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I have a question about the Avalon Clan and their biological relationships to the Manhattan Clan. I am going to use the "placeholder names" for those Gargs that don't have given names in cannon.
Can we assume that Hudson does not have any biological children there because Hyppolyta, Broadway, and True are his only three offspring?
You've mentioned before that Angela is the only biological child of Goliath's, and she is no longer there, so none for him either.
Brooklyn had at least one brother, Brooksbro...was he and older or younger brother? If older, then there is a potential for him to have a biological sibling on Avelon...is that the case?
Does Lexington have a younger biological sibling on Avelon?
3. Brooksbro is older. (But Brooklyn had MANY brothers and sisters. Stop thinking like a human.)
4. No comment on whether or not Brooklyn has a younger biological sibling among the Avalon clan.
5. No comment.
6. No comment.
I read the gargoyles wiki on how they only have one mate for life but I couldn't find anything about how they actually chose their mates. Is it like a human and they just chose their mate by courting and falling in love with that gargoyle or does it have to do with certain things, like the horns, wing size, color, etc.?
Attraction plays into things, of course. But you saw how Angela and Broadway got together, and there are no RULES, per se.
I'm fairly certain that this has not been asked. My brother and I decided to 'visit the past', and we stayed up all night watching the DVDs and joking around. As a result, I'm sleep deprived and in a rather silly mood. So, here's my question.
What would Broadway's reaction be if he came out of stone sleep and realized that someone had decorated him like a Christmas Tree as a practical joke? I'm curious about how other characters would react, but I'm narrowing it down because...well, as I said, it's a silly question.
I'll leave that to your imagination.
my question must have gotten deleted last time i asked this, because i cant find it anywhere. it was part of a post with a bunch of questions, but this one is the only one i really want to know about, so i hope this one wasnt the one that made it not go through
after his journey through time, does Brooklyn still consider himself a rookery brother to Lexington and Broadway?
also, since he is a generation older than Goliath, does he still consider himself his rookery son?
would he now technically be a rookery uncle to any or all three of them, and Angela?
if so, how does he view his relationship to Hudson, since they cant technically be rookery brothers? (like cousins mabey?)
2. He never did, so no.
4. He still sees Hudson as a mentor/father/grandfatherly figure.
One aspect that I always liked about "Gargoyles" was that most of the individual characters had someone they considered their own personal nemesis.
Brooklyn had Demona (but I doubt she thought enough about him to feel the same, her focus was always on Goliath). Lexington had the Pack (though, again, I doubt they gave him as much thought as again, Goliath). Broadway had Dracon (again, I tend to think Dracon gave Goliath more thought, and especially Elisa).
Actually, while writing this post, it just occurred to me that these people the trio despised probably didn't give them individually all that much thought... kind of says something about how the futility of holding such contempt for someone, only for that other person to probably not spend all that much time thinking about you. See, I love "Gargoyles," I'm always seeing things in new ways.
But I guess what I was originally going to ask, before my little revelation there was this. Did you have any rivalries like that planned with the Redemption Squad?
For Hunter, Demona or John Castaway being her personal nemesis seems like a given. Though I wouldn't be surprised if we get a new character there. Dingo seems to have Falstaff for that role, especially if he ever discovers how his mother died.
Yama, Fang and especially Matrix are harder to pin down for this. I suppose for Yama it could be Taro, but I'm not sure... he seems to blame himself for what he did rather than Taro. Fang doesn't seem to hold any real ill will towards Sevarius. And Matrix doesn't even have emotions and can't take things personally.
Of course, the ultimate example of what you describe in your third paragraph is with Gillecomgain. He's obsessed for years over the gargoyle that scarred him. And when Demona sees his face, she has absolutely no memory of the incident.
As for the Bad Guys characters, things would evolve in the fullness of time.
1 - Were Angela and Broadway still virgins by the time of "Phoenix?"
2 - Goliath and Demona became mates during "Vows", did they lose their virginity that night?
(Both of these are canon-in-training answers, of course.)
Hi Greg, I've been a long time fan and have never had the opportunity to ask this question, but it's a question that I've had since I watched the series in its initial run. Why did Broadway ever end up with Angela? Was it a decision by a particular writer, a shift in the creative team, or something else? Brooklyn seemed to be the logical choice do to fan base, role as second in command, and overall use in stories. In episodes like "The Gathering Part II" and "Turf" Brooklyn seemed to be building a relationship (even a very small one) with Angela. Broadway seemed like the last possible gargoyle to end up with Angela (totally discounting Lex there). And yet he did end up with Angela. I guess this long rant has one simple question behind it, why not Brooklyn?
Our plan was ALWAYS to pair her with Broadway. ALWAYS. It seemed right to us for all characters involved. For more details - CHECK THE ARCHIVES, as I've answered this over and over again.
What is it that convinces Broadway not to destroy the Sun Amulet in the episode "Turf." After learning that it could "leave a lot of gargoyles stone dead," he says, "It should be destroyed!" What changes his mind?
Being unsure of what other ramifications there might be. Instead, he chose to keep it safe.
Soo... did the group dynamics of young justice resemble gargoyles by accident like maybe you didn't realize you were writing them that way. I mean robin is cleary the lexington of the group the smallest and the smartest, and aqualad has goliaths role as the mature leader. And the boys reaction to seeing miss martian for the first time was pretty much the same as the trios to meeting Angela. (who was also new to the city the same way miss martian is new to the planet.)
Uh... gee, when you put it that way, it all seems pretty unoriginal. But I don't actually think your parallels go much beyond the few surface characteristics you've listed. (I mean is Kid Flash supposed to be in any real way like Broadway because they both like food?)
Keep watching and let me know...
Oh, and no, no parallelism was intended.
I was thinking about this earlier, and I'm not necessarily looking for an absolute "THIS IS CANON!" gospel answer, but why do you think Broadway really got into genre flicks like "Showdown"? Or rather, if this would be less abstract, what exactly propelled the decision to make Broadway a genre fan?
Lex and Brooklyn seem to be into that kind of stuff as well (Brooklyn even namedrops Quantum Leap during his first TimeDance), but with Broadway it was a push into a significant portion of his character arc. What about genre fiction resonated with Broadway that didn't quite click with Lexington and Brooklyn (at least, not to the same degree)?
I honestly don't know what to say beyond ... it felt right for Broadway.