koba burnett writes...

dear greg, my last name is burnett, and i have an uncle named owen. they're not at all a like, and we pronounce it "burnet" instead of "bur-nett", but it's a cool coincidence, since i like gargs so much. puck, and owen after him, are my fav char's.

Blaise writes...

REAWAKENING

I really do like this one--maybe just because I have an affinity for cyborgs. At any rate, I was quite glad that we got intro'd to a gargoyle who DID die in the massacre. Yeah, sure he was brought back, but mentally putting that scene in the multi-parter adds another dimension of tragedy to the massacre.
I can more than understand the problem with seeing Xanatos and Demona looking at a monitor one moment, then appearing in Times Square about 3 seconds later. At times like these, I do the only thing I can do: rationalize. I make-believe X and D were in some odd, high-tech, bus-like vehicle (mobile control unit, anyone). It's silly, but it works for me.
Another animation note--in addition to Hudson's sword--when Brooklyn tackles Demona they are below the top cables of the bridge, and before they hit the ground they fall onto and bounce off...the top cables of the bridge. Oh well, the confrontation is still too great for that little bit to ruin.
Oddly enough, I don't mind Elisa's little crack about the size of her car. I actually find it an amusing, sarcastic beat. And yeah, the scarf and gloves are nice.
And of course, there is an abundance of funny lines. In addition to the bit with "Bambi" and Xanatos' fulfillment of a life-long dream ("It's alive! ALIVE!!"), I just love Morgan's little response to Elisa's "There must be something we can do."
Morgan: "I don't think so. Unless you're packing a nuclear weapon." I can see why you keep bringing this guy back--he's a wonderful character.

Coldstone> I was glad Micheal Dorn did a voice on the show. I mean, just listen to the guy! Coldstone himself made for some memorable moments. I noticed that you guys didn't put the "underwater respirator" on him as the memo stipulated. What changed you guys' minds?

The look into Gargoyle culture here was also quite welcome. A nice touch that the gargoyles did not "officially" become crime-fighters until the end of the first season. Kind of more organic and unique than most series that just intro a group of non-human heroes and have them be crime-fighters more or less from day one. And the differences in opinion of the gargoylean proverb between the characters was a nice use of the ep's theme. Goliath's quandry here is quite compelling.

Finally, just one question dealing with the memo. You made mention of a Madame Serena. Who was she?

Blaise writes...

ENTER MACBETH

Despite the animation (which even I must admit is sub-par for what I expected of "Gargoyles") this is one of my favorite episodes to watch. When I saw this, I had long ago seen a (very amatuer) performance of the play (heavily abridged of course--it was done by elementary schoolers). So naturally, the title immediately grabbed my attention. When Macbeth first appeared and spoke, my first thought was, "Is that Sean Connery's voice?" But I was still hooked on this character. His style, his equipment, and the fact that he knew about the gargoyles. The revelation of his connection to Demona--hell, the admission that he named her--just really drew me deeper into the character. And his final fight with Goliath, and the escape from his coat...I was eager for him to return.
I also liked some of the comedy snuck into this ep. Brooklyn's little bit with the electric bars, or his and Lex's reactions when they hear Goliath's roars reverbrating throughout the castle. Just wonderful. And in later viewings, I noticed more of Xanatos' prison life. I mean, look at his cell! The things one can do with some money. There's also his wonderful line in the cafeteria, "Just like mom used to make. If mom was a prison cook." He calls his term there, "a learning experience." What exactly did he learn--not to get caught again?
Then there's Owen. It really blew me away how he handled Hudson and Broadway's attempt to take the Grimorum. Too bad he didn't pay any attention to the party on crutches.
On that note, I cannot tell you how glad I was that you guys put Elisa on crutches. I was getting quite use to the continuity of the series, and I had developed a taste for it. Maybe that's why I wasn't shocked that the gargoyles had to move out of the castle--common-sense (at least from the audience perspective) dictates that they HAD to leave. Not to mention that such an action was in keeping with the feeling I got from the series. Bottom line: It made sense.
I just didn't expect them to end up in a clocktower. Just love the juxtuposition of Xanatos' cheery home-coming with the gargoyles' somber-but-hopeful relocation.

THERE! I think I've recovered my lost ground (and then some).

Blaise writes...

