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I've really enjoyed all your work. Spectacular Spiderman s one of my "gateway" superhero shows! Thanks for that and Young Justice. This is a retype of my question because I forgot to mention how much I love Rain! I love big mystery/treasure hunts that build on themselves, and the way that Rain and Charlie save the day (no spoilers!) was so fun and cathartic. Rain's relationship with the other generations in her family is such a valuable dynamic that you just don't see elsewhere. :)
One thing still confuses me about Young Justice, though-I'm trying to understand some of the logic behind Dick's decision to keep Wally "hanging back," as you said.
Why would Dick feel there was "no shortage" of heroes? At the least, they were down the six most powerful heroes on Earth with most of the JL off-planet, and in the War World episodes, almost the entire Team was kidnapped. Why wouldn't he call Wally in then? (M'gann is really powerful, but that was a small planet they were fighting. Also, later, the Reach showed that they had an armada with hundreds of ships left over the fight with the War World - surely he'd want all hands on deck, particularly with so much of the League gone?
Why would Wally's appearance be able to catch the bad guys "off guard" after Bloodlines? Wally was already in the game; the nuclear bomb in Central was well publicized; why would his appearance be any more a surprise after that?
On the War World, Dick knew Artemis wouldn't be an issue because M'gann knew she was down under the ocean, so that wasn't a big concern. Even if Artemis did teleport to the alien world, it seems foolhardy in the extreme (almost unbelievably so) that Dick would attempt to take on a planet with only one other hero when another was supposedly waiting in the wings, ready to help whenever.
It doesn't make sense to me that Wally's appearance would be most needed and the biggest surprise only in Summit, when Dick had more backup than at any other point in the entire season and Wally had already showed up in Bloodlines. How was he more useful or a bigger surprise in a huge crowd than in a group of three on the War World, propotionally, when Dick was in the biggest trouble?
It also seems very, very strange that Dick wouldn't let Wally contribute to the efforts of bringing the people who nuked his hometown to justice. No one died that day, but their livlihoods were destroyed and there would be nuclear fallout. Even if Dick was too worried Wally would hurt himself (?), or whatever, Wally showed in Homefront that he was very capable of support - moral and technical - without necessarily getting into the fray. It seems just so strange that, if Wally really *wanted* to help, that he'd shut him out of something that had so ruined Wally's home. It seems strange that Artemis wouldn't have an issue with Dick forcing Wally to stay home, too.
As an aside, why would Dick initially try to keep the truth about Artemis's death from Wally if he *wanted* Wally to hang back for some reason? How would they guy who wanted to kill every alien robot dead in when he really believed Artemis to be dead in Failsafe be easier to control and tell to "hang back" if he REALLY thought Artemis was dead?
Logistically, to me it feels like Dick was more adept and logically minded when he was 13 than 19 with five more years of experience, which is strange. No real judgement against "Dick," really, but none of this seems to hold water at all.
I'm just trying to wrap my head around it.
I enjoyed the rest of the show a lot, though! And Rain is the best!
Dick has learned the value of (1) holding heroes in reserve (for example, in "Failsafe") - and (2) of not making any single squad too big or unmanageable and (3) of keeping people who had trained together working together.
As for Summit, Kid Flash was certainly useful there, but mostly he was there because Artemis' undercover op was coming to an end, and Wally wanted to be there, which at that point was fine with Nightwing.
Beyond that, if it doesn't work for you, it doesn't work for you. But it works fine for me, and I won't apologize for it. Nor do I agree with your interpretation of Dick's skills as a leader, season to season. But your mileage may vary.
First of all, I just recently re-discovered Gargoyles. I watched some episodes as a kid, but after rewatching the whole series again (minus TGC because I can't find that ANYWHERE), I only now as a 21 year old understand how fantastic that show really was. I'm only sad I'm just now finding this out, just to see that it was cancelled for various reasons.
However, I still want to support this series as much as I can. I just bought the 2nd part of season 2 from Walmart (was very shocked to see that in the Disney section!), and I've recently discovered you made a comic series that takes place after the end of season 2. I want to read this so bad, but this is such an old series now that any trace of scans are all gone due to the sites being dead. And unless I used my credit, I couldn't even afford the comics because Clan Building 1 alone goes for almost $200 now...
Sorry for the splurge of info, but I would like to know if you know of another way I can read these comics? I know I'll buy them someday, but for now I just want to read them - I'm really interested in it!
Anyway, hope life's going well, and would love to see a Gathering maybe in Wisconsin sometime! ^^
I can't recommend Goliath Chronicles. We don't consider it canon.
