Vicious writes...

I'm wondering about all the places visited in the world tour episodes. Did you or any of the creative staff actually see places like Prague or the Queen Charlotte Islands? Did you base them on your experiences or just do some research without actually knowing much about the places to begin with?

Krista writes...

How do Goliath and Angela and Elisa communicate with the Guatamalen clan and the Japanese clan? Are they all speaking English? It would make sense (sort of) if all gargoyles understood each other... but then Elisa talks with them also... could you help me here?

Todd Jensen writes...

Thanks for the "Bushido" ramble, Greg!

I hadn't realized the "Awakening" parallel (at least, not the parallel with the 994 portion of "Awakening") until you brought it up (not in this ramble, actually, but in an earlier reply here at "Ask Greg"), but it certainly works for me. And I agree that Yama, fortunately for the gargs, had held on to more of his courage and understanding of the "gargoyle way" than Demona had (I especially liked the scene where he discovers to his disgust that Taro had been lying about the first visitors to the theme park being a group of schoolchildren who wished to learn bushido - the fact that he had believed that those would be the first visitors illustrates his good intentions there).

The Ishimura gargoyles remind me a little of the tengu, a race of winged beings in Japanese legend who sometimes taught humans bushido (continuing the concept that you'd used in the Avalon World Tour of tying gargoyles in with other legends, as I mentioned before).

I agree with you that Taro isn't up to Xanatos's level. For one thing, though Xanatos might get defeated, he always did so in a way that essentially preserved his dignity; I simply cannot imagine him winding up dangling from a gigantic animatronic gargoyle in front of a crowd of reporters. (For that matter, I also can't help wondering why Taro would have wanted to have the reporters show up at dawn rather than dusk to get their first glimpse of the gargoyles; if I wanted to introduce people to gargoyles in an impressive way, I'd want it to be when they were bursting out of their stone shells in the evening. That'd be much more powerful and dramatic.)

Yama's concerns about gargoyle secrecy certainly worked for me, and although he went about solving the problem in the wrong way, I can certainly agree with him about the secrecy having its drawbacks. It does strike me that part of the reason why humans fear gargoyles is because about all that they usually see of them is their charging about growling, with eyes glowing, in battle-fury - a condition that certainly makes it easier to jump to the wrong conclusion about them. Would humans be so ready to make that mistake if they got to see more of the gargoyles when they weren't simply fighting? Also, there's the danger that if you just keep secret, somebody else might reveal you to the world under less favorable circumstances than the ones that you'd have chosen (such as claiming on a news broadcast that you blew up a police station in New York). It does make one wonder whether the gargoyles have been a little too passive in working for peace with humans, just sitting around and hoping that the humans will learn to accept them on their own, rather than actively working towards it.

And I got a big kick out of the metareferencing in Elisa's "TV stars" line, and Goliath's horrified cry of "No!" (Goliath's line was made all the funnier, for me, by Keith David's reading of it - making it sound as if Goliath truly considered such a prospect a fate worse than death!)

Perhaps one of the most important aspects of "Bushido" is that it shows a community where humans and gargoyles live together harmoniously, showing that Goliath's belief that such a thing is possible is indeed accurate. (We saw a bit of that on Avalon, but that was an unusual case - humans raising young gargoyles as if they were adopted children. This is a more "conventional" community.) Hope is indeed possible.

Again, thank you for the ramble.

DPH writes...

Will you please give us approximate dates for when Goliath & Elisa arrived at the various points on the world tour?

Michael McCarthy writes...

In the episode "Sentinel", the statues are shown facing towards the sea. I recently saw a documentary about Easter Island, and all of the statues in reality face inland. Just wondering if you are aware of this.

Oberon writes...

In "Eye of the Storm," Odin says something to Goliath along the lines of "I did not draw your craft to this land to suffer defeat."
1. Was Odin responsible for Avalon sending the group to Norway?
2. Do the Children have power over where Avalon sends people?

Vinnie writes...

Hey Greg, my question is simple how long are the sleeves on Elisa's black shirt? Because I noticed in the episode "The Green" she has short sleeves and in "Sentinel" she has long sleeves in the scenes where Elisa takes off her jacket. This is most likely a typo unless Elisa had time to run home and get a change of clothes. Just thought I would mention it, because unless she was caring a change of clothes with her when they first set out for Avalon or unless she stopped off on the quest to buy a new shirt I don't see how her shirt could change so drasticly.

Zarok writes...

SANCTUARY

Ding Dong the queue is dead, well wounded anyway. I Know this is late but the asking function was closed down before I could post it and I've been awful busy lately. A well here it is.
I was interested to learn you had planned to use a Quasimodo character originally since Quasi is kind of a Gargoyle himself. I wonder if Quasi existed in the Gargoyle Universe, hey if you can have J.V.
I also was kind of disappointed you didn't give Demona's alter ego an angel themed name like Angelique like you planned in your memo. Would've made a great parallel with Angela and created another of those cool name parallels like Peter Maza and Petros Xanatos or Alexander Xanatos and Alexander
Speaking of thailog I have something to tell you that I think you'll like. When these episodes were first being aired on Disney Channel UK they seriously aired them out of order, skipping over most of the episodes between "City of Stone" and "Avolon" as well as a few pre-CoS episodes. They actually aired half the world tour before "Avolon" and even that before "Eye of The Beholder"! Luckily they sorted it out for the reruns but the point is that when I first saw "Sanctuary" I had not yet seen "Double Jeopardy" and it didn't hurt my enjoyment of this episode one bit. Sure there was some initial confusion over this Goliath look-alike (I thought at first that Thailog's "no way to treat a lady" line was Goliath's) but once the word clone popped up I immediately went "now I get it". More reason to believe that new viewers can get into "Gargoyles". In fact I think the World Tour was good at bring new viewers in, the episodes were much more stand alone

jakdannies writes...

Hey Greg, Here's a production/episodic question, First the production question When you were producing the Avalon World Tour. Were there problems with the actors? It is because only Salli, Keith Frank and Bridgitte were the only principal cast? Next, The episodic question, Why wasn't the entire clan included in the A.W.T. it wouldn't been cool seeing the whole clan traveling the world.

Anonymous writes...

Were there gargoyles once in Norway? What happened to them?