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Abigail Thorne writes...

How did Goliath and the others learn that Demona and Macbeth can only be killed if one kills the other? Demona told Brooklyn in "Temptation" how she had been dealing with humans for hundreds of years, and Macbeth told Goliath in "Enter Macbeth" how he had named Demona, which she herself said in "Awakening Part 5" happened long ago. So I get how they could figure out both were immortal, but how exactly did they figure out the terms of the spell?

And another thing--if they knew that only Macbeth could kill Demona and vice versa, how come they thought Macbeth died in the crash in "The Price" and Demona died in the fire in "The Reckoning'?

Greg responds...

From the Weird Sisters, after they were captured -- but before they were released -- in "Avalon, Part Three".

"The Price" took place before "Avalon". And they never said she was dead in "The Reckoning". Goliath simply acknowledged that he wasn't sure. I mean how many questions have I had to answer here about the rules of the whole Macbeth/Demona thing. If you all have some doubts about how that spell works, don't you think Goliath and Angela might also.

Response recorded on July 10, 2000

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Jarrod writes...

I was watching Gargoyles today mainly the "Cities of Stone" episodes. I noticed when demona was casting her spell she said to Owen when he was in a frozen state "You are the tricky one so we will make sure you stay put". Which makes me wonder, did Demona know that Owen was Puck? And if she knew that Owen is Puck, how long has she known that?

Greg responds...

Yes, she knows. She's known since before the rest of the clan was awakened.

There's a similar clue in "The Mirror", when Demona says to Puck, "You serve the human [i.e. Xanatos], you can serve me now." (Or something like that.

Response recorded on July 10, 2000

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Lexy writes...

Hey Greg

This may be a kinda dumb question. (slight pause) This may be just like every other Q I have ever asked:)

Ok I was just wondering. Goliath has taken some steps since he met Angela. He doesn't mind that she calls him father and that she feels a need to have father daughter..er..talks..whatever. But he still goes along with the children of the clan thing. Ok heres my point. While Goliath is still more on the "children of the clan" dealy..Demona seems a lot more willing to say "My daughter" and treat Angela special. Is most of that due to her just trying to sway Angela to her side of things? Or is it because Demona seriously puts more stock in the _MY daughter thing. Like maybe they don't understand me, but she might because shes my daughter? Or maybe she senses or can at least recognize the fact that Angela _does_ want to build some form of a relationship. Since Demona feels so alone and all, does that mean something to her?

Sorry. Rambled again:P

Greg responds...

YES on all counts. (Not a dumb question at all. Why would you think that?)

Response recorded on July 10, 2000

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Chapter XVI: "Legion"

Story Editor: Michael Reaves
Written by Marty Isenberg & Robert N. Skir

I just watched "Legion" again. Time to Ramble.

From the memo I posted earlier this week, you'll see that the never used on screen names of Othello, Desdemona and Iago were my idea. But I've always wondered if that's the case. The outline that Marty and Bob wrote immediately prior to that memo had all the Othello elements very, very present in the story. All they didn't do was NAME the characters. I always wondered whether they and/or Michael had the Othello story specifically in mind, consciously or un-, and I just capitalized on it.

The Goldencup Bakery Building, which semi-secretly houses a defense department hi-tech research and development installation is modeled after the Silver Cup Bakery Building -- which actually exists in Brooklyn (as I recall). That Building was trashed in the original HIGHLANDER movie in the final battle between Connor and the Kragen (who was played by a pretty damned horrific Clancy Brown). Small world.

I was always worried that the whole Othello, Desdemona, Iago, Cassio (whoops, I mean Goliath) backstory was a bit vague in this episode. Did anyone have problems getting it?

I don't think I'd like to be one of those Goldencup Guards. Coldstone punches one of them out. That's gotta hoit. He just seems fairly unstoppable in that Xanatos-program controlled sequence. I like how that plays.

Matt says to Elisa: "You never let me drive." My wife's reaction: "Was that in homage to me?" My wife, you see, almost always drives when we're together. She gets carsick when anyone else drives. And I don't much care.

Speaking of Matt, we've got that line about him spending six months reading RECAP manuals to justify why a normal detective would be in charge of RECAP in the first place. Just trying to avoid either adding a superfluous character and/or making the situation seem artificial.

