Todd Jensen writes...

One piece of rambling/thoughts that I've had on Broadway for a while, and finally remembered to post here.

You've mentioned in the past about Broadway being a gentle soul at heart and the most perceptive of the trio (which was a major factor in he being the one who wound up with Angela). One thing that's occurred to me is that Puck must have noticed that, given how he handled Broadway in "Future Tense".

In "Future Tense", Brooklyn and Lexington are both extremely bitter at Goliath for going away for forty years (Lexington, in fact, turns out to be worse than bitter, and I got the impression that Goliath's long absence was a major factor in his turning evil). Broadway, however, welcomes Goliath back gladly, saying that what's important is that he's returned, and mentions that he never gave up hope that Goliath would come back someday. That definitely stood out all the more in contrast to Brooklyn and Lexington's attitude.

Also, Broadway definitely got the most moving death scene in the entire episode ("Yes, the sun. Can't you see it, Goliath? It's beautiful."). I don't consider that just an accident, either. Puck may not be omniscient (definitely not in light of his having to hurriedly invent an explanation for Thailog's absence when he found out from Goliath that Thailog and Demona had been mates), but he's clearly got a good handle on Broadway's character, I'd say.