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I noticed that in #3 and #4, we got to see a lot of familiar faces from the "minor characters", more than we usually saw in the average episode of "Gargoyles" in its first two seasons. These two issues, put together, included the following cast members (all ones from the first two seasons) besides the clan, Elisa, and the Xanatoses (including Owen): Matt Bluestone, Officer Morgan, Phil Travanti (in the sense that he showed up as Morgan's partner in a couple of episodes such as "Temptation", though unnamed), Margot and Brendan, Agent Hacker, Jason Canmore, Demona, Al, the Mutates (except for Fang), the Clones, Castaway, Thailog, Billy and Susan and their mother, Jeffrey Robbins, Gilgamesh, and Judge Roebling. Perhaps it's only my imagination, but this seems like a larger cross-section of the characters than I remember seeing in the televised episodes.
Does this have anything to do with the fact that you're now telling the story in the medium of a comic book, which means that you don't have to worry about paying voice actors and can thus freely bring more people into each episode? Or is this merely the result of the accumulation of characters in the original 65 episodes? ("The Journey", even in its televised form, itself had a substantial cast, including, alongside the clan, Elisa, the Xanatoses and Castaway, the following figures: Travis Marshall, the Jogger, Vinnie, Sarah Greene, Matt Bluestone, Banquo and Fleance, Margot, and Macbeth.)
It's really a combination of both. As I work on Spider-Man now, I have an on-going fight budgetarily as to how many characters I can put in any given episode... or rather how many actors I can hire. (It helps some when actors double up. For example, if I've got Brooklyn in an episode, I can get Owen for free. But if I also need the Magus, then Jeff Bennett get's a small additional payment. But if I ALSO need Bruno, then Jeff gets a FULL SECOND payment, as if I had hired a second actor to play Bruno. If I also want Matrix, I can get him for free with Bruno. If I also want young Macbeth, though, I need to make a second small additional payment. But if I ALSO need Vinnie, then I'm paying Jeff the same as three full other actors. And so on, heck with folks like Jeff or, say, Kath Soucie, this thing could go on ad infinitum.)
So, yeah, there is a certain liberation that comes with all the voices being in our heads and not behind actual microphones.
Beyond that, there's the scope thing. Look at Joss Whedon's new "Hey, no limits on my special effects or cast of thousands" Buffy comic. Same thing to some extent. I want the scope of the comic to be larger, because that's one of the strengths of that particular medium.
And still, part of it is VERY organic to the universe that we so carefully built through 65 television episodes. Nothing is wasted, and even the smallest character often inspired story ideas for me. (And I've had a decade to muse on all their stories, so frankly things are way MORE planned out now than they were back in the day, when we did plan ahead, but when our deadline pressure on the writing side was so incredibly crushing that often we were lucky as much as we were smart.) So it's natural that more and more of them will begin to have larger and larger roles. Some will whisp away for many issues and reappear when you least expect them. Others will be a constant presense. Others may not survive. Such is life...