Another appearance of the Scarab Corp. Logo, even though Scarab is never mentioned by name. Oh, well...

Coldstone flees the Goldencup. Goliath and Lex pursue, and Coldstone attacks them. Then he immediately stops, when he sees it's Goliath. The problem I always had with that scene is that the lighting made it obvious that it was Goliath from moment one. (Not just to us, but to Coldstone.) If Goliath had been in shadows, it would have played better.

Minutes later Lex asks Goliath if it's wise to take Coldstone into their home: "He hasn't always been your friend." This was, theoretically, a reference not simply to the most recent attack, nor even only to the events of "Reawakening", but also a reference to the pre-Massacre backstory of the actually non-existent love triangle (or square or pentagram if you include Demona) that caused Goliath and Othello to fight way back when. Lex remembers those days too. Othello was always a bit of a hot-head.

I love Goliath's response: "Without trust there can be no clan." And I love that this is part of a Lex/Goliath exchange. It fits in perfectly with the message they taught each other in "Thrill of the Hunt". Gotta take some chances on occasion. Or else you'll always be alone. It's an anti-Demona mentality. Or rather a mentality that is strikingly un-Demona-esque.

From the moment Coldstone premiered in "Reawakening" I knew (that if we survived to a second season) we'd discover that he was created from three Gargoyles. Tried to work that conceptually into the design more, but we never quite achieved it. So basically that becomes something that the audience has to take on trust.

Which brings me to the title "Legion". It's a one-word title which usually is a tip-off that it's one of mine. I know it's a biblical reference. Some possessed guy with a demon/devil inside who goes by the name "Legion". But that's not actually where I got it. When I was a kid, I saw this tv movie based on Mary Shelley's FRANKENSTEIN. It starred Michael Sarazan or Chris Sarandon. (I always used to mix those two guys up.) It was trying to present a more realistic believable version of the Frankenstein story. I was pretty young. And I don't remember too much about it. I do remember that I was supposed to be asleep -- past my bedtime in the days before my parents gave up and I began going to bed long after they were asleep. But instead of being asleep, I was watching it, in the dark, with the volume turned as far down as possible, me sitting right by the set, so I could flip it off if I heard my parents' door opening. (This was long before remote controls were common.) Anyway, the one scene that I really remember is a scene where they put the Monster under hypnosis. The voices of all the people who "donated" body parts begin to speak. And one of them quotes the "Legion" thing from the bible. But I didn't know that. That is I didn't know back then that he was quoting anyone or anything. It just seemed like a very powerful, poetic and humanly true statement. So it wasn't until college that I read that passage in the bible and realized where it was from. Can anyone cite the actual quote? I can't remember where exactly it's from, and I don't feel like searching right now.

Anyway, all this is relevant because Coldstone was ALWAYS our Frankenstein character from the "IT'S ALIVE!" moment to the "Legion" stuff here.

Coldstone calls Hudson "Mentor". That's a "name" I've been long considering for Hudson's "designation" in the DARK AGES prequel spin-off.

Coldstone shoots Goliath at point blank range. Goliath gets up unharmed. A far cry from what happened to G in "Long Way to Morning." Now in the outline and script, it says that Coldstone uses his "concussion cannon" as opposed to his laser cannon. But nothing in the as-aired episode makes that distinction. And so it just looks irresponsible to me. Like suddenly we're saying violence has no repercussions. Did that bother anyone else?

I love the dark comedy of Coldstone going bonkers at Ellis Island. Fighting with himself. I think Michael Dorn did a terrific job playing all four aspects of CS's personality. Which of you figured out what when? I'd like to know.

The Trio has the Recap visor. Now all they have to do is find Goliath, Hudson and Coldstone. How will they do that? "Three guesses?" A very elegant way to explain how in a huge city, they're able to locate three gargoyles.

Kenner's Coldstone toy is a lot of fun. With it's window into Coldstone's soul. And the spinner that allows any of the four personas to take over at random.

Xanatos doesn't even appear until the VERY END of Act Two. And it's not even really Xanatos, just a program designed by him. Normally, I'd say that wasn't playing fair. But I feel like his presence was obvious all-along. (And did David personally design that program. Or did he just put his stamp on it, management-style?)

There's a moment when Goliath, thrilled to see his rookery sister again, hugs Desdemona. She is immediately annoyed, because she knows that hug is prone to misinterpretation. It's a nice little touch in the animation.

