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JUNE 17
This day in Gargoyles' Universe History....
June 17th...
1996
Peter and Beth make bail in the morning and return to Beth's apartment, where they find Elisa waiting. That evening, the gargoyles awaken and are introduced to Elisa's family. Together the Mazas and the gargoyles again attempt to find out what Xanatos is up to. Goliath and Angela discover the soil carving but are captured by Coyote 4.0. Xanatos prepares to destroy the two gargoyles and the soil carving as bait to lure the Trickster. Meanwhile, Bronx and the Mazas capture the mysterious security guard, who turns out to be the Trickster himself. He has taken on the appearance of the young Peter Maza, with whom Coyote once formed a bond during a kachina dance. Bronx and the Mazas rescue Goliath and Angela (with a little help from Coyote).
JUNE 16
This day in Gargoyles' Universe History....
June 16th...
1996
Peter Maza arrives in Arizona to investigate Xanatos with his daughter Beth. That evening, Goliath, Elisa, Angela and Bronx depart Avalon and arrive in Flagstaff, where Beth goes to college. Fearing that her sister might be in trouble, Elisa takes the gargoyles to Beth's apartment. Meanwhile, Xanatos finally decides to bulldoze the mystic soil carving on the land he has leased from the local tribe. Almost immediately, the Coyote Trickster magically vandalizes the building site in order to stop Xanatos. Minutes later, Peter and Beth are allowed entry onto the Xanatos construction site by a mysterious "security guard". Xanatos has them arrested for trespassing.
JUNE 15
This day in Gargoyles' Universe History....
June 15th...
1996
Just before dawn, reporters gather outside to see Taro's "real gargoyles". Elisa and Constable Hiroshi break into the theme park and help Goliath and the other gargoyles escape. Realizing that he had been duped, Yama battles Taro, and leaves him to face the reporters alone. With no evidence of gargoyles, Taro is humiliated. Elisa returns to Ishimura after sunrise and departs for Avalon, taking the sleeping Goliath, Angela and Bronx along. It is night when they arrive, and the gargoyles soon wake up. That evening in Ishimura, the gargoyles hold a council meeting with their human neighbors. Yama is banished until his honor can be restored. And the gargoyles and humans agree to resume the study of Bushido.
JUNE 14
This day in Gargoyles' Universe History....
June 14th...
1996
The travelers leave Avalon and arrive in Ishimura, Japan. There they meet the Ishimura Clan of Gargoyles who have lived in peace with their human neighbors for generations. At sunrise, Goliath, Angela and Bronx turn to stone alongside their new cousins. But minutes later, their human guardians are attacked by ninjas hired by Taro, a Japanese businessman who grew up in Ishimura. All the gargoyles are stolen. They awaken inside a Gargoyle Theme Park that Taro has built. Yama, second-in-command to Kai, the leader of the Ishimura Clan, tries to convince everyone to stay in the park. Goliath, Angela and Bronx attempt to leave, but are gassed and imprisoned by Taro. Beth Maza calls her father Peter and asks him to come to Arizona to investigate the local Xanatos Construction project.
dph writes...
Thank you very much for sharing the dates for the various stops along the world tour. Obviously, we didn't get to see every stop along the world tour.
1)On the average, was each stop on the world tour (including the ones we don't know about) roughly 1-2 days?
2)Aside from the traveler's meeting up with Coldstone, do you have any more of the off-screen world tour stops worked out?
Greg responds...
1. Watch the episodes and decide for yourself.
2. Yes. But there's only really one other stop, unless you're counting other characters like Arthur or Jade & Turquesa.
JUNE 11
This day in Gargoyles' Universe History....
June 11th...
1996
Nokkar captures Bronx and Angela. Meanwhile, Elisa is found by Lydia Duane and Arthur Morwood-Smyth. They take her back to their hotel, where she is examined by Doctor Arnada. Goliath finds her, but when Elisa fails to recognize him, Goliath is forced to kidnap her. Nokkar intervenes again, capturing Goliath and explaining his interpretation of events to Elisa. Nevertheless, Elisa (though still without her memories) comes to believe in Goliath. She helps rescue the gargoyles from Nokkar and is eventually able to convince him that her friends are not servants of the Space Spawn. She also encourages Nokkar to befriend Duane, Morwood-Smyth and Arnada. The travelers depart Easter Island, and Goliath just manages to cast the spell that will send them back to Avalon before the sun rises. When they arrive on the mystic island, it is already night. Nevertheless, it takes a few hours before Goliath, Angela and Bronx awaken. During this time, Elisa's memory returns.
JUNE 10
This day in Gargoyles' Universe History....
June 10th...
1996
Elisa, who had been working throughout the Avalonian day to help Jade and Turquesa transplant the rain forest's flora, rejoins Goliath, Angela and Bronx on the skiff. They depart Avalon again and Elisa falls asleep en route to their new landing: Easter Island. While Goliath and Angela explore, Elisa is taken into custody by Nokkar, an alien sentinel based on Easter Island, who has mistaken the gargoyles for a hostile alien invasion force. When Elisa tries to explain that the gargoyles are her friends, Nokkar assumes Elisa has been brainwashed. He wipes her mind clean, temporarily giving her amnesia. Then he sets her free.
MAY 27
This day in Gargoyles' Universe History....
May 27th...
1996
In order to flush out the Coyote Trickster, Xanatos Construction begins work on the Arizona property it has leased from a local Native American Tribe. The new Coyote 4.0 robot is on hand to capture the Trickster. But because Xanatos has, at this time, no real intention of destroying the Trickster's soil carving, the true Coyote does not show up.
MAY 26
This day in Gargoyles' Universe History....
May 26th...
1996
Broadway and Lex defeat Hyena and take custody of the Amulet, leaving Hyena for the cops. And in Guatemala, the gargoyles and Elisa battle Jackal. At sunrise, Jackal briefly believes he has the upper hand when Obsidiana turns to stone. But in reality, she had merely lost her pendant. Bronx recovers it, and he, Zafiro, Jade and Turquesa dispatch Jackal. As a result, Vogel decides to cancel Cyberbiotics' rain forest operation. After sundown, the travelers depart. But they bring Jade and Turquesa along to transplant samples of the rain forest flora in Avalon. They arrive on the mystic island at dawn and Goliath, Angela and Bronx sleep through the Avalonian day. Elisa introduces Jade and Turquesa to Princess Katharine and the Guardian, and all spend the day scouting Avalon for a good location for the rain forest transplants.
MAY 25
This day in Gargoyles' Universe History....
May 25th...
1996
At sunrise, Goliath, Angela and Bronx turn to stone. But the Mayan gargoyles wear magic pendants that allow them to remain flesh, thanks to a missing Mayan Sun Amulet. During the day, Elisa watches Zafiro scare farmers away from the forest. Meanwhile, Hyena heads for New York in order to break into a museum and destroy the Sun Amulet. She's spotted by Broadway and Lexington.
MAY 24
This day in Gargoyles' Universe History....
May 24th...
1996
Goliath, Elisa, Angela and Bronx leave Avalon and arrive in the rain forests of Guatemala. There they encounter Zafiro, Obsidiana, Jade and Turquesa, the last surviving gargoyles of the Mayan Clan. Together, they fight off an incursion against the rain forest by Jackal, Hyena and loggers working for Cyberbiotics, under the management of Preston Vogel.
MAY 22
This day in Gargoyles' Universe History....
May 22nd...
1996
The travelers depart Avalon and land on the hidden island of New Olympus. Taurus, the New Olympian Chief of Security, arrests Elisa - simply for being human. Boreas, the leader of New Olympus, releases Elisa but refuses to allow her to leave the island.
MAY 21
This day in Gargoyles' Universe History....
May 21st...
1996
Goliath challenges Odin, and the two "gods" do battle. Goliath comes close to killing Odin, Elisa, Angela and Bronx, but comes to his senses at the last moment and removes the Eye. Odin places it back in his empty eye socket, neutralizing the Eye's transformative powers. Reconciled with his former opponent, Odin rides Sleipnir up the Rainbow Bridge at sunrise. The gargoyles and Elisa spend the day in Norway. When the sun sets they return to Avalon.
MAY 20
This day in Gargoyles' Universe History....
May 20th...
1996
Odin takes the form of a bear and attempts to battle Goliath for the Eye. He fails and so resorts to kidnapping Elisa with the help of his flying horse Sleipnir. With Elisa's life at stake, Goliath reluctantly dons the Eye himself. He is transformed into an Avatar of Odin's power. That power immediately begins to change him into an uber-version of himself. He successfully rescues Elisa and chases Odin away but still refuses to remove the Eye. When the sun rises, he does not turn to stone. He quickly becomes obsessed with protecting his friends. He even generates a storm of his own to trick Elisa, Angela, Bronx and the Sturlusons into fleeing to a nearby cave, where Goliath imprisons them.
MAY 19
This day in Gargoyles' Universe History....
May 19th...
1996
Arthur encounters Griff and the Stone of Destiny at Westminster Abbey. The Stone transports Arthur and Griff to Manhattan, where Macbeth is waiting. Macbeth is temporarily forced to flee when Hudson and the Trio intervene. The four Manhattan gargoyles join forces with Arthur and Griff to help Arthur find Excalibur. In Central Park, they encounter the Lady of the Lake, who gives them another clue to the sword's whereabouts. But Macbeth uses a Will-o-the-Wisp to listen in. He becomes determined to find Excalibur first. The quest takes them all to the Brooklyn Botanical Gardens, where Macbeth accidentally brings a giant stone dragon to life by removing a copy of Excalibur from its grip. Arthur destroys the dragon and finds the true Excalibur inside the stone beast. Macbeth swears allegiance to Arthur. Just before sunrise, Arthur knights Griff. And after the sun sets, Arthur and Griff depart on a new quest - to find Merlin. Meanwhile, Goliath, Elisa, Angela and Bronx also depart Avalon and are drawn to Norway by the power of Odin, who appears to them in the form of an old man and tries to get Goliath to trade the Eye of Odin for a coat to keep Elisa warm. Elisa and Goliath agree to pass on his offer. But Elisa is on the verge of hypothermia. She takes shelter with local farmer Erik Sturluson and his son Gunther.
MAY 17
This day in Gargoyles' Universe History....
May 17th...