DEADLY FORCE

I missed the first few minutes of this the first time it ran. I came in on Broadway in the movie theatre, but I was able to pick up what was going on. When I did see the first few minutes...I was already impressed with Owen because I had seen him in ENTER MACBETH. Regardless, I still think he ROCKS in how he handles the attack. The way he takes out one of those goons...coolness.
Bruno--didn't notice him the first few times. But when I did, I liked the touch.
And then the end of Act I. When I saw Broadway watching the movie, I figured out what the ep would deal with. When I saw Elisa leave her gun out, I figured that Broadway would play with it and that she would be hurt. I DID NOT expect her to be hurt to the point of unconciousness. I really appreciated the realism in this. Yeah, you couldn't let her die, but at least you had her flat-line.
Dracon and Glasses had some style--Dracon especially in his confrontation with Elisa.
I love Goliath and Broadway's respective rampages. You're right, Broadway indeed presents a fearsome force when angered. That fight at the end...excellent. I, too, notice that the gargoyles seem to have more edge in these early eps, and I like it. I've always enjoyed monstrous heroes of the night, so to speak.
Broadway's reaction to shooting Elisa, and his accepting responsibility for it really speak to me.
Goliath destroying the guns> I've always wondered if, at the back of his mind, Goliath got a small kick out of destroying Xanatos' property. I'm not saying it was his main intent, but maybe sort of a "bonus."
The family Maza and Capt. Chavez were also touches I liked, and I'm glad this wasn't their only appearance. A wonderful cast. And in later viewings, I did recognize Matt as Chavez's driver. Just another thing to smile about.
Yeah, I noticed Goliath's feelings for Elisa here, too. I especially love their last moment together, when Elisa calls his name and he strokes her hair saying, "Shh. Rest now. You are safe." So beautiful.

Blaise writes...

Repost of THRILL OF THE HUNT thoughts.

I also was still getting used to the characters in this episode, so I didn't notice a lot of the little things you mentioned until later viewings.
Now that you mention it, Wolf did seem to display a bit more cunning in this episode than usual. Fox taking the hostage I could definitely see as "floundering for a life preserver" if you will. In fact I did find the Pack quite appealing in this. Maybe because they were a unique type of enemy I didn't normally see animated action heroes fighting. I liked their style and the fact that they had fairly individual personalities. And for some reason, I think I found it fitting that in this episode Wolf was the last to fall. Actually, at this time I thought the Pack were just some one-shot villains (I missed the first part of the Tag, see below) and so was quite pleasantly surprised when Jackal and Hyena returned several eps later.
I was also glad that you guys didn't just sweep Xanatos going to prison under the rug, or the danger he posed to the gargoyles. And the stunt show and kids scenes are so wonderfully ironic.
I almost didn't see the Xanatos Tag the first time. After the gargoyles went to sleep, I think I went to get a drink or something, and then I came back and saw Xanatos in prison talking about how the "Test was most...informative" and giving his smirk. I was blown away to see he was behind it and still a menace even IN prison. The show gained even more respect in my eyes. And how about Owen, huh?
In later viewings, I took especial note of Owen's first few lines in the episode. A villain who "is not the sort to harbor a grudge"--you don't find many of those. Then there's when Goliath and Lex become the hunters to the Pack's prey. I just love how Hyena is taken out without even a sound. Then Dingo's swooped away, and we only see Goliath take out Jackal as shadows. Kind of like a horror movie, only the monsters are the good guys.
I hadn't noticed the change in POV before, but you're right, it is VERY effective. And in later viewings, I noticed Lexington made valid point. He just tried with the wrong people this time.

Todd Jensen writes...

Because my ramble-replies to "Temptation", "Deadly Force", and "Enter Macbeth" were all lost in the recent crash, I'm sending reconstructed versions in again. This one's for "Temptation".

One thing that I really like about this episode is Demona's development. She's in the wrong, but she's convincingly in the wrong, as she explains why humans will never accept gargoyles. Even Goliath has to admit at the end that what she told Brooklyn about humans is partly (but only partly) true. It's part of what makes her such an effective villain.

At the same time, Elisa shows at the end, by her loyalty to the clan, and her cleverness in finding a way of freeing Goliath from the spell, that not all humans are evil or anti-gargoyle, an important point. (That's why I don't really mind Elisa's means of freeing Goliath, even if it is, as you mentioned, borderline "cheating". The reward that came from showing that some humans could help gargoyles more than outweighed the problem in question). Merely showing Demona to be treacherous and scheming wouldn't be enough to counter her arguments.

