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1.Were you going to introduce more "International Heroes" in Pendragon?
2.What exactly is the purpose of all these heroes?
1. Not per se, but it happens. I had an overall plan for the "International Heroes" however, and Pendragon had a role in that plan.
2. Not going to reveal that yet.
In "Bad Guys", would the Matrix have been "powered down", so to speak, i.e. portrayed as less powerful than he was in "Walkabout"? In "Walkabout", he was capable of covering the entire world with his nanites, and was unstoppable by force (Goliath and Dingo were only able to prevent him from reformatting the Earth by reasoning with him); obviously, if he was still on that level in "Bad Guys", it would make things too easy for the Redemption Squad.
Matrix's potential would have been one of the major issues of the series...
But it wouldn't have necessarily made the Squad's life any easier. His power to destroy and refashion was unlimited in Walkabout. His ability to save something... not so much.
1.Did you have any villains planned for Tea and Fara Maku?
2.Were they going to be more mundane or more fantastic like Anasi?
1. I didn't have an actual spin-off planned for Tea and Fara.
2. So I didn't have dedicated villains planned for them. At least not at this time.
In the episode Golem why did you use a Rabbi to summon the Golem?
Most of the episodes have some mythology behind them. I've heard about golems before, but I've never heard of any myths associating Jewish people with the use of magic. I'm certain that it goes against their religion.
P.S. I looked to see if this question was asked, but I didn't find it in the achieves. If I've missed it could you email me at email@example.com
If you post my question, please remove the "P.S." text.
The Golem of Prague is specifically a Jewish legend, and Rabbi Loew, the Rabbi in the Flashback sequence, is a character of both history and legend -- and he is the traditional summoner of the Golem. I'm fairly certain any cursory search on the word Golem would reveal this.
Like most major religions, Judaism houses a multitude of interpretations, beliefs and practices. I'm Jewish, but I'm sure there are Jews out there who wouldn't agree that I was.
So you're "certainty" is a bit presumptuous.
Hi Greg. Long-winded question, so bear with me.
One of the recurring themes of Western story-telling is that those who "tamper in God's domain", to borrow a phrase, will be struck down for their hubris. After the enterance of Frankenstein into our collective consciousness, one of the "rules" for Western literature is that Frankenstein must always be destroyed by his monster, for his arrogance in playing god.
The reason I bring this up, is that Xanatos is a man who seems to like playing god. And he has left a trail of monsters in his wake.
I'll ignore Jackal, Hyena, and Wolf for the purposes of this question, since it could be argued that they were already monsters who merely allowed their exteriors to be altered to match their true natures. (Although, it could also be argued that those three were tempted by David and his offers of power and vengeance, but at the end of the day, I still think they all damned themselves willingly)
I'd go so far as to even ignore the mutates, because even though they become monsterous looking, they really don't fit the bill as "monsters". They're just ordinary people who, by virtue of making some bad character judgements, find themselves with fur and wings. (Although it probably doesn't help Xanatos' karma any)
But even ignoring those two examples, you still have...
1. Coldstone. Such an obvious Frankenstein archtype that you joked about it. (The "It's alive! ALLLLLLLIVE!" sequence remains one of my favorites from the whole show) Of course, you could lay Coldstone at least partially at Demona's feet as well, so we'll move on.
2. Thailog. Grown in a lab, created with a mixture of different people, (Goliath's body and temper, Xanatos' mind and ethics, Sevarius'... libedo? Whatever accounts for Delilah) he turns almost immediately on his "fathers" You could call Thailog Sevarius' creature rather then Xanatos' except that David is the force behind his creation, and that Anton, for all his mad scientist posturing, could be seen as no more then a lab assistant, an Igor to David's Dr. Frankenstein.
3. The Coyote robot series. Xanatos' most personal "creature", the one to whom he gave his face (well, half of it) and voice. Loyal (?) to David for now, but unless forming the Ultrapack is David's idea, he presumably goes indepentant eventually. That, and we know he sets his sights on galactic domination in 2198, presumably not with his creator's blessing. (Then again, I could be wrong)
4. The Matrix. Created so that David and Fox could reshape the entire planet at their whim. If that's not arrogance, I don't know what is. Admittedly, I don't think it's becoming sentient along the way was part of the plan, and it's inclusion here might be a bit of a stretch, but I thought it was an example of Xanatos' hubris, if nothing else.