1996
The gargoyles, Mazas and were-panthers converges on the ancient ruins of Kara Digi. There they discover that Fara was largely manipulated by the Spider-Trickster Anansi. All concerned join forces to defeat Anansi. Fara and Tea remain were-panthers but are reconciled and vow to protect the jungle. Just before sunrise, Goliath finally acknowledges Angela as his daughter. After sunrise, Elisa tells her mother everything about her life with the gargoyles. At sunset, Elisa and the gargoyles once more return to Avalon. Diane Maza phones New York, informing her husband of Elisa's situation. Peter Maza contacts Matt Bluestone and Talon. Matt contacts Brooklyn, Lex, Broadway and Hudson.
TiniTinyTony writes...
I searched the archives and didn't find an answer so I'd figured I ask.
When Renard offered to take the Gargoyles and Elisa back to Manhattan and relieve them from their fated quest, hypothetically do you think bad things would have happened as a result? Would Tom end up having to go out and find them again once the threat of Oberon appeared and end up on the quest again anyway because Avalon would send them where they need to be?
Greg responds...
I'm not too big on hypotheticals. You can answer that question to your own satisfaction as well as I can.
MAY 16
This day in Gargoyles' Universe History....
May 16th...
1996
Goliath, Angela and Bronx awaken on Avalon and depart the island with Elisa. They land in Nigeria, in time to hear Elisa's mother, Diane Maza, tell the story of the Panther Queen before the Feast of the Panther Queen. The Maza reunion is interrupted by poachers, led by Tea, whose former love Fara Maku turns into a panther before their eyes. Tea shoots Fara, who escapes into the jungle. The gargoyles and the Mazas take down the poachers and attempt to protect Fara from Tea, who turns out to be another were-panther.
MAY 2
This day in Gargoyles' Universe History....
May 2nd...
1996
The Matrix, having evolved beyond Fox and Anastasia's control, threatens to spread its vision of "order" across the entire planet. Goliath and Angela reluctantly join forces with Dingo to try to rectify the situation. Ultimately, Goliath and Dingo enter the Dreamtime and convince the Matrix to abandon its pursuit of a pristine and orderly universe to seek out "Law and Order" instead. The Matrix and Dingo agree to join forces as heroes, and the Matrix merges with Dingo's armor. Elisa and the gargoyles return to Avalon, where it is morning again. The gargoyles sleep.
MAY 1
This day in Gargoyles' Universe History....
May 1st...
1776
Adam Weishaupt founds the Bavarian Illuminati.
1996
Hakon's spirit reaches out across the globe and senses that his descendant Wolf shares his hatred of Goliath. He summons Wolf to Wyvern Hill in Scotland. Meanwhile, Goliath, Elisa, Angela and Bronx depart from Avalon and arrive in Australia. There they encounter the Matrix phenomena created by a pregnant Fox and her mother Anastasia Renard.
Ylm writes...
In your opinion, which one of the newly introduced characters from the Avalon World Tour did you find the most fascinating and interesting? Which ones did you want to further develop and to write more about?
Greg responds...
They're all my children. I don't play favorites, and I have plans for all of them.
Makhasu writes...
In Sanctuary, Demona says to Goliath that "New York is your protectorate, Paris belongs to me!" Why was she so possessive towards Paris? Does it hold any special meaning for her?
Greg responds...
Yes. But mostly she's just saying, "Geez, dude, I leave the continent and you're STILL in my business?!"
Makhasu writes...
Who came up with the idea for the Paris scheme against Macbeth? Thailog or Demona?
Greg responds...
Thailog.
Raye writes...
Okay, I am going to word this very carefully as I know it treads dangerously close to being an idea rather than a question. I've tried *extremely* hard to keep it within the boundaries of what's allowed. Hopefully you'll see where I'm going with all this. First, some statements:
1. Avalon sends you "where you need to be"
2. The Avalon World Tour resulted in heroes around the globe awakening to their destinies as warriors and protector-figures: the werepanthers in Nigeria, Cuchulain in Ireland, Natsilane in Canada, the Golem in Prague, etc.
3. There are currently several heroes stationed around the world. Such a collective force could come in handy if something...bad were to happen.
So, my very articulatly-worded questions are as follows:
1.a. Is Avalon a conscious entity?
b. If so, did it send Goliath and company to these particular destinations with the specific purpose of activating these heroes?
2. Does Avalon (or alternatively, you) have a master-plan in reawakening these heroes that went beyond protecting people on a global scale?
Okay, I think that should pass the censors. Thanks!
(PS, the comic came through the mail this week and I can't wait for more! From America all the way to Christchurch, New Zealand. Thanks Amazon!)
Greg responds...
1a. I'm not going to answer this beyond what you can gather from the series.
b. It sent them where they NEEDED to be.
2. I have a master plan for all these characters, yes.
Patrick G writes...
How long were Goliath, Elisa, and Bronx missing from Manhattan during the World Tour? In other words, how long was it?
Greg responds...
I'm fairly certain this info is ALREADY in the archives, but...
Goliath, Elisa and Bronx left Central Park for Avalon on Thursday, December 28th, 1995.
They returned to Manhattan with Angela on Tuesday, July 9th, 1996.
So they were gone just over six months.
Blaise writes...
THE GATHERING, PART ONE
Hey Greg! Good to see you rambling again. I'm going to have to do a little mini-marathon to catch up, so without further ado....
When this episode first aired I had figured that this would be the ep when the Travelers (finally) got back to home base and the rest of the regular cast. I, for one, was looking forward to this, if for no other reason than to see more of my favorite character (Brooklyn).
Seeing the Gathering on Avalon was a nice little "curtain call" for the many supernatural beings the Travelers had encountered on the World Tour. Other than those we had met, Nought definitely had the most striking design (it also helped that he was pretty well featured for a walk-on).
I agree with you about Anubis--he should not be laughing. That part never seemed quite right to me.
It amuses me how, when the Banshee and Odin are fighting, Oberon at first enjoys the action immensely, but as soon as his mirror is nearly damaged he calls an end.
I may be alone in this, but I don't feel too sorry for the Banshee--she was a bit of a pain.
Selene (sp?) is in full fury mode here (I love her eagerness in offering to hunt down Puck).
I also enjoy Princess Katharine's reaction to Oberon contacting her magically.
I've always wondered what Renard thinks of Petros Xanatos. I'd imagine that they might have got along well enough, despite Renard's enmity towards David.
I hadn't figured out Titania and Anastasia were one and the same until Anastasia started talking. Only here did I recognize them as both having the same voice actress and draw the connection.
Of course I didn't get the Owen/Puck connection (or refused to--I'll explain later).
I, too, loved Vogel's reaction to Petros' question about him being related to Owen (an honest question if you ask me).
The child is born. And (for those of us who read the credits of FUTURE TENSE) we already knew his name (and what he'd probably look like all grown up).
Watching the bit with the jogger pouring out his drink after his "hallucination" this last time, I felt myself thinking that, while it's a nice old gag, I'd kind of like to see it with a new twist. For example, instead of pouring out the offending substance, after seeing the supposed hallucination, the subject instead smiles and starts chugging it.
The hypnotized guard is funny. The late Charles Hallahan did a great job with both that and Travis Marshall's snide "...both of them ex-convicts..." line. Great copy and great performance.
The confrontation in the Xanatos' bedroom was very well done. Oberon's reaction to Fox being Titania's daughter is, of course, a high point, but there are smaller things that stand out to me as well. Seeing a young and healthy Renard is a plus, and I love that Fox visibly reacts to seeing Xanatos' gun behind his back (it's small and if your attention is on Xanatos you wouldn't notice it).
As I was watching this time, I thought about Oberon's lines about how Xanatos should take comfort in having "fought admirably for [his] child against impossible odds," and that they have an hour to say good-bye before he takes Alexander away forever because Oberon is "not without a heart." These lines, looking at the words alone, are essentially making things more painful and frustrating for the Xanatos' (insult to injury, as it were), but Oberon does not intend them that way. He's actually being honest, maybe even paying compliment to them, and (in his own mind) is being nice about the whole thing.
In a way it reminds me of Xanatos' line to Derek in THE CAGE--"He's the scientist, you're just the experiment." Xanatos wasn't trying to hurt or insult Derek with that statement, he was just stating the fact of the matter. Similar to Oberon here, the words used by the speaker seem more hurtful than the speaker's intent.
I suppose all this is just a roundabout way of saying Oberon really is Xanatos' comeuppance. :-)
THE TRAVELERS FINALLY COME HOME!!!
Man, I was so happy to have them back on home territory and ready to get back to stories with the rest of the regular cast in their given setting. The World Tour was a nice way to expand and show more gargoyles, but there really is "no place like home."
When Goliath is telling about all the gargoyles around the world he sounds positively giddy. He's even SMILING! Of course he's been smiling since they got back, but here...it's just that seeing Goliath this happy is a bit uncommon.
The Trio of course has their first introduction to Angela...and I kind of suspected this would be the cause of a few waves with them. Three guys and ONE girl…oh, yeah, trouble. The bit with the chocolates is funny, too. And after tasting just ONE chocolate, Angela says, "I think I'm going to like it here." BEHOLD! The power of CHOCOLATE!!
Seeing Goliath and Elisa on her terrace...the first time I watched this, I had already decided that they were going to kiss or something by the end of the season. When G brought E back home, I thought, "This is going to be it!" Then Elisa had to be a party pooper and stop it (and my, wasn't that rain a convenient way of breaking it off).
This latest viewing, I found myself thinking, "...She left her lights on, the electric bill's going to be bad. Wait...how long have they been gone, exactly? It's a miracle she still even HAS her apartment--all the months she wasn't there to pay rent! What, does she pay several months in advance?!" Being a budding actor I have found myself struggling to cover such bills for the past two years, consequently thoughts like that have a tendency to occur to me.
Anastasia/Titania's revelation of herself to the gargoyles was a bit too quick for me, but there's only so much time in the average episode.
I love that the evacuating workers are actually questioning why they're being evacuated (I heard someone mumbling "fire drill"). It's a little detail I like.
The force field surprised me a bit, both because it's something we hadn't really seen before in the series, and because it was actually effective.
I love how Oberon goes from being amused to being pissed off when his magical bolt doesn't break the force field.