And Brooklyn comes across very sympathetically, too. I liked your analysis of his behavior in this episode.

The Cloisters bit is one of my favorite parts, especially where Brooklyn talked about it being so much like "the world that we came from". (And no, I didn't think that that meant that the gargoyles were aliens; I understood that he was talking about medieval Scotland). That part clicked for me because of my (mentioned before) fondness for things relating to the Middle Ages.

And I was amused by your little bit about the motorcycle. Between that and the "garg-chopper" in "Her Brother's Keeper", it's pretty clear that the gargoyles' vehicles never seem to last very long. (Not that that's really surprising; as Goliath pointed out in "Protection", gargoyles supply their own transportation, which makes fancy motorcycles and aircraft for them pretty much redundant).

(I take it that the "Eye of the Storm" "suggested toy" that you eluded to was Goliath in his "Odinic" form?)

Blaise writes...

Hey Greg, sorry to hear about your troubles with the crash on the weekend of April 16th. It also seems that approximately 7 days of questions and replys to your rambles on THRILL OF THE HUNT, TEMPTATION, DEADLY FORCE, and ENTER MACBETH have also been lost.
That being said, I shall try to repost my own thoughts (as near as I can recreate them) on each of these in the next few days.
Here's hoping no more gets lost in the future.

Ambrosia writes...

Hi Greg!
Have you heard about the movie Frequency? It looked interesting to me because it presents the *other* theory of time-travel: what if you *could* change the past? From the previews, the theory doesn't seem to make any sense... it's the whole Back to the Future thing again: people disappearing from photos etc. (doesn't mean it doesn't look like a good movie though...)
It just seemed to reinforce the accuracy of the rules of the Phoenix Gate...

Lexy writes...

Hello Greg:)

I just read your lil ramble that mentioned how they pulled the switch-a-roo when airing Bonkers. I just thought I'd put down a comment or two on that since I loved watching the show. Now that I know Meranda (?sp?) was supposed to be the ONLY partner for Bonkers, I can see your point of view. That really rips that they took the original and just kinda stuck it in later as an after thought.<--(one word or two?? scratches head) But when the show was still airing new episodes I have to tell you, when they suddenly stuck in a new parter and we all said goodbye to Lucky I was pleasantly surprised. This wasn't because I didn't like Lucky, I just loved the idea that they had no problem with taking out a main character and just replacing him like nothing had happened. They sub'ed Meranda in..and life just went on. The episodes IMO were still good. I guess what I'm trying to say here is..when they took Lucky away and added Meranda, It never came off to me as "Oh geez, their getting lazy..so who's this blond chick??" It didn't _feel_ like I was getting some second hand idea shoved in my face. I considered both partners and the episodes they generated to be well done. I really can't say which I liked better. It wasn't like here comes this new character and things went down hill. Part of the reason I loved the switch. It just appealed to me seeing that a show had the guts to mess with MAIN characters like that and still come back at you with, IMO, good episodes. I believe that to be one of the main reasons Gargoyles was so awsome. Like life, things change. I dunno...just thought I'd mention that to you:) Seeya!!

Lexy

Abigail Thorne writes...

Okay, I've been reading everyone else's comments on "Awakening, Parts 1-5," so I finally decided to give it a go. When I first saw the commercials for "Gargoyles" way back in 1994, I had absolutely no idea what the show was supposed to be about. Neither did my brother. But hey, it was on the Disney Afternoon, which we both loved, so why not try it out? That's what we were thinking when we tuned in and watched Part 1.

My first impression? I couldn't tell whose side I was on. We were in this big battle with evil Vikings attacking on one side, and scary-but-cool-looking flying monsters on the other. As the fight went on, especially with Goliath and Demona kicking Viking ass, it was still hard to tell if the show was called "Gargoyles" because it was going to be about monsters terrorizing everybody in sight.

But I was curious to find out what was going on, and as the half-hour progressed it was easy to see that the Gargoyles were noble creatures who were being unfairly treated by the humans. The humans saw them as monsters, just like I initially had, when all they were doing was protecting them from harm. I really felt bad for the clan when I learned this, and I admired Goliath for his wisdom in dealing with the Princess (it's funny how he can be so hot-tempered about some things yet so patient about others, like waiting for acceptance from the humans).