As for the comics, I don't have a good answer for you now. They're just flat-out out of print. We're trying to rectify it, but unless you want to spend bucks on used copies - or can borrow 'em from a friend, you're just out of luck for the time being. That does NOT make me happy, as I want fans to be able to read them. But there's not much I can do about it now.
We don't really do Gatherings anymore. But I was in Madison for a convention last summer. Were you there?
Was Queen Bee's order for Garfield to hurt himself remove from Garfield's brain by Miss Martian and her uncle?
The effect of her power doesn't last beyond her presence/influence.
Was Monkey still living with Garfield when Marie died?
I've contributed to this worthy Kickstarter. I thought some of you might want to also: http://kck.st/1WRcqGd
How does Uncle John feel about Miss Martian and Garfield treating each other as brother and sister? Has Garfield been to Uncle John's apartment?
I'm sure he's good with it. He seems the sympathetic type.
Out of curiosity, what is your opinion about the title of the new Star Wars movie (The Force Awakens) and what do think is the possible meaning/interpretation behind the naming of title?
I didn't know when you asked the question, and to be honest, I still don't know now. The title is just the title for me in this case. Or maybe it refers to the two young leads stepping up.
But I do like the movie.
After Marie died who on the team and or on the league raze Garfield and was his legal guardian before his training to join the team begin ?
After so many years what is your opinion of the current status of Animation in America?
Second with how animation in motion pictures is telling more diverse type of stories than before with DC having great success with there direct to video animated films having success directed at a more general audience the success of anime as a genre and animation widely accepted as a medium for adult comedy why don't great series of drama action and adventure, intelligent well told stories such YJ fet taken more serious?Why are they seen as directed ot young boys who buy toys?
Let me answer your second question first and work my way through the others from there.
I don't know.
I don't know why animation isn't taken more seriously by the general audience of adults. But the fact is: it isn't. Wish it wasn't so, but it is so. Even Pixar movies are largely viewed by MOST adults only if they are parents taking their children. There are a ton of exceptions, of course. And, of course, parents would rather see a movie that works on multiple levels, so that there's something for their kids, but also something for themselves, i.e. for adults. So parents/adults have learned to expect more from the animated movies of Pixar/Disney/Dreamworks/etc. because they've seen good movies from those companies and have started to learn the difference between a good animated move and a bad animated movie. And what is that difference? Well, your mileage may vary, but it's basically the same difference between a good movie and a bad movie, period.
As for a series like Young Justice, your thinking is backwards. Young boys don't buy toys. How could they? Where would they get the money? Parents buy toys for kids (boys AND girls) based on (a) what they think their kids like and (b) what their kids tell them they like.
A show like Young Justice is PAID FOR by the money that toys bring in. If there weren't toys, there wouldn't be any money to make the show. So, frankly, bitching about the shows being directed to kids for the purposes of selling toys is basically bitching about the show being made at all. Because, again, without the toy component, there is no show. NO SHOW.
That's why YJ didn't get a third season. The toyline failed. (We can spend hours discussing why, but that's another topic.) So no more money was coming in from the toy company. No money. NO SHOW. (Or no third season under that financial model, anyway.)
And I am 100% fine with that. Because I WANT kids watching Young Justice. Like a good Pixar movie, YJ is written on levels. There's plenty of eye candy for younger kids. Explosions, young heroes in costumes, etc. And plenty for tweens, teens, college students, adults and geeks of all ages to enjoy as well. That's the game plan. We have a target audience, we MUST hit, i.e. boys 6-11 years old. As long as we are successful in that demographic, everyone is happy. And everyone is HAPPIER if we also get girls 6-11 and boys 11-13, and girls 11-13 and teens and adults of all genders, etc., etc.,etc.
As for anime, and/or the DC animated movies, they are doing well - or better, at least. But let's not kid ourselves. They are still only serving niche audiences in the United States. They serve geeks of various flavors (myself included). On a grand scale - say, compared to LION KING or SHREK - they're not doing big numbers. They're just not. Fanbases on the internet fool themselves into thinking things are more popular and money-generating than they really are. "I like it and my friends like it and a bunch of strangers on the internet like it, therefore nearly EVERYONE must like it!' But that's a fallacy.
Which finally brings us to your first question: what is [my] opinion of the current status of Animation in America?
I don't know.
Christopher Jones "'... (we were going to get both Supergirl and Donna Troy as Troia), ..."'
Is this true?
Donna Troy/Troia and Mary Bromfield/Sergeant Marvel were scheduled to appear in Season Two at both Rocket's bridal shower and among the crowd of heroes in the season finale. But we ran out of time to design them for the shower, so she didn't appear in either episode, which was a bummer.
Supergirl was never going to be part of Season Two.
As for Season Three: NO SPOILERS.