Nice effect where his eyes glow green when the lightning flashes.
Seeing Oberon wreak the one car makes me feel sorry for the car's owner (hope the owner's got good insurance). Then he puts everyone in the city to sleep and I start to wonder how many people might die (killed in a car accident, fell asleep while on a ladder or stairs, etc.) because of this. A lot of people are going to be inconvenienced by something they have absolutely no idea about (kind of like Vinnie!).
Oberon's put the city to sleep and both Petros and David Xanatos are in the "war room" with the former asking, "Has the attack begun?" I find that hilarious.
And then Oberon grows up ("Enuk-cha!"). That last shot of his laughing face through the glass of the atrium is great, especially as a cliffhanger.
Here, at the end of my ramble, it's time to talk about Owen. Now, of course he's acting weird but....
Okay, when this ep first aired I watched it with my brother. Now, I was the GARGOYLE nut in my family. My brother and mother thought it was all right and would watch it from time to time, but I was the one who lived, breathed and slept it. So, my bro and I watch this and my bro turns to me and says, "Owen's got to be Puck." And because it was my brother who said this, I disagreed with him. It wasn't that I didn't think it was possible Owen and Puck were the same (in fact, it seemed to me like a distinct and intriguing possibility), but it galled me that my brother (who would NEVER admit to being wrong) would be right about this. The fact that GARGOYLES was MY thing and not his made me more adamant.
Of course, in the end he was actually right...but I can't recall being disappointed about it in this case. It was just too cool of a twist.
On to part two, now....
Greg responds...
One has to assume that by "Night of the Panther" at least, Elisa had made some arrangement to deal with bills and etc.
Phoenician writes...
Hey Greg, I'm back to make my review of the Season II - Volume I DVD!
I've been waiting to do this since I bought it on the day of release - I'm actually a tad surprise it took so long, as opposed from last year . . .
But getting to the point: Season II, Volume I ROCKED! Several of my favorite episodes are in this DVD, including the City of Stone 4-Parter, the Avalon 3-Parter, and probably my favorite in the entire DVD: The Mirror!
My favorite bonus feature was the episode introductions, and I really wish now that Season I had them as well. They offered more behind the scenes info than I think I expected. I really did love the Gathering of the Cast and Crew: I have only seen Keith David, Johnathan Frakes, Mirina Sirtis and Sally Richardson (and you, of course) in my history of Gargoyles, so it was nice to finally attach some faces to the rest of the cast and crew as well. I loved Jeff Bennet's 3-Voice demo. Absolutely amazing and hilarious at the same time!
I loved the commentary on City of Stone. Out of the two multi-parters we got, I'm happy this one at least got the commentary. The back-story of Demona and Macbeth is perhaps the best memory I have of watching Gargoyles when I was six. Never before (and I think you mentioned this on the commentaries) had I seen the bad guys in a point of view that got me feeling sorry for both of them! The music by Carl Johnson in the Part IV (Where we see Demona in the forest fire) is definitely what I reminisce most in the four-parter. Simply legendary.
By the way, after I had watched the City of Stone four-parter commentaries, I was driven to look up the entire "Macbeth" Family Tree. I finally found the historical version, and with the knowledge of what I knew of Princess Katherine and her dad Prince Malcolm, I think I worked it all out all the way to Luach (I know, I know . . . Lulach. But I'm used to it!) and Canmore!
I don't know if it was you or someone in the Gargoyles team that did it, but I love the fact that the cover says "We Live Again." Simple, but powerful for anyone who remembers the series.
I wish Avalon had a commentary as well, but that is why I appreciate the Introductions so much.
I can't wait for the next DVD. I can't wait to have The World Tour (which I had always called the 'Avalon Odyssey' before I started going online) to my collection. So many stories in so many places . . . I love them all!
Thanks for the series, Greg. From the season premire I was lucky to witness up to today, this show STILL remains my favorite show of all time!
On to Volume II!
Greg responds...
You're very welcome.
In House at Disney, we started calling it "The Gargoyle World Tour" as a joke. Like we'd make concert t-shirts with all the stops. (HEY, THAT'S A GOOD IDEA!!)
Jim Sorenson writes...
Greg,
Thank you for taking the time to interact with us fans, and congratulations on the success of the initial DVD releases. I imagine that by the time you read this we'll have new cannononical stories from the comic book and the rest of season 2 out on DVD. It's truly a great time to be a Gargoyles fan.
I enjoyed the world tour tremendously. One thing that always struck me as particularly interesting is that the world tour didn't end because it was finished, but because Goliath et al abandoned it after Avalon sent them to Manhattan. My questions and requests:
Question 1: In Ill Met By Moonlight, did Avalon bring the crew back to Avalon because of Oberon's plan to remove the Gargoyles, or was that an in-between quest?
Question 2: Were there any negative consequences resulting from Goliath choosing not to get back on the skiff following the events of The Gathering?
Question 2a: Do you have any notions of where Avalon might have sent the skiff had our intrepid heroes continued their quest following The Gathering, or who they might have encountered?
Request 1: If the answer to 2a is yes, please share some of those thoughts with us if you care to at this time.
Question 3: Future tense seems to take place during a brief blackout Goliath experiences. Did it take place between Avalon and Manhattan immediately preceding The Gathering?
Question 3a: If the answer to 3 is no, when/where did Future Tense take place?
Question 4: Were there any destinations on the Avalon Quest that took place but were not shown in Gargoyles? In other words, might Goliath & Elisa have had a world tour adventure 'off camera?'
Request 2: If the answer to 4 is yes, please share one or two places that they were sent off camera, if you'd care to at this time.
Thanks very much for your time, and I hope to see you (have seen you by the time you read this) at The Gathering 2006.
Greg responds...
1. Avalon only controlled their destinations upon LEAVING Avalon. But Goliath et al had to return to Avalon between each journey to try again.
2. Who can say? You may in fact be giving Avalon too MUCH credit... at least too much credit for FORETHOUGHT. If they had abandoned their quest in Prague or anywhere else, then some bad stuff might have happened where they DIDN'T show. But Avalon may not have cared WHERE the quartet were from. It might have continued to send them ad infinitum. At some point, I think it's fair to say, "Hey, I've been playing nice. But I'm home now and enough is enough."
2a. I suppose. I had stories in mind for China and Korea at least at the time. But honestly, I long ago readapted them in my head to suit where the World Tour did end.
Request 1: Shared all I'm going to at this time. BUT KEEP BUYING THAT COMIC!! ;)
3. I don't have my timeline with me, but the short answer is yes.
3a. See above.
4. Yes, they definitely did.
R2: I've mentioned the Himalayas in the past. But that's all I'm gonna say at this time.
You're welcome.
Vicious writes...
I'm wondering about all the places visited in the world tour episodes. Did you or any of the creative staff actually see places like Prague or the Queen Charlotte Islands? Did you base them on your experiences or just do some research without actually knowing much about the places to begin with?
Greg responds...
I've been to some of the places on the World Tour. But, no, not all. We did research on every stop -- even the fictional ones.
Specifically, I've never personally been to Prague or the Queen Charlotte Islands, but it was a big staff. Someone on the team might have been there.
Krista writes...
How do Goliath and Angela and Elisa communicate with the Guatamalen clan and the Japanese clan? Are they all speaking English? It would make sense (sort of) if all gargoyles understood each other... but then Elisa talks with them also... could you help me here?
Greg responds...
The short answer is that they're all speaking English. This was a production choice made at the beginning of the World Tour by Frank Paur. Later, Frank changed his mind, and we tried to convince our bosses to let us redo some stuff -- especially in "Bushido". But our bosses vetoed the idea of us going OVERbudget for the sake of putting some dialogue in subtitles, which at least a percentage of our audience couldn't read.
Since then, other ideas have occured to me...
Todd Jensen writes...
Thanks for the "Bushido" ramble, Greg!
I hadn't realized the "Awakening" parallel (at least, not the parallel with the 994 portion of "Awakening") until you brought it up (not in this ramble, actually, but in an earlier reply here at "Ask Greg"), but it certainly works for me. And I agree that Yama, fortunately for the gargs, had held on to more of his courage and understanding of the "gargoyle way" than Demona had (I especially liked the scene where he discovers to his disgust that Taro had been lying about the first visitors to the theme park being a group of schoolchildren who wished to learn bushido - the fact that he had believed that those would be the first visitors illustrates his good intentions there).
The Ishimura gargoyles remind me a little of the tengu, a race of winged beings in Japanese legend who sometimes taught humans bushido (continuing the concept that you'd used in the Avalon World Tour of tying gargoyles in with other legends, as I mentioned before).
I agree with you that Taro isn't up to Xanatos's level. For one thing, though Xanatos might get defeated, he always did so in a way that essentially preserved his dignity; I simply cannot imagine him winding up dangling from a gigantic animatronic gargoyle in front of a crowd of reporters. (For that matter, I also can't help wondering why Taro would have wanted to have the reporters show up at dawn rather than dusk to get their first glimpse of the gargoyles; if I wanted to introduce people to gargoyles in an impressive way, I'd want it to be when they were bursting out of their stone shells in the evening. That'd be much more powerful and dramatic.)
Yama's concerns about gargoyle secrecy certainly worked for me, and although he went about solving the problem in the wrong way, I can certainly agree with him about the secrecy having its drawbacks. It does strike me that part of the reason why humans fear gargoyles is because about all that they usually see of them is their charging about growling, with eyes glowing, in battle-fury - a condition that certainly makes it easier to jump to the wrong conclusion about them. Would humans be so ready to make that mistake if they got to see more of the gargoyles when they weren't simply fighting? Also, there's the danger that if you just keep secret, somebody else might reveal you to the world under less favorable circumstances than the ones that you'd have chosen (such as claiming on a news broadcast that you blew up a police station in New York). It does make one wonder whether the gargoyles have been a little too passive in working for peace with humans, just sitting around and hoping that the humans will learn to accept them on their own, rather than actively working towards it.
And I got a big kick out of the metareferencing in Elisa's "TV stars" line, and Goliath's horrified cry of "No!" (Goliath's line was made all the funnier, for me, by Keith David's reading of it - making it sound as if Goliath truly considered such a prospect a fate worse than death!)