The bottom line? By the time the episode was over, I was hooked. I cared about these characters, and I wanted to know what was going to happen to them. I thought the animation was great and the story was soooo cool, and I wanted more. I could already see that this show was going to be different from any other cartoon I had seen. It was like a sophisticated and engrossing novel, and I was annoyed that I couldn't just read on and find answers to my questions (Is that red-haired gargoyle really dead since she's in the opening theme? Are the gargoyles responsible for those explosions at that skyscraper? How'd they get there anyway?).

So thanks for the great opening. You got me, my brother, and my mom hooked from the very beginning, which is what good storytelling does. I watched the rest of the show religously, and I was never disappointed. I just hope we haven't seen the last of "Gargoyles," because there's so many stories left to tell in this novel of yours.

Todd Jensen writes...

My "Deadly Force" "reply-ramble".

Your ramble on this story was good. I honestly don't remember my response to first seeing it that well, beyond some shock at Elisa's fate at the end of Act I. I agree, however, that it was very effective drama, and a great story.

(About your admission that it was a bit dishonest to have Elisa survive but that you just weren't ready to have her die yet, I can certainly agree with you about the latter particularly. Truth to tell, after analyzing the situation for the clan at the time, I'd definitely say that if Elisa had died, the gargoyles would have been in serious trouble, given that she was the only human whom they were on friendly terms with at the time. The only other humans that they knew by that point were Xanatos and the Pack, who were their enemies - and Owen (though, as it turns out in Season Two, he's a borderline case as a human), who is too loyal to Xanatos to hide them from him. With Elisa dead, they'd have had no new home such as the clock tower ready when Xanatos drove them out of the castle, and things would have gotten almost hopeless; it would certainly have made for a very short series. So I don't blame you for having Elisa survive; she had to for the series' sake).

I agree that Broadway's well-handled in that one, and certainly does not come across as a mere "garbage disposal with wings" :) (The scene of him weeping on the building, and of him yelling at the mugger in Central Park, "What's this? A new kind of gun? A new way to kill people?" are ones that I especially found memorable). Nice job of highlighting him.

Two other little notes about this ep, both which I find rather amusing. One is the way that Owen pronounces "power ranges" when he's describing the stolen particle beam accelarators to Elisa and Chavez; a bit of a dig at the competition there, eh? The other is that the last two times that I watched this episode on tape, when Cagney meowed at Elisa, my own cat sat up at attention for a moment upon hearing it. (I always rather liked Cagney; I'm quite fond of cats, in fact).

Todd Jensen writes...

An additional little thought, inspired by your comparing Coldstone to the Frankenstein monster. As somebody who's read the original book by Mary Shelley, and quite liked it, I feel that while Coldstone certainly has a strong echo of the monster in him, as you've pointed out, I feel that Goliath does as well, although more in a contrast than in a similarity.

Like the monster (as portrayed by Mary Shelley in her book; alas for the way that Hollywood weakened the character by turning him into a mute, shuffling brute), Goliath is a noble being who appears threatening towards humans and is shunned and feared by so many humans whom he seeks to help. Also like the monster, Goliath is a thoughtful and eloquent being, and well-read with a taste for the classics (the Frankenstein monster reads Plutarch's Lives and Milton's "Paradise Lost", while Goliath reads Shakespeare and Dostoyevsky). The big difference is that the Frankenstein monster is all alone, with nobody to befriend him, and becomes embittered towards humanity thus, while Goliath has the clan and Elisa, which undoubtedly helps him. They're almost foils, in a sense. (Of course, Goliath also isn't an artificial creation, either, as the monster was). Just a little thought that had occurred to me.

Todd Jensen writes...

Ah, at last the "Re-Awakening" ramble. It was well worth the wait, too.

One thought that I've recently had on Coldstone: I wonder if any of us, living in the end of the 20th century, can fully comprehend the horror that his cybernetic condition must have held for him when he was first "re-awakened" by Xanatos and Demona in this episode. For any of us, waking up and discovering that we'd been turned into a cyborg would certainly be a horrifying enough experience. But Coldstone's experience is all the worse, at least, IMHO, because of one simple factor: cybernetics are completely beyond the world-view of anybody born (or hatched, in this case) and raised in the 10th century. He wouldn't know what they were, beyond just some strange form of magic. All that he can know is that something utterly alien, beyond his comprehension, has become part of him. I thought that the episode did a good job of displaying his horrified response to his transformation (especially the part where he uses that blaster built into his arm for the first time and is staring at it in shock and horror).