So, I guess, after all that lead up, my question is this: Would the pattern hold true? Would one (or all) of Xanatos' "creatures" come back to bite him in the ass later? As Elisa said "I wouldn't want Xanatos' karma."
There is a second part to this question, but I'll submit it separately, in case it's viewed as an idea.
Well, for starters, I'd argue your premise. Victor Frankenstein's life was certainly decimated by the monster he created and abandoned -- but he survived the experience, sadder and hopefully wiser.
Moreover, it was the abandonment that was his true sin in Mary Shelley's original work. The creation was certainly hybris. But Shelley is pretty darn clear that she viewed the abandonment as worse. And I tend to agree. It's nature vs. nurture. The creature wasn't created evil. He was driven to it.
As to X's karma and whether it will all come back to bite him in the ass, I think the answer is clearly yes. But I really see it as a separate question. That is, it is a karma question more than simply a playing god question. That's one element. But only one. After all, one might argue that David and Fox were playing god by bringing Alexander into the world. But I wouldn't argue that. And I'm sure that's not what you had in mind.
So let's go through the numbers.
I tend to agree that Wolf, Hyena and Jackal built their own cages. And for the record, seem quite happy to live in them.
The Mutates seem to be following the same path as the gargoyles themselves. That is to say, that Xanatos woke the gargoyles, and has often suffered for it since. He then turned these four humans into mutates, and has had to suffer a bit (though admittedly not much) for that. It will be interesting to see Talon's post-Hunter's Moon reaction to Goliath and Co. moving back into the Castle. But the larger truth is that Talon, Maggie and Claw are making lives for themselves.
1. Coldstone. Well, yeah, duh. This is our Frankenstein's monster. But as with most things, Xanatos is too smart to truly follow in Victor's footsteps. He helps create the creature -- and certainly uses it -- but he never simply abandons it. And he also tries to balance (or bury) the Karmic scales, by helping out with Coldstone's Multiple Personality Disorder and by building Coldsteel and Coldfire.
2. Thailog. Here's the big threat, frankly. A guy with something to prove and three fathers to prove it all to. I think Xanatos hasn't seen the last of Thailog. One could argue that Thailog is the only guy to ever beat Xanatos at his own game (in Double Jeopardy). So the hybris of creating him has already bitten X's ass. But I doubt Thailog is through.
3. Coyote... I just don't want to reveal too much on this right now. Sorry.
4. I really think you have to chalk Matrix up to Fox's hybris (and competitive spirit) rather than to David's. She was certainly having the Matrix engineered for her and her man, but that doesn't mean that Xanatos was behind it. That would assume that she cannot operate independently. And I sure as heck wouldn't assume that about her.
So the short answer: yes. But it's all very nuanced.
1. In Pendragon since Griff, Arthur and Merlin have been out of circulation was Blanchefleur introduced as their guide in the modern world?
2.Will Arthur meet any character we meet in the World Tour?
If so care to give a few names?
1. Not really, though she may be useful in that function.
2. Yes and no.
Were you ever planning anything for all those mythic heroes you introduced in the World Tour? Mind telling us your plans for them?
Yes, of course.
Yes, of course.
1.Would you consider the golem to be an AI since it is artificial?
2.If you could rank the AIs of the Gargoyles Universe from most advanced to least advanced where does the Golem fit?
1. Uh, I suppose... but certainly not in the sense that the term is generally used.
2. I'm not sure we yet have any true AI's aside from Matrix.
Does even Coyote 4.0 qualify? He's certainly sophisticated by robotic standards, but is he truly artificially intelligent?
Would you categorize Coldfire & Coldsteel as A.I.'s when it is the sorcerous possession of gargoyle souls that engenders their intelligence?
Am I missing anyone?
So far all I've got is Matrix, who, yes, is more advanced than Golem, if you even want to put Golem on that scale, which I don't.
Why exactly did Cuchullain return? In the legends there wasn't anything saying that he'd return unlike King Arthur.
There's a BIG reason -- a reason why heroes were waking up all over the world -- but I don't want to reveal that at this time.
The small reason is all there in the episode.
1)Does Santa Claus exist in the Gargoyles Universe?
