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Anonymous writes...
****Blaise crashes through the door.**** Sorry, I'll fix that. Well,
first I wanted to say that I agree with you; the Broadway/Angela relationship
was not rushed. Next, I have a question:
1) When you went through all the Shakespeare plays, you listed MERCHANT OF
VENICE as problematic. Care to expand on that? I ask this because I had
the pleasure of portraying Shylock (an excellent character, in my opinion)
in a production of that play, and I am interested to hear what others
think of it.
2) My second question deals with the Arthurian guessing game (all my ideas
have already been listed, but I'll do them anyway); Are the survivors
Arthur, Merlin, the Lady of the Lake, Percival (sp?), Nimue, Morgan la
Fey, and Bedivere? (NOTE: I would have put "Blaise" on that list, but he is
not as famous or wide-spread a character of Arthurian legends as the rest of
them are) Well, that's about it. Oh, BTW, you're explanation on Hudson's
accent was great. It really makes a lot of sense to me why you did it
that way. Have a nice day! ****Blaise fixes the door on his way out.****
Greg responds...
1. It's a tough play for me, at least. And also historically. For
a century it was performed with the subtitle "The Tragedy of Shylock"
attached. And believe me this wasn't because anti-semitism had fallen away
during those years. The problem is complex, and I'm not sure I can deal
with all of it here, but in a nutshell, the play is wildly anti-semitic...
and so is Shakespeare himself. Except it's highly likely that Shakespeare
never personally knew any Jews. He simply believed what he had been told
about them. And yet... And yet... As much as he wants to make Shylock a
monster, he can't. He imbues Shylock with so much humanity. So much that
even in his villainy, we can't help but root for him. Which would be fine,
except the plays ending doesn't really bare it out. We're also supposed to
root for Portia. Not simply to buy into her "The quality of mercy is not
strained" speech, but also to support her ultimate conclusions against
Shylock, including the forced conversion to Christianity. That's a hard
double road to walk down. Thus, I find the play (not the character of
Shylock) problematic.
2. Nope.
And thanks.
(GDW / 7-21-98)