I always wondered what if anything Demona thought about that ancient conflict way back when. Was Iago playing her as well? Trying to make her jealous of Desdemona? I think maybe he did try. But wouldn't it be cool if she didn't credit it for a second. If she just knew intuitively that Desdemona didn't present any threat at all to her relationship with G? Because, I feel the opposite is true. That Demona knew intuitively that Elisa DID present a threat. Say what you want for Demona, but her subconscious knows her man.

I love that moment where BOTH Iago and Xanatos are whispering in Othello's ears. Poor slob never stood a chance.

We've got a nice little Xanatos tag in this one too. Certainly not a doozy as in "Leader" or "Metamorphosis", but it's got a nice little kick to it, I think. And that's THREE episodes in a row. X had been busy.

And then I love the last beat back at the clock tower. Goliath has confiscated Coldstone's body, to keep it safe and "among friends" should he/she ever wake up again. I wanted to keep it in the corner from that point until "High Noon". Always present and visible. We didn't for two reasons. First, we figured it would be a bit confusing. The Batcave can get away with the giant penny and other souvenirs from Batman's cases, because there ARE multiple souvenirs. But just having one immobile gargoyle in the background, as cool and creepy as that is, would be horribly distracting for any audience member who missed this one particular episode. And second, we had our tier system. What if "Legion" wasn't ready as scheduled. We couldn't have Coldstone sitting around the clock tower in later episodes that we'd be forced to air first. Talk about disconcerting. So we invented a back room. Where Coldstone, the Grimorum, the Gate and eventually the eye could be stored.

Comments welcome, as usual...


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Cassandra writes...

Okay, I went back an read your rambles on the episodes (Awakenings - Her Brother's Keeper). You felt the moment when Demona revealed her name lacked punch. It did, for me at least, but not because of the scene itself. From the beginning of Awakenings, the gargoyles had a dangerous edge but Demona was the one with the least control over hers. The scene with the Trio decides to scare the peasants, I knew they were "just picking" (even though it was picking that could have gotten dangerously out of hand). But Demona acted like if she could have found an excuse to rip the throat out of Tom's mother, she would have. By Awakenings Part 5, it's chillingly apparant just how ruthless and demonic Demona has become. Besides, it's a great twist on Goliath's earlier name of affection/endearment, Angel of the Night. Angel=light, darkness=night, demon=fallen angel=darkness=night. The scene became one of those moments when everything felt RIGHT. Of course, what else could you name her? moment. The question was just how long ago was she given the name.

When I first saw the expression on Demona's face when she and Goliath reunited in 1994, I sat up. Yeah, she was glad to see Goliath but she was angry too. My thought first seeing it was "Poor Goliath, nothing good is going to come from this." Looking back now, knowing Demona's history, I have to ask did she read the Magus's version of events from the Grimorum? If the Magus recorded things fairly accurately, then she had to realize that Goliath chose suicide instead of trying to raise the eggs alone. If he had stayed with the eggs, she would have returned with a story Goliath would have swallowed and they could have raised the eggs together. She never would have created the Hunter, she never would have met Macbeth, she never would have made the deal with the Weird Sisters, she would have died centuries ago. And in that moment of reuniting, Demona blames Goliath for all of it. She buries it quickly cause she wants to give him a chance to realize why her way is the only way, but it still there. Wow, all that from one line of dialogue.

There's my feedback for the day. Caio.

Greg responds...

Very cool analysis. I like that second paragraph particularly. I hadn't thought of Demona blaming Goliath then-and-there for all of that. Very cool.

Response recorded on July 05, 2000

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Ed writes...

'LONG WAY TO MORNING' comments.

Just like 'TEMPTATION', I loved this first time around. It had Demona, it had the Dark Ages, it had a thrilling chase scene, loads of laser blasting, a lot of atmospheric running water (I love it when running water is used alongside high drama - I don't know why, but it always appeals to me). It's fraught, has a great graveyard scene and lots of cool flashbacks. It shows us Goliath out of action.

But as I go back to it the thing that annoys me most, is Demona. She grates so much! Her dialogue seems to be frustratingly similar throughout.