Perhaps one of the most important aspects of "Bushido" is that it shows a community where humans and gargoyles live together harmoniously, showing that Goliath's belief that such a thing is possible is indeed accurate. (We saw a bit of that on Avalon, but that was an unusual case - humans raising young gargoyles as if they were adopted children. This is a more "conventional" community.) Hope is indeed possible.
Again, thank you for the ramble.
Greg responds...
A big theme of the World Tour was hope. Intentionally.
DPH writes...
Will you please give us approximate dates for when Goliath & Elisa arrived at the various points on the world tour?
Greg responds...
All of them...?
Greedy, much?
<sigh>
Let's see. I'll do it 'til I'm worn out.
Goliath, Elisa & Bronx first arrived...
--on Avalon on December 28, 1995.
Goliath, Elisa, Bronx & Angela first arrived...
--at Wyvern on January 1, 1996;
--on Queen Florence Island on January 3, 1996;
--at Loch Ness on January 16, 1996;
--in Prague on January 19, 1996;
--in Paris on January 21, 1996;
--in London on January 23, 1996;
--in Egypt on January 25, 1996;
--in Ireland on January 27, 1996;
--in Australia on May 1, 1996;
--in Nigeria on May 16, 1996;
--in Norway on May 19, 1996;
--on New Olympus on May 22, 1996;
--in Guatelmala on May 24, 1996;
--on Rapa Nui on June 10, 1996;
--in Ishimura on June 14, 1996;
--in Arizona on June 16, 1996;
--in Tibet on June 18, 1996;
--for the final time on Avalon on July 4th, 1996,
--and back in Manhattan on July 9th, 1996.
Gee, guess I have more stamina than I thought.
Michael McCarthy writes...
In the episode "Sentinel", the statues are shown facing towards the sea. I recently saw a documentary about Easter Island, and all of the statues in reality face inland. Just wondering if you are aware of this.
Greg responds...
Guess I am now. All of 'em, huh?
Oberon writes...
In "Eye of the Storm," Odin says something to Goliath along the lines of "I did not draw your craft to this land to suffer defeat."
1. Was Odin responsible for Avalon sending the group to Norway?
2. Do the Children have power over where Avalon sends people?
Greg responds...
1. Yes.
2. Not generally, no.
Vinnie writes...
Hey Greg, my question is simple how long are the sleeves on Elisa's black shirt? Because I noticed in the episode "The Green" she has short sleeves and in "Sentinel" she has long sleeves in the scenes where Elisa takes off her jacket. This is most likely a typo unless Elisa had time to run home and get a change of clothes. Just thought I would mention it, because unless she was caring a change of clothes with her when they first set out for Avalon or unless she stopped off on the quest to buy a new shirt I don't see how her shirt could change so drasticly.
Greg responds...
I'd say at home, Elisa has both long and short sleeve black t-shirts, but she didn't exactly pack for the trip.
On the other hand, she did have plenty of opportunity to pick up some stuff (say in Paris) and plenty of motivation (you try wearing the same clothes for weeks on end). So maybe she bought a new shirt. Or maybe Princess Katharine sewed it for her on Avalon. (We didn't show it, but the Skiffers stopped back at Avalon between every adventure.)
My point is... if you want to view it as a mistake, be my guest. Congrats. You found one. But if you'd prefer to find an explanation for it, it's not exactly a challenge.
Zarok writes...
SANCTUARY
Ding Dong the queue is dead, well wounded anyway. I Know this is late but the asking function was closed down before I could post it and I've been awful busy lately. A well here it is.
I was interested to learn you had planned to use a Quasimodo character originally since Quasi is kind of a Gargoyle himself. I wonder if Quasi existed in the Gargoyle Universe, hey if you can have J.V.
I also was kind of disappointed you didn't give Demona's alter ego an angel themed name like Angelique like you planned in your memo. Would've made a great parallel with Angela and created another of those cool name parallels like Peter Maza and Petros Xanatos or Alexander Xanatos and Alexander
Speaking of thailog I have something to tell you that I think you'll like. When these episodes were first being aired on Disney Channel UK they seriously aired them out of order, skipping over most of the episodes between "City of Stone" and "Avolon" as well as a few pre-CoS episodes. They actually aired half the world tour before "Avolon" and even that before "Eye of The Beholder"! Luckily they sorted it out for the reruns but the point is that when I first saw "Sanctuary" I had not yet seen "Double Jeopardy" and it didn't hurt my enjoyment of this episode one bit. Sure there was some initial confusion over this Goliath look-alike (I thought at first that Thailog's "no way to treat a lady" line was Goliath's) but once the word clone popped up I immediately went "now I get it". More reason to believe that new viewers can get into "Gargoyles". In fact I think the World Tour was good at bring new viewers in, the episodes were much more stand alone
Greg responds...
That is good news. Thanks for telling me that.
We made a conscious decision not to use Angelique. Dominique just seemed more like the kind of name Demona would choose for herself.
jakdannies writes...
Hey Greg, Here's a production/episodic question, First the production question When you were producing the Avalon World Tour. Were there problems with the actors? It is because only Salli, Keith Frank and Bridgitte were the only principal cast? Next, The episodic question, Why wasn't the entire clan included in the A.W.T. it wouldn't been cool seeing the whole clan traveling the world.
Greg responds...
There wasn't any problem with ANY of the actors. We made a creative choice to focus on a few characters for the trip. We felt it would be WAY too unwieldy to take Hudson & the Trio along as well.
Anonymous writes...
Were there gargoyles once in Norway? What happened to them?
Greg responds...
Probably.
They moved and/or were killed off.
Maybe Ragnarok had something to do with it.
Anonymous writes...
Why did Avalon send Goliath and Co. to Norway?
How did Odin know that they were there?
Greg responds...
1. To return the eye to Odin.
2. He sensed his eye immediately.
Todd Jensen writes...
My thoughts on "Monsters":
I agree with you on the animation issue (although I never noticed the parallels with "Heritage" prior to your mentioning of them), but I will admit that I thought the episode a rather fun one (if not one of the greats). Part of it, I suppose, is my fondness for British settings. (In fact, I visited Loch Ness with my parents briefly as a boy, back when we lived in Britain; didn't see anything unusual in its waters, though).
I did find it appropriate that the gargoyles would encounter the Loch Ness Monster at some point. After all, the gargoyles are Scottish "monsters" - and who's the most famous monster in all of Scotland? Made the same amount of sense as Macbeth getting in earlier, and for a similar reason.
Alas for Brendan and Margot! They run into the gargoyles even while they're on vacation! (Come to think of it, Margot also pops up briefly in Paris in "Sanctuary").
Got to agree with you over Sevarius's over-the-top performance; always a lot of fun to hear.
Count me as another one of the people who mistook Nessie for Big Daddy's daughter (partly because of the Goliath-Angela parallel).
I definitely recalled Matt's answering machine scene: either the guy doesn't clear out his phone very often, or he gets a lot of calls. At least Goliath and Elisa finally get a message home via Renard in the very next episode.
Sevarius's speculations over the Loch Ness clan (more accurate than he thought, after all) certainly become even more interesting in the aftermath of the Clans Contest (and like you, I can't help but wonder now where the local gargoyles were during this episode). We also definitely find out that Angela is Goliath's daughter (although I doubt that that surprised anybody in the audience).
I wonder if that ruined castle over Sevarius's headquarters was based on the real-life Castle Urquhart, at Loch Ness. (Probably is).
And, as you pointed out, that marked the end of the Xanatos Goon Squad, except for Bruno (and I don't recall ever seeing him again, either, after this episode); although I'll admit that I never realized that they were dead at the time. If I had, no doubt it would have impacted me much the way that the destruction of the Grimorum Arcanorum did in "Avalon" - the startlement at seeing another familiar element that had been in the series from the beginning suddenly gone. (Was the blonde female member among the casualties? She was the only member besides Bruno that really came out as much of an individual, to me).
At any rate, thanks for the latest ramble, Greg.
Greg responds...
The castle is definitely based on Urquhart. (That's assuming that it flat out isn't Urquhart.)
I have more plans for Bruno.
Big Mike writes...
During the Avalon tour, Did the travllers eat any thing during their stops?
Greg responds...
I would imagine that on occassion they did. Certainly they did on Avalon between stops.
Sean writes...
In the episode Golem why did you use a Rabbi to summon the Golem?
Most of the episodes have some mythology behind them. I've heard about golems before, but I've never heard of any myths associating Jewish people with the use of magic. I'm certain that it goes against their religion.
P.S. I looked to see if this question was asked, but I didn't find it in the achieves. If I've missed it could you email me at the_nameless@2d.com
If you post my question, please remove the "P.S." text.
Greg responds...
The Golem of Prague is specifically a Jewish legend, and Rabbi Loew, the Rabbi in the Flashback sequence, is a character of both history and legend -- and he is the traditional summoner of the Golem. I'm fairly certain any cursory search on the word Golem would reveal this.
Like most major religions, Judaism houses a multitude of interpretations, beliefs and practices. I'm Jewish, but I'm sure there are Jews out there who wouldn't agree that I was.
So you're "certainty" is a bit presumptuous.
Lord Sloth writes...
1. In the episode "Grief", was that Egyptian city and everyone in it just simply destroyed by the Jackal Avatar? As in: dead, and never ever coming back?
2. If #1 is correct, why couldn't the Emir Avatar return life to the city's population (not to mention those crocodiles and trees) since they were brought to death as untimely as the Emir's son returning to life would have been? Why weren't those lives considered "stolen energies" as well?
3. If #1 is correct, don't you agree that it was quite an unusual move for the show to have so many people die, and then not worry about the repercussions that it usually spends a whole lot of focus on with smaller incidents (something that made the show really great)? Did you have these concerns when working on the episode?
4. If #1 is correct, did S&P have any problems with it?
5. Was that a real city? Does/Did it have a name?
6. Dose Jackal, in his normal state, still harbor ambitions of bringing the gift of death to the world, or dose he keep his feelings under some control until he becomes super natural or dons the Eye of Odin?
7. How does Hyena feel about her bro's ambitions, would she be just as malicious if given the chance.
8. I was wondering if the Sphinx actually has that ritual chamber and mastaba as shown in the show? And was that door with the secret hieroglyphics just something Xanatos Enterprises cooked up that looks cool and also keeps out intruders, or was that meant to be ancient Egyptian tech?
