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Greg, you said in regard to another response to issue 3 -- "To answer your question, I generally view each issue of the comic as being equivalent to one act of an episode. This is not a hard and fast rule, but it seems to be how things are breaking down. I was able to fit my adaptation of "The Journey" into two issues because the first issue had extra pages. But normally, I'll need three issues to do MOST stories justice. (Three acts to a TV episode = three issues of the comic.) Or so it seems. I'll admit that I'm still thinking TOO MUCH in TV terms."
I have to say it's a relief to hear you say you recognize this this because this was precisely my reaction to Issue 3. It felt like an Act 1, all story setup, which is precisely why I can't really make a review on it. Personally, I wouldn't want anyone judging my whole 22 minute episode on just seeing the first act, so why would I do the same?
Though this also opens the door for me to bring up another concern of mine.
Both issues 1 and 2 have things in them that feel like subplots, so that each issue within the arc has some sort of beginning, middle, and end within itself. In Issue 1, the subplot is Vinnie and will he or won't he join the Quarrymen. There's that 'climax' if you will in the few panels when he comes to tell Castaway about the job in Japan and it becomes a will-he-or-won't-he moment (even though his story continues to issue 2, that's the real place where a choice is presented). In Issue 2, the suplot turns to Elisa, where the will-she-or-won't-she question becomes one of how will she respond to Goliath in the aftermath of being attacked before going on the date.
Issue 3 does not have this, as far as I can tell. We track Elisa for a while as she's given input about her relationship (Morgan's shock at not knowing she had someone, Jason encouraging her to have the best relationship possible), makes a decision to see other people, and the natural question becomes will-she-or-won't she start to act on this herself or will she back out. However, the rest of the issue switches to GOLIATH'S POV, providing no sense of resolution within the issue itself and leaving a sense of incompleteness. I am concerned what impact this would leave on anyone reading #3 as a first issue, would they feel they got their money's worth for an individual issue? Not being one myself, I honestly don't know.
As a former student, it's not easy to express concerns to someone who once taught me, especially in such a public forum but this is the only way I know you want to discuss this. Overall, I personally do enjoy what you're doing. But I know you have larger goals (especially regarding readership) and I'm concerned they're not being met as efficiently as maybe they could. I feel the need to at least express those concerns, but ultimately I respect that it is your story.
Well... I don't think I'm doing anything much different there than the other comics I've been reading recently. There's no pretense that issue #3 tells a complete story. (And I think you are really STRETCHING things, saying that #1 or #2 does either.) The issue opens with a radio announcer saying don't worry about any garg saying trick or treat and ends with a garg saying trick or treat that you should really be worried about. For me that presents a level of closure (or at least open-ended closure) that appeals and is satisfying. But you're right, it may not work for everyone. But I can't try to make my stuff work for everyone. I ONLY try to make it work FOR ME. (With a bit of common sense thrown in.) If it works for me, I have hopes it'll work for enough people to make the book a success. If it doesn't work for me, than I feel there's no chance of success for anyone.
So I write to please myself.