I'd also spotted some of the parallels with "Awakening", including the bit about how Goliath pronounced "detective". And I certainly agree with you that, if "Gargoyles" had ended there, "Re-Awakening" would have given it a great series finale. (Of course, you got to do another 52 episodes, all the way up to "Hunter's Moon", an even better "might-have-been" series finale, but that's another story).

I also liked your pointing out about how the gargoyles' thoughts on protection, and its evolution into protecting Manhattan, were handled in this story.

A couple of minor parts that I particularly like in this episode:

1. The way that Xanatos glares at Demona when she introduces him to Coldstone as her servant.

2. The "explosions in Bambi" bit.

3. And the very resurrection of Coldstone, which is one of my favorite "special-effects" sequences in "Gargoyles".

Blaise writes...

TEMPTATION (revisited)

Although this wasn't the episode that cemented Brooklyn as my favorite character, it was still one I found compelling. And your right, he is cool--especially in the Act I fight. Yeah, the fact that he wasn't in shadow and you could see his snout does detract from the scene somewhat, but then the bikers were wearing sunglasses at night. Come to think of it, a few of them didn't even seem to be wearing helmets....
Anyway, I'm glad the little touches you guys used in this ep--Demona's comments on the past centuries, the reference to the previous episode, the DEAD BODY. That last one especially. I would never have dreamed of seeing it even hinted at in an animated afternoon show. Marina Sirtis and Jeff Bennett really did a good job with their characters here.
Elisa's finger--oh, great. Now when I watch the scene again I'll look for it and probably not be able to see anything else again.
On the subject of animation, for both this and the last episode I liked them just fine. It was far better animation than what I was used to, that's for sure.
I never thought that Brooklyn's remark about "the world we came from" referred to an alien planet. Why do so many people insist that gargoyles be aliens?
I especially like Brooklyn in the final Act--his outrage against Demona, his cunning, and his lines!
"I was a FOOL to trust you!"
"You hold the book Demona, but *I* hold the spell!"
His acceptance of his fault in the scheme I find quite gallant.
As for how they "free" Goliath of the spell, yeah I guess it is a cheat. HOWEVER, I have not seen any other show defeat a "mind-control spell" in the same way. So kudos to you guys for originality at least.

Todd Jensen writes...

My ramble-reply on "Enter Macbeth".

Well, now we know the reason for the delay on this one. I really liked this episode, particularly on account of the name. I've always been quite fond of Shakespeare's "Macbeth", and so the title grabbed my attention at once. I don't know if I'd even suspected that Macbeth was *the* Macbeth (not until "City of Stone" came out), but I found his name very intriguing, and the character as well. Mac's one of my favorite characters in "Gargoyles", in fact. (And "Macbeth" certainly strikes me as the most appropriate Shakespeare play to get into "Gargoyles", in view of Goliath and his clan being Scottish).

I honestly don't recall how I responded to the gargoyles moving out of the castle, the first time that I saw it. Except that I was a bit sorry, since I liked Castle Wyvern. But at the same time, I understood that it was necessary to do so, and the clock tower made a good home for them.

(Truth to tell, I can understand, and sympathize with, Goliath's reluctance to leave the castle. For one thing, having moved twice in the last five years, I know that it's not an easy thing to just move to a new home; it's difficult to tear oneself away from a place that you've been living in for quite a while. Also, as Goliath pointed out, the castle was the only link that the clan had left (except for themselves) to the 10th century. Take away that, and they'd be feeling entirely stranded in the modern world. Plus, I've always liked castles, which gives me a further bias there).

(I very much liked Macbeth's home as well, with its very medieval atmosphere - particularly the suits of armor and swords - almost like the armory displays in the Tower of London - and thought it a bit of a pity that the place burnt down).

Aris Katsaris writes...

So, what's *your* guess at the real identity of Todd?

Guesses among the fandom vary: Merlin, Duval, you, your evil twin, God Allmighty, 42, a huge red dragon, a Vorlon (Babylon 5 reference btw), CrzyDemona's time-travelling son, the random typings of Gore's cat, and a figment of our imaginations, have all been suggested... :-)

Brandeewine writes...

A ramble about your pet peeve:
Greg, I would have to totally agree with you on that one. It seems to me, that many people grow up believing that it is ok, to put others down, to prove a point.

I grew up, believing (and still believe) that everyone is equal. I have seen REAL people hurt, by REAL comments that were intended to make others look good. (This is how rumors start as well, it seems [another taboo in my book]). Reputations are ruined and friends once had, are lost.