9. This question is a bit differn't, but I'll ask none the less. How do you think Anubis felt about Iago, Desdemona and all Othello being brought back from the dead? Did it cause a big disruption to him, the spirit world and the space-time continuum?
Greg responds...
1. That's my thinking.
2. What's dead and gone cannot be recovered. Or something like that. (He has a great quote in the episode on this very subject.)
3. A bit. But we also wanted to hint at the devastation -- and still get away with it on an S&P basis. Had we explored the repercussions, it would have drawn too much attention to what we had done and we would not have been allowed to do it. We felt it was more important to do it and not explore as opposed to not being able to do it at all. I still have hopes to explore those repercussions somewhere, someday.
4. Not with the way we did it. See above.
5. It's more of a town than a city, but no it didn't have a name.
6. Jackal is a sociopath, i.e. he knows how to control his impulses to function in society. But given the right opportunity, he's clearly capable of anything.
7. Hyena is a psychopath, who needs her brother to control her impulses. You can decide for yourself which one is more dangerous.
8. Meant to be ancient Egyptian tech. But I've never been to Egypt, so next time you go, you can check out for yourself whether or not it's really there.
9. Anubis strikes me as a guy who has intentionally divorced himself from passion. Ghosts exist. That's not what the Emir was asking for. The ColdTrio are ghosts in various shells.
matt writes...
when Goliath and Co finally arrived back in New York after the World Tour, what body of water did they arrive in? the lake in Central Park? the river? the Atlantic?
Greg responds...
Does it matter?
matt writes...
in "Walkabout" why didn't they just use the computer virus Xanatos obtained in "Legion" on the Matrix when they were trying to destroy it?
i have to ask, does a question like taht one bug you? i mean, i can understand how a question asked about something taht has yet to happen or why something happened a certain way is fine, but does it annoy you when we ask, "why didn't they do this..." questions? i think those kind of questions would annoy me cuz they sound so after the point, so unimportant. and when i begin to ask a question like taht i can usually look at it and answer it myself as well as you can. for instance, my question above, my guess is you'll say, "they didn't have the virus with them in Austrailia" or "they had no way to transmit the virus to the Matrix." sorry for the long ramble about nothing, i'll just stop asking these obvious and annoying questions...
boy, i'm tired :)
Greg responds...
1. I'm not sure Fox knew about that virus.
2. You're second paragraph undercuts any annoyance I might have had with your first question.
Chapter XLIV: "GRIEF"
Time to ramble...
I watched "Grief" the other night with my wife Beth, my nine-year-old daughter Erin and my six-year-old son Benny.
This episode was directed by Kazuo Terada & Takamitsu Kawamura, story edited by Michael Reaves based on his story. The teleplay is by Michael and Brynne Chandler Reaves.
Though Brynne co-wrote the teleplay, this strikes me as a VERY Michael episode. I remember how excited he was to be using the Tanna Leaves and the Avatar, plus all those other references to Thoth, Osiris, Isis and Set. I think it was something he had wanted to do on a Batman episode, but it hadn't survived someone's interference (my memory is hazy). But these MUMMY trappings suited our purposes perfectly. The Tanna leaves even gave Hyena hay fever.
The one word title, as usual, was one of mine. I liked it because it had that double meaning, covering the Emir's grief over his son, and all the grief (trouble) that this was causing. I have a vague memory that Michael wasn't thrilled by the title, but, hey, I gave him his Tanna Leaves...
One of us had Wolf speak to the second meaning in the episode when he says he's tired of the Gargoyles giving the Pack grief. Just to give things a bit of clarity.
THE PACK
The new Coyote 3.0 surfaces, complete with a slightly new design and that now iconic Xanatos robot head (smashed in his last appearance) displayed on a video screen. (Goliath mentions seeing it, although in the ONLY scene where Goliath could have seen it, it's not visible. Arggh...)
The new Coyote design obeys Frank Paur's general rule of robots, which states that if you're not trying to fool anyone into thinking that the robot is actually a human being, then the design should clearly be inhuman enough so that you'd never think it could be a guy wearing an armored suit.
Coyote's an odd bird in many ways. So like Xanatos, but without his drive and with more of a vengeful nature. Programmed in, I believe, so that he doesn't let anyone or anything stand in the way of X's missions. He's got some fun lines ("Shoot first and ask questions later."), in particular his exchanges about the chain of command...
Coyote: "I'm not programmed to kill without orders.
Wolf: "I'm giving the order!"
Coyote: "You don't qualify."
or
Coyote: "Is that an order?"
Emir: "YES! Get rid of them!"
Coyote: "Cheerfully."
Hyena continues to be attracted to a Coyote that doesn't seem interested but also never closes the door on the possibility of hooking up with the cyborg. ("Wanna make sparks fly?" "Later, perhaps.") It's sick and twisted and hard to get your head around, but it sure is fun, culminating with her wonderful complaint to her brother after Jackal destroys Coyote: "Every time I meet a guy I like..." (I also like those buzzsaws on her arms.)
It's important to note that Dingo is already missing from the group. Clearly, during and after "Upgrade" he was rethinking his association with the other members. This doesn't bode well for the Pack as a unit. They're already talking about going their separate ways after the Emir's work is through and are only still together because they owe Xanatos for busting them out of jail. After this, Wolf will head to Scotland, answering the call of his ancestor Hakon. Jackal & Hyena will take a job with Cyberbiotics and head for Guatemala. Dingo will go to work for Fox in his native Australia. Coyote 4.0 will be rebuilt and head for Arizona with Xanatos.
So "Grief" is the Pack's swan song -- that is until a new Coyote forms the Ultra-Pack with Wolf, Jackal & Hyena and a new member... someday...
THE EMIR
To be perfectly honest, the Emir entered the Gargoyles Universe as a throwaway line of dialogue to indicate how powerful Xanatos was in "The Edge". If he could keep an Emir waiting, X must be a real bigshot. But Michael and I remembered the line, and used the Emir again as a semi-throwaway in "Double Jeopardy". But by that time, I think we might have already known we'd be seeing him on the World Tour. It's just an example of how the Tapestry seemed to be working for us. Creating opportunities that were so right, it almost seemed as if we were truly tapping into the Gargoyles Universe. How many of you were surprised to see the Emir actually appear?
The Emir was a very successful and poignant character (at least in my opinion). I give most of the credit for that to actor Tony Shaloub and Voice Director Jamie Thomason. Not to knock our wonderful designers and animators who brought that voice to life. But let's face it, he's just a guy in a robe. Now over the course of the ENTIRE production of Gargoyles, I would say that I only missed two voice sessions EVER. But one of them was this pick-up session with Tony. NOW, of course, everyone knows that Tony is an Emmy-winning brilliant actor of movies and television. I just love MONK. But back then, the only thing that Tony was really known for was the Italian immigrant cab driver on WINGS. Pretty cool in and of itself, of course. But having missed the session, I was unprepared for just how wonderful he was as the Emir. Everything from the grief-stricken sighs to the bursts of anger are just wonderful.
And while we're on the subject of voice, how about that other Tony, Tony Jay, as Anubis. He's delicious in three different personae -- as the neutral and imperious Anubis, as the crazed Jackal/Anubis and as the exhausted Emir/Anubis. That vocal effect we did of having both actors (Tony & Tony or Tony & Matt Frewer) read the Avatar lines and blending them together was a bit of accidental brilliance, in my opinion. I'm also glad that they do NOT quite synch up. It's better. The lines basically fit, but they ebb and flow around each other like the magical melding it's supposed to be. It was a bit of a bitch to mix, but I love it.
But I digress. The Emir's heartbroken love for his son is, I think, one of the cleanest and most purest emotions (unencumbered by too much fantasy) that we ever presented. Something very real. When the Emir first pulled out the photo of his son, Erin said "Who is that? Is that his son?" She immediately knew the photo had meaning. (Again, Tony's big sigh really helped.)
And at the end, we (along with Goliath) really hope that after gaining true understanding upon becoming Anubis' Avatar, he is now at rest with his son.
JACKAL
Jackal also truly comes into his own in this episode. I love how he flat out has a thing for jackals. How he admires the Anubis hieroglyph and Anubis himself, calling him "The original model". It's cool and creepy. We also truly get to see Jackal as a sociopath here. I think I've mentioned before that I view Hyena as a psychopath and Jackal as a sociopath, i.e. someone with enough sense to know he's got to do his evil within a schema that allows him to get away with it. But what happens when you free the sociopath from all restrictions. What happens when you give him (Matt & Tony, remember) the powers of Death itself? Well, you see what happens. People die. Lots of them, in theory.
Getting away with that was interesting. I think maybe in Adrienne Bello's mind, everything was set right. Or the fact that we see that Egyptian town age into a ruin didn't count because we weren't seeing ANY human beings die. But we had much more trouble getting those two skeletonized crocs past her than the implied death of an entire town. Misdirection. Or she was just being cool. Or both, i.e. she thought the misdirection was sufficient that she COULD be cool.
I love when Jackal/Anubis says: "Life and Death at my command. I LIKE it!" I also like that he's smart enough and sociopathic enough to co-opt the most dangerous guy in the room: The Emir. The Emir? you ask. Well, yes, it's the Emir who does in fact end up defeating him by rereading the scroll. And Jackal keeps the Emir in his place by holding out the hope to him that he will restore his son.
SPHINX
Seriously, how could we not go to Egypt on the World Tour. How could we skip visiting what Angela refers to as the World's Biggest Gargoyle. So we stuck a fictional temple inside it -- and then trashed it. I think dedicated archaeologists must hate our show, because we're constantly trashing these amazing hidden chambers of antiquity. Maybe I'm getting older or something, but I find myself wincing everytime Goliath and Wolf bust a sacarphogus during a fight, everytime a pillar cracks or the roof falls in. I'm just glad we didn't destroy the Sphinx itself.
Goliath's entrance into the temple isn't one of our most brilliant animated moments. For starters, when Coyote is touching the hieroglyphs, he seems to miss every one. Goliath than claims to be repeating the sequence, but it looks nothing like what Coyote did. Yet it works for both of them. Maybe getting into that temple isn't as hard as it looks.
I love how the power of death flows from Jackal/Anubis and then through the Sphinx's own eyes before striking out at Egypt at large. Almost makes the Sphinx seem to come to life in those shots.