2)If yes, is he Fae or halfling, or neither?
3)Would the Gargoyles have met him at any point?
2. Not saying at this point.
3. Ultimately, in one way or another.
Since Jean Valjean exists are there any other literary figures from the 1700s- 1800s that actually existed in the gargoyles universe?
This covers much the same ground as one of my posts in the Comment Room on the night of October 25, but I thought that I'd post it here as well, to give you all the better an opportunity of reading it.
I was quite intrigued with your remark that you'd decided long ago that Jean Valjean existed in the Gargoyles Universe. The reason for that was that, up until now, whenever "Gargoyles" made use of "pre-existing" fictional characters, it was almost always people from literature, at latest, in the early modern period (as in Shakespeare's characters). The Gargoyles Universe is certainly rich in characters from myth and legend, and early literature such as Shakespeare's plays. But so far as I could tell, nobody in literature post-dating Shakespeare's time period found their way directly into the Gargoyles Universe. Some may be alluded to (such as Sherlock Holmes in "The Hound of Ulster"), or have "Gargoyles Universe" analogies (such as the Frankenstein monster with Coldstone), but none had yet shown sides of being actual characters who were real instead of fictional in that universe. (Well, maybe Dracula, whom you had mentioned intending to include in time, but since Bram Stoker based him on the historical Vlad the Impaler, he's not entirely a product of the 19th century).
So it definitely raised my eyebrows when you mentioned that decision on your part about Jean Valjean. I don't know if you'd actually reached the point of planning to have him appear somewhere in the series (a lot of it, I imagine, would depend on whether "Les Miserables" is in the public domain or not as yet), but it certainly surprised me.
I'm just assuming that Les Miserables is in the public domain. Obviously, I'd have to check that before going forward with any plans.
I don't have a specific story in mind for ol' Jean, but I do have a pretty clear handle on how I'd interpret the character.
And it shouldn't surprise you too much. As I've stated before, given enough time and episodes, the plan has always been to include -- one way or another -- everything. (At least everything that's in the public domain.)
2. did Cuchullin have much contact with the Irish Clan or just with the Hound of Ulster?
2. What era are we discussing?
i mean the era when CuChullain lived and had "a dog like him once". in the time period when CuChullain and the Hound of Ulster had teamed up originally in the 1st century. the era Rory's father was talking about, 2000 years ago. did CuChullain have contact with the whole Irish clan or just the Hound?
also, will Rory/CuChullain ever encounter and/or work with Bronx again?
1. I honestly don't know. My research on Cuchullain was non-existent at the time. I counted entirely on the writers and story editor of that episode, and I've since been informed that we didn't really get things dead on. It may have been my fault, as I changed some stuff in the script. No one objected, but it may have been my changes that caused the problems. So before I'd revisit a flashback to Cu's past, I'd need to research it more. And I haven't yet.
2. At some point, yes.
1.Is Natsilane 100% human?
2.What ever happened to his parents? Are they alive? If so where are they? If not how did they die?
1. As far as I know.
2. I tend to think his parents have passed away. But I haven't given it much thought. I don't think they died in any supernatural or unusual way, as that would have given Nick evidence of "Weird stuff" before the events where he was introduced.
1.Is Tea and Fara Maku both 100% human?
2.Is Elisa, Beth and pre-Metamorphsis Derek 100% human?
1. They were originally.
1.Will there be more were-panthers besides Fara Maku and Tea?
2.You said Tea can mark only one person so my question is isn't this a dumb way of propagation? I mean if Tea died there won't be any were-panthers unless anasi decides to step in.
1. I hadn't planned on any.
2. I don't think Anansi was trying to create a self-sustaining species.
Time to Ramble...
This episode was directed by Frank Paur and was really based on an idea of his that pre-dated the introduction of Renard in "Outfoxed".
The episode was written and story edited by Gary Sperling. Gary selected this episode, because he felt he had an affinity for the subject matter and because his brother, a Rabbi, was able to advise him on things like the Hebrew, etc. (But I tell you, recording some of that Hebrew was a bitch.)
I love most of the backgrounds on this episode. Very striking and atmospheric.
RENARD & CO.
My eight-year-old daughter Erin spotted Renard, and immediately recognized him as "Fox's father." I think Robert Culp does a great job with Renard. And (futzing aside) with the Golem as well.
