Greg responds...

1. The writers and story editors worked for me directly.

The actors worked for our Voice Director Jamie Thomason, but I sat right next to Jamie at every recording, so I knew them very well.

The pre-production artists worked under Frank Paur, Dennis Woodyard and Bob Kline, and I largely dealt with those three Director/Producers as opposed to having direct contact with the artists. BUT -- there were tons of exceptions and I got to know many of the storyboard artists fairly well. Plus I had brought our (2nd season) lead character designer Greg Guler onto the show in its development phase. So I worked fairly closely with him.

I also had one on one meetings with our timing directors.

As for the actual overseas production artists. People like Roy, I had no real contact with them. Mostly I left that to Frank, though I occasionally communicated with the head of Walt Disney Japan via FAX.

In post, I worked directly with everyone. Editors, Sound folk, music, etc.

2. There isn't one answer to this. I had a tremendous amount of authority on the first two seasons, but I did have people I answered to. Largely, they gave me pretty free reign. Frank had equal authority. We generally agreed or at least could reach a solution together. Occasionally, whether we agreed on something or not, a decision would go up the ladder.