And I do love that shot at the end where the gargs are in stone in front of the stone Sphinx.
ANUBIS
Love Wolf's reaction: "Shave my head and call me baldy." (Or something like that, all ramble quotations are approximate.)
The animation effects on this episode are all fantastic, particularly the lighting during tranformations (very reminiscent of "Shadows of the Past"). Gorgeous. Another reason for me to be bummed that Disney closed its Tokyo studio.
I like how Anubis has no real mouth. Certainly no synch to his dialogue. My kids both commented on it. It fascinated them. But I also think it puts him on another level. His speech is that of a god. He requires nothing as mundane as a mouth movement to get his meaning across. (That's why it's so disconcerting in "THE GATHERING, PART ONE" when his mouth opens to laugh. He seems above something as petty as laughter, non?)
And how about Tony Jay and those great lines of godlike neutrality: "I grant but one boon." "Death is always pointless. That is the point." "All are equal in death." "You would not like to see the Jackal God play favorites." Etc.
ACTION
All right, once again, let me acknowledge my screw up. I should have let Coyote shoot Elisa, Goliath, Bronx and Angela dead. And have nothing happen. At that moment in the ep, no one can die. Emir and Anubis are just covering that in dialogue. Instead, Elisa pulls off a fairly elegant move that allows them to escape. But how much cooler if the distraction were the mere fact that they survived the Pack's barage unscathed? I blew it.
Otherwise, there is some pretty cool action.
Coyote advises Elisa to take her best shot. She does and it's kinda cool. But less cool because she then comments on it.
Coyote's limp afterwards is a nice touch, I think.
RANDOM FLOTSAM
When Elisa and the gargs wake up in chains, Erin says: "They all wake up at the same time suddenly." Leave it to a nine-year-old to point out an obvious cheat.
Erin said, "Yuck, disgusting." when Jackal first transformed.
Benny: "He wants to be the strongest, I'm guessing."
Benny didn't quite get why the Gargs were turning old. (Designing a demonstably old Bronx was NOT easy, by the way.) Or for that matter why Hyena and Wolf turned into Cyber-baby and wolf-cub. (Though both kids thought they were cute.) So the exchanging of energies lacked a bit of clarity for our younger audience, perhaps. Still any excuse to give Keith David an opportunity to do a variation on a theme is fun. Like hearing Keith play Thailog, it was also cool to hear him play a very old Goliath. The guy's a maestro of his own voice.
I do remember arguing with Reaves about the Baby and puppy moment. I thought (a) that it was funny and (b) that it was necessary to illustrate Jackal/Anubis' power. Michael simply thought it was too silly in tone. Now, I'm very glad I held firm. I think it's a great moment. And a little in-context humor really helps any episode. (I also love Jackal's "Baby sister" line that prefaces the change.)
I think in hindsight, Goliath's explanation that the gargs aged at half-speed and Jackal didn't know it, is a cheat. They are visibly very old. Internally, they'd be no less old. It's not like Jackal was thinking, "Hmmm, if I age them fifty years that should be enough." He just kept aging them until they were old and feeble. It's also not like biologically a gargoyle's exterior ages faster than his or her interior.
Ironically, commenting on that was not necessary for the purpose of explaining the action. If there had been no explanation and Goliath had used sheer will power to drag himself up for one last feeble attack, I don't think anyone in the audience would have balked. Rather, I think that dialogue was put in by me to definitively establish the fact that Gargs age at half speed. Oh, well...
Anyway, that's my ramble. Where's yours?
matt writes...
just watched Grief, had some questions:
1. Emir said his son had died two years ago, and Grief happened in early 1996, correct? so when did his son die? was it before Awakenings? was it before The Edge?
2. when Jackal/Anubis aged the gargoyles you said he just made them old in human terms, but how old were they anyway? older than Hudson?
Greg responds...
1. The Emir's son died on January 26th, 1994. The events of Awakening, at least the majority of those events, took place between October 4th and 7th of 1994. The events of Edge took place between January 12th and 14th, 1995. The events of Grief take place between January 25th and 26th, 1996.
2. I don't know. He wasn't counting.
Sanctuary Outline Memo
In prep for my ramble on Sanctuary, here's my notes to Story Editor/Writer Cary Bates on his first outline for "Sanctuary"...
WEISMAN 2-13-95
Notes on "Sanctuary" Outline...
GENERAL
Cary, I'm going to resist the temptation of beating this all out for you. That's how I got so far behind before. And at this stage I doubt I could do it any faster or better than you. So I want you to do a second draft on this outline, addressing ALL of the notes below. I sympathize, in advance. This is a complicated story. But I know we (meaning mostly you) can make it work. Don't take too long. And feel free to call after you've read this. We may be able to work out some of the problems over the phone. Good luck and here goes:
"SANCTUARY"
How does the title fit? What is the theme of the story? Is it about feeling safe? Safe in the arms of someone you love? I like that notion, but we'd have to emphasize it a lot more.
And simultaneously, more of the action should be centered around Notre Dame Cathedral. Economically, we can't afford to design backgrounds for an entire city. So we should keep the action focused on a few locations, that climax at the gargoyle covered cathedral-"sanctuary".
Plus, we don't want newspapers to be generically talking about a "mysterious winged creature". We want them focused on the Creature haunting the Cathedral at night. Maybe they think it's someone posing as Quasimodo, or his spirit or maybe they even think it's a gargoyle come to life or something. Of course, it's really Thailog. (Not Demona, by the way.) He's been there since "Double Jeopardy". Arriving long before Demona and Macbeth arrived.
We need to involve Thailog more at the end. Make him part of the conflict. I think he would have upgraded a bit. Used some of that $20 million to armor himself for battle. Not necessarily robotic armor, but at least a chestplate. Maybe wrist and shin guards. Keep in mind, we want him to be more powerful than Goliath and more threatening than any other villain. We should probably arm him with some big high-tech bazooka/laser/cannon type-thing too.
And we don't have to break up Demona and Thailog at the end. We just need to know that Thailog doesn't really care for her.
Remember, Thailog's plan isn't to kill Demona and Macbeth for the sake of killing them. He wants what they have managed to acquire over the last nine hundred years. If he could add that to the fortune he's parlayed from the money he stole from Xanatos, he might be able to compete with Xanatos financially. He needs to have already merged Demona's holdings with his own. So that his corporation (and we should get a cool, evocative name for it) we'll inherit in the case of her demise. And he wants to inherit Macbeth's stuff too. So if Mac and Dierdre marry, and both die together, (which is the only way they can die) he'll get everything.
Now, I'm not pretending this is easy to accomplish. As I read the outline, I was wondering if we needed a maguffin or two to symbolize this wealth. Maybe Macbeth's Paris Mansion itself. But we managed to figure something out for "Outfoxed" that clearly and dynamically spelled out Halcyon and Fox's "financial conflict". We can do the same thing here. With the same clarity.
OTHER QUESTIONS
Does Macbeth plan on telling "Dierdre" the truth about himself?
Is this the first time since Gruoch that Macbeth has been in love? Since he's an immortal has he avoided close relationships, not wanting to outlive his lover? Or watch her grow old? Or has he been through this before? Maybe not often, but once or twice over the last nine hundred years. How did he handle it in the past? Is he doing something different now? Highlander questions, basically.
Is Macbeth afraid for Dierdre's life? Does he think Demona might try to harm Dierdre to get back at him?
Do Goliath, Elisa and Angela assume at first that Macbeth and human Demona are in cahoots and only realize/remember later that since M&D have no memory of anything between City of Stone and Avalon, that Macbeth might not know that this human woman is in fact Demona?
Do we have an opportunity, maybe when Goliath and Elisa are searching Paris for the villains, for them to be romanitcally affected by the City of Lights?
When it's over, instead of Macbeth simply remaining bitter and once again suicidal, could Goliath point out to him that life offers possibilities... that if Macbeth could fall in love with Demona, he could certainly fall in love with someone else? Someone nice who would make his long life worth living again, at least for a time.
SOME SPECIFICS
A bunch of things, (some of which Cary the Story Editor should have been able to catch from his reading of past scripts, tsk tsk). Some of these notes may be moot after a rewrite of the outline.
Beat 2) Goliath, Elisa and Angela know that Demona and Macbeth left Avalon unconcious and together. Wherever they landed it would also have to be together. (Of course, Goliath and Co. have been travelling for awhile. So there's no guarantee that Macbeth and Demona stayed together after landing wherever they landed. It's just a good bet.)
There's also no reason for Goliath to assume that Macbeth and Demona are involved with each other still. (After all, they hate each other.) Also no reason to assume that Macbeth would be hurt by the association. And though there's no love left between Demona and Goliath, Goliath has no reason to feel sympathy for Macbeth. The audience might. Some of them would know Mac's backstory from City of Stone and sympathyze, but Goliath doesn't know the whole story. And he's got no reason to think more of Macbeth than Demona. Ironically, it is Thailog, more evil than any of the others, who Goliath would have the most sympathy for. He sees Thailog as a victim of poor upbringing. He'd like to reform and rescue his "son".
On the other hand, by this time Goliath believes that they land everywhere for a purpose. If he sees Macbeth and/or Demona, it's not too big a leap for him to figure that whatever the purpose, it involves these villains.
Beat 4) Again, here we'd like the headlines to be more specific to the Cathedral.
Beat 5) Elisa would recognize the human Demona from "High Noon".
Beat 7) We are forcing the creation of a lot of different sets and backgrounds here. Also don't forget that Demona's transformations to gargoyle (and back) are painful. Also don't forget that Macbeth feels any pain that Demona feels and vice versa. Distance reduces the pain, but we've never been really specific about how much distance or what the reduction is. Does Macbeth, across town, feel a little of Demona's pain at transformation? If so, he could blame Demona, knowing as he does, that he feels her pain. All that would tell him is that Demona is in the vicinity. It wouldn't reveal that Demona is Dierdre, unless he saw her transform. On the other hand, Demona might be far enough away that Macbeth feels nothing. Or just a slight twinge of soreness, that he doesn't immediately connect with Demona. We can play it any of these ways, we just need to deal with this "Corsican Brother"-style pain-sharing. We can't ignore it.