Vogel's back with no explanation or indication that he fell out of favor. I guess Goliath's speech to Renard at the end of "Outfoxed" carried real weight. I think it shows something in Renard that he's able to give Vogel a second chance.
And Renard's other compatriot is Brod. A new gangster of the new Eastern-European school. I can't remember if I already had plans to pit Brod against Dracon. But I liked the contrast between them. And I like how tough and fearless Brod is. And also how outside-the-box he is in his thinking. He'd rather have the hovercraft than a cash payment. He sees the advantage.
Goliath spots Renard (and vice versa). Renard isn't pleased, cuz he knows he's doing wrong and doesn't need a reminder that he used to lecture people on integrity.
Goliath IS pleased, initially, because he sees Renard as a potential ride home. Here, and for the last time until probably "Ill Met by Moonlight" and "Future Tense", the focus is still on GETTING HOME.
But for Renard, the focus is on living. ("Integrity is a luxury I can no longer afford.") Goliath is stunned. He calls Renard someone "I thought I knew."
There's some nice climbing here. Just visually, the way the gang climbs up the bridge. The way Angela and Bronx climb up the tower. The way Bronx later climbs down. I just think it's cool.
ELISA & MAX and GOLIATH & THE GOLEM
I also like Elisa and Max's little exchange at the beginning.
Max: What are you looking for?
Elisa: New York.
Max was consciously designed to parallel Elisa. And she at least, notices the connection. When she says "The Golem needs you as much as you need it." I think she's thinking about her relationship to Goliath. (It may be a touch arrogant, but it's accurate too.)
He's the human ally and advisor (sometimes guide) to a protector made of stone and clay. The parallels of Golem to Gargoyle are obvious, and the main reason why I felt we HAD to do this episode. (Probably the main reason why Frank suggested it in the first place.) I love how Keith read: "So this Golem is a protector." He likes the whole idea. It's almost sweet in a way.
Max is just less confident than Elisa ever was: "What if it doesn't like me?" I don't think Elisa ever worried about that, at least not after she learned that Goliath could talk.
Elisa actually has a bunch of fun lines here:
"Hit it, Bronx!"
"Don't worry. We're the Good Guys!"
"And you get used to the weirdness."
I like how the Renard/Golem turns the lamp-post into a pretzel. But on my tape, he smashes a car that was already smashed. Did that get corrected for later airings?
I also thought it was a nice touch when he knocked over Edgar Blosa's tombstone. I know that was an homage to some movie. Maybe an Ed Wood film? But now I'm blanking out?
Renard as the Golem is corrupted rather rapidly (if shallowly) by his newfound power. That was the idea. That a man who had been trapped in the prison of his own body would get flat-out drunk on the freedom and strength that the Golem offered: "Instant respect. I could get used to this."
But like any high, one eventually comes down.
And Elisa is the first to start to sober him up. "You're enjoying this!" she yells. It stops him. Cuz he is. But cuz he's not so far gone that he shouldn't know better. He flees. Not because anyone has yet provided an adequate threat. He's really running from himself. But that translates to: let me just get out of here.
Renard actually says, "It's not my fault!" which of course was the one phrase that used to drive him crazy.
Goliath has a great comeback: "A weak body is no excuse for a corrupt spirit." That's classic Goliath, I think.
I love the close up shot of the Renard/Golem looking over his shoulder, weighing it all. Wondering what his alternative is beyond accepting his fate, i.e. his death by whatever disease was killing him.
And I love Goliath's next follow up too: "You've given up all you believe in... for a piece of clay."
I'm sure some people thought Renard's turn-around was too sudden. But between Elisa, Goliath and some well-chosen words from Max ("Can you live with yourself"), and Renard's basic decency, I have no problem accepting it when he finally says, "What have I become?"
THE FINAL BATTLE
Elisa really rocks in this episode I think. That may have been the thing I most noticed in this viewing. I don't think of this as one where she was particularly featured, but she really does great. I love her little "Hi there." close up moment before she decks the bad guy with a punch that comes right into camera and flashes red. (Of course, I doubt you could do that these days.)
I like all the stuff with Golem and the hovercraft.