It just really seems to be a waste of time. I see in a lot of this in the Gargoyle chat rooms, where people constantly compare their art to another fan's (even I am guilty of this). It seems a shame to see that people do not give themselves or others the credit they truly deserve as individuals. What I mean is, if we all were not different, then this world would be one boring place.

So I guess I am just rambling, that instead of belittling others (and ourselves), we should look for the good and beautiful things in everything around us. Make life a positive experience rather than a negative one!

Ok, I hope that was organized enough to be understandable.... I would have thought about it before writing it, but I didn't want to wait, in case I ended up forgetting to respond. I guess it is something I have always felt strongly about. I am glad you feel the same.

Just a note: I think Erin and Ben are lucky to have a dad like you!

Blaise writes...

Hey Greg!

Read your ramble (or rant, as you may prefer) on comparisons. I myself noticed the same thing a while back. Some of the most fervent "Goliath-bashers" were ususally devotees of Demona or Brooklyn.
Truthfully, doing this kind of thing always did strike me as unfair to the characters of the show. I mean, you and everybody else wrote these characters like "people" and not as, say, selling points for action figures (which could put ME on a rant, but I digress...). The depth of the characters was part of the reason why I did not favor ANY of the characters during the first season--I liked them all more or less equally.
Regardless, I never in my life expected to hear you rant on the subject. (shudder) I wouldn't want you mad at me!

Demona Taina writes...

This is more of a comment than a ramble, but here you go. :)

I've always admired Goliath. Not only is he handsome, seven feet tall and very strong, but he's much more. He's loving, caring, and so romantic. The way he talks, the way he smiles (when he does) the way he looks at Elisa, the way he touches her hair. Like in the episode "Deadly Force." He almost fell off the castle when Owen told him the bad news. How he almost killed Dracon seeking for revenge.

He is so romantic, it's like he carefully looks for the perfect thing to say all the time. I just love him.

Not only is he loving and caring, but he is intelligent, in his own special way. He may not understand this new world in its entirety, but he does, and he's learning fast. That's one thing I've always admired about him, he's a fast-learner, even Thailog complimented him on that in "Sanctuary."

But that temper. Anything ticks him off. If he could just learn to control it, I think he'd be perfect. For example, "Enter Macbeth," when he found Elisa, Hudson and Broadway outside the castle, and when Elisa told him about "their new home." He was furious, he even screamed at her. "How dare you!?!" Broadway had to pitch in to knock some sense into him, but he still wouldn't listen. That was, until Hudson spoke. He respects Hudson, and that's obvious, but he still couldn't help but roar to the night. And how everyone gasped at that, wow. Great episode.

Back to Goliath. Umm, what else can I say about him? Oh, he can dance. :) And beautifully, may I add. "Eye of the Beholder" is one of my favorite episodes, the way they danced. The way he bowed to her, the way he twirled her. Wow. I've lost count of all the times I've hit the rewind button to watch that scene all over. :)

His sense of honor. He waited for Odin to get up to strike again. He even stopped Demona from dropping a human to a certain death. He lost Demona for struggling to do what was right. Wow.

His manners. He bowed to the Princess even if she had called him and his kind "beasts." It wasn't stern, it wasn't sarcasm, he really meant it. He left the Princess speechless with his manners.

His vocabulary. The only thing close to a curse he's ever said is "Jalapena," and that's not even a curse. He barely uses contractions, too. For example, he says "cannot" instead of "can't." He is so nice. I just love his way of speaking.

His skill, that's one thing I love of him. That's why the Pack wanted to hunt him, Lexington just came in as a bonus, they wanted the excersise, they wanted a thrill. And Goliath was just it. But he beat them, with the help of Lexington.

Oh, yeah, his looks. :) That's the first thing I noticed about him. After thoroughly analyzing the episodes, I realized that he's more than good looks. But back to it, he is handsome. There's no denying that. Elisa literally fell for him the first time she saw him. :) I still don't understand how his hair stands uop like that, but it still makes him very handsome.

His colors are great, too. I mean, he's not dark, nor too light. The colors just suit him. That lavender skin, with that brown hair blue and black wings. Wow. :)

The way he smiles, the way he walks, the way he speaks... it's just so unique. Not even Thailog's like him, and he's a clone. :)

I sound a like a huge fan, don't I? Well, I am, I've always been, and I will always be a huge fan. :)

BTW, I saw somewhere that Goliath had mutliple spikes coming from his arms, and also the tip of his tail ended like Ottello's before he was changed to the way he is now. but a ball or something. Anyway, who changed those features? And why? I think they made him very distinctive.

