothing against B&W as a form, I'm all for it; but colour, to me, is in the DNA of this universe. But the art's really great. The beautiful Sydney panorama, the exquisite fight scenes and the lovely stuff of Dingo in flight. Oh, love the logo too. The paper actually feels a bit more solid than the parent title, if less glossy. There seems to be an errant red dot in the middle of the cover but perhaps that's just my copy.

So the story. I love the structure here. The opening section reminded me of 'Awakening', although it's a standard thing with television pilots (and a few comic #1s) to start in the middle and flash back. Often, I don't like the effect. Occasionally it works really well, but sometimes it feels like an in-story trailer. But that final panel of the flash-forward -- "redemption" metaphorically and literally dead in the water -- is fantastic. Same with the "redemption taking off" image at the end. And then there's the music. Threw me at first, but it actually gives the thing a real linking thread and a sense of pace. I've found a clip of part of it on youtube but by now I prefer to run my own music to it in my head -- truth be told I always like to score things I read (and write) in my head anyway as I go. The explosion panel is particularly powerful contrasting with the music. It's an interesting experiment. Not sure it would work too often, but I think it sets the tone quite effectively. And I just like innovation with the narrative.

There are plenty of great moments as always. The helicopter gag was the funniest; Matrix's spine-insertation the creepiest.

One thing nags me though. The masked supervillain -- concept and execution. Concept-wise, it interests me how this guy was in a position to do something like this, and I love the idea of Dingo living this weird idealised hero v villain world. But in a period fast developing DNA testing and biometrics and CCTV, would anyone really go blowing up downtown Sydney and then walking around in a highly recognisable suit? In the Marvel universe, I wouldn't blink twice, but in 'Gargoyles' it seems startling. Not what I'd have expected.

One of the things I often have trouble tracking with the universe is what the perception of the man on the street is to everything that goes on in the stories. Yeah, the Vinnies and the Brendans are people who have had exceptional encounters. What about people who live in Oregon or Melborne or Cardiff -- nowhere that's a hotbed of activity in the universe (yet, anyway). How is their experience of the world different from ours? What's known about advances in technology on robots and cloning and artificial intelligence? And how astonished should they be at a guy in a mask blowing up a bank only to be accosted by an ex-con TV superstar in a metal suit which allows him to fly? Not very, is the impression I get from this comic. And that surprises me a little.

Overall, it's an enjoyable read, but hasn't yet got under my skin quite like the parent comic. And that's fine -- I'm not going anywhere and I have nothing but faith it's going somewhere amazing. I do suspect it's one of those I'll enjoy best in trade since we're only yet dipping a toe into the waters of 'Bad Guys'.

Thanks to everyone who worked on it -- Greg, Karine and David, as well as Greg & Stephanie and the SLG editorial people!