I'm also reminded here of the end of "Awakening, Part Five" when Goliath is holding Xanatos and on the verge of dropping him to his death. Elisa and Hudson talk him out of it. And Max fulfills the same function for the Golem. And I love Max's line, which is traditional: "Love Justice and Do Mercy." So simple and eleoquent. So right.
In any case, I guess that makes Brod the Xanatos of Prague. Except clearly he didn't fare as well. The Golem's appearance must have convinced him to seek out new "Turf", if you know what I mean.
THE WORLD TOUR
Finally, Goliath has learned something about all Max's talk about destiny and making choices. He finally realizes that Avalon isn't simply messing with them. But that there is purpose and need and destiny. He could choose to skip it. He could hitch a ride with Renard back to Manhattan. But he won't run away. So instead he'll take the Skiff.
Now the World Tour can finally start in earnest. Sure, the audience still wonders when and if the quartet will ever get home. But I think the tenor of it changes now. Now there's an expectation. I think, had we not had to air so many damn reruns during the original run of the Tour in winter/spring of 1996, the audience would have been much more patient after this episode. Like Goliath, they would have understood.
Elisa makes the same choice. Although for her, it's less about quests and destiny than about abandoning her friends: "You guys would be lost without me." And again, kidding or not, there's a certain arrogance. But a lot of accuracy as well.
Anyway, that's my Ramble. Where's yours?
Time to ramble...
This chapter was written by Adam Gilad. Story Edited by Gary Sperling, and directed by Frank Paur.
As I watch each episode with my family, I've got my journal open in front of me to take notes for these rambles. During the opening credits, my five-year-old son Benny said: "I like Gargoyles." I was very pleased, of course. Then he said, "Can you write down that?" So I did. And so I have.
SHE'S GOTTA HAVE IT
Back on the skiff, and Elisa still hasn't QUITE gotten the idea. She still anticipates being back in Manhattan. Like visiting Scotland was an anamoly, but now surely Avalon will send them home. (What did you all think at the time?)
And boy, that girl likes her hot dogs. Make her one with everything, you know?
Our Sea Monster attacks. It's a cool design, based on research that we did. (It happens to look a lot like a pre-historic whale I saw last night on a Discovery Channel special: "Walking with Pre-Historic Beasts".)
I wish we could have found a less generic name for the creature than "Sea Monster". Thunderbird is a cool name -- particularly since I have fond memories of the L.A. T-Birds from Roller Derby telecasts of my youth -- but our research never turned up another name for the Sea Monster.
Keep in mind that though we did research, we also had time constraints. We couldn't keep researching a topic indefinitely. Eventually, we'd have to use what we had and run with it in order for the story and script to be delivered on time.
But I know Gary and Adam did quite a bit of backgrounding for this story. The Sea Monster, Thunderbird, Raven and Grandmother all came from Haida stories -- though we conflated quite a bit, I think. We did always try to be as true as possible to the history and legends we were riffing on.
HEY, WEREN'T THERE FOUR OF YOU?
As the battle with the Sea Monster came to a close, my seven-year-old daughter Erin said: "What about Elisa? Where's Elisa?"
Five seconds later, Goliath surfaces and says pretty much the same thing, before fearing her drowned by shouting "ELISAAAAA!!" (Shades of things to come -- in Hunter's Moon III.)
Speaking of research, the origin of the whole episode was the fact that Totem Poles caught my eye as being a particularly gargoylesque deal. Then we did some preliminary research and found that they weren't carved in anything that seemed to resemble a gargoyle tradition. They were 'carved to honor animal ancestors'. So rather than stretch (or abuse) the truth, we decided to let the characters (and audience) be lured off course by the poles, just as we had been.
Fake GARGOYLES, right here in North America.
In many ways, I think it could be argued that what takes place in this episode is handled or covered in other episodes to come. We have another episode with a 'sea monster'... a more famous sea monster in a certain loch... coming up rapidly in "Monsters". Also in that ep, one of our cast is lost and feared drowned after an early attack by that monster. And much of Nick/Natsilane's dilemma is also re-covered with a more-important recurring character (Peter Maza) in our other Native American-themed episode: "Cloud Fathers". We even do more with a volcano in "Ill Met by Moonlight". On some level I suppose I regret the duplication of efforts. I don't think we usually did this sort of thing.