So, that's all for now. :P I think... there's much more I like about him. Anyway, thank you for your time!

-A devoted fan

Aaron writes...

Greg, no kudos for you! ;)

Seriously, the movie's called Dead Again, a beautiful piece of film noir starring Kenneth Branagh, Emma Thompson, Derek Jacoby, and an uncredited Robin Williams.

I'd recommend it highly.

Goliath Fan writes...

I'd like to quickly discuss my feelings about "Awakenings" First of all I didn't watch the show till around "Enter Macbeth" Yup, got a little behind. But I caught the rerun of the first episode and wow it blew me away. I love the animation for that one the most, at least at this momment. About Demona, I knew she wasn't dead, obviously since I started late watching, but I wanted to say even though I hadn't watched the series from the start, I think Demona wasn't shadowed enough in Xanatos' office. Kinda premature re-veiling( I think that's the right word...) of the character. (my 2 cents on that)Now I don't mind the whole " I am demona" I kind of felt "So what?" but what was great was the reddish smoke effect around her, that spiced it up nicely.

To share my personal favorite scenes would have to be Just watching Goliath was fun. He looked so cool. Keith David is just amazing. I couldn't imagine another voice for Goliath. He is a unique man (Mr. David, in my opinion) I also love the caped wings. It looks fantastic when Goliath quickly drapes his wings when he talks to the Princess and Magus about the eggs. Oooh cool! Also after Demona said "Wrong, you've lost it all," the back shot of him lifting his wings up fast to intimidate the guy on the airship before using his tail to smack him. And The whole Goliath Elisa scene where they talk while standing on the Empire state building was just priceless to me. Well my favorites are all but too endless so I'll end this here. Thanks for your time.

My quick question. Just out of curiousity,what is Officer Morgan's first name?

Cassandra writes...

Hi, Greg. Here's my own ramble of things I love about Gargoyles. I found the show my senior year of high school and was hooked. And when Fox moved the second season episodes to 6 a.m., my handy VCR timer was always set. My college roommate soon became a Gargoyles fan too. On to the elements.

The shocks and surprises: I loved the way the smaller story lines worked into the larger ones. I know you're a long ways from talking about "The Gathering" but I'm starting there, sorry. I saw/heard that Kate Mulgrew was doing both Anastasia and Titania's voice without much difference, so I knew they were one in the same. But my congratulating myself on figuring that out stopped and I almost fell out of my chair when Owen was revealed to be Puck. My best friend DID fall out of his chair when I was showing him and his wife the episode. Going back to season one, actual blood was shown when Broadway shot Elisa! In a Disney cartoon! And when I told people about this, they didn't believe me. Derek goes to work for Xanatos and is mutated for ignoring his sister's advice. Fox and Xanatos got married. I caught the "she's totally in love with him" in "Her Brother's Keeper", but I didn't expect them to get married--live together maybe.

Elisa: Thank you for creating such a great female character. Tough, smart, and still a beautiful woman. She could have de-evolved from "Awakenings" into the helpless female that the gargoyles had to rescue every week (and part of me worried that it could happen), but instead she ended up saving them as often as they saved her. And who else would have had the guts to wake King Arthur up? But she isn't a superhero. She has problems dealing with her mother and brother, she gets hurt, and she gets a little obsessive.

Intelligent bad guys: I suppose more accurately stated is bad guys with intelligent motivations. Demona has psychological hang-ups that culminate in her desire to wipe out the human race. Xanatos is just fun. How many series villians never let revenge get in their way? Plus, he had most of the best lines. My favorite: "This is my first stab at cliched villanry. How am I doing?" from "Cloud Fathers". Thailog seems to have this Oedipal need to displace Xanatos in the world.

Characters evolve: No one remained static. Demona's downward spiral was shown, but it has the potential to end by her desire to protect and love Angela. Xanatos and Fox fall in love and have a child, and apparantly learn what it means to have someone manipulate your life, something they're both a little guilty of. Macbeth realize that the gargoyles are as honorable as he is, and finds a new purpose to life. I love his debate with Margot in "The Journey". The Pack gets their upgrade. Cameo characters get stories and prove that the six degrees of seperation works in the gargoyle universe too.