Beat 10) We've got a lot of set-up with little action up to this point. Maybe we can streamline a bit. Also, it feels like Mac's hovercraft might be a little unwieldy for this sequence. Maybe he's on the flying equivalent of a jet-ski or something a bit more svelt.
But there's another big question. What is Macbeth's objective towards Demona at this point? He knows that the only way to rid himself of her is to die himself. He may have forgotten the lessons of City of Stone and Avalon, but I would think that his love for Dierdre would prevent him from wanting to die. Later we imply that he's chasing Demona in order to chase her out of town. But that's pretty goofy logic. "I haven't seen you in weeks. So I'm going to hunt you down, to make sure you stay out of my life."
Beat 11) We definitely want to do something with the Eiffel Tower. Maybe even stage a battle there in the first or second act. But the Tower is open to tourists at night. Does anyone see them hanging there? Or are we way into wee hours by this time?
Beat 13) Goliath can't steal this guys camcorder. He's not a thief. Even destroying it is pretty malicious for Goliath, who's never gone too far out of his way to hide from humans.
Beat 16) Gargoyles don't kiss. They stroke hair. And it's "Notre Dame" ("Our Lady"), not "Notre Damn" ("Our Damnation"?)
Beat 17) The Cathedral is a very temporary safe house for Thailog while some safer, new place is being built for him. (Or maybe that's part of what Thailog is after: Macbeth's Paris Mansion.) It is not abandoned. Thailog is safe their during the day, because he's like a needle in a gargoyle haystack. After dark, he can stay out of sight in the upper reaches, until the Cathedral closes for the night. But he can't have much of a set-up there. Computers? Paintings? I don't think so. Particularly when we've got reports of a creature climbing around the church at night. People might investigate. They wouldn't find Thailog. But what would they make of that computer?
Beat 18) Demona may have no desire to "see" Goliath, since she found Thailog. But she'd still want him dead. Plus she MUST be curious about this female gargoyle. She thinks she knows all the gargoyles that exist, and none of them are female. She'd have to know. (And for that matter, so would Thailog.)
Beat 19) Think about how silly it would look in live action, if a villain who looked like Thailog, whipped out a brush and in a few seconds added a necklace to a painting. It's equally silly looking in animation. Maybe moreso because it's so easy to do.
I don't understand the pre-nuptual agreement at all. Why does Macbeth feel he needs it? (And don't tell me his lawyers push him around.) Besides, the whole idea of it goes against what we want to have happen in the story. Thailog wants Mac and Demona to get married. And have Demona inherit so that he can inherit from her, when both Demona and Mac die. Or am I missing something? I don't think we want this to be about stealing money from a safe. That's small potatos for Thailog and Demona. Either we need to have some irreplaceable (possibly magical) maguffin in that safe, or we should be dealing with the whole ball of wax. The former would probably be easier, but I'd like to go for the latter ball of wax if we can.
Beat 20) Again, I don't buy Macbeth's logic for hunting down Demona.
Beat 21) Angela can't operate a camcorder. She's not Lex. (And as noted above, I don't see anyway for our guys to have this anyhow.) Plus she wouldn't recognize Thailog. Also it feels like a pretty big jump for Goliath to figure that Demona and Thailog are working together. Not an impossible jump, but a big one.
Also, I was unclear. Did Goliath have a chance to give instructions to Elisa or did he turn to stone before he had time?
Beat 23) Again, I don't believe Macbeth lets lawyers push him around. And I don't think we need this pre-nup agreement in the story.
Beat 24) I really don't like this camcorder. And I don't know why Elisa needs it here. Like if she followed Mac and Dem, returned to Goliath without visual proof he wouldn't believe her story?
Beat 25) "How can I prove my love to you?" "Give me the combination to your safe." Yeah, that wouldn't make me suspicious.
I'd almost rather play any scene like this where Macbeth is insisting on giving something to Dierdre, who protests that she doesn't want it. The more she protests that all she needs is his love, the more he wants to lavish on her. In this way, he is predictable, but he's not being fooled by "crocodile tears" into doing something that seems incredibly fishy.
Beat 26) Again, Elisa would recognize human Demona from "High Noon" the first time she saw her. But here I was entirely unclear. How does footage of Dierdre prove that she's Demona, when Elisa didn't recognize her in person?
And this bit about Dierdre being Demona's name...? Gargoyles didn't have names in the tenth century. Naming is a human convention. Goliath referred to Demona back then as his angel love, or his angel of the night. Do we want to change "Dierdre" to "Angel" or "Angelica" or "Angelique". I don't know if you still need this, since Elisa would recognize human Demona, but I suppose you could, as long as we wouldn't be confusing the audience with Angela.
Why wouldn't Goliath want Elisa along? And why would Elisa agree to stay behind?
And what is it that Angela's staring at? Footage of human Dierdre? This isn't going to help her make the connection between herself and Demona. Visual clues aren't really the answer at all, since she would have seen Demona in the Avalon 3-parter. She learned from Sevarius that Goliath was her biological father. Here she learns that Demona was Goliath's love all those years ago. She puts two and two together over the course of the episode. Figuring out the truth only after she's already come to regard Demona as evil. You won't have room here to deal with the ramifications of that discovery. You're just setting things up for another story.
Beat 27) Why does Macbeth want to capture Goliath and Angela if he wants to get Gargoyles out of his life for good?
Beat 28) Goliath is "spreading" lies? To who? I mean we know he's not. But who does Macbeth think he's spreading lies to, that makes him want to imprison Goliath to stop it?
Also Macbeth could NOT have heard about Thailog. He was under the Weird Sister's spell when Thailog made his only other appearance. Besides who would he have heard about him from?
Beat 32) Again, not at all happy about Thailog's magic paintbrush. Particularly since it proves nothing here. It's not a photograph. If Macbeth thinks Goliath might lie about Dierdre, why wouldn't he think that this is a further lie somehow accomplished by Goliath.
Beat 33) I'm glad Macbeth keeps his cook. That guy can make a mean omelette.
Beat 36) Again, don't forget that Macbeth and Demona feel each other's pain while fighting.
Beat 39) These are huge leaps for Angela to make. How does she know this about Thailog. Also does Thailog show up there, state what he states and then not get involved in the fight? Or is that a typo for Goliath? Maybe we should let the battle climax at the Cathedral. Thailog is there. Goliath tries to "save" his son from Demona's evil. (Goliath assumes this plan is Demona's, not Thailog's.) Thailog just laughs. Reveals he wants Mac and Demona to kill each other. And he'll kill Goliath to prevent him interferring. Or something like that.
Beat 41) Killing Demona would at least knock Macbeth out.
Beat 42) Again, doesn't Thailog want anything besides their deaths?
Beat 44) Goliath still needs to be in some discomfort vis-a-vis the biological mother and father thing. It's not the gargoyle way. Brynne is going to deal with this (she'll have the space to deal with it) in her Africa story. Let Elisa be the one who confirms Angela's suspicions.
Beat 45) Again, I think we're working against our own ends. Why does Thailog need Macbeth and Demona dead, if not for what he can gain by their deaths?
Beat 46) Again, I think we can let Demona and Thailog go off together. Also, we've spent the whole episode with Demona turning back and forth from human to gargoyle. Demona does not turn to stone -- ever.
Beat 47) Angela should not get any comfort from Goliath in this episode. You don't have the time to deal with it here. If she receives comfort, it would come from Elisa.
MOVING FORWARD
O.k. try another pass. I'd streamline, by opening with the skiff arriving in daylight. Elisa leaves the stone gargoyles on the skiff tied under a bridge and goes to explore Paris. A place she's never been. She probably calls home again. Maybe she tries her parents this time, and again gets an answering machine. To save money on a voice actor, the answering message can be one that Elisa recorded for her parents months ago. (My sister is on my parents' machine with a message she recorded two years ago.) Elisa's voice says something like: "My parents don't know how to work their answering machine, but if you leave a message for Peter or Diane Maza, there's a fifty-fifty chance they'll call you back"). You don't have to jump through hoops to get the message erased this time. Then she briefly wanders around Paris like a tourist until she spots Mac and "Dierdre" who she immediately recognizes as Demona. She doesn't know that Mac doesn't know it's Demona. She'd probably assume they're up to something bad together. And also guess that they're why she and Goliath, etc. have landed in Paris. She follows them at a safe distance, etc. She doesn't want to get spotted. Near nightfall, she might head back so that she can inform Goliath when he awakens. Or she might not want to lose Macbeth and Demona until after she's found their H.Q. Or maybe when Mac and Dierdre split up, Elisa follows Dierdre to see where she lands, then loses her among the tourists at the cathedral.
Anyway, that's somewhere to start.
Chapter XXXXI: "Golem"
Time to Ramble...
This episode was directed by Frank Paur and was really based on an idea of his that pre-dated the introduction of Renard in "Outfoxed".
The episode was written and story edited by Gary Sperling. Gary selected this episode, because he felt he had an affinity for the subject matter and because his brother, a Rabbi, was able to advise him on things like the Hebrew, etc. (But I tell you, recording some of that Hebrew was a bitch.)
I love most of the backgrounds on this episode. Very striking and atmospheric.
RENARD & CO.
My eight-year-old daughter Erin spotted Renard, and immediately recognized him as "Fox's father." I think Robert Culp does a great job with Renard. And (futzing aside) with the Golem as well.
Vogel's back with no explanation or indication that he fell out of favor. I guess Goliath's speech to Renard at the end of "Outfoxed" carried real weight. I think it shows something in Renard that he's able to give Vogel a second chance.
And Renard's other compatriot is Brod. A new gangster of the new Eastern-European school. I can't remember if I already had plans to pit Brod against Dracon. But I liked the contrast between them. And I like how tough and fearless Brod is. And also how outside-the-box he is in his thinking. He'd rather have the hovercraft than a cash payment. He sees the advantage.
Goliath spots Renard (and vice versa). Renard isn't pleased, cuz he knows he's doing wrong and doesn't need a reminder that he used to lecture people on integrity.
Goliath IS pleased, initially, because he sees Renard as a potential ride home. Here, and for the last time until probably "Ill Met by Moonlight" and "Future Tense", the focus is still on GETTING HOME.
But for Renard, the focus is on living. ("Integrity is a luxury I can no longer afford.") Goliath is stunned. He calls Renard someone "I thought I knew."
