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I thought I would check in: what is the current status on more comics? Anything new?
Nothing at the moment. As always, if I know something I won't be shy about letting all of you know. I'll WANT help spreading the word. So really, there's no need to ask. (And ask, and ask, and ask...)
Hey gang,
Well, I've finally caught up with the backlog here at ASK GREG. I'm going to take a short Ask Greg vacation, and then we'll be reopening the site soon... i.e. on the Monday (July 26th) AFTER San Diego Comic-Con 2010.
As always, I ask that before you post a question you do your best to make sure it's not a question that's been answered in the archives already AND that it's not a question that someone posted just before you. You can also try asking your question first in the Station 8 Comment Room, as the fans know a LOT of answers already.
We're just trying to avoid flooding the site with so many questions, that I'm immediately backlogged again.
Meanwhile, I will be at Comic-Con next week. Subject to change, here's my current schedule:
THURSDAY, JULY 22, 2010
10 - 11:30am - Mecha-Nation signing at the Kizoic Booth. (We'll be premiering the first issue.)
FRIDAY, JULY 23, 2010
10:30-11:30 am - Brave and the Bold/Young Justice Panel. (We'll be premiering our first Young Justice footage in a mini-panel jam-packed with revelations!)
2 - 4 pm -Mecha-Nation signing at the Kizoic Booth.
SATURDAY, JULY 24, 2010
11:30am - 1pm - Gargoyles signing at the SLG Booth.
3 - 4 pm - DC Showcase panel. (We'll be previewing some footage from the Green Arrow DVD short that I wrote.)
5:30 - 6:30pm - DC Showcase signing. (Location TBD).
SUNDAY, JULY 25, 2010
10-11am - Mecha-Nation signing at the Kizoic Booth.
11am - 12:30pm - Gargoyles signing at the SLG Booth.
Please stop by and say hello!
Hey Greg,
I'm rewatching Gargoyles on YouTube right now. I have to say that one of my favorite characters in MacBeth, if for no other reason than he's voiced by John Rhys-Davies. In the modern day with the comics, do you still imagine the characters' voices as being that of the voiced actors who played them all those years ago? Do you still imagine Goliath as Keith David, or as something else?
Of course, I imagine the original voices.
after you did all 3 seasons are you think season 4 or as 3 . as 1990 in 1994 it was on i want a fan in 15 years i was't what are you going for me now . wane are you put bake on the air .
I'm not at all clear what you are saying or asking.
The decision to "bake" isn't up to me. But check out the trade paperbacks; they're pretty well-baked.
Has there been any word yet on whether there will be a third Gargoyles graphic novel?
No news.
You've probably gotten this question 1 million times by now, but I'll ask anyway since I've tried to find it and haven't.
Is the gargoyles comic officially over, since the gatherings and fanbase have been down?...and if this question has been asked, could you link me to a couple of people who have asked it?
The comic is officially over for now, but I haven't given up on bringing it back.
Hey Greg,
I'm sure it's cliche and you're tired of hearing it by now, but I loved Gargoyles as a kid and continue to do so...I guess there's no need to go into any more detail than that. Just wanted to start off by saying thanks for all the hard work.
Anyways, onto the questions:
1. With the Marvel/Disney merger, what are the odds now that we'll see you pick up where you left off on the Gargoyles comic?
2. Does SLG still own all the rights to the comics you wrote for them or is it all owned by Disney and thus now a part of Marvel as well?
Now that the semi-practical questions are out of the way, time for my far nerdier side to kick in:
3. If asked to do a Marvel/Gargoyles crossover, who would be your first choice in Marvel character to cross over with? And since it's likely to be Spidey, who's your second?
4. Have you been approached about bringing Gargoyles into a future Kingdom Hearts game?
Thanks,
Phil
1. I don't know that the Marvel merger has any effect on Gargoyles.
2. For starters, Disney owns Marvel, not the other way around. Marvel has no control or say over Gargoyles. But I don't know the specifics of the Disney/SLG deal or who owns the reproduction rights. I do know that Disney maintains ownership of the intellectual property including anything added in the comics.
3. Uh... I'm not that excited about the idea at all. But I guess the Defenders.
4. No.
Loved the trades, loved the single issues. Assuming that more stories will be published, (and I certainly hope so), is there any thought to releasing trades the size if the original art?
There's been some talk. Nothing definite.
Disney as of recent bought out Marvel. That in mind will Marvel release thier comic adapton to Gargoyles as a graphic novel?
I doubt it.
If SLG doesn't continue to make Gargoyles comics do you think that you could move over to BOOM! Studios, who now make Disney comics? or would Disney give you the chance to continue the comics there?
I have no idea.
Hi Greg. A quick response on your "accessibility" ramble. I actually really appreciated the way you approached it in the comics. It was handled in a very classy way that wasn't redundant or insulting for existing fans. In fact, the spread in Issue #1 was elegant, fit the story well, and was a fun extension of the opening credits monologueâ"which, of course, was intended to bring new fans up to speed in the first place, and ended up becoming a touchstone for the loyal existing fans. I feel like the same was accomplished here (the spread, Al's story, etc.), and as someone mildly irritated whenever a story feels it has to "talk down" to me, I appreciate it.
Well, I tried.
now that disny has reportedly purchest marvel do you think or hope that there is anny chance of restarting the commics, i certanly hope so and i wonder if this is why disny didn't continue them at SLG.
thank you for your time sincerly a gargoyles fan :)
I've answered this before. Check the archives.