References: Shakespeare's plays; Scottish history; Eygptian, Irish, Norse, Greek, African, Jewish, King Arthur mythologies, pop culture, World War II, Loch Ness, aliens, werewolves, and fae. I was waiting for vampires to show up. Okay, maybe not real vampires, but Servarius could make some. It was great to watch a show that used this stuff inside its own mythos and used it effectively.

That's just a few of the things that I loved about the show. Artwork was excellent and dialogue was wonderfully written and flawlessly performed. Here's my hope, wish, spell, prayer that GARGOYLES comes back to the air with you at the helm. And one quick question before I go find the episode rambles I've missed.

Question: Did you or do you plan on a flashback or a TimeDancer episode in which Will Shakespeare shows up as a character?

Cassandra writes...

Okay, I went back an read your rambles on the episodes (Awakenings - Her Brother's Keeper). You felt the moment when Demona revealed her name lacked punch. It did, for me at least, but not because of the scene itself. From the beginning of Awakenings, the gargoyles had a dangerous edge but Demona was the one with the least control over hers. The scene with the Trio decides to scare the peasants, I knew they were "just picking" (even though it was picking that could have gotten dangerously out of hand). But Demona acted like if she could have found an excuse to rip the throat out of Tom's mother, she would have. By Awakenings Part 5, it's chillingly apparant just how ruthless and demonic Demona has become. Besides, it's a great twist on Goliath's earlier name of affection/endearment, Angel of the Night. Angel=light, darkness=night, demon=fallen angel=darkness=night. The scene became one of those moments when everything felt RIGHT. Of course, what else could you name her? moment. The question was just how long ago was she given the name.

When I first saw the expression on Demona's face when she and Goliath reunited in 1994, I sat up. Yeah, she was glad to see Goliath but she was angry too. My thought first seeing it was "Poor Goliath, nothing good is going to come from this." Looking back now, knowing Demona's history, I have to ask did she read the Magus's version of events from the Grimorum? If the Magus recorded things fairly accurately, then she had to realize that Goliath chose suicide instead of trying to raise the eggs alone. If he had stayed with the eggs, she would have returned with a story Goliath would have swallowed and they could have raised the eggs together. She never would have created the Hunter, she never would have met Macbeth, she never would have made the deal with the Weird Sisters, she would have died centuries ago. And in that moment of reuniting, Demona blames Goliath for all of it. She buries it quickly cause she wants to give him a chance to realize why her way is the only way, but it still there. Wow, all that from one line of dialogue.

There's my feedback for the day. Caio.

Ed writes...

'REAWAKENING' comments.

At the time of writing, you haven't commented on this yet, but while I'm talking about the first season I ought to finish speaking about it.

And the big thing I remember about it is - I didn't like it.

Coldstone just doesn't appeal to me. I don't think any of his personalities are *that* fascinating, and the "it's alive!" line makes me wince all the time. Xanatos and Demona are just stock villains and don't show much of the individuality that is so evident in later episodes.

There are a few nice bits. The scene as Goliath is drowning. Goliath's vow to protect. The rounded section with that thief.

But all things considered, I wasn't that impressed.

It didn't matter; the first time I saw this, there was an advert for 'CITY OF STONE' on the next week with 2 back-to-back episodes for 2 weeks. In hindsight, this ruined two brilliant cliffhangers, but then I was gorging myself for CoS anyway from seeing teaser pictures of Demona blasting away stone humans.

Ed writes...

'HER BROTHER'S KEEPER' comments.

I've always loved 'DEADLY FORCE' but every time I watch this I like it more. Derek is just such a brilliant character! He's got a great stubborn attitude mixed with ambition and a wish to be supported. And Xanatos is so smooth!

"Yeah, use the force Lex!" was just one of those all-time classic lines that got me rolling around laughing. This being the case, I only noticed when watching it again how silly the helicopter repair thing seemed.

I'd already seen 'THE GATHERING PART ONE' (but annoyingly, not part 2!) when I saw this so the revelation that Fox loved Xanatos was hardly a big surprise to me. Still, Fox's self-assured scheming attitude always delights me. The prison scene that I always loved was in 'THRILL OF THE HUNT' - one of those eyebrow raising moments when you realise that this is a bit different from 'Ducktales' and 'Turtles'.

And the snow is breathtaking. I also like the ambiguity of the ending. It's magical. Fantastic stuff.