Also, I felt that the Archmage was weak here. He lacked the conviction and menace that made him such an effective villain in later episodes. Which is probably why I forgot all about him, and by 'VOWS' (which I saw months later first time around, because of the order GMTV showed it) my memory had fogged sufficiently so that I got him confused with the Magus.

Greg responds...

Well, Demona doesn't bother me in this. I like the contrast (and lack there of between the flashback Demona and the modern day). To each his own.

Response recorded on July 03, 2000

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Ed writes...

'TEMPTATION' comments.

Hi, Greg.

When I saw this the first time on GMTV, I was blown away. At least, for months after this was the episode I remembered. It had Brooklyn (whose name I took about 20 episodes to memorise for some reason), and more importantly - it had Demona. I loved Demona here, and I was delighted at the theme of betrayal that flows through here. There's a great sense of hurt. It's really gorgeous.

But watching it the second time and times after, I have to say that I was less impressed. Demona seems to have a stock of classic villainess threats that she doesn't really grow out of in this season. They were great first time, but I'd seen 'LONG WAY TO MORNING' just the episode previously (see my 'THRILL OF THE HUNT' comment) and heard very similar dialogue.

Also, I can't help feeling that the ending was a bit of a con. It was very clever, but the idea that all through CITY OF STONE, HUNTER'S MOON and whatever comes after Goliath is still under a spell from episode 7 (even one that is inactive) doesn't appeal to me much.

Greg responds...

Well, it always was a cheat. Getting off on a technictlity. I thought we could get away with it, and in a way, I think it's sorta cool, from a trivia standpoint, but I was aware that some people wouldn't be pleased. Ah, well...

Response recorded on July 03, 2000

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LSZ writes...

Inspired by your answer to the 'did Demona get Xanatos' Frankenstein reference' question..

1) How much has Demona read of human literature?
2) How much does she know of human religion?
3) Does she watch movies or tv?

Greg responds...

1. A little.

2. More.

3. Rarely.

Response recorded on July 03, 2000

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Aaron writes...

Long Way to Morning.

I love this episode. It's definately one of my top ten. Quite well done overall, but I love it for one reason above the others:

This is the last time we will see Demona like this. No, it's hardly the last time we'll see her being evil, but after City of Stone, (And Vows, to a lesser extent) our perception of Demona changes. Post-COS, Demona's a tortured sociopath who's spent the last 900 years living a painful, screwed-up life. Even if most of that was her own doing, there's still some sympathy factor there. (Of course, this is all just my opinion, others may think differently)

In Long Way to Morning Demona's just *evil*. From her casual "Ciao" to the (she thinks) dying Elisa to... almost everything she says to Hudson, she's just pure and unadulterated badness.

The fight in the graveyard is quite cool, especially the sequence where Demona's wings unfold from behind the angel statue, (complete with sinister flash of lightning) Hudson swings his sword, and it looks like nothing happened... until the statue falls apart, bisected diagonally.

And of course, there's the irony of Hudson's last words to Demona, about patience coming with age, which only shows up the second time through. Demona, of course, being probably nine or ten times older then Hudson, but has still never learned to think things through calmly, rather then charging off in anger.

Greg responds...

That's a refreshing analysis. I like it. Does the flashbacks in "Long Way" to an heroic if pushy Young Demona mitigate or exaserbate her "unaduterated badness".

And there's nothing like a well-placed "Ciao" to indicate villainy, is there?

Response recorded on July 02, 2000

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Andrew Warren writes...

A response to your ramble on "Long Way to Morning."

When I first saw this episode I was enthralled. Hudson has an easy competence about him that reminds me of my father, so I was happy to see him get his time in the sun, or out of it as the case may be. I truly enjoyed watching him be alternately crafty and amazingly physical. That spinning leap with the sword was one of my favorite moves in the series.

Unfortunately, this was an episode that didn't age well. After "City of Stone" Hudson's line about age and waiting really didn't mesh with Demona's background. I'd guess the back story hadn't been filled in when "Long Way to Morning" was written, but it still strikes me as a continuity glitch.

Greg responds...

Not true. I knew Demona's backstory -- or at least the gist of it -- by then. There's no glitch that I can see.

Demona doesn't get what aging's all about. Anymore than Xanatos understands true immortality. Demona escaped growing old. She has no patience for it or much of anything else.

(And don't start with "she was patient with the Medici Tablet". You don't know that.)

Response recorded on June 30, 2000


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