I don't know if people have asked you this, but anyway -- with Marvel now part of Disney, would you write more Gargoyles stories assuming that Marvel decides to revive the Gargoyles comic series, maybe do some limited series for the spin-offs?
It's been asked and answered. Check the archives for a more detailed answer, but the short answer is... for now, I'm sticking with SLG, as they currently represent our best chance of getting more comics.
Of the stories in the gargoyle comics that were originally planned for the television show such as the stone of destiny and double date stories, how much of what appeared in print was conceived during your time as the producer of the show and how much was developed as you started writing the story for the comic?
Was the Double Date story always suppose to feature the return of Thailog and was the Stone of Destiny story intended to be always non linear or for that matter to show that the Stone had multiple vessels?
The broad strokes have all been in my head for years. Little details were ALL worked out at outline and script, i.e. relatively recently.
What do you think about the Disney Marvel merger? Do you think it will change anything for you(or in other words you're struggle to get more episodes of Gargoyles made)? Do you think we will see you're gargoyles comics published by Marvel in the future?
1. I'm withholding judgement.
2. I don't know.
3. No.
I know that whether any more Gargoyles trades are made by SLG depends in large part on the sales of the existing trades. Did Dan Vado give you any specific numbers (or even ballpark figures) of how many copies of the trades need to be sold so that SLG will consider approaching Disney to make more Gargoyles trades? If he did, what are those numbers/figures/estimates? Also, I don't know how closely you keep up with the sales of the trades, but can you tell us approximately how many have been sold so far so that we know how close we are to potentially meeting the goal so that we might get new trade paperbacks in the future?
He did not give me specific numbers, relative either to his expectations or to actual sales. But clearly the numbers warrant the fact that he's now (still) in the process of trying to secure the license again from Disney.
Will Disney buying Marvel Comics mean anything for the Gargoyles comic book series?
I don't think so, but I don't know.
Hi Greg
The two Gargoyles & Bad Guys TPB volumes are currently winging their way to me via the net. Do you know if there is any chance that the Marvel series will be reprinted (maybe by SLG, in the fashion that Dark Horse reprint Marvel's old Star Wars stuff). I know you weren't directly involved with that run, but I was just wondering if you were in the loop. Thanks for the hard work.
No idea.
Not sure whether this could be classed as a question, or whether it's more a suggestion. Have you ever thought of setting up a donations button to raise money for the gargoyles comic? Maybe as incentive have a draw at the end of each comic that allows the winner to have a character (either thier own design or one from the series) drawn for them by the current artist of that comic.
It's a thought.
Dear Greg,
I just finished reading Clan Building Vol. 2 and I wanted to know, will there be more Gargoyle trade paperbacks? I know there is one for Bad Guys coming out, but I wanted to know about stories concerning the main Gargoyles. Also, speaking of Bad Guys, how many issues will be in the trade? Lastly, I thought the trade rushed Brooklyn's time traveling story, will there be a trade paperback to cover what wasn't told? Thanks so much for giving fans the unpublished issues.
Bad Guys Trade is out. Contains six issues worth of content, including covers.
Brooklyn's story wasn't all that rushed to my mind. IF you're asking about his ENTIRE time-travel journey, then please understand there was NEVER any intent to show all of that here. That story takes place over FORTY YEARS of continuity. I hope to tell more of it eventually, but let's be honest -- there's no way I'm ever going to cover all forty years in my lifetime.
And, yes, I hope there will someday be more Gargoyles trades. Dan Vado and SLG are working on that now.
What Gargoyle arc would you say was the most enjoyable to write? I don't mean this as a question of 'favorites', but what do you think really made you pat yourself on the back more than normal?
Uh... I don't know. The prep on the "Rock" arc was extensive, so completing that was... a relief.
Truth is, I'm pretty proud of all the so-called canon Gargoyles work. (Maybe too much so.)
"Vic Cook and I will be signing promotional postcards and talking about MECHA-NATION, our new comic book series (with Greg Guler and Antonio Campo). This was a project that was seen at a couple of Gatherings and was previously announced with SLG. Unfortunately, SLG had to bail, but the good folks at APE scooped it up. "
Hi Greg,
I realize that SLG has been good to the Gargoyles fandom, and that you seem to have a great working partnership with them. That said, while I don't want to disrespect SLG or anything like that, if they can't make continuing Gargoyles financially feasible, is there any chance that the comics might be able to continue at APE?
I don't know if Ape is interested, but I KNOW SLG is. So what's the point of jumping ship -- even hypothetically -- now?
I know that Disney isn't totally giving up on the Gargoyles franchise, but is there anything specific they are giving up on? And is there anything special in the future for Gargoyles? Because i am getting a little tired of the same episodes and comics. Thanks for taking the time to read this.
You're ALREADY tired of the comics? Some of them JUST came out.
Disney has no current plans for Gargoyles. The good news is SLG is still interested in making more Gargoyles and Gargoyles-related comics, but need to make a new licensing deal with Disney before they/we can start.
Dear Greg,
I have watched Gargoyles ever since it came on back in the nineties. It was a shame to see it end with the Goliath Chronicles... Will you try to revive the show, and if you do, when?
We have revived it... as comics. Please pick up the three trade paperbacks.
So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.
And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.
I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.
And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.
Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.
Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.
Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.
Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.
Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.
You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.
Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.
Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.
Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.
My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.
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