Vanity writes...

I was watching Gargoyles on Toon Disney tonight, plus my taped episodes over the weekend. I couldn't help myself, I whipped out my axe and hammered away. Eventually though I found the Gargoyles Title Theme. So guitar players out there here it is:

opening intro-10 measures- first measure is in 2/2 time then it goes into 4/4 time for the remaining 9. I could be wrong but it doesn't really matter.

Main-lead

E-13-11-9-8-6-14-13-11-8-5-13-9-11-13-9-11-14-17]CONTINUED]
B-
G-
D-
A-
E-

E-9-8-6-8-11-11-9-8-9-13-13-12-10-12-0h1-15h1]CONTINUE
B
G
D
A
E

E-0h1-15-13-12-17-13-11-9-8-6-14-13h11-8-5-13]CONTINUE
B
G
D
A
E

E-9-11-13-9-11-14-17]continued to outro-->
B
G
D
A
E

outro--->
E-6-6-6-6--6-6-6-----1-6-6-6]
B---------4-----1-1-1-------]----CONTINUE
G
D
A
E

E-6h5h6h8--9h11h13h12--13h14--14h17--18
B
G
D
A
E

==listen to the song for the timing it is really easy. Plus keep in mind that the opening "ahhhhh" sound seems to be in 2/2 time but the main "dummm da da dumm" flute? is in standard 4/4 time. And the outro is sped up considerably it is apparantly in 3/4 time.

Have fun with it. It sounds okay on an acoustic, but electric has a way better richness to it. I like to go crazy with the whammy bar on the 14th fret on the high E when its held for four counts. Another way to ROCK-up the sound is set the gain up to 7 or 8 and pull your switch all the way back.

questions-comments-corrections write me at iron_wind@hotmail.com I'll be happy to work with you.

Vanity writes...

Gargoyle customs-

It has been well established and I would think we all are well aquainted with the notion that Gargoyles didn't use names. Not for themselves as humans did and that the eventual use of names was influence and need of conformity from/by humans.

However you have said that gargoyles kept their myth, history and traditions alive by oral revelation from one generation to the next.

How where they able to tell sagas of things great leaders had done if they had no name of which to tell? (Try to tell your children about Napolean and all the things he did and all the people in his life without using his name)

It would be all too generic and vague for any real value. Did gargoyles never realy have great leaders? Did they consider the clan as a whole more important than the decision making of the leader?

Thanks

and further note-my post on the guitar tab--well the on the outro the difference in the type size from the field box to the post page made it look wrong. so here is the outro again.

E-6--6--6--6---6--6---6-------1---6---6---6]
B------------4------1---1---1-------]----CONTINUE
G
D
A
E

E--6h5h6h8---9h11h13h12---13h14---14h17---18
B
G
D
A
E

Vanity writes...

How did the composition for the Gargoyles theme come to be?
Was all music made just for certain situations, (Macbeths 'break-up' scene with Luoch(sp)), or was it lifted from somewhere else???
Was the music made for the characters/scene or did the character/scene just match the music?

Adam Goldberg writes...

GARGOYLES MUSIC:

I have always wanted to find the music, aside from the title and close music from Gargoyles (For example, the Something Sad is happening music, or An Evil Robot Is Attacking Music).
Can I find the music played during the show? Thanks

Kalafarski writes...

I've always loved Carl Johnson's music in the series. Watching City of Stone Part IV recently, I realized that you can hear this great, low, vocal music as Macbeth and Gruoch abandon Castle Moray. I thought it was a good, dramatic piece to go along with the scene, but I can't remember hearing it in any other episode. Do you know if original music was composed/recorded for this episode in particular, being one of the landmark multi-parters?

Speaking of the music of the series, I probably should have asked this first. I'm not sure how score composition works in an animated series. I seriously doubt new music was recorded for every episode, but I really can't say. Was the music used in each episode from stock clips? Would Mr. Johnson produce a series of generic pieces at the beginning of each season, or for the multi-parters? Or am I wrong, and it was more frequently than that? I realize that you may not have had that large a part in the incorporation of a score into the series, but anything you know about the process would be appreciated.