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Aaron writes...

Long Way to Morning.

I love this episode. It's definately one of my top ten. Quite well done overall, but I love it for one reason above the others:

This is the last time we will see Demona like this. No, it's hardly the last time we'll see her being evil, but after City of Stone, (And Vows, to a lesser extent) our perception of Demona changes. Post-COS, Demona's a tortured sociopath who's spent the last 900 years living a painful, screwed-up life. Even if most of that was her own doing, there's still some sympathy factor there. (Of course, this is all just my opinion, others may think differently)

In Long Way to Morning Demona's just *evil*. From her casual "Ciao" to the (she thinks) dying Elisa to... almost everything she says to Hudson, she's just pure and unadulterated badness.

The fight in the graveyard is quite cool, especially the sequence where Demona's wings unfold from behind the angel statue, (complete with sinister flash of lightning) Hudson swings his sword, and it looks like nothing happened... until the statue falls apart, bisected diagonally.

And of course, there's the irony of Hudson's last words to Demona, about patience coming with age, which only shows up the second time through. Demona, of course, being probably nine or ten times older then Hudson, but has still never learned to think things through calmly, rather then charging off in anger.

Greg responds...

That's a refreshing analysis. I like it. Does the flashbacks in "Long Way" to an heroic if pushy Young Demona mitigate or exaserbate her "unaduterated badness".

And there's nothing like a well-placed "Ciao" to indicate villainy, is there?

Response recorded on July 02, 2000