But I don't regret the episode. I had plans for Raven. Plans for Queen Florence Island. Plans for Nick/Natsilane. I still think the ep has some cool stuff in it. And I think we NEEDED to cover Totem Poles. It was a natural.
HAR with a V. VAR with a D.
I went to a high school in North Hollywood, CA named "Harvard High School". Named after the University. (Some people have incorrectly stated I went to Harvard for college. But I went to Stanford for Undergrad and U.S.C. to get my Masters.)
I don't remember who's idea it was to have Nick be a graduate of Harvard. Might have been mine. Harvard of course is useful as a symbol.
I like Nick/Natsilane. He's got some nice attitude here and a nice shift. Maybe not the most impressive of our so-called "International Heroes". But very likable.
I give a lot of credit to the voice actor for bringing him to life. Gregg Rainwater was brought in by our Voice Director Jamie Thomason. Gregg was terrific. We used him again in Cloud Fathers, but I've used him many times since Gargoyles. I've even written parts with Gregg in mind. He was Jake Nez in Max Steel. And I cast him as Jake MacDonald in 3x3 Eyes. He always brings incredible humanity to a part, I think. Heroic, but real.
THAT'S NOT A CROW
It's a raven. Our second Trickster makes his first appearance. Of the four (Puck, Raven, Anansi and Coyote), Raven was the guy we gave the most evil bent to.
I like all the shape-shifting he does. (Though when he flees at the end, I wanted him to flee in his bird form, not his Raven-Goyle form.) I also like how he lies by using pieces of the Truth.
Raven-Goyle: "There is an evil sorceress named Grandmother. She summoned the monster that you fought."
When he said that, did you believe him?
Of course, Grandmother does have magic power and she did, in a way, summon the Sea Monster.
IT COULD BE WORSE. I ONCE LIVED ON 28TH STREET.
While doing our research, we encountered names of Islands off the Canadian coast like Queen Charlotte Island. So I named the fictional island we'd be using "Queen Florence Island."
Growing up in Woodland Hills, California, I lived on Queen Florence Lane, a street off Queen Victoria Road. Victoria and Florence were the daughters of Michael Curtiz, the director of such films as CASABLANCA. Curtiz, at one time, owned all the property in that area, so he named the two streets after his daughters.
OR so I once was told... by a ghost named Humphrey who tried to convince me that he was Humphrey Bogart, though you could tell by looking at him that he wasn't.
WHO EXACTLY IS THE SICK ONE HERE?
Elisa is so strong so much of the time, that it's kinda sexy to see her vulnerable and feverish.
Notice that Grandmother doesn't use Fairy magic to heal Elisa. She uses Haida medicine. Thus the rule of non-interference is bent not broken.
I like when Nick comes back in and the Fever's broken. And he says just don't tell me you cured her with tree bark.
When she says, "...and roots." His expression is priceless.
I like the lighting in the Volcano scene.
Goliath is so glad to learn that other clans have survived, that he doesn't notice -- in fact defends -- the inconsistencies in Raven's story.
Angela, on the other hand is suspicious. This was done, in part, to further develop her character. She's naive about certain things. Having been raised by humans, she's not inclined to judge them harshly or fear their prejudices. But she's not stupid. Something doesn't smell right and she notices.
For once, Bronx though does not. I chalk this up to the high quantity of magic being tossed around on this dying island. Grandmother is not what she seems. Neither is Raven. Bronx is confused.
Anyway, Goliath speaks to Gargoyles protecting to explain away why "Raven's Clan" can both hate humans and protect them. You get the sense that he understands all too well. Like despite everything, there's a part of him -- a prejudiced part -- that hasn't forgiven the human race for what happened at Wyvern. (Also keep in mind, he was just at Wyvern again, rehashing all those old memories.)
Of course, once Goliath learns that Raven was pulling something, he's furious at the trickster. Playing on his hopes AND his prejudices, Raven has risked G's wrath.
At the end of this scene, the three silent gargs vanish magically.
Erin said: "What happened? What just happened?"
Benny said: "How did they just vanish?"
They know I know the answer. But I resist telling them. It's a touch cruel. What did you guys think?
YOU CAN TAKE THE GIRL OUT OF THE CITY...
Elisa is such a New Yorker. Everything is compared to that. "This sure isn't Central Park."