There's some nice climbing here. Just visually, the way the gang climbs up the bridge. The way Angela and Bronx climb up the tower. The way Bronx later climbs down. I just think it's cool.
ELISA & MAX and GOLIATH & THE GOLEM
I also like Elisa and Max's little exchange at the beginning.
Max: What are you looking for?
Elisa: New York.
Max was consciously designed to parallel Elisa. And she at least, notices the connection. When she says "The Golem needs you as much as you need it." I think she's thinking about her relationship to Goliath. (It may be a touch arrogant, but it's accurate too.)
He's the human ally and advisor (sometimes guide) to a protector made of stone and clay. The parallels of Golem to Gargoyle are obvious, and the main reason why I felt we HAD to do this episode. (Probably the main reason why Frank suggested it in the first place.) I love how Keith read: "So this Golem is a protector." He likes the whole idea. It's almost sweet in a way.
Max is just less confident than Elisa ever was: "What if it doesn't like me?" I don't think Elisa ever worried about that, at least not after she learned that Goliath could talk.
Elisa actually has a bunch of fun lines here:
"Hit it, Bronx!"
"Don't worry. We're the Good Guys!"
"And you get used to the weirdness."
I like how the Renard/Golem turns the lamp-post into a pretzel. But on my tape, he smashes a car that was already smashed. Did that get corrected for later airings?
I also thought it was a nice touch when he knocked over Edgar Blosa's tombstone. I know that was an homage to some movie. Maybe an Ed Wood film? But now I'm blanking out?
POWER-DRUNK/POWER-SOBER
Renard as the Golem is corrupted rather rapidly (if shallowly) by his newfound power. That was the idea. That a man who had been trapped in the prison of his own body would get flat-out drunk on the freedom and strength that the Golem offered: "Instant respect. I could get used to this."
But like any high, one eventually comes down.
And Elisa is the first to start to sober him up. "You're enjoying this!" she yells. It stops him. Cuz he is. But cuz he's not so far gone that he shouldn't know better. He flees. Not because anyone has yet provided an adequate threat. He's really running from himself. But that translates to: let me just get out of here.
Renard actually says, "It's not my fault!" which of course was the one phrase that used to drive him crazy.
Goliath has a great comeback: "A weak body is no excuse for a corrupt spirit." That's classic Goliath, I think.
I love the close up shot of the Renard/Golem looking over his shoulder, weighing it all. Wondering what his alternative is beyond accepting his fate, i.e. his death by whatever disease was killing him.
And I love Goliath's next follow up too: "You've given up all you believe in... for a piece of clay."
I'm sure some people thought Renard's turn-around was too sudden. But between Elisa, Goliath and some well-chosen words from Max ("Can you live with yourself"), and Renard's basic decency, I have no problem accepting it when he finally says, "What have I become?"
THE FINAL BATTLE
Elisa really rocks in this episode I think. That may have been the thing I most noticed in this viewing. I don't think of this as one where she was particularly featured, but she really does great. I love her little "Hi there." close up moment before she decks the bad guy with a punch that comes right into camera and flashes red. (Of course, I doubt you could do that these days.)
I like all the stuff with Golem and the hovercraft.
I'm also reminded here of the end of "Awakening, Part Five" when Goliath is holding Xanatos and on the verge of dropping him to his death. Elisa and Hudson talk him out of it. And Max fulfills the same function for the Golem. And I love Max's line, which is traditional: "Love Justice and Do Mercy." So simple and eleoquent. So right.
In any case, I guess that makes Brod the Xanatos of Prague. Except clearly he didn't fare as well. The Golem's appearance must have convinced him to seek out new "Turf", if you know what I mean.
THE WORLD TOUR
Finally, Goliath has learned something about all Max's talk about destiny and making choices. He finally realizes that Avalon isn't simply messing with them. But that there is purpose and need and destiny. He could choose to skip it. He could hitch a ride with Renard back to Manhattan. But he won't run away. So instead he'll take the Skiff.
Now the World Tour can finally start in earnest. Sure, the audience still wonders when and if the quartet will ever get home. But I think the tenor of it changes now. Now there's an expectation. I think, had we not had to air so many damn reruns during the original run of the Tour in winter/spring of 1996, the audience would have been much more patient after this episode. Like Goliath, they would have understood.
Elisa makes the same choice. Although for her, it's less about quests and destiny than about abandoning her friends: "You guys would be lost without me." And again, kidding or not, there's a certain arrogance. But a lot of accuracy as well.
Anyway, that's my Ramble. Where's yours?
Chapter XXXX: "Monsters"
Time to ramble...
I think this episode had a fun story written and edited by Cary Bates. And I know it had a great moody storyboard directed by Frank Paur. But it suffered from two major problems...
1. Repetitive elements. We had multiple story editors working on multiple episodes. I was overseeing all of them, but sometimes things did get away from me. "Monsters" has a number of elements in common with "Heritage" which had only just preceeded it in the line up. It makes "Monsters" seem a bit more tired than it really is, through no fault of Cary's. For example, we open with a Sea Monster. One of our female cast members is lost and nearly drowned. Goliath searches frantically. Etc. Even my five-year-old son Benny was convinced, "We just saw this one." It just felt very been there done that. My fault.
2. Very weak animation -- some of the weakest of the series -- removed much of the mystery and mood from the boards that Frank directed. I know we called tons of retakes on this ep, but there was a limit. Secrets were given away too early. What's a monster submarine and what's a monster is too easily discernable at the start. We were hoping for more silhouette's in that murky Loch. Throw in some really atrocious character moments (like when Angela wakes up in chains) and you've got an ep that's unimpressive at best.
And yet, there's much in this show that I really like.
It takes an important step toward evolving Angela's relationship with Goliath. Though G's not aware of it, Sevarius reveals to Angela that she is his biological daughter. Having grown up around her adoptive *HUMAN* parents, that notion of biological imperative must have seeped in. She already KNEW that Goliath was one of her ROOKERY parents. But this revelation ignites her curiousity and need. I find it interesting anyway. My eight-year-old daughter Erin was likewise fascinated with this aspect. She was anxious for Angela to tell Goliath about her discovery. Of course, Goliath knows in a 'shrug' sense. It's visually obvious to him. It just isn't programmed to be significant for him.
And if that weren't enough to make the ep worthwhile, we also get another wonderful over-the-top performance from Tim Curry as Dr. Anton Sevarius. He has a TON of great lines in this (all quotations approximate)...
"If it gets any more sacharine in there, I'll have to shove a finger down my throat."
"It must be awful to wake up in chains first thing in the morning."
"Thank heaven for little girls... and DNA markers."
"He's your very own flesh and stone."
"Enough to make my mind boggle..."
But there were other problems too. In my mind and Cary's Big Daddy and Nessie were mates (with little ones revealed at the end). But because of the name "Big Daddy" and because we were intentionally using the L.N.Monsters to parallel and comment on Goliath and Angela's father-daughter relationship, many people thought that Big Daddy was Nessie's dad. I'm not sure it matters too much. But (unintentional) confusion can't help.
ELISA
Elisa knows they haven't arrived in Manhattan because it's too quiet and because the water's too clean. Of course, Loch Ness is famous for having MURKY, MURKY water. Not that the water is "dirty" exactly, the way New York Harbor is. But it's hard to figure Elisa would think of the Loch as clean either. And I knew that. Don't know how that got by me.
But Elisa does have some fun lines here and there:
"I'm not really the adventuring type."
"It's a show... Themeparks do this five times a day."
(Yes, we weren't above giving a gentle knock to the parent company.)
(Of course, when Elisa said that last bit, Erin said, "I don't think so." Benny noticed the submarine was metal and thought it was a robot. It took him a while to get the notion that it was a ship or sub.)
LITTLE CONTINUITY TOUCHES
Elisa leaves a message on Matt's machine. But the tape is full. This was done for two reasons. Or three...
1. We felt that Elisa would and should attempt to contact someone.
2. We wanted to prolong the agony (at least in the audience's minds) as to what happened to our travelers from the point of view of those left behind.
3. We were in the middle of a tier, and couldn't guarantee (as we saw with "Kingdom" that the episode would air in order. We didn't want Elisa to successfully contact anyone, because it might screw up continuity.
Nice to see Brendan & Margot taking a little vacation on the Loch, huh?
Angela says to Nessie: "I bet you've never been this close to a real live gargoyle either." But of course Angela's wrong. One of the reasons that Nessie gets so friendly so fast with Angela is BECAUSE she recognizes her as a gargoyle and knows that gargoyles are friendly to the Monsters of the Loch.
Of course, this begs the question as to what the Loch Ness clan was doing throughout this little adventure. I don't have a grea answer -- YET -- but for now, I'm just going to fall back on the notion that they were aware that Nessie was missing, but didn't know the cause. (It is a big murky loch, after all.) And yes, I know that's a feeble explanation, but it will have to do until I figure out a better one.
The title "Monsters" is another one of my thematic one word titles. Angela hits the nail on the head when she calls Sevarius the only monster around here. It's central to the series theme. But again, maybe too obvious, contributing to the weakness of the episode.
We had some trouble with the animation of the scene where Bruno confronts Goliath and Elisa right after they escape the dungeon. It forced us to reuse Jeff Bennett's "All right." line twice in a row.
Speaking of Jeff, my wife Beth thought Bruno sounded very Jack Nicolson. I pointed out that when Bruno was created, way back in "Awakening" we asked Jeff to make him a young George C. Scott. Beth couldn't hear that at all.
Benny used to love Bruno. Not only does Bruno barely register with him now. He doesn't remember ever liking the character. Erin asked him if he remembered the Xanatos Goon Squad. He didn't respond.
Another weakness... Angela just holds her breath forever down there at the end.
And when Goliath does get there, her chains pop off too easily, begging the question why she couldn't free herself.
I know I keep talking about the ep's flaws. But like all the 66 chapters, I really am more fond of it than critical. I do love seeing Goliath launched as a living torpedo, for example. There are a bunch of little things that I like.
And heck, we killed off four more characters. Sevarius and Bruno survived. But I think we have to assume that the other four members of the Goon Squad are gone for good.
But it wasn't one of our best efforts, I'll have to admit.
Sorry 'bout that...
Anyway, that's my ramble. Where's yours?
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