Anyway, Raven, then a bear, then Bronx and finally Angela and Goliath find Elisa. I love Goliath and Elisa's hug. It's so unselfconscious. They were so worried about each other that they forgot the usual distance that they maintain.
So who did you trust? When the gargs disappeared, that had to indicate that something was up with the Raven-goyle.
So when Goliath tells Elisa that Grandmother is a sorceress, particularly given that Grandmother saved Elisa's life, we all tend to think that G's been duped. Then we spot Grandmother turning into Thunderbird. What did you all think then?
Benny noticed "her ears" and suspected her even before she turned into T-Bird.
THAT'S GOTTA HOIT
A cool moment in the battle against T-Bird is when Goliath rakes the creature with his claws.
Then Angela spots the Illusion. And plays it cool with Raven.
I like Goliath's line to Grandmother: "We live. We do not thrive."
Grandmother than establishes that Raven is a Trickster and that they are both "Children of Oberon". Thus we establish that aspect of our series.
She states that they are forbidden from directly interfering in human affairs. Reinforcing what the Weird Sisters said a few episodes before.
Raven joins the party. The jigs up, but he revels in it. He's got a few decent lines too.
I like "It's so messy."
POOR HORATIO, ALWAYS A BRIDESMAID, NEVER A BRIDE
Elisa more-or-less quotes Shakespeare: "There are more things in heaven and earth, Natsilane, than are dreamt of in your philosophy."
I've always loved that line.
Anyway, Goliath and Angela depart to fight Raven. They arrive first, but given the fact that Nick had to...
1. Have a final change of heart.
2. Change clothes.
3. Get up to the volcano without wings.
...He makes good time, don't you think?
Raven brings the totem beasts to life. This was always a bit weird. We introduce illusion gargs based on the totem beasts. But then when we bring the totem pole to actual life (or semblance) we have new designs for the woody creatures.
Does everyone see Goliath play dead for that bear?
Raven has a nice exit line here: "This place no longer amuses me."
Neither does this Ramble.
How did Fara Maku find Karadigi when nobody else found it?
Maybe for once, Anansi wanted it to be found...
1) There any reason why Nick Natsilane Maza is connected to all four of the tricksters? (His Maza family line is part of a tribe closely related to Coyote, Diane's family has roots with a tribe associated with Anansi, the Natsilane family is of course connected to Raven, and Nick has some relation with Owen/Puck)
2) If the answer to 1) is yes, what is that reason?
I think you're stretching the point.
Diane's association with Anansi is limited to her having met him. And Nick's association with Puck is limited to him having met Owen.
1.What did Rory's father do before he was unemployed?
2.What happened to his mother?
3.Is Rory 100% human?
1. Haven't thought about that specifically.
1.Who made the tools that Natsilane used to defeat Raven in Heritage? Why was it so easy for Natsilane to defeat Raven?
2.Where did Raven go after Natsilane defeated him?
1. His ancestors.
1a. Raven wasn't prepped for any opposition.
2. Spain for a bit. Alaska. Eventually to Avalon.
Where did Banshee go after Cuchullain beat her?
She stayed in Ireland, while she regrouped -- but keeping well out of Rory's way. Eventually she was dragged to Avalon.
Cuchullain in the legends was capable of turning into his monstrous warped form so is the Rory Cuchullain capable of that feat?
I know you said that Cuchullain was suppose to be your version of Thor, but could you tell us how Rory was turned into Cuchullain since the Spear wasn¡¯t even close in power with Thor¡¯s hammer and the Spear of light in the myths never has such power?
I'm confident I never said that Cuchullain was supposed to be my version of Thor. If anything, I was concerned that the character was TOO Thor-like.
I've also admitted that I'm not quite familiar enough with the Cuchullain legend. Before I used the character again, I'd get my ducks in a row research-wise.
Why didn¡¯t Banshee kill Bronx and Rory when they climbed out of the pit? Why did she take him back to his home after she kissed him? Why didn¡¯t she do anything to Bronx?
Was Banshee the original Deathworm that inspired the legends or was the original another child of Oberon? If not what was it?
It would really help if you'd number your questions.
1. There's no one simple answer. But she wanted to avoid waking Rory. An actual attack might have triggered the very thing she feared.
1a. She was trying to put him back to sleep.
2. She said that she didn't perceive him as a real threat.
3. I believe so.